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amphtaminedreams · 4 years

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The Eras of Lana Del Rey: Lookbook no.9

Hi to anyone reading,

Hope you’re okay! AND that you didn’t end up here because you searched the Lana Del Rey tag so you could see people ranting about her-you’re about to be very disappointed. Sorry. This is not about to be some Question for the Culture discourse because the world is bleak enough right now and the last thing we all need is to be reminded of that saga.

Being a Lana Del Rey fan is easy, they said. She’s not a controversial artist, they said. And yet 2020 had to do what it does best and fuck everything up.

Whether people like her or not, it’s made me so angry reading all the abuse she’s been getting about her appearance for the last couple of weeks, because I really thought that if we could agree on anything it was that attacking individuals for the way they look because you dislike something they’ve done (with the exception of shit like racist tattoos and blackfishing) is, you know, awful and judgemental as fuck? Like you do realise when you treat the word fat as a pejorative that the fat people you don’t have a problem with understood that you meant it as an insult too? I think what all those people tweeting about Lana’s weight, and that includes some of her fans, are forgetting is that she was in her early 20s when she was thrust into the limelight. As much as there’s this conspiracy that her dad bought her a career in the music industry, she’d made the decision to go it alone and had lived in a trailer park as a struggling musician for years. On top of that, we have the unreleased tracks with lyrics seemingly referencing an eating disorder in her younger years. OF COURSE her body is going to look different. Why is it that we treat weight gain as an inherently bad thing without any insight into the other factors that constitute a person’s “health”? It’s fucking insane that so many feel they have the right to comment on other’s bodies in the first place and it breaks my heart that she might be reading these comments. This wasn’t intended to necessarily be a rant about how much I love this woman but all the shit I’ve read about her on the internet these past few months have pushed me to it. You'll respect your queen of alternative music or I shall stan twice as hard on your behalf. You can thank me later when you come to your senses xoxo

I’d love to say it was intentional that I finally finished this post the week Violet Bent Backwards Over the Grass was released but that would imply I have my shit way more together than I actually do. If I’m being completely honest, I’ve only heard L.A Who am I to Love You so far 1). because I want to wait for the hard copy for the rest and that doesn’t turn up til September and 2). because I do not have my shit together, lol. That being said, there is no doubt in my mind that I am going to love it-one thing I have always loved about Lana’s lyrics is how well they paint a picture and this is something that poetry only more freely allows for the exploration of. That ability to create such a strong narrative voice and atmosphere is a talent that extends to her visuals and the production of her records too, and is something I really missed when it comes to the Norman Fucking Rockwell era. I’m just going to say it: a strong aesthetic is to NFR as memorable songs are to Lust for Life. Lacking. Am I allowed to say that as a fan? The collaborations don’t do it for me, okay, and as as NFR is concerned, aside from The Greatest/Fuck It I Love You video which went down the whole neon surfer girl route, it’s hard to identify a cohesive theme. It’s understandable that at this point, she would want to just focus purely on the music, and it goes without saying that NFR will stand the test of time in that regard but I don’t think we can deny that when people think of Lana in the future, it’s not gonna be a green windbreaker that comes into their heads.

^Illustration credit to Filip Kozak (https://filipkozaksart.tumblr.com/?fbclid=IwAR3vwLX2pNxoFNhTPD1ky14LllPqlLtL1GxGlD79xuHxdtzcHLw-6aNBZWo)

And here’s where this Filip Kozak illustration comes into it; after years of it sitting in my camera roll for years, it finally has a use. There’s really nothing better to illustrate how mundane life has become this year than the disproportionate level of excitement my photo-hoarding-self experienced realising it would fit perfectly into this post and is thus eligible for deletion. Up there with being able to fit a whole box of biscuits onto the shelf at work rather than having to individually take out as many as I can and then shove them on top of the existing box of biscuits one by one. Truly riveting content on this Tumblr page. Back to the point-by using this as my stimulus for the post rather than the Lana Del Rey albums as outfits tag that went round on Twitter, I can conveniently exclude NFR as an outfit inspiration category, and that saves me from having to buy a charity shop windbreaker with its price bumped up 150% by some upper middle class Depop e-girl or boy who uses the word peng as a descriptor like it’s a nervous tic. To make up for leaving out NFR, I’ve tried to branch out a bit and do the outfits not just based on the music videos or album covers but also from street style and stage looks and photoshoots from around the same period too. It was hard not to be influenced by the general “vibe” and sound of the albums either when I was planning outfits, whether it’s the grand, orchestral instrumentals of Born to Die or the 70s psychedelic rock inspired riffs of Ultraviolence and hopefully that’ll show as well! Enjoy:D

Born to Die (Release Date: 27th January 2012)

It’s been 8 years, and when you ask most people what they think of when they hear the name Lana Del Rey, they’ll probably dismiss her as the one who sings about being sad and doing coke and sleeping with older men. That’s the Born to Die impact. Say what you want but it’s one of only a handful of albums released by a female artist to have spent more than 300 weeks on the Billboard 200 chart and it really established the mythos of “Lana Del Rey” because before all this, before all the think pieces from other women claiming she’d set feminism back hundreds of years with her music, before she ousted grayscale Effy Stonem as the queen of angsty teen Tumblr (which as you can probably guess was a subsection of the internet I was very much engulfed by, lmao), she was just Lizzie Grant, a relatively normal aspiring singer songwriter in her early twenties. But as Lana Del Rey, she was someone else-some beautiful, mystical being that personified the sentiment of being born in the wrong era. Whilst every other singer’s record labels seemed to be trying desperately to thrust them into the future and keep them on top of all the musical and stylistic trends, it was refreshing to hear someone whose music and visuals captured all the most glamorous elements of the past. Part Priscilla Presley/Jackie O reincarnation (the National Anthem video really illustrated how Lana is just as much a storyteller as she is a musician), part high level mobster’s wayward wife à la Michelle Pfeiffer in Scarface, she was the good girl by day and the bad girl by night, and I think that’s a duality we can all relate to or would like to think we’re interesting enough to relate to deep down.

Her style from around this period was EVERYTHING. She had those grungy Tumblr girl elements, the camo jacket and the oversized pieces and the leather jackets, but she also heavily drew on the styles and silhouettes of the 50s and 60s with the beehives and the new look Dior inspired cinched waist dresses. Even now in 2020, I think this period is what most people would think if they were asked to describe Lana’s style. I made sure I got the grungy pieces in there with the chunky boots and the vinyl and the oversized leather but the foundation of her looks back then were usually these daintier throwback pieces like the white silk dress and the corset and the mint fur trimmed coat (House of Sunny’s Penny Pistachio coat).

Favourite lyrics from the album? “Now my life is sweet like cinnamon, like a fucking dream I'm living in” from Radio. Nobody asked but I’m gonna give it to you anyway.

Born to Die: The Paradise Edition (Release Date: 9th November 2012)

Lana’s Paradise EP contains probably my absolute favourite song of her’s, Ride, and with that, the beautiful opening monologue that will stay in my mind forever. This era was of course ushered in by Tropico, the short film that included the premiere of the songs Bel Air, Body Electric and Gods and Monsters, which established the ethereal tone of this period-it’s in the name, after all. Both the album and the videos were other-worldly and leaned heavily on religious symbolism which I’m sure pissed off many a middle-aged bible basher at the time. Most prominent in her lyrics were reflections on the freedom of the open road which corresponded with visuals of biker gangs and desert dwellers and modern interpretations of the Wild West, as was an attempt to capture the nature of the so-called “American spirit” which as Lana portrayed it shared more qualities with a kind of celestial, transient being than any kind of solid concept or identity. She played an emotionally detached stripper and a haunted saloon-style-bar singer (almost looking like a runaway bride) and Eve the “first woman” all in the same album and honestly, if that’s not iconic, I don’t know what is. We saw SO many incredible red carpet looks in this period too which built upon this idea of her as the fallen angel tempted by original sin that Tropico established; I feel like this era was all about laying bare the soul of the character she played, this broken, delicate but ultimately liberated being that was so dangerous to the idea of the strong, stable modern feminist ideal. She went about it in COMPLETELY the wrong way in a post that betrayed the ignorance of the privilege she has as a white female performer, but I think this is what she was getting at in it and Ultraviolence only went on to bolster her critics.

In response to the criticism she still receives about the choice to wear a Native American war bonnet in her Ride music video, I’d like to say that it really seems like she’s learnt from that-actions speak louder than words and so though it’s not my place to say whether this makes up for that error, the work she’s done with Native American reparations-focussed foundations since and the money she’s donated to the cause says a lot about her intentions. Again, I want to stress that it’s not my place to say! But it’s a detail that is often overlooked so I thought I’d mention it here.

“I was a singer, not a very popular one. I once had dreams of becoming a beautiful poet. But upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky, that I wished on over and over again, sparkling and broken. But I didn’t really mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.”

Ultraviolence (Release Date: 13th June 2014)

AH, Ultraviolence. My favourite of Lana’s albums and imo, a masterpiece. ONE skip. ONE. Sorry Guns and Roses. I got stoned in my back garden and listened to this (for research purposes ofc, heh) and ended up deciding that this is what I want to listen to when I die (also whilst stoned). It sounds dramatic but listening to this album in that state of mind is such a heavenly experience that I’d be too zen to notice myself slipping away into nothingness on the basis that if I didn’t as long as I could stay in that bubble of awe, nothingness forever wouldn’t be so scary after all. I know, I know, that sentence has big Jaden Smith’s old tweets energy. But if an album is what helps me get over an existential crisis, I beg you allow me the nonsensical ramblings about how I felt like I was ascending into the stars.

Though in terms of the lyrical content the public perception is probably correct, I think the reputation Ultraviolence has as Lana’s darkest, most gothic album (which is something I’ve in incorporated into the outfits I put together) is mistaken; instrumentally and visually it drew more on 70s psychedelic rock and the bohemian counter culture of the period than anything, and her stage looks are a clear reflection of that, and also the outfits I was most excited to channel. It seems counter-intuitive to the moody atmosphere I associate the tracklist with but it’s my go-to summer album; it’s raw (probably her most stripped back work along with NFR, lots of the songs are barely edited) and it’s gloomy but let’s be real, hot as fuck-don’t bother making a sex playlist, just put Ultraviolence on shuffle, and you’re good to go. This was the album where Lana debuted some of her most criticised lyrics and where the notion that she glamourises abuse comes from, one of the points she also seemed to be getting at in the Instagram post, but imo it’s fair to say that she sang truthfully about the initial allure of a dangerous relationship and the nature of the mindset that facilitates staying with somebody poisonous where you do feel like you’re nothing without them. Turning horrific experiences into romantic tragedies is how Lana has always made her music and yeah, out of context there are some fucked up lyrics on the album, but policing how a woman expresses her trauma and complaining that she glorifies weakness because she wrote honestly about the reality of a complicated partnership is hardly any more “feminist” than the lyrics themselves. I can only guess that the reason Lana felt the need to bring up this criticism in 2020 is because these darker themes are going to be revisited in her upcoming album and that in spite of the issues with the way she expressed herself, this time critics will be more accepting of how she chooses to address these themes.

On a lighter note “yeah my boyfriend's pretty cool, but he's not as cool as me” will always be a great line. Simple but effective. If my boyfriend ever is cooler than me it’ll be doing Lana a disservice.

Honeymoon (Release Date: 18th September 2015)

Considering that a lot of other Lana fans are of the opinion that this is her best album, I find it weird that I really don’t remember all that much about this period, other than High by the Beach being released and then hearing Salvatore and Freak for the first time. I guess because she didn’t do a Honeymoon specific tour and didn’t make that many public appearances in this period? It was definitely harder for me to find visual reference points beyond the HbtB music video and the cover art, so I mostly drew on the general vibe of the album, a cinematic accompaniment to a summer in Italy or the South of France, filled with exotic instrumentals and the sense of impending romantic doom that Lana does so well. I suppose if I associate the visuals of this era with anything it’s idyllic florals and warm tones, bygone country club pool days, a rich American’s vacation in Southern Europe, long walks on the beach (and as our Lord and Saviour Jujubee once said, big dicks and fried chicken). Apparently inspired by Lana’s relationship with Francesco Carrozini, it’s a hazy story of some ultra-feminine, submissive archetype becoming unhealthily enchanted by a mysterious “foreign man” who’s ultimately not all that good for her, which as the story goes turned out to be quite prophetic. Going against the grain, it’s my least favourite of her albums after Lust for Life, but in spite of that, I will always remember how obsessed I was with the sax riffs (I think? I don’t know my instruments all that well so forgive me, lol) on Freak and I definitely understand why it’s a firm favourite for so many.

“You could be a bad motherfucker, but that don’t make you a man.” was truly a cultural reset of a line.

-on an unrelated note, OMG, I never realised how I have my mouth open in literally every fucking photo I take, somebody tell me how to pose, please and thank you-

Lust for Life (Release Date: 21 July 2017)

Lust for Life is a controversial one. On the one hand, I appreciate that this album was the victory cry of a happier, more independent, politically-aware Lana in spite of it apparently being a far more optimistic sounding album than the one she wanted to release, but on the other there were way too many collaborations for me and this meant that the album lacked a sense of cohesion and the characteristic narrative thread that usually runs throughout her tracklist. Aside from Love, Cherry, Get Free and Tomorrow Never Came, most of the songs on the album aren’t hugely memorable and it’s a crying shame that a collaboration with STEVIE FUCKING NICKS of all people left so much to be desired. Coming from two witchy icons, I expected something absolutely magical so maybe I was setting myself up for failure, but come on. We could’ve had a real anthem there.

Aesthetically speaking however, this is one of my favourite eras for Lana, which is unsurprising when you consider the tracklist contains references to both Woodstock and Coachella. I’m not gonna lie, I think seeing Coachella fashion in my early teens was my style awakening-I remember seeing Vanessa Hudgens’ outfits and being like, wow, I want to be her (oh, what a fall from grace)-so the late 60s/early 70s flower power groupie style Lana adopted in this period really spoke to me. It was all long hair and dreamy pastels, and this era included some of the most head-to-toe coordinated looks we’ve ever seen from her. Of course I couldn’t completely abandon the grungy touches that I love, that I tend to associate with the early Lana street style days and the Paradise and Ultraviolence music videos rather than with this album, but I’m never gonna pass up an opportunity to whack out a good floral two piece and putting together Lust for Life inspired looks is the perfect excuse to do that.

So, that marks the end of this post! If you made it to the end, thank you so much for reading! I have a Yesstyle lookbook and review to edit but now that I’ve finished that, I’m trying to go down more of a style inspiration focussed route with my lookbooks rather than just putting together outfits from clothes I’ve just bought (though I might still do one every so often to bring in a new season-let’s just ignore the fact that they’re all blending into one bc climate change for now, one catastrophe at a time please universe). I find that if you have a specific idea in mind of what you want, it’s super easy to find something similar on Depop and Ebay and that way you avoid buying new things and also take old things off a person’s hands that might otherwise end up being thrown out by a charity shop and then dumped into a landfill from there. Something I’d LOVE to do before this year is out is put together a lookbook based on the most stylish TV shows of the last decade, but that probably won’t be for a while-even so, if you have any recommendations of series to watch which could fit into this category, let me know!

To finish, I need to go a little bit off-topic so forgive me, but I truly don’t know why this even needs to be said: WEAR A FUCKING MASK. IT IS NOT A POLITICAL ISSUE. IT IS A BASIC HYGIENIC PRACTICE THAT HELPS SPREAD THE STOP OF A HIGHLY CONTAGIOUS DISEASE! RUDIMENTAL SCIENCE! NOT A CHANCE TO PROVE HOW “EDGY” YOU ARE! SERIOUSLY, STOP MAKING A FUCKING PANDEMIC ABOUT YOURSELF! NOBODY ENJOYS WEARING THEM BUT THEY HELP PROTECT OTHERS! SO UNLESS YOU HAVE A VALID MEDICAL REASON NOT TO BE WEARING ONE, DON’T BE A SELFISH PRICK!

Sorry to sign off on a rant-y note with something that has nothing to do with Lana, lol, but all the stupidity has been grinding me gears lately and I had to let it out on behalf of all retail workers: if we can wear a mask for 9 hours at a time, YOU can tolerate the mild discomfort of wearing one for 10 minutes. I know this doesn’t apply to the majority of people but there’s always a couple of arseholes, isn’t there!?

Stay safe,

Lauren x

#ldr #lana #lana del rey #fashion #fashion blogger #style blogger #outfit inspo

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riathenowheregirl · 5 years

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Gold Dust Women: My Favorite Witchy Singers

Okay, before you burn me alive with “Where’s this certain artist?!” or “Why is this certain artist not here?!” or “Who even uses Tumblr these days?”, uhmmm me bish?? It’s my safe zone. Okay, the last question was a joke.

Can I just say that the amazing women on this list are artists I listen to all the time. They’re my favorites, so chill (I’m open for suggestions tho). This is not Rolling Stone or Billboard magazine, it’s just ya girl’s good ol’ tumblr blog. Also, I’m not saying that all of them are literal w i t c h e s, it’s just that they portray the same aesthetic through their art and music.

Alright, now that’s settled, let’s start.

1. STEVIE NICKS

Do I even need to explain this? Stevie is undoubtedly the Etheral Queen of them all, the Pioneer, the O.G. Supreme whose lyrical soul and spellbinding voice echoes from the distant past to the inevitable future. Everything about her oozes with witchcraft and magic starting from her iconic top hat, to her millions of intricately made shawls, down to her platform boots. Only Stevie Nicks could pull off such Not-of-this-Era outfits and she has been doing it CONSISTENTLY. She’s in a timeline of her OWN. If you listen to her music, you would notice that every song of hers is poetry, like she’s telling a story or conjuring the unknown. She’s every witchy woman’s icon and that’s a fact.

Stevie is an untouchable yet gracious legend, we’ll always be a part of her sisterhood until the day of earth’s decay. Forever the Queen of Rock N’ Roll.

Current Favorite Stevie Lyrics: “ You can fly swinging from your trapeze, scaring all the people...but you'll never scare me.” | “Once in a million years a lady like her rises. Oh no, Rhiannon, you cry, but she's gone and your life knows no answer.”

Notice how I used the word “current”? Because it always changes depending on the state my life. Here’s a more detailed post on why I love her.

2. KATE BUSH

“Heathcliff, it's me, I'm Cathy, I've come home, I'm so cold! Let me in through your window!”

The eccentric beauty, Kate Bush made a genius, artistic move by writing a song about the book, Wuthering Heights, written by Emily Brontë in the 1800′s. Mind you, she was only 18 when she wrote and was the first song written by a female artist that landed on top the charts. Her voice is almost as distinctive as Stevie Nicks. While Stevie’s more nasal, commanding, wailing rock n’ roll goddess, Kate’s voice was high-pitched, alarming, ghostly, queer, and fairy-like. Everything about her is Performance Art. This is a woman who is not afraid to express herself.

For starters, you might think her music is strange and weird. Trust me, I felt the same way when I first heard her songs. But then, it began to grow on me leaving floral patterns on its path.

Favorite Kate Bush Lyrics: “Do you want to feel how it feels? Do you want to know that it doesn't hurt me? Do you want to hear about the deal that I'm making? You, it's you and me.”

3. FLORENCE WELCH

This one is as obvious as Stevie Nicks. Florence Welch from the band, Florence + the Machine, is a poetess, a screaming banshee, and a full-pledged Sister of the Moon. She even started a witch coven during middle school. From her red carpet looks to her everyday outfits on Instagram, Florence vibrates powerful witch energy. Not to mention she has a song called “Which Witch” and that haunting music video for Big God with levitating women. Flo is not a woman to trifle with, I’ll tell you that.

Photos courtesy of @lillieeiger

In all her songs, Florence will bind you with magic and it’ll leave you breathless. If Stevie’s songs are poetry, hers are spells you could sing out loud. Also, if you haven’t seen her house tour, go check it now!

Favorite Florence Welch Lyrics: “'Cause I am done with my graceless heart so tonight I'm gonna cut it out and then restart.” | “And in a moment of joy and fury I threw myself in the balcony like my grandmother so many years before me.”

4. LANA DEL REY

Remember when Lana used witchcraft to hex Donald Trump? It was all over the news and Twitter went wild. She was later quoted saying, “I really do believe that words are one of the last forms of magic and I’m a bit of a mystic at heart.” Oh, and she also did a collab with Stevie.

We. Stan. Forever.

There was even a time that I MEMORIZED the monologue in the music video for Ride. ALL OF IT, HUNNY.

Lana’s hypnotizing vocals together with her sixties baby doll dresses and Priscilla Presley hair is enough to convince me that she’s not of this era. She has a deep understanding of the beauty of past generation and the looming sadness and nostalgia that comes with it. Whenever I listen to her music, I imagine myself as a rockstar’s muse who is involved with the mafia but then I decided to leave him while taking his gun and convertible. ¯\_(ツ)_/¯

Favorite Lana Del Rey Lyrics: “Well, my boyfriend's in the band. He plays guitar while I sing Lou Reed. I've got feathers in my hair, I get down to Beat poetry. And my jazz collection's rare, I can play most anything.”

5. LORDE

David Bowie didn’t call her the “future of music” for nothing. Just two albums under her belt, Lorde already proved that she will one day become a legend herself. Her music narrates an unparalleled interpretation of the anguish and fleeting charm of our youth. She knows what we’re feeling because she’s been there herself and is on the road to healing just like us.

I think the message she’s trying to say is that we’re constantly losing grip on our innocence, and that life is often wicked so we need to accept that, grit our teeth, get on with it, and make art. She can also see color when she hears music.

In my opinion, Lorde is one of the greatest artists of my generation.

Favorite Lorde Lyrics: “The truth is I am a toy that people enjoy till all of the tricks don't work anymore, and then they are bored of me.” | “That slow burn wait while it gets dark, bruising the sun, I feel grown up with you in your car. I know it's dumb.”

6. FKA TWIGS

Honestly, FKA Twigs is literally art in living form, a celestial angel that nobody can easily decipher. This woman has more talent in her fingertips than I could ever have in a lifetime. She somehow reminds me of a young Kate Bush; fearless, experimental, with an intoxicating voice. She never stops reinventing herself and it’s beautiful.

In FKA Twigs’ world, there are no limits, just endless galaxies. She pours her whole being in all of her songs and it shows. She’s not for the faint of heart, let me tell you that.

Favorite FKA Twigs Lyrics: “And I don't want to have to share our love. I try but I get overwhelmed. All wrapped in cellophane, the feelings that we had.”

7. SKOTT

I say this all the time, but I cannot write without Skott’s music blasting on my earphones. She grew up in a “forest commune run by outcast folk musicians” and was not exposed to contemporary music until her teen years. You would notice it in her songs.

It’s hard to explain why, but listen to Skott’s music when there’s thunder and rain outside, then you’ll know why this woman is witchy. I kind of want her to be more popular and known, but then again, I also want to keep her to myself. Scratch that, LISTEN TO SKOTT’S MUSIC NOW.

Start with Glitter & Gloss.

Favorite Skott Lyrics: “Like an empty canvas, hear me cry. Like a masterpiece, I'm in your eyes. Now your colors are in front of me, we're a picture-perfect oddity.”

8. FIRST AID KIT

I fell in love with this sister duo when I first heard their song, Emmylou, while browsing YouTube. It’s one of those moments of instant magic. Klara and Johanna Söderberg are a coven of their own. I would describe their music as “Woodland Folk laced with runes and wild flowers”.

Their voices compliment each other so much that it reminded me of Simon & Garfunkel (they even performed their own version of America in front of Paul Simon!!!). First Aid Kit has this Woodstock seventies vibe, and you know me, I live for that sh*t.

Favorite First Aid Kit Lyrics: “ When I run through the deep dark forest long, after this begun, where the sun would set, the trees were dead and the rivers were none. And I hope for a trace to lead me back home from this place, but there was no sound there was only me, and my disgrace.”

9. ZOLA JESUS

Zola Jesus’ music deserves to be played with an orchestra inside an abandoned castle in Transylvania while it gently rains and you’re wearing a white nightgown as you roam its empty halls. Is that too much?

Not at all.

Like Skott, I listen to Zola whenever I’m having writer’s block. If I ever finish my book, I’m gonna have to thank them.

Favorite Zola Jesus Lyrics: “I'm on my bed, my bed of stones, but in the end of the night we'll rest our bones, so don't you worry. Just rest your head cause in the end of the night we'll be together again.”

10. ZELLA DAY

Photo Credits to Harper Smith

I LOVE ZELLA DAY’S MUSIC OH MY GOODNESS. My favorite songs of her are Sweet Ophelia, Hypnotic, Man on the Moon, and Hunnie Pie. ESPECIALLY HUNNIE PIE. I cry whenever I hear that song. It’s just so pure, calming, and beautiful.

Her music belong in the psychedelic era.

People labeled her as the “happier version of Lana Del Rey” but I think she’s in a league of her own. She deserves more recognition, honestly!

Favorite Zella Day Lyrics: “The older we get there's an ocean of people in places we've chosen and you know how mama keeps saying “we've gotta stop the games we're playing””.

Hope you guys approve of my list! I really like sharing stuff that I love! Feel free to message me for more suggestions, I’d really appreciate to know more witchy artists out there. We’re all in a huge coven of sisterhood.

Thanks for reading!

Love,

Ria 🌙

P.S.

Please follow my blog!!! THANK YOU 🔮

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sureivy · 4 years

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is that HALSEY? no, that’s just IVY CALDER. SHE is TWENTY-FOUR years old and is an EMPLOYEE AT DON’T FRET & PAWS 4 LOVE. rumor has it they’ve been in town for FOUR MONTHS / TEN YEARS. on a good day, they’re CREATIVE & VERSATILE. but watch out! they can also be IRRESPONSIBLE & VOLATILE. TRIGGER BANG BY LILY ALLEN (FT. GIGGS) plays in my head whenever i think of them. can’t wait to see them around springhill!

hello my pals ! i’m amy ( 20 // est // she/her ) and i am super excited to be here! we also over here bringing back a fairly old muse (i,, apparently,, play her during election years,,) with a couple of tweaks, so we love that for me! also! pls forgive me if this is lowkey disorganized, we’ve been in and out of airports all day! can’t wait to contract that sexy corona!

QUICK FACTS:

full name: ivy rose calder

date of birth: may 2, 1995

*does not perfectly reflect the below big three zodiac chart because that’s too much math

zodiac big three: taurus sun, pisces moon, aquarius rising

gender & pronouns: cis woman & she/her

sexual orientation: bisexual ( preference for women bc we luv that for her but we also luv leaving things open to chemistry )

education: high school diploma

enneagram: 7w8?

mbti: enfp

moral alignment: chaotic neutral

positive traits: creative, versatile, passionate, compassionate

negative traits: irresponsible, volatile, impressionable, hedonistic

BACKGROUND INFO:

triggers: brief implied sexual abuse, suicide, a lot of death talk?, drug abuse ( desoxyn ), overdose

ivy lived the first eight years of her life in newark, nj. she had a mere family of three – her mother, a model-turned-stay-at-home-mom, her father, a politician, and herself. she was much closer to her mother, but she and her father were close at night.

when her mother finally found out about this, she wasted no time in taking ivy’s father’s side. what a good mom! instead, ya girl was already getting in touch with cps herself... but wow... it was gonna ruin his career in politics :\

“Now, one thing I lerned from Storys is, when something big is about to okur, a riter will go: Then it hapened! This tells the reeder: Get Reddy. Here I go: Then it hapened!” - fox 8

then it happened!

humiliated, clearly never getting a platform back, and absolutely bitter, ivy’s father killed himself before being sent to prison.

Very Tragique™

ok. so. to distance themselves from the poor memories, but to save money, ivy and her mother moved to springhill, temporarily sharing ivy’s aunt’s apartment while her mother began collecting enough money to buy an apartment of their own and keep it.

during this time, ivy was seeing a lot of people and she didn’t know why! they asked questions about her mental health, but she didn’t know why! i mean, totally not traumatic, right?

yes. instead of managing communication well, she became very fascinated by the concept of death. she had many questions about it, she, a youth, had some extended conversations with clergymen about it –– she never killed any animals, god forbid, but she was absolutely fascinated when she ran across them.

SO CLEARLY THAT WAS ALSO TRYING TO BE DEALT WITH.

ok, i’m gonna skip ahead a little. now in teen years and still fascinated by death, but in a healthier way!, and no longer in therapy because... like... that costs a lot of money!

she dealt with it the best she could. became enamored with music... because why wouldn’t she? some covers here and there, some originals here and there, living that youtube lyf, but not expecting anything to come of it. just liked validation! mood!

she also dealt with it the worst she could! became enamored with drugs! naturally, it started out small. some weed, some lsd, some molly –– you know, just drugs that you don’t typically think of as addictive. although her grades suffered, it was harmless enough...

upon graduating high school, she figured... no college. instead, with barely any money to her name, she was like “i... will go to new york... and i will become famous.”

and she did! she did go to new york! she found a few sketchy places that didn’t charge much for a few nights as she began networking - both socially and “i would like to be known for music” (i literally just forgot the word for networking like..... employment wise.... y’all i’m so dumb). when she’d made some friends, she began crashing on couches that were not quite as sketchy!

but :\ she did meet these friends in sketchy places :\ and they were like “ok here r some new and more addictive drugs for u to try!”

what she wound up abusing using the most was desoxyn. it kept her awake, it kept her focused, it even shed a few pounds to create an excellent figure! what wasn’t to love!

i mean it’s literally a prescription methamphetamine,,, when abused,,, literally almost exact same effects as meth,,, but when meth mouth, skin lesions, acne, etc aren’t occurring as a side effect? who was she to care!

20, she released an actual ep with the help of a super cool friend who made everyone call him puppy mills! wow! things were excellent! it wasn’t necessarily seeing mainstream traction, but there was a decent enough following! enough to release an album at 22!

perfect timing, btw! desoxyn was starting to become too expensive for puppy to afford and trying to fake having such a severe form of adhd that desoxyn would be prescribed as opposed to something like ritalin or adderal when it’s literally illegal to prescribe in some countries now?? too hard :\ but the money from the album helped her and puppy!

*olaf vc* puppy died. *end vc*

she was there for it too. she thought it was just a freak-out, took a LITTLE too much, but not OVERDOSE worthy... then he l i t e r a l l y died. and it was a painful death!

“oh wow! maybe prescription meth isn’t super cool after all! shucks!” but that was also an opening?? to visit death herself?? like... she didn’t necessarily want to die (sort of), but she wanted... an answer to the question that had plagued her her entire life... so she was like “ok hope i die then someone revives me but if i die then :\ i guess i die!”

did not die. but also did not get a satisfying answer to her question. the only way it would’ve been truly satisfying? if she had been dead for longer than a minute - then it would’ve given a definite answer! because the answer she received was just nothingness which, while peaceful... is it true?

she tried to detox alone, what because rehab is a business, and it... only... sort of worked. she would be clean for a few weeks, then fall back in, then clean for a few weeks, then fall back in. whenever she wasn’t just naturally focused and awake, or whenever what she was focused on was the past, she would fall back in.

i mean, a side effect is memory loss, so win/win!

she made the semi-wise decision to move back to springhill. wisest would’ve been to just move to a town/city she had absolutely no memories in, but better than moving back to newark!

so... without much to show, and with an unreliable streak, she knew she wouldn’t be able to start looking for much of an occupation – but she still needed money! so she began working at don’t fret out of a love for music, then began working at the animal shelter after completing training.

the main training was, of course, for putting animals to sleep.

FULL CIRCLE.

ah yes. how she pretends it’s healthy... even tho there are studies and statistics relating suicide to veterinarians and shelter workers who euthanize animals... ah yes.

has been back for four months now. love that. do not know how to finish this.

TL ; DR:

born in newark. moved to springhill at 8. childhood trauma that she is still carrying causes fascination with death. “i love music.” moved to ny at 18 because realistic. childhood trauma also causes dependency on desoxyn. releases an ep and an album. does not become famous, but they both have decent traction. moves back after an overdose. relapses... often. now sells records and puts animals to sleep. miss american dream since she was 17, amirite?

PERSONALITY / MISCELLANEOUS INFO:

one person one week, a totally different person the next.

wants to please people, but also wants to be her own person? it’s a whole deal!

in spite of her slight icarian incident, she still hopes to maybe one day become a real musician and performer. until then, we selling records and saying ‘goodbye’ to sweet animals!

can truly flip like a switch in interactions! does love ruining things for herself! almost always feels bad after bc :\ damn :\ alright :\

i’m very bad at these sections i really hate that i always include them!

is still avoiding healthy coping mechanisms. love that for her.

favorite movie is, unironically, the bee movie. favorite horror movie is cats.

SO GOOD at memorizing random lines or trivia. could probably recite literally all of who’s afraid of virginia woolf? other than that?? her memory is so bad. hate drugs for that :\

she uses her hair to express herself! (that sounds really boring.) ...she uses her hair to express herself!

but no. seriously. wears the black shag weave the most, followed by the blue/yellow combo ( we stan the badlands aesthetic ). occasionally forays into other colors and styles when money permits, but it’s usually gonna be one of those two!!

was an envy on the coast stan in high school which makes an inappropriate amount of sense.

will go out and steal the dumbest shit when she’s drunk. has a history of stealing chickens.

once again: hate that i always include these!! feel free 2 j consult the personality parts in the quick facts!!

CONNECTION IDEAS:

ok we gonna list some general ones for right now! all are open to multiple people unless there’s an asterisk by it!

close friends –– moonie, teagan,

ride or die

childhood friends –– moonie,

bad influence ( mutual or her on them ) –– veronica ( mutual ),

good influence ( them on her ) –– presley, hayden, gabrielle,

exes ( can be from high school or something like that if based in springhill, can be from 20s in new york if based in new york )

fwb –– trent,

will they, won’t they –– presley,

someone who knew her music ( can be neutral, a fan of it, or hate it afhkjsl ) –– presley, moonie, teagan, indiana,

will also possibly be sending in some wanted connections for things that are! more specific!

truly anything!! also up to brainstorm and/or look at yours if you have them!!

UPDATE: i have created a wc page so we luv that for me.

OK. like this or hmu if you’d like to plot!

#springhillintro #DONT WORRY THERE'S A TL;DR I. DIDNT KNOW WHEN TO STOP.#also!! am gonna leave the ooc post up for a few so i have reference for who liked it bc i must!!#depart for about an hour and a half and i do not want!! to forget!! y'all idk what im doing today.

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womenofcolor15 · 4 years

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R.I.P.: Little Richard Still Fighting For The Respect He Deserves, Even After His Death

Icon Little Richard passed away on Saturday, and his position in music history is the unequivocal architect of Rock & Roll. Yet it seems some folks need to be reminded, and checked on how their bias feels like erasure. Let's celebrate a legend inside.

Richard "Little Richard" Penniman owned who he was from the time he was kicked out of his father's house as a teen for doing so. He was one of the first artists was was unapologetically him, and we all should thank him for it.

His foundation in the church mixed with his flamboyance and soul gave us Rock & Roll, before it was replicated by Elvis, The Beatles and the like. And his image, his voice, and his ahead-of-his-time persona gave the icons who came after him (like James Brown and Prince) a paved road to navigate their own way just a little bit easier.

His sexuality was often a point of contention in his career, when it came to how he chose to navigate who he truly was during a time when society made it almost impossible to do so. As a teenager, according to his own account in Charles White's 1984 book, “The Life and Times of Little Richard,” he became sexually active with both men and women, though over the years he variously modified his story and renounced and/or denied his homosexuality.

The "Good Golly Miss Molly" and "Tutti Frutti" singer passed away at 87 (his age has been disputed by some) over the weekend. His death was confirmed by his son, Danny Jones Penniman, who told the New York Times the cause was cancer.

In the last decade or so, a Little Richard sighting was super rare. In some of his last public appearances, he stepped in at the last minute to fill in for Chuck Berry at the 2007 halftime performance at the ASU football game against USC on Thanksgiving Day. He also did a couple of interviews in 2017 with the Three Angels Baptist Network - returning to his church roots - and WSIL News 3's Collin Dorsey.

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The icon indeed made it known through the years, much like Ray Charles did, that white artists would take their music and also take credit for its creation. But no one could replicate his perfectly coifed curl, his perfect screams, the mascara filled eyes and makeup powdered face, and his then-outlandish performance style.

The king and architect of rock & roll had taken his throne, and was even inducted into the first Rock & Roll Hall of Fame class in 1986. The 1993 Grammy Lifetime Achievement Award honoree who grew up in a very religious home, often went back and forth between the secular world and theological school and the church after reaching the heights of fame in the 60's.

A portrait of four fanboys who would become legends - and the legend whose influence on them and music in general cannot be overstated. RIP #LittleRichard. pic.twitter.com/i57H7Stkwh

— BC the Beatles (@BCtheBeatles) May 9, 2020

It's always important to know and remember our favorite icons' favorite icons, and Little Richard was indeed one of the originals. Someone needs to tell ABC News that, as they got dragged for filth for adding "self proclaimed" in front of his architect of Rock & Roll title. Twitter gave them a little lesson on why they were all the way wrong for that.

According to white media Michael Jackson is the self proclaimed King of pop and Little Richard is the self proclaimed architect of rock and roll and Elvis Presley, the ultimate culture vulture who never wrote a song in his life is simply the King.

we get it. Elvis is white pic.twitter.com/iV1kSBnynC

— Believe the victims of false accusers (@Hammertonhal) May 9, 2020

ABC called Little Richard “self proclaimed” and Kylie Jenner “self made”. It’s crazy how we still work with these people who continually have disrespected us.

— Larry Legend (@larryislegend) May 9, 2020

There would be no Elvis without Little Richard. There would be no Beatles without Little Richard. There would be no Stones without Little Richard. He was the blueprint, it’s not ‘self-proclaimed.’ https://t.co/x1koKDqw8M

— Liebesträume (@ElZephyr_) May 9, 2020

Self-proclaimed? Delete this mess. Little Richard was much foundation for The Beatles + Elvis, both who have blatantly copied Little Richard and other Black musical pioneers. pic.twitter.com/mFMziZGN87

— James Fauntleroy Stan Account (@yoyotrav) May 9, 2020

Not the smartest headline, & lacks respect. Self-proclaimed or not, Little Richard is the originator, he is the King of Rock and Roll. Be a good idea to reword your tweet & give the man the respect he deserves.

— Lydia Rhiannon (@LydiaAmesha) May 9, 2020

What Little Richard is talking about here is exactly what you are doing when you say "self-proclaimed". Please work harder on this, ABC. https://t.co/wDHSYNg0Vg

— Arthur Hjorth (@ArthurHjorth) May 9, 2020

Calling mr pedophile /racist/ culture vulture Elvis Presley the king of rock & roll w no issues but have the nerve to call little Richard “self proclaimed“ https://t.co/46JPCq4PSE

— mr struggle (@ericameltoe) May 10, 2020

If you aren’t going to respect Little Richard appropriately why say anything at all? He wasn’t “self proclaimed” at all.

— Freddie Brooks (@_BrightCrystal) May 9, 2020

Whew. The plain truth jumped out. And honestly, it's exhausting. Even in the death of our black icons, mainstream America still doesn't even attempt to give us respect they not only earned, but deserve.

R.I.P. Little Richard.

Photo: Shutterstock

[Read More ...] source http://theybf.com/2020/05/11/rip-little-richard-still-fighting-for-the-respect-he-deserves

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