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#thinking about a few things and characters here... but especially about amelia infinity train
anistarrose · 1 month
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The thing about the "fridged" trope is that obviously you can't have a female love interest dying as a defining moment for a male character because that's not feminist, but you also can't have a male love interest dying as a defining moment for a female character because then she's just going to have an arc revolving around her relationship with a man and that's also not feminist, and you also can't kill off a love interest from a gay relationship or a relationship involving a nonbinary person because that's burying your queers, which is at least as bad as misogyny if not even worse, and now suddenly you can't kill off romantic partners at all in stories because no matter the demographics, it's going to be problematic somehow, which is... a pretty ridiculous limitation to impose on storytelling.
And, like, it would be satisfying to have a solution other than "it depends on context if not straight-up vibes, and it's usually very reasonable for audience members to have a range of opinions on the execution of one specific instance," but. Yeah, you do kind of have to just vibe check it in a deeply subjective manner sometimes.
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sepublic · 3 years
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Amelia’s Alzheimer’s?
           From what Owen Dennis told us, Book 5 of Infinity Train would’ve been a movie, covering Amelia’s takeover of the train… Which, I don’t know if Book 5 would’ve gone over her takeover, AND her eventual arc post-Book 3, but; I believe the implication is that like Book 4, this movie would’ve been a pure prequel, set in the past. A good look and further contextualization of Amelia’s past sins and how she got into the headspace she now has, in order to set up for a future Book where she finally gets her proper arc.
           That leaves just three other books… One about Guilt, the next about Revenge, and the last of Acceptance. Book 5 is about Grief fittingly enough, and we know that Book 8 (Acceptance) would’ve delved into a passenger with alzheimer’s, whose condition would’ve kept them from engaging with the Infinity Train’s intended function properly. Owen Dennis mentioned how this final season would’ve been based on his own experiences with his grandfather, who had a similar issue in the past.
           It’s easy to assume that Book 8 would’ve been about a whole new character, which leaves either Books 6 or 7 for the resolution to Amelia’s arc- But what if that’s not the case? The Book 8 protagonist would be pretty old, presumably, so…
           …What if Amelia was the Book 8 protagonist? What if, by the end of the series, Amelia’s age would’ve caught up to her, and she’d start developing alzheimer’s- Further complicating her attempts to get her number down, especially when she can no longer remember Alrick like she used to!
           Think about it- Amelia as the final protagonist would be a neat book-end to the series, given how we began with her as the final antagonist of Book 1. The show starts and ends with Amelia, who alongside One-One and Samantha the Cat (and arguably Randall) are basically the core, central tenet characters of the entire show. The resolution of Infinity Train is the resolution of Amelia, who serves as the passenger most entwined with the train, having once been its conductor even!
           Not only that, but with how Amelia’s character serves as a means of criticizing and showing the fallibility of the Infinity Train, how she’s able to game the system, how she works in a place to criticize One-One’s direction with it… And her having to deal with alzheimer’s could continue that theme of Amelia’s character being a commentary on the flaws of the Infinity Train, if it can’t account for her memory loss!
           Amelia’s memory loss would be difficult to work with, if we’d only gotten to know her in just Book 8; But now we have Books 1, 3, 4, and 5 (at the very least!) to bring background and context to her life-story, and it’s a LONG one too! Setting up Amelia’s past in great detail, going into the intricacies across the entire show… It could be setting up the audience to remember all of this, when Amelia herself can’t- So we can get a better idea of her frustration, of how she ended up here when Amelia herself is confused, etc.! We gain a deep and intimate understanding of Amelia’s past for her, in preparation for the memory loss of Book 8.
           Owen talking about how Book 8 would’ve been based on his own experiences, watching his grandfather deal with amnesia- From a meta sense, the audience could serve Owen’s role! We’re the younger people, watching Amelia, our favorite old lady, grow across the series… We get attached to her, she’s basically like family, so naturally it hits harder to see her lose her memory. It’d be a meta way for Owen to really capture what he experienced in real life, by having the audience take his position when observing the character of Amelia.
           From an in-universe standpoint, perhaps Hazel could serve as the proxy for Owen! She’s more or less Amelia’s daughter in the technical and arguably figurative sense- We don’t know exactly how their relationship would progress, and the last time we had hopes of Found Family for Hazel, it didn’t quite work out… But regardless. Perhaps Hazel, as a kid with relation to the older Amelia, would’ve gotten to grow up with her surrogate caretaker, learn to value and appreciate her and vice-versa; And then we see from Hazel’s pained perspective, the loss of Amelia’s memories. Perhaps Amelia losing her memories of her times with Hazel, even!
           This could tie Amelia and Hazel’s stories together, especially with how linked the two are, with Hazel resulting from Amelia’s failed attempts to bring back Alrick! And Hazel has a few of Amelia’s memories- She remembers taking ballroom dance lessons, because Amelia was drawing upon those memories when trying to recreate Alrick. Hazel could serve as a young guide to comfort Amelia, a genuinely emotional connection, someone who remembers what Amelia can’t, in the absence of Alrick.
           Book 8 would’ve been about Acceptance- AKA the final part of the 5 stages of Grief, when dealing with the death of a loved one… And Grief is the theme of Book 5, Amelia’s origin story! Amelia would accept the death of Alrick at the end of Book 8, and perhaps Hazel could learn to accept the death of Tuba and another family member in Amelia… In the sense that yes, Amelia is leaving her too- But Hazel will learn to move past Tuba’s death, and perhaps her own experience can help Amelia as well. They can grieve for Amelia’s memories, for Alrick, etc.
           It’d also be an interesting and frustrating challenge for Amelia- As someone who no doubt has at least some pride in her intellect and mind, having her own mind start to degrade… It’d really put her into an interesting headspace, and force Amelia into that acceptance of what is inevitable, that some things she really can’t change. And of course, this could deal with theme of acceptance, of how Amelia clings to her past with Alrick; Having her memories of him start to fade could really shake this up, and force her to re-evaluate her life and values, her priorities… Perhaps decide to instead focus on the Now and Future, accepting that her past with Alrick is not only long-gone, but possibly due to be forgotten. That she can love and appreciate what it did for her, but Amelia has no choice but to move on- Even without those memories, without that past, she still has a future with Hazel and everyone else to keep living for.
           For all we know, Samantha the Cat could even come into play here! She’s someone with access to people’s tapes, among them none other than Amelia’s- And before she gave it to Simon, Samantha also had the ability to create new tapes from passengers on the go. Samantha is a long-lived denizen, at least about 150+ years old, she’s lived and seen the entirety of Amelia’s reign, and was likely there since the very beginning; Owen Dennis did allude to Samantha being present in Book 5… Specifically, he suggested that us seeing Samantha kill someone was a possibility, amidst One-One or Amelia committing murder instead; And that of course suggests that, regardless of whether or not the Cat kills someone in Book 5, she’d still be a prevalent character.
           Samantha having that past with Amelia, and her own conniving nature, could possibly lead to her conflicting with Hazel, perhaps recounting memories differently, or trying to tell them in a way that’d sway Amelia to her side, who knows? It’s also worth noting that she’s someone who has regret and loss in Simon… So perhaps if she served as a central cast member for Book 8 (befitting my point about Amelia being a book-ends kind of character), Samantha would’ve learned to accept the death of Simon, and/or help Hazel and Amelia move on as well. It’d be a fitting and appropriate farewell, I believe, to have Amelia and Samantha, two main-stays since the beginning, have their arc at the very end of the series.
           And Hazel? Hazel could be representative of a new generation, to step up and take the mantle passed down. One-One’s own input would be fascinating, because like Samantha and Hazel, he has quite the past with Amelia, and a lot of significance and understanding of her sins. And with his control of the Infinity Train, I can see him attempt to recreate Amelia’s destroyed tape, or even try to create a new tape for her, to try and get around Amelia’s memory loss. The Infinity Train selectively deciding which memories it only thinks are important could lead to disagreement with One-One and conflict, exposing the flaws of the system- And/or, the Infinity Train might come across a roadblock because it can’taccess Amelia’s memories anymore!
           This could be a culmination for One-One’s arc as well, as seeing his failure to account and accommodate Amelia’s alzheimer’s, leads him to decide to make MAJOR reforms to the Infinity Train as a result! Maybe he’ll even stop the whole process of kidnapping passengers (while still letting the denizens function and roam freely). Him and Amelia have an unusual, kind of at-odds but not really, sort of frenemy relationship; They’re working together, they’ve been enemies, they’ve collaborated, each was the reigning conductor at one point. We could have Samantha as someone with negative recollections of her time with Amelia, One-One with overall netural ones, and Hazel with positive associations! Three different people with different pasts and interactions with Amelia, to provide their own input on their time with her, and thus help her rediscover her past…
           …Or, at the very least- Come to terms and accept who she is, and finally move on. And, it goes without saying that Amelia’s dilemma with her huge number could be complicated by her Alzheimer’s, if she can’t remember things- And it’d be interesting to see how it might fluctuate, if at all. Perhaps Amelia’s progress actually gets pretty good, but THEN the memory loss begins to kick in, and that frustrates her. It’d teach the lesson that progress is not linear, that sometimes you might backtrack, you might think you’re so close, only to have retread the same path… And sometimes you’re tired of the journey and just want to get to the destination, to the final stop at the end of the railroad. We could have Amelia learn to accept help from others, to not try and seize control for herself as all-powerful Conductor, to gain some humility amidst her pride in her own ability and intellect…
           We could have Amelia awkwardly navigate the train without her memories, stumbling across and slowly figuring out what needs to be done in order to lower her number, with just the number’s movement as an indicator, and no memories to work off of! Her only hints are whenever her number moves to a certain situation, so Amelia really has to work backwards… Through trial and error, figure out what needs to be done; Perhaps a callback to Grace and Simon, who had no guidance and struggled with figuring out what their numbers expected of them.
          It’d be an interesting book-end to THAT point, especially since it was Amelia who unknowingly contributed to Grace misinterpreting the function of her number, so then having Amelia rectify this with herself, learning to properly figure out what her number means, and then accepting that without going into denial like Simon did… It’d really show the growth of her, but also the series, and of course the fact that Grace and Simon were literal kids, and Amelia is a seasoned adult. And of course, there’s the existential questions, if Amelia is a different person without her memories, if those sins still apply if she can’t remember them anymore, if she’s essentially disconnected and detached, etc.
          We might see Amelia operate without any memories of her grief with Alrick, see how she is without that- And it might concern and frustrate Amelia, because she could conflate moving past Alrick, as being the same as getting rid of him truly… And the memory loss certainly doesn’t help. Who is she without her memories? It could lead to an identity crisis that echoes back to Book 2’s themes. Amelia without memories might learn to rediscover herself by looking into her past, perhaps existing without recollection, just this number she slowly figures out how to lower. Perhaps having a new, more detached/objective look at her own past, from a perspective as someone who doesn’t remember them, so it feels like the recollections of a stranger- It might contribute to Amelia really coming to terms with happened, with herself, and finally Acceptance.
           It really could be the culmination of the series; With how the age of protagonists for each Book gets progressively older, Amelia’s elderly age and Alzheimer’s would’ve been the end of the line, the final stop/destination for the train. It’d make Amelia the central Passenger of the show, who we’ve been following since Book 1, watching her progress, in a sense seeing her grow up- And then finally seeing her grow old and suffer from Alzheimer’s. The journey of the Infinity Train could be the journey of Amelia, from her boarding the train, to the final destination, literally and figuratively. It could tie into the arcs of Hazel, Samantha, and One-One, and finally deconstruct the Infinity Train with an outsider who did exactly like that!
           What do you guys think? I think it’d be quite the experience to watch Amelia grow and struggle as a person, so it really does feel personal and intimate to us, when we know her memories, only for Amelia herself to lose them... A fascinating, bittersweet study and journey of Amelia, but one we accept, because the journey made the destination worthwhile.
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4rainynite · 3 years
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Infinity Train Headcanon part 2
I'm back with more Infinity Train headcanons this time with the denizens! Like the first one I’m only doing five per character so it won’t too long. Here's a link to the first one , enjoy!
One-One
The Snow Car is his favorite car because he met Tulip there (also he was stuck there for 30 years). But from the evidence from the Snow Car clip he maybe slowly forgetting events only for small things (like the rock) to remind him of said events.
One-One can't eat, but if he did his favorite foods would be popcorn & soda (Movie Theater Car) and chocolate bars ( Minecart Car), but he would hate coconut (again Minecart Car).
One-One will slowly realize that denizens have their own desires besides helping passengers (ex. Lake) and if they desire to leave the train he will assist them.
When he was One, he was very cold and didn't bother explaining how the train worked to passengers (luckily denizens like, Kez, explained how things went). After, Tulip left he made the videos to help explain what the passengers must do to get home. This both got passengers off the train quicker and saved many lives.
The reason he was stuck in the Snow Car for so long was because: both passengers and denizens didn't notice him in the snow or on the snowman (woman or person) body, he was out exploring the car, or he was to busy collecting junk for his secret stash. Bonus: Amelia purposely put him on the snowman (woman or person) body to humiliate One!
The Cat
As great a business woman she is The Cat doesn't think things through ex: turning Ryan, Min-Gi and Kez to the bug police, never going back for Simon, and trying to trap Tulip in her memories. She did help Kez after realizing the Old West Car denizens were going to execute Min-Gi and Ryan for something so stupid as a tea stain, she believed that the ghom killed Simon and never looked back (she deeply regrets that now), the Conductor just wanted One-One not Tulip, after Tulip escaped and the Conductor wanted her as well The Cat realized how badly she messed up.
I doubt she's one of the first, but The Cat is one of the oldest denizens on the train ex: knew there was another conductor before Amelia came, hasn't taken a vacation in 150, said the Chat Chalet Car has been dry for centuries.
The Cat owns many businesses and cars ex: The Cat's Car, Le Chat Chalet Car, The Lucky Cat Car, the doughnut-holer business, the tea shoppe in the Old West Car, the list goes on!
I don't think The Cat knew the Apex were wheeling denizens. She knew they were ruining cars ( especially hers), but had no clue about the deaths.
The Cat's hoarding is to cope with her insecurities and failures. When, she finds out about Simon's death her collection will only get worse.
Randall
Randall makes a fortune out of the doughnut-holers, but the fortune is mainly trash. His main types of payment are flowers and gum.
I think Randall is unable to be killed. From what was shown in Le Chat Chalet Car he can be frozen or boiled (and eaten) and still be alive. The dude's immortal!
The Cat always brings Randall with her just incase she needs a hand in one of her money making schemes. Mainly, because she knows good and well that both passengers and denizens are indifferent towards her due to past schemes, but everyone loves Randall.
When, The Cat and Frank leave Le Chat Chalet Car, Randall (or a part of him) askes to stay because of his love of the snow. The Cat allows it, but tells Randall to make sure if passengers or denizens come to the chalet they have to pay to stay. too bad the payments are usually gum, flowers, rocks, and other useless things. But, ever once and awhile Randall gets paid money, CDs, jewelry, and other shiny trinkets.
Continuing with the last headcanon - Randall takes good care of the chalet when The Cat is away! He makes sure the pantry is stocked with food and non-Randall water, invites guest to snowball fights, and gives them doughnut- holers as guest gifts. Because of Randall the Car becomes popular, and why The Cat allows him to keep it open.
Atticus
After hearing the news of what the Apex did to the Unfinished Car, Atticus has reached out to other cars to stop the Apex so they wouldn't damage passenger/denizen relationships.
Atticus was the runt of his litter and abandoned at a young age. Atticus becoming king is the classic orphan-becomes-king story.
Atticus does check-up on One-One when he gets the chance. The two do talk about Tulip and how they miss her.
Atticus created a tulip field (mainly orange and yellow) in honor of Tulip for saving Corginina and returning One-One as conductor.
Stops calling Irwin, 'Ugly Irwin', and encourages the other corgis to stop it too. Because, it's rude to make fun of someone's appearance.
Alan Dracula
One created Alan Dracula to be unpredictable on purpose. For passengers who expect something to happen to realize nothing is set in stone. Now, One-One can't even predict what Alan Dracula will do next.
Alan Dracula was in The Party Car with Min-Gi, Ryan, and Kez (based on the deleted scene) and was the only partygoer to hear Ryan and Min's song.
Alan Dracula still has the sunglasses Jesse gave him.
Seeing as Alan Dracula was born before Amelia took over the train he is most likely 30+ years old at best.
Lake and Jesse were the only passengers that stayed with Alan Dracula the longest since few understood him and his love of grass.
Tuba
All of Tuba's children are named after brass instruments. We know about Bugle, but I think the others would be named: Trumpet, French Horn, and Trombone.
Tuba's satchel was a gift from her late husband.
Tuba's favorite food is pineapple since she ate a lot in the Jungle Car episode.
Tuba sang a ton of lullabies for her children and Hazel. The most popular one was the one sung in the show.
Once, Hazel comes to Earth she'll make a grave for Tuba to remember her by. The rest of the Infinity Train passengers (Tulip, Lake, Jesse, Grace, Min-Gi, Ryan, Amelia, One-One- I'm gonna end it here, but it's the rest of the denizens) come to show their support.
Kez
After what happened in the Art Gallery Car, Kez leaves signs and directions to allow the passengers and denizens to solve the puzzle easily. But each time she returns the signs go missing or destroyed!
After, making things up to the denizens she'd angered Kez became friends with them minus Judge Morpho. Kez doesn't focus on that really since she has friends now.
Sometime after Ryan and Min-Gi left, Kez and Morgan decided to make a lounge area that dedicates Jeremy, Ryan, and Min-Gi.
Kez spent a year away from Morgan after what happened to Jeremy. That gave her enough time to travel other cars, and (accidently) caused a lot of damage.
Kez rarely leaves Morgan now since they made up, the two really missed each other. When, Kez does leave it's usual for a couple of hours at best.
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#ooooh so interesting....#what would their numbers be??#i would assume adam has a number similar to grace#and miya number must be in the mid 200s? because of his run with the apex maybe??
@raindvst tags on her reblog of my Sk8 the Infinity Train speculative plot post which you can read [RIGHT HERE]
Deciding numbers can be difficult. We see a range in the show, and, while we know the general idea of how starting numbers and increases/downsizing of numbers works, the exact  “points system” has few references and sometimes just moves as the plot demands. Even starting numbers, we have them range from 50s to in the 300s. Now, 4 drops tomorrow and we may have new or more nuanced information soon. 
Long-ish musings on numbers for Miya, Adam, Tadashi, Reki, and Langa under the cut, and some general talk/calls for opinions about Joe, Cherry, and Shadow involvement in the narrative in the final paragraphs.
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Miya’s number probably started somewhere around Tulip’s (115), since they are similar age and have a lot of commonality (parents they feel don’t care or pay attention like they should, stubborn, gifted kid, etc.) and though Miya’s issues may not shape in exactly the same way as Tulip’s with her parent’s divorce causing a spike of anger and trauma, we also see that Tulip still has friends/support in her life. Miya is pretty isolated, so maybe we put his starting number a bit higher, like 140. In that case, 200s may be a lowball if he ran around with Apex for awhile, especially if he knew better than to take every word said to him as gospel truth, which I think he would, and he definitely knew some of their actions were wrong/harmful but went along for awhile anyway. Intent counts for a lot. 
Even if he’s on his own now, I would still say maybe 400-500 for Miya’s number. We actually see some non-Apex, presumably “normal” passengers with numbers over 1000, but they are older than Miya. Not that age always means a higher number, as Jesse’s was fairly low to begin with, but Jesse was a soft heart from moment one despite other issues, and I think that soft heart and willingness to examine himself sooner than some others means a lower number.
 Actually, let’s also look at Hazel and the 337 on her hand. We know that her number is there because that was Amelia’s number, but Simon and Grace don’t know that when first finding her, and though it’s understandable that the fact that Hazel’s number is not glowing trumps all other observations, there isn’t much focus on why a six-year-old who was just hanging out and playing with a denizen has a 337...ergo, maybe that’s not that high. Of course, I could be off base though as I don’t remember any background Apex members numbers (feel free to send them if you got them) so maybe 300 is still pretty high.
I’d still say Miya is around 500 though. Not insurmountable, but still a little problem child. 
Adam’s number is indeed one that wraps up his arm, though it’s usually covered by his clothes, so what attracts attention is still the personality. Whether his number is higher or lower than Grace in season 3 is anybody’s guess. He doesn’t care or keep track. He’s just living his life however he wants, going overboard a bit on the principle of doing whatever he desires. He doesn’t buy into the “numbers are power” theory or ‘high number wins”. He never cared whether dwindling numbers meant death or a return to normal life, because he came to regard both as the same thing. 
Tadashi’s number (not asked about, but now I am in speculation mode) would seem like it has to be fairly small in comparison with Adam’s. He’d wear gloves, but not long ones, and when he rolls up his sleeves, there is no glow to be found. However, his number would be an irrational number/constantly in flux I’ve decided, because, when our story would begin, his work toward resolving his core issues would enter a paradox. Tadashi’s heart issue is resigning himself to a life where he prioritizes being obedient and serving well over everything else (including right and wrong, his happiness, and even people he loves) refusing to so much as be vocal about his own opinions much less take action. So, finally finding something other than duty important enough to take a stand over, and making a change in how he is going to live his life from there forward is healing. However, and this is a big however, the change he’s made and life he’s chosen, leaving his responsibilities, is following Adam around, not objecting to anything he does, and viewing it as duty owed as much or more than affection...which is both wrong and the same exact pattern/problem. 
The train isn’t infallible. We’ve seen that before. I don’t know that the system would know what to make of it. So, until he decides to make another change, finds different priorities, or his relationship dynamic with Adam changes, the anomaly persists.
Reki would probably enter under 100, much like Jesse, and stay right around the same area, decreasing or climbing slowly like we see with Tulip or Jesse most of the time.
Langa, I said before he keeps the same number, but what that number would be may be a difficult assignment. How do we rate the grieving process? Do we give him a number similar to Amelia’s starting place long ago at 330-ish or do we say Amelia had signs of other issues even then so let’s give Lange more along a 200? I’d probably split the difference and give him something like...288. Get the 8s in there to make sideways infinity symbols.
I am still not entirely sure how I am going to integrate Joe and Cherry. I have a thought for them as recently come aboard the train at the same time in separate cars, but  I am not completely sold on the first scenario of an inciting incident I came up with. Okay, I’ll say it. Joe proposed, Cherry said no, they fought and broke up entirely, and then both ended up on the train. It could work but it seems a little...melodrama, perhaps? 
I don’t have any idea about Shadow, and was tempted to have him as the gang’s train denizen guide. However, I don’t feel that’s entirely fair to him since every other character gets to be human (not that he couldn’t have his own focus or character arc as a denizen) and the au would otherwise be following canon backstories and just be “what if the Infinity Train existed in Sk8’s version of earth,” a path I’d like to stick to.
I am open to ideas about Hiromi/Shadow and Matchablossom if anyone has suggestions. I...think this AU may actually get written.
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loreweaver-universe · 4 years
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And with the faded end credits theme itself fading into nothing...Infinity Train has concluded.
I think I am...content.
Content is a good word.  That ending brought things to a close in, appropriately, a way I find very peaceful.  Tulip’s worked through her issues.  She’s ready to face her family.  She’s ready to face the world.  She’s ready, in fact, for anything.  And what she’s found...is peace.
Minda said in chat that he thinks the show is a metaphor for using fiction to deal with your problems, and I think I agree with that.  A core part of experiencing fiction is finding ways we can relate to it.  The characters, the events, the higher-level themes of the story--we all try to find something of ourselves in fiction, and whether we succeed or not, even the most brain-dead action blockbuster changes the way we look at ourselves just a little.  (Even if it’s just to the degree that now you have a new action movie fantasy to daydream about.)  The stuff we lose ourselves in the most is, ironically, the stuff we find ourselves in the most.
The stuff we find ourselves in the most, the stuff that speaks to us, that lets us know, hey, I understand, I get it, is oftentimes the stuff we can best use to work through our own problems.  It doesn’t always have to be something profound, though.  Sometimes it just has to be a rock; sometimes an episode of Pokemon can be just what you needed to get through the day, to get things off your mind for half an hour.  Sometimes we just need something to metaphorically listen to our problems, the media equivalent of a teddy bear.  Both ends of the media spectrum can be used to help work our way through the issues plaguing us.  Find whatever helps you the most; the people who care won’t judge.
I expressed some discomfort with leaving Amelia behind, but in light of the show being that kind of metaphor, I think thematically it’s better this way.  You can’t drag someone to their answers, to making peace with themselves or their traumas; you can push, and prod, and offer a helping hand, but you can’t force someone to find those solutions.  They have to do it for themselves.
Amelia has a lot of work to do before she can go home, before she’s able to find any measure of peace.  I’ve been down a deep hole before, myself; I’ve been to the point where I didn’t feel much hope for the future, for a future without constant pain or self-abuse.  I know a little of what she must be thinking, with that massive reminder of her own failings written in glowing green across every spare inch of flesh.  And...not everybody makes it.  Not everyone comes out the other side at all, let alone in one piece.  Some people stay bogged down in their troubles forever.  Some don’t...stick around.  It’s okay to have weakness.  It’s okay to be afraid; it’s a terrible, rough road ahead, in many cases.  It’s a scary thing.  It’s a painful thing.
But it’s better than letting your pain swallow you.
Tulip...man, Tulip is such a good character.  We really got to see her journey from a sad, angry teenager through hope and dismay and fear to a peaceful conclusion.  I really love well-completed arcs like that.  She’s truly found her way home in more senses than one, and if I seem to be saying little about her, know that much of this post HAS been about her.
Infinity Train was an incredibly satisfying show to watch.  I love the comedy, I love the horror, I love the emotional ride it took me on--especially in the last few episodes.  I got to spend an extra few days thinking Atticus was dead, too, which I’m sure is making this catharsis extra sweet.  Oh, but that would have been the second episode of the day on day 4 for the rest of you, wouldn’t it?  What a fun cliffhanger >:)
Anyways, I highly recommend it.  It’s a good show!  Tell your friends it has the Loreweaver Seal of Approval!
As far as this specific episode, The Engine comes in at my new #1 for the series, eclipsing The Chrome Car, for its satisfying emotional conclusion and wrapping up its character arcs in such a good way.  I’m very happy with it.
What’s up next?  Well, on Wednesday I’m going to start this month’s Patron Picks off with Paranoia Agent.  I’m going to plow through all three, because apparently we get new Steven Universe episodes this month!  I’m excited to see what the new series is like!  Aside from that, when I get the chance I’ll be streaming my blind playthrough of my first-ever Fire Emblem game, Three Houses!  You can find what I’ve uploaded to Youtube already here, or find my Twitch channel here.  I hope to see you guys there!
IN OTHER NEWS:
I recently started a blind playthrough of my first-ever Fire Emblem game, Three Houses!  You can watch all the streams that I’ve uploaded to Youtube by clicking here!
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sepublic · 4 years
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Chat Chalet and Color Clock!
           So, uh.
           Remember when I said about Tuba… and the uh… the um, ah.
           …
           So about the Chat Chalet Car!
           NOT comfortable with The Cat having that calendar, and her bear roommate tying up his bathrobe, that… WHOOF. I mean I get Simon was uncomfortable and I appreciate the depiction of what was clearly a panic attack, but uh. I was also uncomfortable… but for a DIFFERENT reason.
           Also, I’m pretty sure by this point that One-One, The Cat, and Randall are the only constants in this show! The cars may change as do the seasons, passengers and protagonists come and pass… But those three remain the same, huh? What’s really interesting is that The Cat actually seems to show remorse for screwing over Simon (who may have gotten his number-detector from her)…
We don’t know the circumstances, but The Cat alludes to an ‘army’ that likely ties back into the toy army Simon made; Perhaps a puzzle that went wrong involving him commanding soldiers, only to lose them and almost get killed by the opposing side? We know that Simon got left by her to die by a Ghom, and we still have a shot of her for Book 3 that wasn’t seen yet; So more backstory will come about! Perhaps The Cat left him in the wasteland… Anyhow, it seems that after Amelia destroyed her car in Book 1, she’s gotten a new one, and more Randalls no less from the Beach Car! Always glad to see that guy!
           But also; Simon was TEN when he was on the train! We don’t know long he’s been here NOW, but if I had to guess; Probably almost as long as ten years! He’s almost spent as much time on the Infinity Train as he did back in the human world… And when you take into account him being even younger than Tulip or Jesse, YIKES; No wonder he’s so screwed up! His sense of reality must be completely skewed as the Infinity Train is the only home he knows! This does bring up the question of how old Grace was… I think she mentioned saving him? Either way, I think she was also pretty young…
           I guess I can see better why Amelia saved Grace; She was just a child, and presumably Amelia’s number wasn’t so high at the time, so she was still a more empathetic person! Plus, Grace wasn’t actively interfering with her plans like Tulip was, so Amelia probably wouldn’t resort to either child murder or neglect, and felt compelled to act! Either way, it makes Grace and Simon’s situation a LOT more disturbing in this context…
           Grace also alludes to potentially having NOT known a denizen personally, which implies that her low opinion comes solely from the experiences of others like Simon, as well as Amelia’s own misinformation! With that in mind, I can see it being easier for her to empathize with Tuba, given how she doesn’t have any actual bad memories herself; And we see her number lower, too! And when Tuba… uhh… umm…
           …
           …Okay, so Tuba died!
           We are only HALF-WAY through Book 3, and we’ve already lost Tuba! I know the writers mentioned having to juggle four characters, but that was basically for like… three episodes?
           And, Tuba was murdered! By Simon… You know for a second there, I thought Simon might have a change of heart briefly, and TRY to save Tuba only for things to go wrong. And then I jokingly thought, “Oh dang what if this was like Mufasa’s death scene lol?”
           It was.
           …WELL. At least they didn’t show Tuba’s death in full, graphic detail like they did Mace! And considering how they got away with Mace’s death because he technically wasn’t human despite looking like one (whereas Tuba is a straight-up gorilla), I’m surprised! But also grateful, because Mace freaking deserved it, and Tuba…
           …Screw you Simon. How do you go from feeling more friendly to KILLING someone?! I get The Cat screwed you over, and I know this may not be appropriate given how young you were when it all happened… BUT GROW UP.
           …You know, Owen Dennis released a few drawings of our main cast, and while Grace and Hazel seemed to be getting along, Simon had a look of concern like something was troubling him. Given what he just did… I’m worried that maybe he won’t have a redemption of any sorts, that he might go off the deep end and descend into pure villainy or whatever? That him and Grace will become enemies, and Simon… WON’T leave Book 3, any better than he started off as.
           That- Or he DOES learn to become better, but he stays behind on the Infinity Train because he still has a LOT of work to do, and the Apex (which will apparently undergo a change) still needs guidance. Coupled with him having spent far too much of his life on the Infinity Train, and maybe he’ll spend the rest of his life helping others; After all, the show is not narratively against the idea of rejecting one’s exit after achieving it, if it means helping other people (hence the Book 1 Finale)! It WOULD be a clever turnaround for his position at the beginning of Book 3…
           And of course, Grace- Given the apparent confirmation about SOMETHING regarding Hazel… I can also see her staying on the Infinity Train, to take care of Hazel (given how she still really cares about her), and also because she doesn’t really have anything left at home? Nothing positive, at least; Given how many years it’s been, her family may have moved on. IS there anything to go back to? It’d be a morbid prospect to consider…
           Also, Hazel! Hazel, in sheer grief, begins to transform into a Turtle; So either that’s her true form, or she’s a shape-shifter and her being ‘human’ is just another form she can take! Hazel doesn’t have any memories, is this a quirk of her programming by One-One? Is her human form based off of ANOTHER passenger that existed beforehand? It’s worth noting that she can transform drastically like Alan Dracula, who was specifically-crafted by One-One. Given my speculation that Alan Dracula was made to help Jesse and Lake, I wonder if this confirms that One-One personally made Hazel to force Simon and Grace to reevaluate their stance on things?
           …Either way, I am NOT looking forward to being Simon if Hazel decides to direct her grief at him, especially since he straight-up owned to killing Tuba, instead of trying to make it look like a plausible accident!
           …Though let’s be real, I wouldn’t look forward to being Simon, period.
           …Also Roy! Yeah not gonna lie, if I had to deal with THAT and a bunch of other puzzles for who knows how many years, I’d probably ALSO lose it and want to kill every denizen I meet!
           BUT I WOULDN’T ACTUALLY GO THROUGH WITH IT AND CERTAINLY NOT KILL ANY DENIZENS WHO WERE FRIENDS-
           Like, what’s so AWFUL about that moment was how unnecessary, how pointless and needlessly cruel it was! Simon didn’t need to do anything; It seems like Tuba would’ve fallen on her own anyway and died. And even if she didn’t… Who knows HOW far away the Color Clock Car would’ve taken her away?!
           At worst, Simon could’ve pretended to try to use his Harpoon Pack, and then feigned some lie about it ‘not working’, malfunctioning at a key moment! Hazel wouldn’t know, she wouldn’t suspect, she’s a child! He could’ve just LET it happen… But no, he has to go the extra mile and specifically get Tuba’s hopes up, just to step on them for no other reason than what? To spite her? To ‘claim’ his kill over her, as if it would’ve made a difference since she was already going to fall to her death anyway? And all because Grace reasonably doubted the need to fight Tuba single-handedly when the Apex was just a few cars away!?
           I dunno… And it’s just interesting, because when Simon was around The Cat, whose mere presence gave him a panic attack and PTSD… He didn’t do anything! She literally left him to die, she was THE example for denizens that led towards his hatred of them; And she’s powerless, there’s nothing she can do to defend herself against Simon! I mean there IS Frank, and maybe he didn’t want to start anything in front of Tuba… I have to wonder if he still cares in his own incredibly twisted way because of their past together- Or if his PTSD-induced fear of The Cat overwhelms any spite towards Tuba?
           Regardless, that was messed up. It was the most needlessly cruel, pointlessly spiteful thing we’ve seen in the show by far; Even characters like Mace and Sieve, not even AMELIA ever went so far as to bring up an ally’s hopes up like that, just to kill them off anyway!
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