so youre telling me, at the fall out boy show tonight, we got

7 minutes in heaven (atavan halen)

what a catch on piano

just one yesterday on piano

stereo hearts on piano?

cupid's chokehold on piano???

AND travie mccoy was there? announcing that gym class heroes is coming back?

enter sandman cover

i am my own muse live debut

and 27 as a second 8-ball just for kicks

all in one fucking night

lets be alone together

JOE IS PETERICKING ON MAIN

AW LORD HES DRUMMIN PATREECE ON DRUMS RED ALERT RED ALERT

i miss her

joe kicking one of the bubbles into patrick’s face (x)

idea:

vampire pete and ybcpatrick au

pete is kidnapped by the Vixens cult, he's The Music Guy of the Chicago hardcore scene and he's got a little too close to figuring out their operation

patrick is an experiment of the Vixens, a kid born from locally famous musicians that they kidnapped and brainwashed into a yellow-eyed, hook handed, violent monster

the Vixens are working to see if the same brainwashing would effect Pete since he is nonhuman, but it doesnt work

the brainwashing in patrick is failing, the Vixens notice this and vocally plan to kill the two of them, which Pete overhears.

Pete shares this plan to Patrick and the two have to work together to break out before they kill them

at every concert fall out boy sings fall out boy songs. as you can imagine, this is quite devastating to me

oh my god

also.... some p2 for the soul <3

fabulous sequel to pete getting out of the box: pete getting INTO the box

I have been freaking out on Twitter about the magic 8 ball songs and the medley and tourdust in general but like you don't understand. you don't UNDERSTAND. it's not just the fact we've gotten stuff they haven't ever played. it's not just that they're bringing back deep cuts. it's not just all of that.

it's the fact we're all older. the guys are twenty years older, most people in here have been fob fans for at least a decade. it's the fact that they're not just playing them for the nostalgia factor, they're doing it because this tour is a celebration of two decades worth of this weird little emo band that changed the emo scene forever and became legends to at least two generations of emo kids so far.

it's the fact they've gained the courage to play folie a deux. the album patrick said they would likely never play live again because of the initial reception, the album that got booed whenever they played songs off it live in 2008-2009. it's the fact that headfirst slide went from a very shaky first attempt at a secret show to a setlist regular pat can now sing with a smile every night.

it's the fact that pete wentz, who thought he'd die young, who thought he'd join the 27 club, is now a father in his early 40s playing his bass and having fun with his best friends while they play songs about the time he almost ended it all. it's the fact we've seen him not only heal, but highlight the scars and the beauty in the pain. like kintsugi.

it's the fact andy and joe got exactly what they wanted. joe got a guitar album he loved, he got to focus on himself and take some time off knowing full well the band and the fans had his back, being included in everything from music videos to promotional things, and now he can enjoy his time going on the road again in a better state of mind. it's the fact andy lives for drumming, and he can do what he does best with his favorite song on the album, one that he basically begged to play the entire press run for the album.

it's the fact that the piano medley songs let patrick lay his heart out for everyone to see. it's the fact he's playing golden, what a catch, beautiful songs we haven't heard in so long. it's the fact he's gotten the courage to sing fucking soul punk in front of a crowd that ten years earlier told him they liked him better in fall out boy, to make a new spiritual successor in stardust and sing it too. it's the fact he's lost the fear to do those things, because he's realized there's nothing to fear anymore, people will sing back those songs to him with affection.

it's the fact they're also doing newer stuff. the fact they haven't forgotten about srar, ab/ap, mania. they still affirm those parts of their history, because they are still unashamedly fall out boy.

it's the fact these four guys have all gone through hell and back together, and we're all stronger on the other side. it's the fact we've all grown up together, and now we're all adults in this fucked up world trying to figure ourselves out but we know it will be okay because we made it through all that and we're still standing. it's the fact that they built it, and we came, and we stayed.

it's the fact we're still here.

so you’re telling me. pete reached out to patrick after patrick revealed he wasn’t doing that well in 2012 and that birthed srars and now. in 2020. patrick made smfs to lift up pete, who wasn’t taking the pandemic well. can someone say best friends.

it just really makes me feel a certain kind of way on tonight of all nights, when pete said this was the best tour ever, when patrick decided to do this exceedingly vulnerable thing and play a song they've never done live (and that pete said they wouldn't ever do live), dark alley and then following it up with what a catch and then transitioning into don't stop believing with the whole band - what kind of 8ball could compare to that?

bob dylan was the last song we really got from fall out boy until so much (for) stardust. they wrote it back during abap era but scrapped it. it was joe that pushed for its inclusion on believers never die volume 2, making it one of two tracks that were exclusive to that record. the second was dear future self, which was released as a single ahead of time to promote hellamegatour, so when we got the full bnd2 record...fob dylan was basically the last new music we got from fall out boy for a good five years. bnd2 was released in november 2019. it wouldn't be until january 2023 that we got "love from the other side". and it didnt feel like a potential "end" the way the hiatus did, at least not to me, but i did go into bnd2 knowing it'd probably be a while before we'd get new fall out boy music. so as much as i adored the song, there was a bittersweet tinge to it.

there's just something in that. something in beginnings and endings and "what ifs" and "never coulds." dark alley was a song that could've been left as a quiet footnote to a deeply unhappy time in pete wentz's life, but wasn't. what a catch could've marked the formal end of fall out boy's career and trajectory, but didn't. bob dylan could've been the last song we got from fall out boy ever, but it wasn't.

believers truly never die, do they?