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#this poor human just buried in existential horror and just wanting it to end in a slightly less painful way
crow-with-a-pencil · 8 months
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Hi @naffeclipse I'm very normal about your fic. Have some frantic midnight sketches as extra kudos along with some tag rambling :)
#my ârt#crush depth#crush depth spoilers#fnaf#tw blood#tw drowning#idk how many others apply#anyways this is midnight crow coming out of the shadow realm to scream at you#first of all a cs ramble is on the way I'm still recovering from that fic too#im biting you naff im biting you so dang hard#I don't even know much about iron lung besides watching a play through but damn do you make me want to know more#just. where do I even start. the atmosphere is established so well and even though there was such a small space to work with I FELT it#I felt the claustrophobia I felt the walls and the console and the single dim lightbulb as my only solace in this death trap#the THOUGHTS#poor yn had so much time to just get lost in their head and spiral pretty much constantly#the dread. the constant overhanging dread of knowing there's a 99% chance they're not getting out of there alive and at this point#they just want to accept it and let it end bc there's hardly anything to go back to if they live#naff. look at me. reading some parts made my chest actually tighten with dread. it was so well done.#this poor human just buried in existential horror and just wanting it to end in a slightly less painful way#and the unknowable beings trapped outside who absolutely REFUSE to let that happen#god those eldritch fish were trying their hardest but just couldn't get in#yn was trapped inside while they were trapped outside and I just#I am EXPLODING the more I think about it#thinking about when they thought they were drowning and tried to breathe again#wanting to die but still having that instinct to survive#asking to be ripped apart but still cherishing their last breath of air#I'm shaking you I'm shaking you I'm dying on the floor#ough.#I'll never mentally recover from this and I want you to know I genuinely get inspired by your writing#this has been midnight crow ramblings. I just hit the tag limit. have a lovely night.
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ladyculebras · 5 years
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ALL THE WAYS THE PET SEMATARY REMAKE IS BAD
SPOILERS OBVIOUSLY FOR EVERYTHING
1. This movie blames Rachel for EVERYTHING. This is the big main thing that bothers me throughout the film. Rachel is at fault, either directly or subtly, throughout the film.
First off, Rachel is the one who fears death so much she cannot bear to prepare her daughter for the possibility of Church dying, while the original actively had them trying to get Church fixed so he wouldn't wander around so much and thus, less likely to die. This wouldn't bother me so much, but LOUIS is the one who okay talking about death and wants to talk to Ellie about it and wants to not shield her from the truth that Church could die. This...ruins the whole narrative thrust. Louis is supposed to be fearful of death, shying away from exposing his family to it in any capacity, to the point where he avoid any kind of confrontation and causes the whole problem. Louis and his inability to handle death when it hits home is the whole POINT.
But furthermore, Rachel is the one who doesn't want to tell Ellie about Church dying! Louis WANTS to tell her but Rachel convinces him to tell her that Church ran away and tells him to go bury Church in secret. So inadvertently, it's all Rachel's fault. If Louis just talked to his daughter about death, and her dead cat, none of this would have happened. It completely removes accountability from Louis, when that is his whole tragic flaw.
Look this wouldn't bother me so much if Rachel were the main character instead. You want to make it her fault this happens, that's okay! But make her drive the story then! Don't do it as a way to absolve Louis of further responsibility!!!!!!
FURTHERMORE!!!! YES THERE'S MORE. After Ellie's death, Rachel is the one who decides to go away and leaves Louis behind...for reasons. Like yes I understand why she would want to get away from this awful place, but the movie completely cuts out the subplot of Rachel's parents hating Louis, so there is no reason for him not to go. But this also removes Louis actively conspiring to get Rachel to go away so he can go do a bad thing. It's a small thing but a really important thing that means Louis just doesn't come off as badly as he did in the original. The original movie is about grief but it's also about the folly of a man who is unable to let go or listen to anyone around him, and making terrible decisions that he hides from the female members of his family that ruins them all. It's so clearly obvious the male directors did not want Louis to look TOO BAD. Trying to remove accountability from Louis ruins the whole point and the tragedy as well. If Louis doesn't make these choices, if held held back from accepting death because his wife asked him too, how can this be his fault.
2. BUT WAIT THERE'S MORE ON RACHEL'S HANDS.
In the original, Rachel recounts her sister Zelda's death in a scene with Louis and explains that she wanted her to die and she felt awful for wanting that. Louis comforts her and tells her she did nothing wrong and her parents were awful for putting her through that. Then insists she takes a valium for her anxiety because LOLZ THE 80s AND CASUAL DRUG USE, MAN.
Here, she tells Louis the story but explains that she ACCIDENTALLY killed her sister, by forcing her sister--who can't get out of bed--to crawl to a dumbwaiter to get her food where she falls in, because Rachel was too scared.to go up to her and give her the food herself. Now, I don't have a problem with this, this doesn't make her a bad person in my eyes, but the change itself puts some responsibility on an EIGHT YEAR OLD KID for her sister's death in a way that the original movie and book didn't.
Then later, reanimated Ellie says YOU PRAYED YOUR SISTER WOULD DIE like it's an evil dark secret that she's revealing. AS IF THATS SOMETHING A EIGHT YEAR OLD NEEDS TO FEEL BAD ABOUT. AS IF THAT MAKES RACHEL ACTUALLY TERRIBLE.
God I hate this change the most because I adored the original for going there with the themes of grief and exploring all the ugly messy emotions involved in grief and not just dead children but prolonged illness. And demonizing those emotions for a cheap shocking reveal at the end is not dark and mature storytelling, its childish.
3. Also holy shit this movie mishandled Zelda so badly. They have Zelda straight up threaten Rachel and say she hated her and she was going to end up just like her. Her NEVER GET OUT OF BED AGAIN line is an actual threat to her. It was a weird demonization of an ill woman, when the original was already sketching the line in its portrayal of meningitis, but this was so much worse. Those words are manifestations of Rachel's anxiety!!! THEY ARE NOT ACTUAL THREATS. IT'S JUST RACHEL THINKING HER SISTER MUST HATE HER.
The whole scene is played for weird jack in the box jump scares instead of the existential horror of watching your sister be ravaged by disease when you are too young to understand what that is.
4. Ellie is this weird perfect angel child, and it bothers me. In the original story, she's scared of the pet sematary at first. She has a great speech about how Church is her cat, not God's cat, he can't have him! She cries and storms off and throws tantrums and says SHIT. She is a regular kid, basically. In the book, she actively annoys Louis! Here, she's just...boringly perfect. Everyone loves her. She never gets angry. She never cries. She doesn't even seem upset when Church attacks her. Jud is enchanted by her, literally saying he is under her spell, WTF. This wouldn't be so bad in general, bad writing for a child but not necessarily awful, but it bothers me the most here because it's all set up for when Ellie dies and comes back as a total monster. Ellie cannot actually be her own character but a pedestaled symbol of a child for Louis to cry over, and for the audience to feel horrified by when she returns as a shell of herself. At least when the original did that with Gage, it made sense, because he is a TODDLER and they have no real personalities. We as a whole tend to over idealize babies and the only thing you can really do with Gage narratively is make him a symbol.
5. Speaking of Zombie Ellie, I wanted to be open to the whole Ellie dies and comes back thing! I hated the idea of it initially but I was hoping it'd be interesting. I liked the beginning, with Ellie being set up as fascinated and drawn to the pet semetary to begin with, and I was kinda hoping the movie would follow her pov instead. After all, I love a good monster girl story and I was really intrigued by the idea of Ellie being AWARE she's been reanimated, and angry about it, upset about it. But tbh, I think the movie in general seemed to go with the idea that Ellie is not Ellie at all but the wendigo, acting through her.
But it was BAD, partly because the actress was not good--not her fault she was given poor direction and shitty material and she's just a KID--but also partly because these dudes just don't know how to write women and don't know how to write girls and didn't really grant the reanimated Ellie any actual humanity or depth. She existed to torment those around her, like she was seeking revenge, rather than coming back wrong as something monstrous like child Gage in the original. She came off as a generic creepy girl child who was possessed.
HONESTLY just having Ellie speak was a terrible idea. I sort of get what they were going for, after all,in the book, undead Gage speaks and knows things he should not know, and Elie as an avatar of...the wendigo *TAKE A FUCKING SHOT* would do the same, I get that they were doing that. But oh god the batman voice they gave her and the terrible lines sounded so OFF. She would have been creepier if she didn't say anything or at least, spoke in a regular little girl voice. It would have been creepier if she was clearly not Ellie and Louis didn't care--they kept going so back and forth on Louis in these scenes, first he is scared of what he brought back and uncomfortable with her and yelling at her, but then he is all HUG YOUR DAUGHTER!!!!!!! GOD CAN HAVE HIS OWN CHILD!!!!! And then he is back to wanting to kill her. But honestly, I don't need the movie to have done things my way, just...not this. This was terribly executed. 
6. Speaking of, they were doing some weird...psychosexual Elektra complex with undead Ellie and Louis. First the shot with both of them in the bed together is mirrored earlier with a shot of both Rachel and Louis in bed together....okay then. I mean. That doesn't mean anything. Maybe I am just misinterpreting. But then Ellie is like SHE DOESNT WANT ME HERE AND I DON'T WANT MOMMY HERE (but she still...reanimates her...for reasons. Why. I don't understand).
Then Ellie attacks Jud and wears the face of his WIFE TO DO IT and torments him like that.
Why. Why would you do this. I hate these writers. These are the worst choices.
7. THEY GAVE ELLIE'S PSYCHIC POWERS TO GAGE I'M SO ANGRY ABOUT THIS.
8. This movie legit single perfect tears Louis during Ellie's funeral. Are you kidding me. A single perfect tear. FOR REAL. THIS IS A MOVIE ABOUT GRIEF. 
9. A lot of the promo material before the movie came out made a big deal about staying truer to the book than the original and it being an adaptation of the book, not a remake of the movie. Sure, but they barely do anything with wendigo and I'm kinda glad, because the whole INDIAN BURIAL GROUND is a bad trope and King's depiction of the Wendigo is soooo wrong and misinformed and terrible but like..this movie didn't do anything with the mythology except name drop it.
10. I AM ACTUALLY MAD THEY MADE CHURCH EVIL. Like this is nitpicking I know but!  In the book, Church (and the reanimated dog) isn't actually evil, he's a zombie. Hes described as not quite how to be a cat anymore. And even in the movie, Church doesn't do anything sinister. He only attacks Louis and who could blame him, and he never hurts Ellie at all. She still sleeps with him in her bed. So I am honestly annoyed they had Church actively attack Ellie jklasfasda
11. Oh my god let's talk about Pascow. WHAT THE FUCK HAVE THEY DONE TO PASCOW. They completely neutered him and made him just a generic ghost, for the most part. Pascow is cheerful in the original, while also being creepy yet relatable. You can really emphasize with his sheer helplessness to stop the tragedy from unfolding. But none of that comes across here. Maybe they wanted to maintain the completely SERIOUS tone, but ultimately Pascow is supposed to be a soothing presence. He is there to remind people that death isn't evil and something that needs to be accepted. He isn't supposed to be there for jump scares, and then completely disappear for the most part.
12. Also the optics of casting a black man for Pascow , and then completely and grotesquely fucking up his face so bad his brains are exposed in his scenes...while Ellie also gets hit by a truck and she looks completely okay, like a perfect corpse angel is just. Gross and bad and racist and sexist ALL AT ONCE, AMAZING.
Like look, I don't WANT to see a mutilated gored up child, sure, but it's so shitty that both these characters get hit by trucks and the black man looks like....he got hit by a truck but the white child looks fine. She looks fine. Her head is stapled and her eyes are a little mismatched but fine.
13. THE EDITING IS SO BAD. It feels like they couldn't WAIT to get to the ending fast enough so scenes will literally smash cut to the next right in the middle of an action. There was a moment where Church is hissing and then it just CUTS immediately in the middle of hissing, he doesn't even get to finish hissing! Just cut to the next scene! There is no lingering on a moment to just process. Things just happen.
14. The story of Timothy, the person who was brought back one time, is just a footnote in this movie. It's barely relevant. That was a such a great creepy moment that underscored the whole movie and it's themes, and it's just gone.
15. Why is Jud so creepy. He literally looks at Louis and the family from a distance and ominously smokes a cigarette and he's so mysterious for no reason and even his first meeting with Ellie he yells at her and then is like WHAT, CAN'T YOU READ about the pet sematary sign. WHAT ARE THESE CHOICES. For a moment I thought Jud would be evil but no he's just weird and creepy for reasons? The movie sacrificed his and Louis' relationship to build one with him and Ellie, which is cute but also kinda bothers me because it's really to just make Ellie look like she is SO IMPORTANT TO JUD and that's why he tells Louis how to bring her cat back and it's…weird. Jud seems overinvested in the family and kids that aren't his rather than like,being friends with them all.
Jud is CHARMING. You fall in love with his kindly old man gentleman nature. He feels like everyone's grandpa. He is warm and delightful and it's such a shock and horror when he dies in such a brutal way. Trying to frame him in shadow with an ominous cigarette reduces the warmth of the character for no reason!
Furthermore, Jud's warmth is meant to obscure that he's ultimately rather weak himself, in character, just like Louis. He's not entirely at fault for the events but he cant help himself in telling Louis about burying church, rather than implying that the dark power is literally ensnaring him to make Louis do it jaksfsadfasdfa
16. LOUIS LITERALLY DRUGS JUD LIKE A DATE RAPIST WHAT THE FUCK
17. Guys, you can't just turn on a fog machine on your set and say you're an atmospheric movie. HAVING FOG IS NOT A SUBSTITUTE FOR GENUINE DREAD.
18. The ending is just bad. I REALLY WANTED TO LIKE zombie family but its filmed like for cheap shock, rather than genuine horror. I love dark endings, but it didn't feel like a tragedy the movie should be, it just felt like the hand of the writers were trying to do a different ending to say SEE THIS IS DIFFERENT! LOOK AT HOW DIFFERENT AND DARK WE ARE. I just...hate the whole framing. I love the idea of the whole family being reanimated but I CAN'T UNDERSTAND WHY. Ellie wanted to torture them like she is being tortured? That's a great concept but it's not really a thing in the movie. You can't tell if Zombie Rachel or Zombie Louis feel any kind of horror or torment at their own state, which undercuts the whole reanimation.
Ok in the interest of being fair, here are some things I liked.
1. I do genuinely love Ellie in this movie at the beginning. I liked the idea of her being drawn to the cemetery. I really liked the scene where Louis is giving her a bath and he sees the staples from the autopsy. I loved the bits when it was sort of suggested that even she didn't know why she was back and where she had gone and did not understand why she could feel the woods inside her. I wish we just expanded on that more.
2. Church. Church is great. Church is always great. Best cat, did no wrong. This movie did not kill the cat off for good, so that is a bonus.
3. There's a moment where Louis is trying to justify bring Ellie back to life and Rachel is just staring at him agog and horrified and Louis is wild eyed and shaking and it's the most terrifying moment in the movie for me. Not Ellie or the wendigo, but LOUIS, having completely lost it and not giving a shit that he has an undead monster daughter right now. SO GREAT. The movie undercuts it later by having him realize he ~needs to kill Ellie~ again and like...no, go full steam ahead with that.
4. SOME SHOTS LOOK GOOD I GUESS
In conclusion MEN ARE DUMB AND SHOULD NOT BE GIVEN WOMEN'S FILMS TO REMAKE
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I Am Legend Review
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Author: Richard Matheson | Publisher: Orb Books| Release Date: September 15, 1997
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"Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend."
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Robert Neville is the last living man on Earth. Every man, woman, and child has turned into a vampire and is out for Neville’s blood.
By day, Robert hunts those who seek to kill him. At night, he fences himself inside his house, drinking away his sorrow and almost suicidal despair. How long will he survive before his own madness and loneliness overtake him? Man by nature is a social creature and is not meant to be alone.
Note of Warning: This review does contain spoilers, so be on the lookout!
When I was young, I used to read horror books like they were going out of style. Over time, I felt the genre became overly diluted with predictability (and consequently became uninteresting). I even stopped watching horror movies for that very reason. How many times can you reinvent something over and over again before it becomes tedious or laughable?
Then the Twilight series appeared on the scene and turned me off completely from desiring to return to the vampire genre. Now, to be honest, I never read the books. I only read excerpts and synopses. Stephanie Meyer must be doing something right, given how popular the series is, but her writing style is not for me.
The point that I want to state here is that it’s been a really long time since I’ve read some good horror novels. I didn’t expect I Am Legend to impress me like it did.Thank you, Richard Matheson. This story made me fallback in love with vampires.
Matheson’s detail into the psychological struggle of Robert Neville being the sole human survivor is superb and endearing. It’s existential in nature with minimal dialog. It’s mainly a story of contemplation, exploration, and survival, and that’s what I like best about it. It is not your typical horror story consisting of gore or action-packed drama crammed into 170 pages, nor is in the soap opera that The Walking Dead has developed into. Instead, it is bleak and introspective, clearly written with the human condition in mind.
As a reader, I felt Neville’s anguish, depression, and anger. At moments, I even questioned why he decided to live in a world that desired him dead. The reader is tempted to loathe the guy because he’s a drunkard and an angry, suicidal maniac. At the same time, however, how can you not feel pity for someone who had to kill his own wife, bury his child, and then do the same meticulous thing every single day. Robert Neville made me want a round of drinks (or two)! I thought Matheson’s scientific explanation for vampirism was creative. I didn’t follow his logic at certain points, but it didn’t impact the way in which I enjoyed the story overall. I figured that if you’re Neville, the last person on Earth (and who is not a scientist), it is to be expected that your scientific logic won’t hold solid.
When Neville meets Ruth with such skepticism, as the reader I wanted to knock him over the head and shout, “Get over yourself!” Seriously dude, why can’t you just be happy for once? I thought his paranoia was unfounded-until I read the ending.
Hook.
Line.
Sinker.
It’s abysmal, ironic end for Robert Neville. The concept that infected humans evolved, making him the sole non-infected human alive, and consequently a legend to be feared and hated like the vampires of old, is ingenious. Not completely unsurprising, Neville accepts his fate. Neville was tired of fighting a losing battle. He came, at last, to some sort of peace with himself and the infected. For Neville, it was akin to struggling against a strong current and then just letting go. A relief washed over me for poor Neville despite its tragic conclusion. One could say that there really are no victories in life, just last stands.
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Find It Here: GoodReads | Amazon | Barnes and Nobles
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