Sapphic / WLW Romance Books (that fit popular tropes!)

DEAD BOY DETECTIVES

Deadline: September 30th, 2024 Payment: $125 - $200 Theme: Weird tales set in the Victorian period that explore the human (and inhuman) experience through the lens of horror. LEVIATHAN: Submission Brief Sentinel Creatives has opened up for submissions for “LEVIATHAN: An Anthology of Industrial Horror.” Deadline for Submissions: 30 September 2024 Wordcount: 3,000 - 6,000 Remuneration: $125 - $200 Simultaneous Submissions: Yes WHAT WE’RE LOOKING FOR We’re looking for original weird tales set in the Victorian period that explore the human (and inhuman) experience through the lens of horror. Some clarifications: Victorian: There is a tendency to view the Victorian Age as beginning and ending with the reign of British monarch Queen Victoria (1837-1901), but this is so strict as to be crude. Rather, the period will be what is referred to as The Long Nineteenth Century (1789-1914), which begins with the French Revolution and ends just short of World War I. This expanded timeframe serves to foreground the transformations that took place within British society and brings those changes into stark relief. This period usually takes England as its geographical norm, and often a particular city: London. But for the purposes of this anthology, the region will also include Scotland, Ireland, Wales, as well as India and the furthest reaches of the British Empire. There is considerable scope here, and the period is rich in conflict and upheaval, which any excellent story cannot do without. Show us primitive science, at once enlightened and profane, the obscure craft of learned mutilators who frighten all, even the dead. Or the Resurrection men, who do their bidding by midnight, and fear more moonlight than the noose. Give us tales of strife and privation, loss and alienation; rural homesteads replaced by hypnotic topographies of stone and glass, cloaked in smog; of choking workhouses and tumbledown tenements. Show us who built this world, mixing mortar with bone, but won’t inherit it. Take us where rail and steam cannot, where clockwork minds are set adrift from empire—from themselves. Give us immigrant tales: ex-lives, diasporic fugitives—what did they leave behind, and what did they bring with them? Give us your silent biographies of the obscure and unseen. The Menagerie: What makes this period particularly special for us is that, without it, contemporary horror would simply not exist—at least, not as we know it. Here, the canon of horror prose fiction was born, not least its blighted offspring: weird fiction. Its menagerie of monsters has endured, too. I speak here of pale bloodsucker, vengeful spirit, and shambling undead, to name a few. Each one hints at the myriad anxieties peculiar to the Victorian mind: disease, death, immigration, poverty, science, the brute pace and condition of life, and in the background, the steady decline of religious faith. These beloved critters have been written about endlessly, such that even the classics have an already-read quality. They’ve also been filmed for modern audiences millions of times, and in ways that bear ever less resemblance to the novels. When something becomes familiar, it loses its ability to shock and unsettle. In other words, we’re not looking for stories that rewrite the classics, specifically vampire stories. Horror: It now feels trite to say, but good horror is about trespass and transgression more so than it is about transcendence. It confronts themes, images, and ideas that people would rather avoid than confront but elicits in the reader a sense that they cannot look away. Weird: The term “weird” should be understood to mean a certain sense of breathless and unexplainable dread, of outer, unknown forces present, a suggestion of the defeat or suspension of the laws of nature which have hitherto served to protect our minds and bodies (and souls) from the assault of chaos. By its very nature, weird fiction should invoke in the reader a sense of profound uneasiness and dread,

it should hint at the inability of the human mind to comprehend the true nature of existence, and it should cause us to question the stability of our faith in the established laws of nature. REMUNERATION All accepted stories will be paid for upfront! Accepted stories can expect between $125-$200. In exchange, we ask for exclusive rights to publish the story. Said rights will maintain for the duration of one year. After that, we retain the non-exclusive rights to the story, but you're welcome to submit and publish elsewhere after that! SUBMISSION GUIDELINES Send your submissions to: [email protected] with the subject “LEVIATHAN SUBMISSION”. All manuscripts should be sent as a Word document. Our preference is for Times New Roman or another clearly legible text. Submissions should be between 3,000 and 6,000 words. This is not a hard limit, but preference will be given to those stories that meet this requirement. Please include a short summary of the story in the body of the email, as well as a short bio and a list of any previously published works. We're looking for original works that have not been previously published! We accept simultaneous submissions! ABOUT US If you’re unfamiliar with Sentinel Creatives, we’re an indie publishing and production house based in Cape Town, South Africa. We maintain a weekly Substack profile, a monthly podcast show, as well as more traditional publishing roles! Though our focus is on books, we have moved into the audiobook and radio-play sphere, and our larger projects include various other creative endeavours (illustration, sculpting, painting, composing etc.) Via: Sentinel Creatives.

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Happy Lesbian Visibility Day 2024!

Happy Lesbian Visibility Day 2024! We’re celebrating with these lesbian protagonists, and you can too! For more recs, check out past years’ posts!  Young Adult We Got the Beat by Jenna Miller Jordan Elliott is a fat, nerdy lesbian, and the first junior to be named editor in chief of the school newspaper. Okay, that last part hasn’t happened yet, but it will. It’s positive thinking that has gotten…

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Exclusive Cover Reveal: Bitterbound by A.Z. Louise

Today on the site I’m delighted to reveal the cover for Bitterbound by A.Z. Louise, a bi4bi Adult m/f Fantasy Romance releasing July 16, 2024! Here’s the story:  A PROMISE SEALED IN FLESH AND BLOOD Kin Jole is an indentured assassin, forced to serve those who ripped her soul from her body and stripped her of her conscience. When Kin is ordered to kill Verias Hartwell, a beaten-down sorcerer…

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The devastating difference between how much time it takes to write something vs how fast people read it lol

Coming Soon: May Trope Mayhem 2024!

It’s almost time for May Trope Mayhem!

What is May Trope Mayhem? It’s Duck Prints Press’s annual multi-fandom/original work creation event! Our creators have shared their favorite tropes, and we’ve picked 30 (+1 free day!), one per day of May to make an awesome, fun, diverse list of prompts to inspire your creativity. Come May 1st, we invite everyone to create a ficlet, artwork, gif set, photo montage, or whatever else they feel like, inspired by the trope of the day. We’re open to any fandom or no fandom at all, original characters and old faves, any ship (yes even that one) or no ship or reader inserts or, or, or… basically, if you can imagine it, we can accommodate it!

This year marks our fourth-annual May Trope Mayhem. Curious about the event? You can learn some by checking out our previous three years!

the 2021 May Trope Mayhem list and rules

the 2022 May Trope Mayhem list and rules

the 2023 May Trope Mayhem list and rules

the AO3 Parent Collection

The rules for 2024 will be about the same as in the past, so the only big change will be in the tropes – some are repeats, some are not. And of course day 31 is still a free day – we’d love to know YOUR favorite trope, especially if it it doesn’t end up our list for this year!

The 2024 list goes public on May 1st. Mark your calendars, tell yours friends, and get ready to create with us! And follow us on social media to make sure you don’t miss a thing!

Backers on Patreon can see the list early! It’s up now – become a backer and check it out.

💖 Sapphic Books Coming Out April 2024

🩷 There's something especially sweet about a sapphic romance. Here are only a few of the amazing sapphic books hitting shelves in April 2024. Which ones are you adding to your ever-growing TBR?

💖 What's your favorite sapphic book?

[ List below. ]

Contemporary 💖 A Happy Good Girl - Marissa Higgins 💖 A Case for Discretion - Ashley Moore 💖 Thawing the CEO - Emily Hayes 💖 Aubrey McFadden Is Never Getting Married - Georgia Beers 💖 The Broken Lines of Us - Shia Woods 💖 Rainbow Overalls - Maggie Fortuna 💖 Here Come the Brides - Micheala Lynn 💖 Houseswap 101 - Jaime Clevenger 💖 Sweet on You - Shannon O'Connor 💖 Sing, I - Ethel Rohan 💖 Light Betrays Us - Greta Rose West 💖 Moving Hearts - Nicole Higginbotham-Hogue 💖 The Last Love Song - Kalie Holford 💖 Playing For Keeps - Jennifer Dugan 💖 Truly, Madly, Deeply - Alexandria Bellefleur 💖 Finally Fitz - Marisa Kanter 💖 Every Time You Hear That Song - Jenna Voris 💖 Women! In! Peril! - Jessie Ren Marshall 💖 Revisiting Summer Nights - Ashley Bartlett 💖 Leather, Lace, and Locs - Anne Shade 💖 So Long Sad Love - Mirion Malle 💖 Girls Night - I.S. Belle 💖 Here We Go Again - Alison Cochrun 💖 Pillow Talk - Stephanie Cooke, Mel Valentine 💖 Good Bones - Aurora Ray 💖 Crash Landing - Li Charmaine Anne 💖 Winnie Nash Is Not Your Sunshine - Nicole Melleby

Paranormal/Horror 💖 Bloodline - Jenn Alexander 💖 Grey Dog - Elliott Gish 💖 Cranberry Cove - Hailey Piper 💖 Court of Wanderers - Rin Chupeco 💖 Something Kindred - Ciera Burch 💖 Blood City Rollers - V.P. Anderson, Tatiana Hill

Fantasy 💖 Call Forth a Fox - Markelle Grabo 💖 Someone You Can Build a Nest In - John Wiswell 💖 Off With Their Heads - Zoe Hana Mikuta 💖 Calling of Light - Lori M. Lee 💖 To a Darker Shore - Leanne Schwartz 💖 The Final Curse of Ophelia Cray - Christine Calella 💖 Saint-Seducing Gold - Brittany N. Williams 💖 A Sweet Sting of Salt - Rose Sutherland 💖 Darker by Four - June C.L. Tan 💖 The Map That Led to You - Ella McLeod 💖 The Merciless King of Moore High - Lily Sparks

Historical 💖 Lighthouse Keeper - Eliza Lentzski

Mystery/Thriller 💖 Rough Trade - Katrina Carrasco 💖 Molten Death - Leslie Karst 💖 Eye of the Ouroboros - Megan Bontrager 💖 Text Me When You Get This - Frances Lucas 💖 Paige Not Found - Jen Wilde

Sci-Fi 💖 Moon Dust in My Hairnet - J.R. Creaden 💖 Hearts Still Beating - Brooke Archer 💖 Harley Quinn: Redemption - Rachael Allen 💖 In Universes - Emet North

How to Edit an Over-Length Story Down to a Specific Word Count

One of the most wonderful things about writing as a hobby is that you never have to worry about the length of your story. You can be as self-indulgent as you want, make your prose the royalist of purples, include every single side story and extra thought that strikes your fancy. It’s your story, with no limits, and you can proceed with it as you wish.

When transitioning from casual writing to a more professional writing milieu, this changes. If you want to publish, odds are, you’ll need to write to a word count. If a flash fiction serial says, “1,000 words or less,” your story can’t be 1,025 and still qualify. If a website says, “we accept novellas ranging from 20,000 to 40,000 words,” your story will need to fall into that window. Even when you consider novel-length works, stories are expected to be a certain word count to fit neatly into specific genres - romance is usually around 80,000 words, young adult usually 50,000 to 80,000, debut novels usually have to be 100,000 words or less regardless of genre, etc. If you self-publish or work with a small press, you may be able to get away with breaking these “rules,” but it’s still worthwhile to learn to read your own writing critically with length in mind and learn to recognize what you do and do not need to make your story work - and then, if length isn’t an issue in your publishing setting, you can always decide after figuring out what’s non-essential to just keep everything anyway.

If you’re writing for fun? You literally never have to worry about your word count (well, except for sometimes in specific challenges that have minimum and/or maximum word counts), and as such, this post is probably not for you.

But, if you’re used to writing in the “throw in everything and the kitchen sink” way that’s common in fandom fanfiction circles, and you’re trying to transition only to be suddenly confronted with the reality that you’ve written 6,000 words for a short story project with a maximum word count of 5,000...well, we at Duck Prints Press have been there, we are in fact there right now, as we finish our stories for our upcoming anthology Add Magic to Taste and many of us wrote first drafts that were well over the maximum word count.

So, based on our experiences, here are our suggestions on approaches to help your story shorter...without losing the story you wanted to tell!

Cut weasel words (we wrote a whole post to help you learn how to do that!) such as unnecessary adverbs and adjectives, the “was ~ing” sentence structure, redundant time words such as “a moment later,” and many others.

When reviewing dialog, keep an eye out for “uh,” “er,” “I mean,” “well,” and other casual extra words. A small amount of that kind of language usage can make dialog more realistic, but a little goes a long way, and often a fair number of words can be removed by cutting these words, without negatively impacting your story at all.

Active voice almost always uses fewer words than passive voice, so try to use active voice more (but don’t forget that passive voice is important for varying up your sentence structures and keeping your story interesting, so don’t only write in active voice!).

Look for places where you can replace phrases with single words that mean the same thing. You can often save a lot of words by switching out phrases like “come back” for “return” and seeking out other places where one word can do the work of many.

Cut sentences that add atmosphere but don't forward the plot or grow your characters. (Obviously, use your judgement. Don't cut ALL the flavor, but start by going - I’ve got two sentences that are mostly flavor text - which adds more? And then delete the other, or combine them into one shorter sentence.)

Remove superfluous dialog tags. If it’s clear who’s talking, especially if it’s a conversation between only two people, you can cut all the he saids, she saids.

Look for places where you've written repetitively - at the most basic level, “ ‘hahaha,’ he laughed,” is an example, but repetition is often more subtle, like instances where you give information in once sentence, and then rephrase part or all of that sentence in the next one - it’s better to poke at the two sentences until you think of an effective, and more concise, way to make them into only one sentence. This also goes for scenes - if you’ve got two scenes that tend towards accomplishing the same plot-related goal, consider combining them into one scene.

Have a reason for every sentence, and even every sentence clause (as in, every comma insertion, every part of the sentence, every em dashed inclusion, that kind of thing). Ask yourself - what function does this serve? Have I met that function somewhere else? If it serves no function, or if it’s duplicative, consider cutting it. Or, the answer may be “none,” and you may choose to save it anyway - because it adds flavor, or is very in character for your PoV person, or any of a number of reasons. But if you’re saving it, make sure you’ve done so intentionally. It's important to be aware of what you're trying to do with your words, or else how can you recognize what to cut, and what not to cut?

Likewise, have a reason for every scene. They should all move the story along - whatever the story is, it doesn’t have to be “the end of the world,” your story can be simple and straightforward and sequential...but if you’re working to a word count, your scenes should still forward the story toward that end point. If the scene doesn’t contribute...you may not need them, or you may be able to fold it in with another scene, as suggested in item 6.

Review the worldbuilding you’ve included, and consider what you’re trying to accomplish with your story. A bit of worldbuilding outside of the bare essentials makes a story feel fleshed out, but again, a little can go a long way. If you’ve got lots of “fun” worldbuilding bits that don’t actually forward your plot and aren’t relevant to your characters, cut them. You can always put them as extras in your blog later, but they’ll just make your story clunky if you have a lot of them.

Beware of info-dumps. Often finding a more natural way to integrate that information - showing instead of telling in bits throughout the story - can help reduce word count.

Alternatively - if you over-show, and never tell, this will vastly increase your word count, so consider if there are any places in your story where you can gloss over the details in favor of a shorter more “tell-y” description. You don’t need to go into a minute description of every smile and laugh - sometimes it’s fine to just say, “she was happy” or “she frowned” without going into a long description of their reaction that makes the reader infer that they were happy. (Anyone who unconditionally says “show, don’t tell,” is giving you bad writing advice. It’s much more important to learn to recognize when showing is more appropriate, and when telling is more appropriate, because no story will function as a cohesive whole if it’s all one or all the other.)

If you’ve got long paragraphs, they’re often prime places to look for entire sentences to cut. Read them critically and consider what’s actually helping your story instead of just adding word count chonk.

Try reading some or all of the dialog out loud; if it gets boring, repetitive, or unnecessary, end your scene wherever you start to lose interest, and cut the dialog that came after. If necessary, add a sentence or two of description at the end to make sure the transition is abrupt, but honestly, you often won’t even need to do so - scenes that end at the final punchy point in a discussion often work very well.

Create a specific goal for a scene or chapter. Maybe it’s revealing a specific piece of information, or having a character discover a specific thing, or having a specific unexpected event occur, but, whatever it is, make sure you can say, “this scene/chapter is supposed to accomplish this.” Once you know what you’re trying to do, check if the scene met that goal, make any necessary changes to ensure it does, and cut things that don’t help the scene meet that goal.

Building on the previous one, you can do the same thing, but for your entire story. Starting from the beginning, re-outline the story scene-by-scene and/or chapter-by-chapter, picking out what the main “beats” and most important themes are, and then re-read your draft and make sure you’re hitting those clearly. Consider cutting out the pieces of your story that don’t contribute to those, and definitely cut the pieces that distract from those key moments (unless, of course, the distraction is the point.)

Re-read a section you think could be cut and see if any sentences snag your attention. Poke at that bit until you figure out why - often, it’s because the sentence is unnecessary, poorly worded, unclear, or otherwise superfluous. You can often rewrite the sentence to be clearer, or cut the sentence completely without negatively impacting your work.

Be prepared to cut your darlings; even if you love a sentence or dialog exchange or paragraph, if you are working to a strict word count and it doesn't add anything, it may have to go, and that's okay...even though yes, it will hurt, always, no matter how experienced a writer you are. (Tip? Save your original draft, and/or make a new word doc where you safely tuck your darlings in for the future. Second tip? If you really, really love it...find a way to save it, but understand that to do so, you’ll have to cut something else. It’s often wise to pick one or two favorites and sacrifice the rest to save the best ones. We are not saying “always cut your darlings.” That is terrible writing advice. Don’t always cut your darlings. Writing, and reading your own writing, should bring you joy, even when you’re doing it professionally.)

If you’re having trouble recognizing what in your own work CAN be cut, try implementing the above strategies in different places - cut things, and then re-read, and see how it works, and if it works at all. Sometimes, you’ll realize...you didn’t need any of what you cut. Other times, you’ll realize...it no longer feels like the story you were trying to tell. Fiddle with it until you figure out what you need for it to still feel like your story, and practice that kind of cutting until you get better at recognizing what can and can’t go without having to do as much tweaking.

Lastly...along the lines of the previous...understand that sometimes, cutting your story down to a certain word count will just be impossible. Some stories simply can’t be made very short, and others simply can’t be told at length. If you’re really struggling, it’s important to consider that your story just...isn’t going to work at that word count. And that’s okay. Go back to the drawing board, and try again - you’ll also get better at learning what stories you can tell, in your style, using your own writing voice, at different word counts. It’s not something you’ll just know how to do - that kind of estimating is a skill, just like all other writing abilities.

As with all our writing advice - there’s no one way to tackle cutting stories for length, and also, which of these strategies is most appropriate will depend on what kind of story you’re writing, how much over-length it is, what your target market is, your characters, and your personal writing style. Try different ones, and see which work for you - the most important aspect is to learn to read your own writing critically enough that you are able to recognize what you can cut, and then from that standpoint, use your expertise to decide what you should cut, which is definitely not always the same thing. Lots of details can be cut - but a story with all of the flavor and individuality removed should never be your goal.

Contributions to this post were made by @unforth, @jhoomwrites, @alecjmarsh, @shealynn88, @foxymoley, @willablythe, and @owlishintergalactic, and their input has been used with their knowledge and explicit permission. Thanks, everyone, for helping us consider different ways to shorten stories!

Did you know? So far this April, Duck Prints Press has put out 10, yes t.e.n., new short stories? Two to our website, and eight to our Patreon! Learn all about them now...

Website Releases

Title: Foundations Author: Johnathan Stern

F/F, Science Fiction, Meet Cute on Mars

Addison is browsing the stacks of the Valles Marineris Coprates Chasma University Memorial Library when she's shocked to find someone looking for the same obscure book about the history of space travel that is.

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Title: Worlds Apart (but Still Close) Author: Sanne Burg

F/M and M/M to F/M/M, Urban Paranormal, Confessions of Mutual Attraction, When in Doubt Fuck it Out

Flo is consistently frustrated with how her boyfriend Arthur's bodyguard Kacen is always watching her suspiciously. But when she discovers Arthur and Kacen in bed together, it casts a whole new light on the relationships between the three of them, and Flo finds herself considering possibilities that had never dawned on her before.

Patreon Releases

Title: Coffee For My Valentine? Author: Cedar McCafferty-Svec

F/F, Contemporary Romance with a Splash of Magic, Bookshop-slash-Coffee-Shop Meet-Cute, Heat Resistance for the Win

Valentine's day is invariably a disaster for Nissa. And when she starts this Valentine's work day by spilling coffee all over a new customer?

Maybe she should have just stayed in bed this morning.

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Title: Glass Slipper: A Dance Author: Cedar McCafferty-Svec

F/NB, Fantasy, Dating Royalty is Hard Even if Your Stepmother Isn't Evil, Attraction at First Sight, Getting to Know One Another

Going to the ball was Marienne's dream, but it still never occurred to her that she'd catch the eye of the Royal Heir Apparent. Their dance is a dream come true, and their walk around the gardens together helps demonstrate they could have a future together even putting perfect first-dances aside, but that doesn't mean things will be easy.

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Title: Into the Wyvern's Lair Author: Mikki Madison

F/F (Pre-Relationship), Fantasy, the Inherent Eroticism of Being Competing Mercenaries After the Same Mark (and the Same Pay Day)

Usually, Kella wouldn't take a job from a tiny podunk town in exchange for the risks of facing wyvern, but they're offering 25 gold pieces, and that's too much to resist. She doesn't expect the job to be that hard - it's not her first time facing a wyvern - but she also doesn't expect competition, in the form of a stubborn mage who has been hired by the same town at the same rate. But what she really doesn't expect is the wyvern...

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Title: Washer Wars: A Laundromat Feud Author: Samantha M. Piper

F/F, Contemporary Romance, Meet-Awkward, Sometimes the Only Difference Between Fighting and Flirting is Point of View

Every Saturday morning, before the crack of dawn, Dee goes to the laundromat to do her laundry alone and in the quiet, with her pick of the available machines.

Until the morning she's not alone anymore.

Truly, she doesn't know what's worse: the loss of her solitude, or that this intruder has taken the biggest washer.

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Title: Fool's Gold Author: Eliot Lovell

M/M (Pre-Relationship), Fantasy, Dragon Hordes and Lifelong Dreams, Hurt/Comfort

When Tomas sets off to defeat a dragon, he does so despite the aches and pains of growing older and a bum hip. Little does he expect that his attempt to be a valiant hero will be derailed prematurely when he's set upon by wolves. After they leave him unconscious in the woods, the last thing he expects is to be rescued and nursed to help. But he has one burning question: who found him, and why?

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Title: Escape Author: Sanne Burg

F/M + F/M Established Relationship with Partner Swapping, Contemporary Romance, Middle-Aged Characters, Friends with Benefits to Lovers

Anxiety means that it doesn't take much to push Liam into needing some quiet time to himself, and he's so appreciative of his wife Alice taking the initiative to get him that quiet time.

He's slightly less appreciative when their friends-with-benefits partner-swap married friends Dan and Lola show up, especially considering that it was finding RPF fanart of him and Dan having sex that triggered Liam's anxiety in the first place...

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Title: Old Kings and New Author: Lyonel Loy

M/M, Fantasy, Omega/Omega, Middle-Aged Characters, Bonding Over Shared Favorite (Rape Fantasy) Books

No one in their right mind would name Isemund king, but he's the only heir left, and so the council names him and then flees before the conqueror Caith can seize the castle.

Isemund is prepared to die at the hands of the invader.

Caith has other plans in mind.

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Title: Georgia Rain Author: R. L. Houck This is a sequel to the Patreon-exclusive story "Pretty 7 Days a Week"

F/NB, Contemporary Suspense, Reunion after a Long Separation, They Work Hard for the Money, You'll Never Guess How This Sex Romp Gets Interrupted...

Four years after the events of Pretty 7 Days a Week, Tomas, who has changed their name to Aster, has built themself a new, better life no longer working on the streets.

The last thing they expect is for Lydia to come sweeping back into their life. It's also the last thing they want...or so they keep trying to tell themself...

So, Looking for New Queer Short Stories to Read? Visit Our Webstore and Become a Patreon Backer Now!

When Witches Dance is about a cottage core lesbian wedding, and to celebrate it's upcoming release I've down a round up of other books with similar vibes.

Do you guys have any fliers or materials handy that people can print off to hand out to spread the word that way? I was thinking of making one for some queer friendly and queer owned businesses in my area if not, but I thought I'd check (and make sure it was also cool with you guys to spread the word that way). Just explaining what the project is and how to sign up.

Hello! indeed we do.

go nuts! paste these up/hand out any/everywhere you’d like

🌙 Books for Arab American Heritage Month 🌙

🌙 Good morning, bookish bats, and Eid Mubarak to those who are celebrating. Eid al-Fitr ("the feast of breaking the fast") marks the end of Ramadan, an Islamic holy month of fasting and sacrifice. April is also Arab American Heritage month, which celebrates the 3.7 million Arab Americans across the country. This is an opportunity to combat Anti-Arab bigotry by challenging stereotypes and prejudices.

✨ One of the best ways to do so is to read books ABOUT Arab Americans. To help, here are a few books for Arab American Heritage Month you can read, discuss, or add to your ever-growing TBR!

[ List under the cut. ]

✨ Growing up, I didn't have books that represented my experiences as an Arab or Muslim American. My friends didn't have stories to read that could help them understand my perspective. With that in mind, I added children's books on the last slide, for the moms out there searching for diverse books--books that allow us to empathize and understand different perspectives and experiences.

🌙 A Woman Is No Man - Etaf Rum ✨ The Other Americans - Laila Lamami 🌙 You Exist Too Much - Zaina Arafat ✨ Grape Leaves - Gregory Orfalea and Sharif Elmusa 🌙 The Wrong End of the Telescope - Rabih Alameddine ✨ The Beauty of Your Face - Sahar Mustafah 🌙 Martyr - Kaveh Akbar ✨ Between Two Moons - Aisha Abdel Gawad 🌙 Tasting the Sky - Ibtisam Barakat ✨ A Game for Swallows - Zeina Abirached 🌙 Love Is An Ex-Country - Randa Jarrar ✨ The Thirty Names of Night - Zeyn Joukhadar

🌙 I Was Their American Dream - Malaka Gharib ✨ A Country Called Amreeka - Alia Malek 🌙 A Theory of Birds - Zaina Alsous ✨ Against the Loveless World - Susan Abulhawa 🌙 Arab in America - Toufic El Rassi ✨ The Skin and Its Girl - Sarah Cypher 🌙 Sex and Lies - Leïla Slimani ✨ Loom - Thérèse Soukar Chehade 🌙 Birds of Paradise - Diana Abu-Jaber ✨ Come With Me - Noami Shihab Nye 🌙 Girls of Riyadh - Rajāʼ ʻAbd Allāh Ṣāniʻ ✨ How Does It Feel to Be a Problem? - Moustafa Bayoumi

🌙 Evil Eye - Etaf Rum ✨ The Girl Who Fell to Earth - Sophia Al-Maria 🌙 What Strange Paradise - Omar El Akaad ✨ Girls That Never Die - Safia Elhillo 🌙 Bahari - Dina Macki ✨ Life Without a Recipe - Diana Abu-Jaber 🌙 Egyptian Diary - Richard Platt ✨ Man O'War - Cory McCarthy 🌙 The Cave - Amani Ballour, MD ✨ The Map of Salt and Stars - Zeyn Joukhadar 🌙 They Called Me a Lioness - Ahed Tamimi and Dena Takruri ✨ Salt Houses - Hala Alyan

🌙 Arabiyya - Reem Assil ✨ Mornings in Jenin - Susan Abulhawa 🌙 Shubeik Lubeik - Deena Mohamed ✨ The Wrong End of the Telescope - Rabih Alameddine 🌙 Conditional Citizens - Laila Lamami ✨ An Unnecessary Woman - Rabih Alameddine 🌙 It Won't Always Be Like This - Malaka Gharib ✨ Proud - Ibtihaj Muhammad 🌙 The Land in Our Bones - Layla K Feghali ✨ Everything Comes Next - Naomi Shihab Nye 🌙 The Immortals of Tehran - Ali Araghi ✨ Starstruck - Sarafina El-Badry Nance

🌙 Our Women on the Ground - Various ✨ The Jasad Heir - Sara Hashem 🌙 Tell Me How You Really Feel - Aminah Mae Safi ✨ Surge - Etel Adnan 🌙 Here to Stay - Sara Farizan ✨ We Hunt the Flame - Hafsah Faisal 🌙 A Tempest of Tea - Hafsah Faizal ✨ The Bad Muslim Discount - Syed M. Masood 🌙 A Girl Like That - Tanaz Bhathena ✨ Not the Girls You're Looking For - Aminah Mae Safi 🌙 All-American Muslim Girl - Nadine Jolie Courtney ✨ The Moon That Turns You Back - Hala Alyan

🌙 Ms. Marvel - Destined - Saladin Ahmed ✨ Americanized: Rebel Without a Green Card - Sara Saedi 🌙 Internment - Samira Ahmed ✨ Stardust Thief - Chelsea Abdullah 🌙 Once Upon an Eid - Various ✨ Farah Rocks Fifth Grade - Susan Muaddi Darraj 🌙 Barakah Beats - Maleeha Siddiqui ✨ Amira's Picture Day - Reem Faruqi 🌙 The Tale of Princess Fatima, Warrior Woman ✨ Lailah's Lunchbox - Reem Faruqi 🌙 In My Mosque - M.O. Yuksel ✨ Halal Hot Dogs - Susannah Aziz

🌙 The Proudest Blue - Ibtihaj Muhammad ✨ Silverworld - Diana Abu-Jaber 🌙 Other Words for Home - Jasmine Warga ✨ Time to Pray - Maha Addasi 🌙 Under My Hijab - Hena Khan ✨ Wishing Upon the Same Stars - Jacquetta Nammar Feldman 🌙 Amina's Voice - Hena Khan ✨ Yasmin the Recycler - Saadia Faruqi 🌙 The Shape of Thunder - Jasmine Warga ✨ Deep in the Sahara - Kelly Cunnane, Hoda Hadadi 🌙 The Turtle of Michigan - Naomi Shihab Nye ✨ Shad Hadid and the Alchemists of Alexandria - George Jreije

You got anything for smutty sapphic scifi fantasy? Pls ignore if you get this a lot and I just don't know that

I just need to preface this with that I wouldn't ignore a request over getting it a lot - if you don't know, then you still need an answer! That said, I actually never get this request, and as far as I can tell, alas, smut isn't super prevalent among Sapphics in space (though I hope replies can prove me wrong!) so here's what I can find to start with: New World by Lily X., Charon Docks at Daylight by Zoe Reed, and The Lily and the Crown by Roslyn Sinclair.

B&N Preorder Sale

Yet another preorder sale is now on for B&N, running from 4/17-19/24! Reminder that you can find lots of eligible books in posts already up on the site by looking here: https://lgbtqreads.com/category/tbrainbow-alert/

But also, feel free to send asks if you want suggestions for upcoming books outside the date range of these posts!

And selfishly, I will also mention that the paperback of HOME FIELD ADVANTAGE is part of the sale as well, because, well, I no longer have my own Tumblr or Twitter, so you're stuck with my promo: https://www.barnesandnoble.com/w/home-field-advantage-dahlia-adler/1139985464?ean=9781250355492