#the knaive
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Alrecchino as your husband part 2 (sfw)
Since y'all loved the last one I made a part 2
Her drip marketing is today so I thought we should celebrate!
Feel free to give me as many Genshin requests as you want I'm feeling a little burnt out of pokémon for the moment without further ado.
You are designated as mother lovingly by the children. With your little apron as you take care of all the house of hearth chores. The children can't do all their tasks by themselves, Arlecchino trusts no one to take care of the children but you. It is only natural they call you mother as their motherly figure
Weather it be you were from the fertility stationed here or someone desperately looking for a job, Don't you think it would be cute if the head of the house slowly started to fall for you because you are so good to her children?
Her empty heart is sick of love at aches when you keep your distance from her, she understands; Arlecchino not have a pleasant reputation, and she can't help but feel solely responsible when she waggles her finger for you to come close only to play with your hair when her mind is being numbed with paperwork. You're not sure if it's true or not when she tells you that she just enjoys her company when you ask why you call her so often to her office... And... Is that a pout on her lips you see when you try to leave her so fast?
She can't help but notice when your eyes are on her when she's in her suit she can't help but tease you getting close to you or watch you flush your when her eyes meet yours.
All her children knows to respect their 'mother'
Just as much to respect 'father' when they see you sad they do everything to see that smile of yours and lighten your day when you have trouble with tasks; they fight tooth and nail to help you. A pat on the head from you or a smile is like 'father''s praises. Arlecchino thinks you're as cute as a kitten when you're angry at her, telling her that You don't need any guards and you can go into the city just fine by yourself or run tasks alone. Arlecchino agrees just to stop your bickering, only to turn around to her most trusted three to keep a watchful eye on you like a child on its first errand.
When she returns from all corners of Tayvat, she never forgets to lavish you with all sorts of gifts. Some of them really pricey; she gives you soaps, hoping for your skin to feel soft and smooth the next time she brushes her fingers against you, and she provides you delicious perfume in hopes she would catch a whiff of it on you the next time she passes you. She probably even gave you an apron and played dumb when you hesitated when asking her about the uniform she gave you.
If it went for the fact she thinks the Fatui rather dangerous, she would bring you to their gatherings and parade you around as if you were a little trinket of hers. But then grab Childe by the throat if he is rude or tries to touch you.
they may look but they may not touch.
You've lived in the house of hearts for a while and can't help but notice that a lot of your clothing that person you've been working for sort of matches with them. It is something that you are too afraid to bring up to The Knaive herself. She knows she can't stay angry at you, so she must be even more strict when you decide to put yourself in danger or disregard her wishes. Hopefully, she wouldn't have to do that, but she would be lying if you said she isn't excited when you do disobey her.
Her touches are gentle, filled with longing, but she knows that giving in is dangerous even though you yourself pose no threat to her. She knows that you are defenseless without her and her children. Maybe she should teach you how to wheel the weapon?
#genshin impact#genshin x reader#arlecchino x reader#the knaive#genshin imagines#arlecchino#genshin arlecchino#arleccino genshin#arlelumi
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I think there are 3 skip categories in my mind now: hard skips (absolutely cannot stand, always a skip) soft skips (kind of a meh, and definitely existing on a spectrum of skip frequency), and too-many-emotions skips (great song but you DONT FEEL LIKE CRYING RN)
Ooooo yes yes yes 1000000%. And for me I think "Our Song" embodies that 'soft skip'.
To really flush out this philosophy/theory though I also think there's a medium skip (I vocally dislike this song, but if it's an inconvenience to skip it I'll choose to be mildly annoyed for three and a half minutes). Whereas a soft skip is, "This song incites little to no feelings for me and if I'm not vibing that day there's a 40-70% chance I'll skip it".
Like ... if I really had to think about it my only hard skips that fill me with enough active dislike where I would actually inconvenience myself to make sure I don't have to listen to it would be "seven" and "Mean".
#yes even starlight/stayx3 speak now tsou me yntcd bad blood etc etc etc#i'll sit and stew in those songs and not be happy about it but the second i hear pleAAAASSSEE piCCTUURE meeEEE i want to fly off a bridge#YEW with yer WERDS LAIKE knaives-- NO!!!#opinion
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my girl: please dont start duels with people tonight
me: i promise i wont
[3 drinks later]
me: have at thee, knaive!🤺
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. ⸺ 𝐈 𝐀𝐌 𝐓𝐇𝐄 𝐄𝐍𝐃 𝐎𝐅 𝐀𝐋𝐋 𝐓𝐇𝐈𝐍𝐆𝐒 .
millions knaives ✰🔪 private & independent rp blog ✰🔪 by may .
i mainly use second person POV.
minors / personals DNI
#trigun rp#trigun stampede rp#trigun 1998 rp#scifi rp#animanga rp#trying 2 be normal abt upload quality [FAILED]#had a laugh abt the independent part shant lie
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knaives
i live in constant fear that i have a free trial...
oh i accidentally bought a $20 yearly subscription to a guitar tab app………
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logan i just watched snowpiercer and the context for your blog title just makes it weirder for it to be your blog title
yeah
#knaives#i just couldnt take the entiere film seriously after he nearly died from SLIPPING ON A FISH
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[Anonymous] ur gay and a knaive and a cur. Ur man wives love me
that is not fucking true none of this is true all my man wives are loyal to me and me alone. do YOU buy them wet food? no . fuck you. ufck you. get the fuck out of my house you anonymous whoreson.
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Video
youtube
Hold knaive! Pause!
Dost thou believe we are flaccid?
We do not, JESSSST!
Our chariot rolls until the axles break!
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Alisirpa in Kamuy Land(1)
Arisirpa and her loyal knave
Alisirpa and her loyal partner in crime, Sugimoto the knaive(sadly the diamond didn’t look 💢 enough I had to add another…)
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The hall is slowly looking prettier.
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british people get ready to murk somebody and say "have at thee, knaive!"
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drew my kid Knaivs again
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knaives
ive seen that vid of the cats who are taking the...
its really obvious PLUS anyone who knows cats knows theyre petty and vengeful and would never
yeah it really is like if you watch it the first time you might not notice it/glance over it bc AW THE KITTIES R FRIENDS but i found it again and watched it and noticed that when the cat on the left “passed back” the bowl it moved oddly and thats when i realize it was reversed
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i love my old blog bc it says i moved to ultrararenico then if you go to ultrararenico it says i moved to moesjw which says i moved to clreemurr which says i moved to knaives which says i moved to fratricide. its a fun lil ARG
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Osama Bin Dramaturgy: Knaive Theatre @ Edfringe 2017
Explosive Osama Bin Laden Show Returns To Edinburgh Fresh From US Tour
“Tonight, ladies and gentlemen,
I am going to show you how to change the world”
BIN LADEN: THE ONE MAN SHOW returns to the Edinburgh Fringe Festival from 2nd-28th August at C (Venue 34).
The world’s most notorious terrorist tells his story in BIN LADEN: THE ONE MAN SHOW a remarkable, provocative and multi-award-winning production from Knaïve Theatre.
The twist? Bin Laden is 28 years old, White British and charming as cream teas in summer. After a critically acclaimed and highly successful American Tour, this ‘must-see’ production returns to the Edinburgh Festival Fringe, where it originally premiered, from 2nd-28th August before beginning a UK tour that includes The Royal Exchange Theatre, The Sherman and The New Wolsey.
What was the inspiration for this performance?
We don’t want to give away too much of the show, but what we can say is that we believe that the best theatre tries to understand the world, and even the most terrible actions within it. A quest for understanding was the starting point for this show.
Is performance still a good space for the public discussion of ideas?
We hope so! In our experience audiences are becoming more and more eager to see work that provokes them to discussion. Theatrical performance can – like very little else - combine the messy and personal with the universal and academic, the imaginative with the factual; and immerse you in a dialectic world of ideas, images and stories and confront you with things you might have never wanted to consider before. That, to us, provides very fertile ground for the public discussion of ideas – particularly ideas we might rather not discuss.
How did you become interested in making performance?
We were both engaged with performance making from a frighteningly young age. At age 3 Sam (the actor) spent whole days as his female alter-ego, Madam (complete with pearl necklaces and red leather handbags). He would also put on strange musical comedies with his two older brothers for their parents’ “benefit” which mostly involved Sam flinging himself about the living room trying to catch an imaginary cow and milk it.
Tyrrell (the director) spent his early years refusing to wear anything but his Thunderbird Two costume and spent his university days (while apparently studying politics) refusing to do anything but theatre. We met in 2012 working for the Barbican Theatre in Plymouth and began making theatre together in 2013 with this show!
Is there any particular approach to the making of the show?
This show came about through heartbreak, particularly awful accommodation in London and a lot of rum – a long story we will happily tell when asked! It was made through 3 months of intensive research, reading and watching everything we could lay our hands on related to Bin Laden.
Then we locked ourselves away in various parts of the world (to stave off insanity) and experimented with the source material, wrote, improvised, invited some people to impart some thoughts with us and eventually we had something looking like a show and opened it – terrified – at the Buxton Fringe. Since then we have rewritten, developed and taken further risks every time we have taken the show out. So not a particular approach, more a desire to provoke the most exciting debate we can with the extraordinary story of this man.
Does the show fit with your usual productions?
We haven’t yet tied ourselves to an approach as a theatre company. We try to let the form be governed by how best to communicate the content of the piece. We have, since Bin Laden made immersive games-based theatre (Power To The North), a Dance-Theatre adaptations of Baal with Impermanence Dance Theatre, Public Understanding of Science Theatre (Pain, The Brain & A Little Bit of Magic) and we are currently working on an adaptation of 1936 apocalyptic Sci-Fi novel, War With The Newts, with writer Tim Foley.
Although in form our work is broad, we have a very focussed intention which unifies all of the work we have created so far: to create dangerous theatre which engages and empowers audiences into vibrant discussions around the political dialectics of our time.
What do you hope that the audience will experience?
The audience will experience, not just watch, an incredible story and a world-changing journey. We hope they will experience, as we have done, something that will change the way they view the world, perhaps in some small but very real way.
We hope they will experience something they never expected. But mostly, we hope they experience an unforgettable evening that lasts far longer than the Edinburgh hour; long into the night with fellow audience members, and long into their lives as they share their experience with others.
What strategies did you consider towards shaping this audience experience?
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Let’s just say that we did a lot of research into American self-help culture…but what that means, you’ll have to come see to find out. The audience experience is still evolving, in front of our very eyes. The more we have performed the show (the 28th August is our 100th performance) the more we have realised that the audience experience is key to the success of the show.
So we have crafted and honed that experience over 4 years, and it is still growing. Every time we tour the show we challenge our assumptions about the last time and challenge ourselves to see if we can go further.
With populist rhetoric playing an ever-increasing role in Western politics, Knaïve Theatre’s Tyrrell Jones and Sam Redway pry apart what it is that draws us to follow demagogues, asking if the world’s most wanted terrorist might have been more persuasive than we ever imagined. They ask audiences to re-examine their own information and prejudices from a naïve perspective, just as the company have.
The award-winning hit of the fringes in San Diego and Hollywood, Bin Laden returned home to perform a sell-out show at the Royal Exchange Theatre in Manchester. Knaïve Theatre are now Supported Artists at the Exchange and have redeveloped the show with the help of the theatre’s creative team ready for a return to Edinburgh before the company’s first national tour.
Having provoked important and timely debate surrounding Middle East conflict and the War On Terror internationally, they will now bring that discussion to a national audience. Though they expected this story would become less relevant, current global tensions and recent events have galvanised an ever-increasing appetite for the debate they inspire.
Bin Laden was made in 2013 on a shoestring by Tyrrell Jones and Sam Redway. After previews in Buxton and London, it opened at Edinburgh and the show was awarded the first Broadway Bobby of 2013. It was in The List’s Top 5 Theatre Shows To See and received a host of first-rate reviews. Quickly, the show started selling out, and before long it was a hit. With the success of Edinburgh 2013 behind them, Tyrrell and Sam undertook formal training (Birkbeck MFA in Directing and RADA MA Theatre Lab respectively). They then redeveloped and toured the show, this time around USA with Arts Council AIDF funding.
AWARDS
Encore! Producer’s Award – Hollywood Fringe Festival 2016
Critic’s Pick Of The Fringe Award – Hollywood Fringe Festival 2016
Outstanding Actor in a Drama – San Diego International Fringe Festival 2016
Gold Award – Tvolution Los Angeles 2016
Broadway Bobby (Sixth Star) – Broadway Baby, Edinburgh Fringe Festival 2013
Top 5 Shows at the Fringe – The List, Edinburgh 2013
Venue: C, Adam House, Chambers Street, EH1 1HR, venue 34, Edinburgh Festival Fringe
Dates: 2-28 Aug (not 15)
Time: 18:30 (1h00)
Ticket prices: £9.50-£11.50 / concessions £7.50-£9.50 / under 18s £5.50-£7.50
C venues box office: http://ift.tt/2tQxW68017/bin-laden-the-one-man-show or 0845 260 1234
Fringe box office: www.edfringe.com or 0131 226 0000
Full Tour Dates:
2nd – 28th August – C Venues, Edinburgh Fringe Festival
5th- 7th September – Royal Exchange Theatre
21st September – Square Chapel, Halifax
28th September – New Wolsey, Ipswich
5th October – CAST, Doncaster
19th- 20th October – Sherman, Cardiff
24th- 28th October – Bike Shed, Exeter
3rd November – Litchfield Garrick
9th- 11th November – Mercury, Colchester
from the vileblog http://ift.tt/2veZJAt
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