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#tv: aile
save-the-sky · 1 year
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dangermousie · 7 months
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The convo in the mudpit, where she finally tells him she can't have any more kids and his reaction, where he asks her if that is why she left after their night and she says she took it as a sign.
And the way he asks her why she didn't tell him because if he knew he'd be with her every moment and if she kicked him out the door he'd come back through the window and she says that is why she didn't tell him.
And nothing is fixed because he says he loves her and he wants nothing but her and that's the only thing he wants in this life...
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And she asks if he'd do anything for her and he says he'd burn down the world. And so she tells him what she wants - for him to let her go. His faaaaace! She says she loves him so much and so she can't let him go so he should let her go and he's losing his mind and just - they are such a glorious destroyed mess.
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noovva · 8 months
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Kıvanç Tatlıtuğ as Aslan Soykan
-Aile new season | 2x1
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mariocki · 9 months
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Six Plays by Alan Bennett: Doris and Doreen (1.2, LWT, 1978)
"I still wonder about Mrs. Henstridge. She did have a daughter, doesn't she? She was in an accident. Or did she get married? I know the hat came round."
"They wouldn't send the hat round for a daughter, her daughter never worked here."
"They send the hat round for famine victims, and they don't work here."
"They send the hat round for all sorts these days. I hope they send the hat round for me when my time comes. If it isn't a wedding, it's a famine. Earthquakes practically twice a week these days. Never stops. Ethiopia, what have we got to do with Ethiopia?"
"I just have this feeling I chipped in for a spread."
#doris and doreen#six plays by alan bennett#alan bennett#single play#1978#lwt#classic tv#stephen frears#prunella scales#patricia routledge#pete postlethwaite#joan sanderson#george fenton#tony wharmby#this second play in the series is much more traditionally theatrical than the first; essentially a two hander confined to a single studio#set‚ the action concerns the titular characters played by Scales and Routledge‚ mid level filing clerks in an unspecified national company‚#who spend their days reading newspapers and making passive aggressive digs at one another rather than work on the forms they so abhor#it's a character piece‚ with sparkling dialogue brought beautifully to life by two actors that Bennett would work with on stage and screen#repeatedly (Routledge in particular became a familiar collaborator and was an intrinsic part of what made Talking Heads so successful)#Doris is a vaguely bitter single woman who cares for an ailing mother while Doreen is a comic grotesque‚ a vapid married woman who chatters#incessantly about forced rhubarb and the lives and loves of colleagues she barely knows; for all that‚ the two are very similar in some#aspects of disposition‚ particularly in their middle class snobbery and their disinterested attitude to their work. the looming spectre of#a potential interloper in the form of a new boss (part of dreaded staff shake ups) is treated with near gothic levels of horror and#paranoia (with the film really leaning into those visuals for the rather hysteria tinged ending). it's a note of elevated style that's both#clever and quite witty but i still think this works best when it's quietly deconstructing these two frustrated characters as inflated#clerks with delusions of importance. endlessly tripping off long monologues about particular paperwork or obsolete filing systems#or sniping among themselves about best practices and working to rule; underneath the breezy comedy there's very little sympathy or#compassion in Bennett's piece (even the late Pete Postlethwaite's union minded ancillary worker is depicted as a crude bore and a hypocrite#undeniably a funny play and as sharply written as any of the playwrights works‚ but it lacks the heart that furnishes his best scripts#also the score is weirdly obtrusive whenever it kicks in‚ often playing over lines of dialogue as tho poorly mixed in
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quererme-bonito · 1 year
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Pensé que era él. Estuvo a mi lado, como nadie lo ha hecho antes. Sostuvo mi mano de una manera que nadie la ha sostenido antes. Me hizo pensar que él también me necesitaba. Cada día me encariñaba más y más con él.
Pero cuando consiguió lo que quería, acabo. Me hizo sentir inútil, como si no existiera. Él paralizó y arruino mi alma. Pero aún así, todavía no puedo vivir sin él.
Aile: Seda
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aunti-christ-ine · 2 years
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Great articles
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Also:
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drunkardsprayer · 2 years
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Blasting star trek all through the night to keep the bad thoughts out of my head
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no1ryomafan · 5 months
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Yesterday I got a acrylic stand of artwork of the “what am I fighting for” scene-which for the record; I think that scene has been very much beaten into the ground as a meme, but I couldn’t pass off getting it bc it be funny to have and someone would easily recognize it’s mega man x if they came to my house lol-and my friend who I was out with who has seen the scene before despite knowing most mega man stuff from me thought it was from an anime adaptation of MMX but I laugh and go “oh no that was in the actual game, it was a animated cutscene”
And then I cry inside knowing we never got a proper anime for any of the platformer games despite the fact MMX felt like it desperately needed one- oh and classic and zx were SUPPOSED to get animes but shit fucking happened that cause them to be scrapped.
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dizimizi · 6 months
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Devin: çabuk bana güzel birşey söyle
Aslan: biz
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save-the-sky · 1 year
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Kıvanç Tatlıtuğ in Aile 1. Bölüm
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dangermousie · 7 months
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Because Turkish TV clearly continues on its agenda of mob men make the best husbands, have MVs for my two fave OTPs for airing Turkish shows, both involving mob dudes.
Aslan and Devin in Aile:
youtube
Tahir and Farah in Adim Farah:
youtube
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noovva · 30 days
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Kıvanç Tatlıtuğ | New 💥
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yeniyeniseyler · 9 months
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FOX - Türk Filmleri (Eylül 2023) (Ayın Filmleri)
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View On WordPress
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quererme-bonito · 1 year
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Nos sentimos solos, porque fuimos amados erróneamente.
Aile: Devin.
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