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safyresky · 8 months

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A List of Crystal Springs FACTS That Have Been on ROTATE in my HEAD for the Past Few Weeks:

The Frosts are a HONDA family! Winter drives an HRV, Jacqueline drives a Fit, the family car is a Pilot

The cars are shrunk and are little keychains while in Crystal Springs!

The HRV and the Fit are BOTH blue

The Pilot is either RED or basic grey

Jack does NOT drive a Honda, he drives some kinda fancy sporty flashy car that is literally just for show. (Porsche? Mustang? Something along those lines)

Winter is the designated driver. Blaise likes being the passenger, or, as I have seen kids say on the INTERNET, the PASSENGER PRINCESS? PRINCESS PASSENGER?

Jacqueline's Fit is actually just my old Honda fit, Fitzy (rip bud you are MISSED 😥)

Jacqueline wears bike shorts under ALL her skirts/dresses. She quite enjoys people looking at her bare legs in -20 and lower weather and freaking out about it, adds DECADES to her life span

When Blinter first met they were kids and Blaise said "WOW YOU'RE SMALL" And Winter threw him right into a wall with a north wind. Pyros almost died of laughter. Blaise was smitten then and there

Jacqueline once impersonated Jack for reasons that are unclear to me as of yet but she has said involved robbery 🤔🤔

When Charlie becomes Santa she takes a turn as Jack Frost and steals Jack's vest about it

She rocks the vest

#dani speaks #crystal springs #crystal springs FACTS #the honda ones have been on loop in my brain ALL MONTH #BUT IT HAS BEEN A BUSY MONTH SO I HAVEN'T BEEN ABLE TO SPRINKLE THEM OUT THERE #fitzy is a 2007 honda sport trim; winter's hrv is blue and probably a 2016 or 2017 #no idea how old the pilot is but i think it's the newest of the three cars tbh #anyway. doing a lot of driving and travelling in the next 24 hours! it'll be quiet! wish me luck bc there is a LOT going on tomorrow #i am going to scream about it

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kingofthering · 6 months

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pedrenzo and 34... thank u

34. things you whispered in my ear

Valencia 2018.

When he approaches the Honda garage about an hour before they all have to head out for the sighting lap, Jorge has knots in his stomach.

He’s aware that he’s never been welcomed there (might already be worried about how things will be next year) and he chose neutral clothes to not stand out but he can still consider himself lucky when it’s Marc he first runs into.

“What are you doing here?” Marc asks, his tone a hint of accusatory.

Lucky might have been an exaggeration. Marc always pretended to never take a side when the whole Dani/Jorge contract thing happened but Jorge knows where Marc’s loyalty stands. It’s okay, he would have sided with Dani too if he wasn’t the one being opposed to him.

“Hey, you’re already champion, play nice,” Jorge says with a roll of his eyes. Marc might be 25 now but sometimes he terribly reminds Jorge of the little shit he was back when he arrived in the premier class and Jorge has to treat him as such.

(They’re friends now, it’s fine.)

“Can you help me find Dani?” Jorge adds quietly. Marc caught him at the entry of the Honda garage and grabbed his arm to push them in a quieter corner but Jorge still doesn’t feel safe. He still has a goal in mind, too.

“Are you sure he wants to see you?”

“Marc, please. This is important.”

To the point where Jorge is ready to beg for Marc’s help even if that will bruise his ego and he’ll need like a week to recover and—

“If Dani is mad at me, you’ll owe me something, I’ll figure it out later,” Marc cuts him out of his thoughts. “Follow me closely, keep your head down.”

Jorge does as he’s told and keeps his eyes on Marc’s shoes until they reach what looks like Dani’s rider room. “You two are the worst. Don’t ruin this for him.”

Jorge doesn’t have time to defend himself before Marc disappears. He takes a deep breath before finding the courage to knock on Dani’s door. He’s quick to get inside once he’s received a “Yes” from the other side.

It probably sounds like the silliest of things to say and maybe it’s just Jorge being stupidly in love (and finally able to acknowledge his feelings, at that) but being in a room with Dani instantly makes him feel better, his heart calming down.

Dani is sitting on his massage table, clad in only his base layers with his iPad in one hand, a page of telemetry data open from where Jorge can see.

“Hey,” Dani says, breaking the silence between them.

“Hi,” Jorge answers. “I wanted to see you one last time before the race.”

And then he takes the couple of steps which separate him from Dani, placing himself in-between Dani’s knees. His hands find Dani’s, the iPad put to the side, and he squeezes them, just once. Dani squeezes back.

It’s funny how you can think about a moment for hours, repeat the words you want to say in loops in your head to the point you no longer know if the sentences even make sense, and then when the moment comes, you blank and no sound can escape your mouth anymore.

Amazing feature of the human brain, really.

Jorge tries to open his mouth, closes it, repeats the sequence again.

Dani sweeps both of his thumbs over his knuckles.

A few months ago, Jorge didn’t even know if he could have this. When Dani and him got together a few years back, they promised each other that they wouldn’t let this sport —the other love of their life, really— come between them and that they would be smart about the issues that would inevitably happen.

Jorge will probably never know if there was even a smart option for their situation but even if it took a certain amount of fights and nights where he had to cry himself to sleep from a mix of sadness and frustration, they made it in the end.

That’s what matters now.

“If you make me cry before the race, I think Marc will find you and physically hurt you,” Dani says quietly.

It makes Jorge snort, a smile sliding on his face, replacing what must have been way too serious of an expression.

“He’s still such a fucking menace, it’s insane.”

“We were having our last championship battle back when you were his age, you want me to remind you how insane you were then?”

Jorge chuckles. Touché. Dani deserves Marc’s support anyway. Jorge is glad that he has people like that in his life.

They stare into each other’s eyes after that, Jorge with his throat a little too tight. Then Dani says “Come on, you need to go back to your team and I need to finish getting ready” and he gets up from the massage table to capture Jorge in a crushing hug, his arms secure around Jorge’s waist.

Jorge squeezes him back, hard. He dips his head and kisses the skin of Dani’s neck before taking a deep breath there.

His voice is barely a whisper when he finds Dani’s ear before letting go of him. “Go show everyone how it’s done today. I love you and I’m so proud of you.”

Jorge leaves right after that and doesn’t get to know if he made Dani cry.

In any case, he’s the one with eyes slightly burning when he makes his way back to the Ducati garage.

send me a pairing + a number and I’ll write a little something.

#rpf #dani pedrosa #jorge lorenzo #2699 #prompt fill #my writing #first idea was supposed to be much lighter and less emotional but eh

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ropergillt-blog · 5 years

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Do I Look Like I Care? - About Physics

Figure1: Liftoff, 3 steps in cartoon form

When you've been around the block a few times, you don't need to know Newton's laws to understand how stuff works. If you stop spinning the rope it will fall to the floor OK? That was enough to get me by for a while, our brains are really good at learning a lot of things without really needing to know the nitty gritty details. Try spinning faster, slower, pull it up when it's on the left, make a flick with your wrist and see what happens - whatever the motion may be that makes the rope dance how you want it to, you start to get the hang of it after enough trial and error. To be honest, knowing the nitty gritty can sometimes even get in the way or at least not really help you to learn a trick better or quicker anyway. But to contradict my own point, without giving you any equations and numbers I'll proceed to go into a light discussion on the ups and downs of the forces at play while spinning a rope. It can't hurt to think about, and it might just help a little.

If you want equations and numbers then you'll love this quite amazing scientific paper from the research of Brun, Ribe, Audoly - An introduction to the mechanics of the lasso. It's quite a doozie, and they only even analyze the flat loop! Expert roper Jesus Garcilazo makes a cameo appearance in the paper. Think of all the head exploding that would go on if they wrote a paper on the butterfly or body rolls or something tricky like that, but who would even put themselves through such analysis? You're better off picking up a rope and doing a few months of straight wood-shedding to develop some amazing new trick that couldn't be put into an equation even by all the world's supercomputers.

Another reference I must mention is Carey Bunks' The Lasso, A Rational Guide To Trick Roping. It's a long standing free online book which you have likely already come across, an extensive explanation and guide for learning many tricks with the rope, he also gives his take on the mechanics of it in a not-too-rigorous way and therefore it can probably be useful to a lot of people.

In my rebirth of roping, my second wind, I have found occasion where I dissect a subtle motion or rethink the speed at which I spin the rope during a particular section of a trick in order to get it more solid, or to increase the success rate of the trick (or to even get a first success). And with good results too, so I believe it does pay to take the effort to put a critical eye on your methods while still sticking to rough and ready trial and error technique to really learn the thing on the street. Go at the concepts with broad strokes and let your miracle brain work out the exact finesse behind the curtain of grey matter, that's my approach.

The loop always has this angular momentum which just means it's spinning in a circle, it will keep spinning in this behavior on its own for a short time but it's constantly being diminished by gravity and air resistance a little so it needs your hand to keep nudging it in the right direction. You can feel some tension where the rope is pulling back on you through the spoke, greater tension when the speed of the loop is faster. This tension is a good thing, it means that you can control where the rope goes next. If you slow down too much or pull on the rope in the wrong direction then you can feel this tension die and you no longer will be able to influence the rope, it will just fizzle out, close up, or go limp unless you make a larger motion in time to correct it and get the control back.

I'll give a crack at a layman's description of what keeps a spinning loop open: Looking down at a loop from above we have a spinning loop (spoke omitted).

Figure2: counterclockwise loop

Newton said something about an object in motion will just keep on goin' how it's been goin' unless you give it some contrary force. Well that means if it's moving it will go in a straight line unless something pushes it to turn it, speed it up, or slow it down. A loop is going in a circle so it's always turning, therefore there must always be some force maintained on the loop to keep it always turning around and around. I can't really understand all of that unless I imagine the loop not as one rope but as a bunch of little connected points. These points happen to be connected as a rope so they end up pulling and pushing each other along in a circle but if they were disconnected from each other let's imagine what they would do. Every point on that loop will want to just keep going straight, here's a diagram to show what would happen if these points were not connected and allowed to keep going straight.

Figure3: independent points on a spinning loop

They would spread out and make a bigger circle. This in essence is the force that keeps pushing the loop open, a centrifugal force as it may be called. Since the rope is all connected together it's not so easy for the loop to open up though. You should feel this pulling force as you spin the spoke and you exert a force pulling back against it to keep the loop going at a constant size.

Speed does matter, spin a faster loop and the outward pull is greater, you'll feel more tension pulling on your spoke hand and have to exert a little more force to keep that loop in place. If your spoke is allowed to freely slip through the honda then you should see changes in the size of your loop corresponding to how fast and abrupt you are spinning. The loop will increase in radius but at the expense of the spoke length. A growing loop eats up spoke so it must either raise up towards the hand as the spoke length decreases or you must feed it more rope if you have any extra bunched up in your other hand. Spinning speed is not a linear correlation to loop radius though, because the friction of the rope rubbing on the honda will make the loop less responsive to speed changes. So up to a certain point you can have small changes in acceleration and the loop will stay about the same.

I've bored you up to this point but now I'll give you something more interesting. I learned a trick as a kid which I could do good enough most of the time but my loop would sometimes close up and I'd have to spin like the dickens to get it to open up again. It was lifting off from a wedding ring to a flat loop in front of you. Follow the sequence in images below. 1. it starts with a wedding ring. 2. take it down to a single handshake. 3. pull it up from the handshake with a good upward tug. 4-5. pop it up directly above the head. 6-7. pull it out to the right side as it starts to come down. 8. *transition from spoke under loop to spoke above loop, pulling the spoke to the side of the loop while in transition. 9. loop comes to lower position and you continue spinning. 10. settled into flat loop.

Photo: The Liftoff Sequence, 10 steps

The transition at step 8 gave me problems stemming from the fact that the spinning hand must move from it's position in the middle of the circle and go outside the circumference of the loop for a bit before being able to move your spoke hand back to the center of the loop's circle when the loop is in the down position in front of you again. My problem was that I was tugging the rope to get it to move down but I wasn't tugging at the right time in the circular phase of the spin to keep the loop open and my rope would get to the floor as a closed up mess.

The upward and downward motion is one aspect of the trick but all the while you must keep the cyclical spinning motion going and not do any tugging on the rope at a time when your pull will cause the loop to close. Before I knew exactly how to correct myself I thought about how the rope must move and about what might be causing the problem. I figured I was either flicking the rope to the side at the wrong time or not aggressively enough to keep the loop open. Most problems are usually a matter of timing or spinning speed. So I started experimenting with pulling down sooner/later and with different flicks of the arm and wrist at different times. I became much more aware of the cycle of the loop, meaning the position of the honda in relation to the loop's circle and after a bit of trial and error I had an awakening.

When the loop goes to the side it's critical where the honda is, if it's about to go around the far side of the loop then a motion to pull towards you will close up your loop. You can only coax the rope into certain positions when the time is right. Sometimes you have to wait and let the spin ride out till the honda is good and ready, this was integral to learning the butterfly also. It's a good feeling to get that connection with the rope and although awkward at first, with concentrated practice and a fair amount of trial and error I'm starting to get in a comfortable groove. I know physics is busy at work in it all but whenever possible I prefer to just keep it in my subconscious while I physically develop a fluid one-ness with the rope.

#trickroper #trickrope #rope #lasso #physics #liftoff #trickroping

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schaefertucker4-blog · 6 years

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Unleashing Your Authenticity

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