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varokai · 1 year
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working in a used book store affords unique moments. people transferring the lease on their shared memories, some of them leaving pieces of themselves between the pages or under the covers. inscriptions in the blank spaces. remember the characters from your own life or notice something of yourself two hundred pages in or so. ratty or immaculate bookmarks holding sentry. duty as far as the back cover. an original receipt was like a dog-ear in time.
old price stickers. layers and layers. they changed the fonts, the colors, and for some reason the value. often it falls with age, but there's a crooked smile to be had when you notice someone tried to raise it in the middle. universities will often include a thermal printed emblem or mascot.
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cleaning and preparing another reader's book can feel almost funereal inverted. and a very busy and successful practice. it is astonishing how quickly hands can acclimate to a task. any good community would be proud. that is why they hold book fairs, yeah?
the people behind the counter with me. rejuvinative morticians. it's lively work if you can get it.
hardcovers like textbooks were simple enough, sloughing off like glossy, austere reptiles refreshed.
the adhesives acted so oddly on the paperbacks. the tool of choice was something like a plastic finger. it was easy to be too brutish, with the low result of tearing or clumsily embossing the cover. often, several arcs of the hand were necessary to find purchase. it was important to be delicate but firm. done correctly, the edge of the label would crimp into a rare texture, like the veil of some elusive deep sea creature. still. drifting. dreaming in the cloud of its endless world.
other tags took on lives and personalities of their own.
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for a short while, there was a mischievous cycle to add a small inconsequential mark of my own to a new sticker (i remember it being an arrow in a corner but that detail eludes memory). i think i enjoyed seeing them again, even if i didn't always catch them at first, when one of these beautiful strange beasts returned to glide across my counter once more.
there's this unique flavor of pride you can only share across certain countertops.
marked territory. one of the smallest liminal spaces between hands.
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vdbstore-blog · 7 years
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New Post has been published on Vintage Designer Handbags Online | Vintage Preowned Chanel Luxury Designer Brands Bags & Accessories
New Post has been published on http://vintagedesignerhandbagsonline.com/you-remind-me-of-an-ice-cream-van-the-nine-fashion-compliments-your-wardrobe-needs-fashion/
‘You remind me of an ice-cream van’: the nine fashion compliments your wardrobe needs | Fashion
Balenciaga. Photograph: Estrop/Getty Images
‘You look like Frankenstein’
No, not scars on waxy-smooth foreheads, but hybrid pieces that blend two looks into one. On the Balenciaga catwalk was a trench sewn on to the front of a denim blouson, and a purple velvet jacket conjoined with a black leather one. Designer Demna Gvasalia – who introduced the Franken-prefix with Vetements’ cult £800 half-and-half jeans two years ago – said backstage that you can choose to wear either garment in the pair, for an experiment in silhouette that is a homage to Cristobal Balenciaga himself. JCM
‘You look like asphalt shining in the rain’
Saint Laurent. Photograph: Peter White/Getty Images
This was designer Anthony Vaccarello’s description of the Saint Laurent woman this season. Rhetorically restrained it is not, but it is pertinent. The prevailing look on the Saint Laurent catwalk was lamé or sequinned. There were weird, fantastical creations, such as huge rings of leather that bounced like floatation devices around models’ bodies. Skirts were short, heels were high and the dominant hue was black. This was smudged eyeliner, chipped nail polish, still-out-at-4am-and-it’s-only-Wednesday glamour. It suggested that, for a generation usually found at home watching cats on YouTube, hedonism is back. HM
You remind me of an ice-cream van
Valentino. Photograph: Pixelformu/SIPA/REX/Shutterstock
If anybody actually said this to you when you were wearing a sublime evening gown from a Valentino collection that had the audience drooling, you would probably want to hit them, but it would, in fact, be a compliment to your on-trend colour palette. Mixed-up pastels are in. Knickerbocker glory is the new all-black. Lilac went with blue at Balenciaga, mint with orange at Miu Miu. One of the standout looks at Céline was a strawberry-pink blazer half-tucked into a pleated lemon skirt. Do you want sprinkles with that? JCM
‘You look like you have a deep understanding of feminist art theory’
Christian Dior. Photograph: Pixelformu/SIPA/REX/Shutterstock
The first model at the Christian Dior show wore a Breton shirt printed with the question: “Why have there been no great women artists?”, the title of a 1971 essay about the patriarchal barriers that have impeded women in the arts. The show’s secondary inspiration was the female sculptor Niki de Saint Phalle, whose chic-goth personal aesthetic and artwork (broken mirrors, swirling, colourful patterns) were sprinkled liberally throughout the collection. So the incendiary question emblazoned on the shirt was intended to challenge assumptions, not confirm them. But you got that. Right? HM
‘You look very kirakira’
Céline. Photograph: Estrop/Getty Images
What’s that, you ask – kirakira? Seriously, where you have been for the past month? Not the front row, that’s for sure, where the kirakira+ app – which turns any photo of sequins into a full-on fireworks-at-Magic-Kingdom explosion of multicoloured sparkle – is the new Boomerang. Timely, because head-to-toe sparkle, once strictly for Strictly, is now chic. If you don’t believe me, take Phoebe Philo’s word for it: when the Céline catwalk features an all-over sequin lewk, it is officially chic to sparkle. JCM
‘You look happy’
Dries van Noten. Photograph: Pixelformu/SIPA/REX/Shutterstock
After two seasons of Trump-era angst, designers talked about using fashion to grab pleasure where we can. Dries van Noten presented a collection of midi-dresses spliced with printed silk scarves in sophisticated colours – ochre, walnut, caramel and putty – and decorated with diamante. He said this was a wardrobe for a woman who would have “cocktails at five”. Mulberry’s collection was full of cheerful patterns inspired by English crockery and garden parties in zingy colour combinations, such as the Instagram favourite of pink and green. These were clothes conceived to make customers happy via charming design tweaks and luxe fabrics that feel lovely next to the skin. Just don’t expect the models to smile. HM
‘You look wonky’
Loewe. Photograph: Peter White/Getty Images
Symmetry is so passé. At Loewe and Givenchy, dresses came askew as standard. At Loewe, they had tiny rows of buttons running over them, which came undone at the back. At Givenchy, there were sections of knife-edge pleats embedded into flowing skirts. The lopsided look is party dressing for cool girls: frocks that are cut to show off a bit of midriff or a bit of leg, if the wearer choses to do so, but whose staggering beauty and layers of fabric and detail give them an arty, louche vibe that could never be found in a minidress or a crop top. HM
‘Your shoes look comfy’
Chloé. Photograph: Peter White/Getty Images
There was a heartening Paris fashion week trend for beautiful or girlish dresses paired with boots designed for stomping in puddles. Its apex came at Chloé, where floral frocks had all the Sloaney-ness sucked out of them by tough boots acting as counterpoints. There was something a bit Lara Croft about these lace-ups, which sat flatteringly close to the leg but had thick soles, cuban heels and rows of buckles. It was refreshing to see models stomp down the catwalk, rather than wobble in spindly heels. They looked like they could kick ass, if they wanted to. HM
‘You look as though you have forgotten to take the dry cleaner’s bag off your jacket’
Chanel. Photograph: WWD/REX/Shutterstock
Putting a protective layer on your clothes is the new taking the protective layer off your clothes. To clarify: so many of the looks at Paris fashion week had a clear plastic layer on top of them that certain critics started to wonder whether the wipe-clean aesthetic was an attempt at self-preservation in an unpredictable world. At Off-White there were Jimmy Choos covered in plastic. At Balmain there were clear zip-up pencil skirts worn over big black knickers. At Chanel there were see-through boots and see-through ponchos (why work hard to create a look then cover it up with a coat?). What’s for sure is that this is more wearable than it sounds. See Blade Runner 2049 for details, in which Joi’s coat is likely to be the most covetable item of outerwear worn by a hologram on screen this year. HM
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bodizwonder · 7 years
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‘You remind me of an ice-cream van’: the 9 vogue compliments your wardrobe wants | Fashion
Balenciaga. Photograph: Estrop/Getty Images
‘You look like Frankenstein’
No, not scars on waxy-smooth foreheads, however hybrid items that mix 2 appears to be like into 1. On the Balenciaga catwalk was a trench sewn on to the entrance of a denim blouson, and a purple velvet jacket conjoined with a black leather-based 1. Designer Demna Gvasalia – who launched the Franken-prefix with Vetements’ cult £800 half-and-half denims 2 years in the past – stated backstage which you could select to put on both garment within the pair, for an experiment in silhouette that may be a homage to Cristobal Balenciaga himself. JCM
‘You look like asphalt shining in the rain’
Saint Laurent. Photograph: Peter White/Getty Images
This was designer Anthony Vaccarello’s description of the Saint Laurent girl this season. Rhetorically restrained it isn’t, however it’s pertinent. The prevailing look on the Saint Laurent catwalk was lamé or sequinned. There had been bizarre, fantastical creations, resembling enormous rings of leather-based that bounced like floatation gadgets round fashions’ our bodies. Skirts had been brief, heels had been excessive and the dominant hue was black. This was smudged eyeliner, chipped nail polish, still-out-at-4am-and-it’s-only-Wednesday glamour. It prompt that, for a era normally discovered at residence watching cats on YouTube, hedonism is again. HM
You remind me of an ice-cream van
Valentino. Photograph: Pixelformu/SIPA/REX/Shutterstock
If anyone truly stated this to you once you had been sporting a elegant night robe from a Valentino assortment that had the viewers drooling, you’d most likely wish to hit them, however it might, in actual fact, be a praise to your on-trend color palette. Mixed-up pastels are in. Knickerbocker glory is the brand new all-black. Lilac went with blue at Balenciaga, mint with orange at Miu Miu. One of the standout appears to be like at Céline was a strawberry-pink blazer half-tucked right into a pleated lemon skirt. Do you need sprinkles with that? JCM
‘You look like you have a deep understanding of feminist art theory’
Christian Dior. Photograph: Pixelformu/SIPA/REX/Shutterstock
The first mannequin on the Christian Dior present wore a Breton shirt printed with the query: “Why have there been no great women artists?”, the title of a 1971 essay about the patriarchal barriers which have impeded girls within the arts. The present’s secondary inspiration was the feminine sculptor Niki de Saint Phalle, whose chic-goth private aesthetic and paintings (damaged mirrors, swirling, vibrant patterns) had been sprinkled liberally all through the gathering. So the incendiary query emblazoned on the shirt was meant to problem assumptions, not verify them. But you bought that. Right? HM
‘You look very kirakira’
Céline. Photograph: Estrop/Getty Images
What’s that, you ask – kirakira? Seriously, the place you will have been for the previous month? Not the entrance row, that’s for positive, the place the kirakira+ app – which turns any picture of sequins right into a full-on fireworks-at-Magic-Kingdom explosion of multicoloured sparkle – is the brand new Boomerang. Timely, as a result of head-to-toe sparkle, as soon as strictly for Strictly, is now stylish. If you don’t imagine me, take Phoebe Philo’s phrase for it: when the Céline catwalk options an all-over sequin lewk, it’s formally stylish to glitter. JCM
‘You look happy’
Dries van Noten. Photograph: Pixelformu/SIPA/REX/Shutterstock
After 2 seasons of Trump-era angst, designers talked about utilizing vogue to seize pleasure the place we are able to. Dries van Noten offered a set of midi-dresses spliced with printed silk scarves in subtle colors – ochre, walnut, caramel and putty – and embellished with diamante. He stated this was a wardrobe for a lady who would have “cocktails at five”. Mulberry’s assortment was stuffed with cheerful patterns impressed by English crockery and backyard events in zingy color combos, such because the Instagram favorite of pink and inexperienced. These had been garments conceived to make clients pleased through charming design tweaks and luxe materials that really feel beautiful subsequent to the pores and skin. Just don’t anticipate the fashions to smile. HM
‘You look wonky’
Loewe. Photograph: Peter White/Getty Images
Symmetry is so passé. At Loewe and Givenchy, attire got here askew as normal. At Loewe, they’d tiny rows of buttons working over them, which got here undone on the again. At Givenchy, there have been sections of knife-edge pleats embedded into flowing skirts. The lopsided look is get together dressing for cool women: frocks which are reduce to indicate off a little bit of midriff or a little bit of leg, if the wearer choses to take action, however whose staggering magnificence and layers of material and element give them an arty, louche vibe that would by no means be present in a minidress or a crop prime. HM
‘Your shoes look comfy’
Chloé. Photograph: Peter White/Getty Images
There was a heartening Paris fashion week development for lovely or girlish attire paired with boots designed for stomping in puddles. Its apex got here at Chloé, the place floral frocks had all of the Sloaney-ness sucked out of them by robust boots performing as counterpoints. There was one thing a bit Lara Croft about these lace-ups, which sat flatteringly near the leg however had thick soles, cuban heels and rows of buckles. It was refreshing to see fashions stomp down the catwalk, fairly than wobble in spindly heels. They regarded like they may kick ass, in the event that they needed to. HM
‘You look as though you have forgotten to take the dry cleaner’s bag off your jacket’
Chanel. Photograph: WWD/REX/Shutterstock
Putting a protecting layer in your garments is the brand new taking the protecting layer off your garments. To make clear: so most of the appears to be like at Paris vogue week had a transparent plastic layer on prime of them that sure critics began to wonder if the wipe-clean aesthetic was an try at self-preservation in an unpredictable world. At Off-White there have been Jimmy Choos lined in plastic. At Balmain there have been clear zip-up pencil skirts worn over huge black knickers. At Chanel there have been see-through boots and see-through ponchos (why work exhausting to create a glance then cowl it up with a coat?). What’s for positive is that that is extra wearable than it sounds. See Blade Runner 2049 for particulars, by which Joi’s coat is prone to be essentially the most covetable merchandise of outerwear worn by a hologram on display this 12 months. HM
Source: fitnesscaster.com Source: Bodiz Wonder
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emmagreen1220-blog · 7 years
Text
New Post has been published on Biology Dictionary
New Post has been published on https://biologydictionary.net/ecological-niche/
Ecological Niche
Ecological Niche Definition
In ecology, a niche is the role or job of a species in a habitat. The word niche comes from the French word nicher, which means “to nest.” An ecological niche describes how a species interacts with, and lives in, its habitat. Ecological niches have specific characteristics, such as availability of nutrients, temperature, terrain, sunlight and predators, which dictate how, and how well, a species survives and reproduces. A species carves out a niche for itself in a habitat by being able to adapt and diverge from other species. Modern-day ecologists study ecological niches in terms of the impact the species has on its environment, as well as the species’ requirements.
According to the competitive exclusion principle, two species cannot occupy the same ecological niche in a habitat if they are competing for the same resources. When species compete in a niche, natural selection will first move to lessen the dependence of the species on the shared resources. If one species is successful, it reduces the competition. If neither evolves to reduce competition, then the species that can more efficiently exploit the resource will win out, and the other species will eventually become extinct.
Examples of Ecological Niches
Kirtland’s Warbler
Kirtland’s warbler is a rare bird that lives in small areas in Michigan’s northern Lower and Upper Peninsulas. The niche of Kirtland’s warbler is the jack pine forest, and the forest must have very specific conditions. Jack pine forests with areas of over 80 acres are ideal for this species. Specifically, these forests must have dense clumps of trees with small areas of grass, ferns and small shrubs in between. Kirtland’s warbler nests on the ground beneath the branches when the tree is about 5 feet tall, or around 5-8 years old. When the tree reaches about 16-20 feet tall, the lower branches start to die, and the bird will no longer nest beneath the tree branches.
Jack pine forests remained virtually undisturbed during Michigan’s lumber boom in the early 1800s because white pine was a much more valuable. The consistent availability of young jack pines for nesting was generated by naturally occurring wildfires in this habitat. When the lumber boom ended in the late 1800s, the wildfires continued and allowed the jack pine to spread and create more habitat for Kirtland’s warbler. The species population reached its peak from 1885-1900. Humans began to alter this niche by fighting and putting out forest fires. Over time, this severely affected the Kirtland’s warbler population. Large areas of jack pine forest were designated for habitat management via logging, burning, seeding and replanting in the 1970s, and the species recovered.
The image above shows a female Kirtland’s Warbler, Dendroica kirtlandii.
Dung Beetle
As the name implies, dung beetles eat dung, both as adults and as larvae. They live on all continents except Antarctica. Dung is plentiful throughout the world, and over time, the dung beetle has learned to exploit it as a resource, and create its own niche. Dung beetles are known for the way in which they roll dung into a ball before transporting it. These balls area buried in an underground burrow to either be stored as food or used as brooding balls. The female lays eggs in the brooding ball and the larvae hatch inside. When they reach adult size, the beetles dig out of the ball and work their way to the soil surface. The actions of dung beetles serve several important functions in their habitat. Digging burrows and tunnels turns over and aerates the soil. The buried dung releases nutrients into the soil that benefits other organisms. In addition, the beetle’s use of dung leaves less available for flies to breed on, thus controlling some of the fly population.
The image above shows Kheper nigroaeneus, the Large Copper Dung Beetle, on a ball of dung.
Xerophytic Plants
Xerophytic plants have developed several adaptations to living in dry ecological niches. The adaptations evolved to help save water stored in the plant and to prevent water loss. Examples of xerophytes are cacti and aloe vera, also called succulents. These plants have thick fleshy leaves that store water, and long roots to reach water deep underground. Other adaptations that xerophytic plants use include the ability to move or fold up their leaves, dropping their leaves during dry periods, a waxy coating to prevent evaporation (called the cuticle) and thick hairy leaf coverings. The surface of plant leaves features stomata, which are tiny mouth-like structures that take in carbon dioxide and release oxygen and water. Plants usually open their stomata during the day and close them at night. Succulents do the opposite in order to reduce water loss during the heat of the day.
Extremophiles
Organisms can create ecological niches in some of the most inhospitable places on earth. Extremophiles are organisms, primarily eukaryotes, adapted to and thriving in areas of environmental extremes. The suffix -phile comes from the Greek word philos, which means loving. The type of extreme environment describes these organisms. Some examples are acidophiles (best growth between pH 1 and pH 5), thermophiles (best growth between 140°F and 176°F), barophiles (best growth at high pressures) and endolithic (growing within rock). Some organisms, called polyextremophiles, have adapted to more than one extreme. The study of extremophiles is important to the understanding of how life originated on earth and what life could be like in other worlds. Extremophiles are also important in biotechnology because their enzymes (called extremozymes) are used under extreme production conditions.
Quiz
1. A niche is _________________. A. a succulent plant. B. another name for a pile of beetle dung. C. the role or job that a species has within a habitat. D. none of the above.
Answer to Question #1
C is correct. A niche is the role or job that a species has within a habitat.
2. Which rule states that two species cannot occupy the same ecological niche in a habitat if they are competing for the same resources? A. The competitive exclusion principle. B. Natural selection. C. The theory of general relativity. D. Evolutionary biology.
Answer to Question #2
A is correct. The competitive exclusion principle states that two species cannot occupy the same ecological niche in a habitat if they are competing for the same resources.
3. An extremophile species is _________________ if it grows best at a low pH. A. thermophilic B. acidophilic C. barophilic D. endolithic
Answer to Question #3
B is correct. Acidophilic species grow best between pH 1 and pH 5.
References
-phile. (n.d.). In Dictionary.com. Retrieved from http://www.dictionary.com/browse/-phile.
“Dung beetles.” (2017, May 10). Retrieved from https://australianmuseum.net.au/dung-beetles.
Ecological niches. (n.d.). In Encyclopedia Britannica online. https://www.britannica.com/science/community-ecology/The-process-of-succession#ref588111.
Extremeophile. (n.d.). In Encyclopedia Britannica online. Retrieved from https://www.britannica.com/science/extremophile.
Feehan, J. (2017, May 10). What are dung beetles? Retrieved from http://dungbeetleexpert.com.au/what-are-dung-beetles.
“Kirtland’s Warbler Dendroica kirtlandii.” (2017, May 10). Retrieved from http://www.michigan.gov/dnr/0,4570,7-153-10370_12145_12202-32591–,00.html.
Niche. (n.d.). In Encyclopedia Britannica online. Retrieved from https://www.britannica.com/science/niche-ecology.
Niche. (n.d.). In Merriam Webster online. Retrieved from https://www.merriam-webster.com/dictionary/niche.
OpenStax. (2017). Concepts of Biology
Pedruski, M., Fussmann, G., & Gonzalez, A. (2016). A network approach reveals surprises about the history of niches. Ecosphere. 7(3), 1-12. doi: 10.1002/ecs2.1266.
Xerophyte. (n.d.). In Encyclopedia Britannica online. https://www.britannica.com/plant/xerophyte.
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varokai · 1 year
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the world is simply saturating.
keep standing.
it's flooding but you can breathe.
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varokai · 1 year
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&so the details
it's the details
that remind
you were worth the time
&so never the moment hurry.
the flaws
will swear
to the hands that had dared
&so never forgetfulness bury.
there is an aching love in the diligence of all things. then there are fingerprints on the gloss, paw prints on manusctips/ancient pottery, a blink in the broadcast
and the inevitable imperfections become subtly sublime. moreso because they were so hard to find
but you can still find them if you take care
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