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marybeatriceofmodena · 4 years

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TFW when you try to do Anastasia but you also suck at your job: A Master Class by The Rise of Skywalker

Okay. So, I promised you guys a TROS review, and it’s coming, I promise… except I’ll be making two “spin-off posts” about specific issues just in order to clear up some stuff, mainly because in my mind, those issues are important.

First post is going to be, of course, about Rey’s parentage.

So. After TFA, it would have been possible for Rey to have been the kid of “someone”. However, TLJ made it impossible to do so, unless you’d have some serious, bullshit retconning going on – which is exactly what happened.

I know this is a VERY controversial thing to say at this point, but post-TFA, Rey Palpatine “could” have been possible. Okay, maybe not have her be Palpatine’s granddaughter, but more of a descendant of his.

This said, I “tried” making an origin story for Rey Palpatine that “works” for the purposes of this meta, on a hypothetical basis, while making it consistent with canon (something JJ Abrams and Chris Terrio clearly couldn’t be bothered to do, LMAO). I had plotholes no matter what. I do think I could have eventually found something with a little bit of brainstorming, but truth is, IT’S HARD, and a lot of exposition would have been for novels/comics only.

From a thematic perspective, though? It wouldn’t have been a bad idea. For this to work, though, you would have needed to go on full-blown Romeo and Juliet mode with sprinkles of Anastasia, though. I mean, The Lion King 2 did something similar, so why the fuck not. Because, yeah, Ben Solo, the grandson of Darth Vader, son of Han Solo and Leia Organa, the last prince of Alderaan, who falls in love with the last Imperial princess Rey Palpatine while they’re on opposite sides of the war but not the ones you’d think of is the stuff of fairy tales and star-crossed romances, except this one would have a happy ending and brought peace to the galaxy.

Truth be told, I still really enjoy fanfics who go for that story and find a way to make it work in canonverse or in AUs – because it’s genuinely fun. But in canon itself, as I point out earlier… it’s not easy.

So, we have Rian Johnson who said he made a list of potential origins for Rey while he was working on TLJ’s script. You bet Rey Palpatine was on that list. However, he came to the conclusion that Rey Nobody was the best way to go, and whatdyaknow, he made the right call.

Why? Rey Nobody requires minimal exposition. Storytelling-wise, you don’t have a lot of brainstorming to do, and it’s easy to have Ben revealing it, and easy to present it as a repressed memory of Rey’s. On a thematic level, that puts Rey on the same level as Jane Eyre or the main character from Rebecca: she’s a nobody from nowhere who is thrown into a family drama, and since she’s the glitch in the matrix, she must stop the story from becoming a tragedy.

See? Simple. You got your easy exposition, you got your thematic coherence, and you got the literary call-backs.

So, JJ and Terrio decided to retcon this shit because, as they said, they thought it was boring. I think Colin Trevorrow probably thought it was boring too, because I have my reasons to think a lot of TROS is from him (but more on that in my main review). But thing is, it’s not it’s “boring”, it’s literally that they didn’t know what the fuck to do with Rey. No, more than that, they don’t understand her, and frankly, they can’t be bothered to do so. She’s an empty vessel they can toy with at their ease, and in the process, turn her in a Mary-Sue. Because yes, TROS!Rey was a Mary-Sue, whereas TFA/TLJ!Rey was not. So, what I say above regarding Rey might be a bomb for some, considering how people are (understandably) defensive when it comes to that statement. I promise I will elaborate more about it in the main review, once again.

So, with the lineage aspect addressed, it’s time to talk about Rey’s parents themselves.

It’s hilarious how HARD JJ and Terrio tried to make Kylo’s explanation work – because as much as they butchered the shit out of him, they said: “Well he’s a bad liar, right? Gotta keep that in mind.”

Although, I don’t think it was a case of them being concerned with Kylo’s characterization – they’re not that graceful. They had to figure out QUICK why the hell Kylo wouldn’t have known Rey was a Palpatine from the get-go, because the Force is a great DNA test and shit, and I guess that’s how Palps located Ben’s Mighty Skywalker Blood™. Except that still doesn’t work because Palps couldn’t even locate his own goddamn granddaughter, but I digress.

Seriously, why would Kylo lie to Rey about her being a nobody instead of her being a Palpatine? It makes no sense, because if you’re going to roll with the theory Kylo just wants UNLIMITED POWAH, the Palpatine princess is not only a great asset (since marrying her legitimizes your claim to the throne in the eyes of the Imperial Remnants, I mean, that’s literally why Henry VII married Elizabeth of York), it’s also the one argument she needs to hear in order to sway her to your side. So I guess JJ and Terrio’s one shared brain cell kinda flicked a bit at that moment.

This said, getting the Palpatine princess on his side is clearly Kylo’s intention in TROS (which, again, makes no sense with what was set up in TLJ but that’s something I’m keeping for another post), except they trip all over themselves by having Kylo say he didn’t lie to Rey in TLJ. Except…

So, what Ben said in TLJ was the following:

Her parents sold her for drinking money.

They’re dead and buried in a pauper’s grave somewhere on Jakku.

Rey is related to no one.

Here’s what Ben reveals to Rey in TROS:

Her parents sold her for her protection.

They died on another planet, while being hunted down by a guy working for Palpatine and instructed to bring Rey back to them.

Rey’s dad is a Palpatine and Rey’s mom is Villanelle (nah, for real: the actress who plays Rey’s mom is Jodie Comer).

So, um, yeah, it’s the EXACT opposite of what Ben said in TLJ. Just say Palps was fucking with Ben’s mind-reading or Rey’s memories instead, JJ. Not that “Oh Ben was telling the truth, but he didn’t have the whole story”, because that’s not it.

For the latter, once again, it would have been feasible: the one thing, for me, that was possible to be added was that Rey had killed her parents accidentally, by having their ship to leave Jakku crash down with the Force: that’s what made her Force powers go dormant for all those years and provoked her trauma. It would also make sense that Ben would willfully not bring that back to her memories, because she’d understandably not be able to cope with the truth, which is often what happens to a lot of trauma victims. THAT was the theory I had pre-TROS, because that’s the only answer I could come up with when it came to JJ saying that there was more to Rey’s past. I guess I expected JJ to be, like, actually able to write, lmao.

I even wonder if that was actually in the cards, considering we see Rey in TROS bringing down a transport that supposedly has Chewie in it… but I guess they deemed that to be “too dark” for their heroine. Except the bullshit that comes instead is actually… much worse.

To make things simple, I’ll just take the above points and develop them.

Rey’s parents sold her for her protection.

Okay, so, Rey’s parents need to hide her to make sure Palps doesn’t get his hands on her. Fair enough. This said, why did it have to be Jakku and not, like, ANYWHERE ELSE? Especially that Palpatine had interest in Jakku at some point and that maybe having Rey anywhere close to that place would not be a good idea?

But let’s play the game and say that Jakku is the only place they can hide her because… I don’t know, it’s hard to find someone there with the Force. Whatever. Even then, why the fuck would they think Unkar Plutt is a proper guardian for a tiny little girl? You know they could have walked a few miles more and found a nice old man who likes the Light Side of the Force and the Jedi and all that shit called Lor San Tekka? Hey, why not even try to find a guy like Luke Skywalker who’s like, a Jedi and shit, and have him take care of their little girl and protect her?

Even then, why the hell doesn’t Rey’s mom stay with her daughter? Her husband is the Palpatine, not her. All Rey’s mom has to do is find a nicer hiding place for her and Rey somewhere on Jakku, like, not Niima Outpost (again, Tuanul is just a few miles away), and just let Dad hide somewhere else. He’s a grownass man, he can take care of himself and he just has to hide on Nar Shaadaa or some shit. Fuck, why don’t all three of them hide on Nar Shaadaa? Or in the Coruscant undercity? ANYWHERE ELSE?

Also, wouldn’t Plutt clearly see two desperate parents as a business opportunity? Like, if you want to do a Les Misérables comparison here, he wouldn’t “buy” Rey from them, he’d try to get money for them à la Thénardier with Fantine. Except Rey’s parents make Fantine look like frigging Einstein because at least she had the excuse of thinking Madame Thénardier would take good care of Cosette since Éponine and Azelma seemed well-cared for.

Again, a creepy-looking alien who exploits the outpost’s inhabitants for portions in exchange for junk, who asks you to pay him to take care of your kid should be a big fucking red flag – unless you want to involve blackmail, but that’s a whole other can of worms.

Seriously, why the hell would Rey’s parents even ACCEPT money that comes from selling their own child? Were they really that desperate? Fuck, even if I had no other way of getting off Jakku, I wouldn’t even THINK of using money that comes from selling my own child. Any parent who’d even CONSIDER doing that is automatically a godawful parent in my book. Shame on you. And shame on JJ for trying to make me buy them as saints, because THEY’RE NOT, JUST BY THAT SINGLE ACTION.

They died on another planet, while being hunted down by a guy working for Palpatine and instructed to bring Rey back to them.

I didn’t notice it until Jenny Nicholson pointed it out in her TROS review, because it SOMEHOW completely escaped my notice, but… Rey’s mom saying Rey is DEFINITELY NOT on Jakku is like the worst fucking lie I’ve ever seen in a film because it’s so hilariously bad. Congratulations, Space Villanelle, may you be forever remembered for this line.

Also, it’s stupid af that Oshi (that’s his name, right? Can’t be bothered to Google it, might just call him Barney the Bounty Hunter from now on) just kills Rey’s parents, because HE’S EVUL MUAHAHAHAHAHAAHAHA, because he literally creates a dead end for himself. He still has no fucking clue where Rey is, and he just killed off his only leads. CONGRATULATIONS BARNEY THE BOUNTY HUNTER, YOU SUCK AT YOUR JOB.

Rey’s dad is a Palpatine and Rey’s mom is Villanelle.

So, Rey’s dad looks like he’s in his early thirties at most, right? Maybe a little younger than Luke and Leia, then. So, unless he got frozen in carbonite at some point, that means Palpatine fucked at some point while looking like this:

Anyway, I sure hope Sly Moore was Grandma Palpatine because she’s pretty much the only person who’d be game to smash raisin ass. Which leaves me with extremely disturbing pictures of Palps and Sly having sex, so I’ll spare you the more graphic details of my twisted mind that’s screaming for an end to this misery.

I sure hope having Rey’s mom as Jodie Comer isn’t a clue that we’ll get spin-offs with those two (GOD PLEASE NO), but while I crack jokes about how Rey’s mom is Villanelle and Palpadad kinda looks like Ramsay Bolton… I find it fucking hilarious they dressed Rey’s mom in BLUE. LIKE, SEE? SEE? SHE’S IN BLUE, LIKE THE VIRGIN MARY, BECAUSE REY IS SPACE JESUS!!!! GET IT??? GETIT???? PLEASE TELL ME YA GET IT, OKAY???? *gross sobbing* I knew we should have had Rey born in a manger, that would have made the artistic intentions clear *wipes tear*

All right. There’s a lot more that could be said about Rey’s lineage, but I’m keeping that for my main review because what’s left to say ties up to the bigger picture. What I tried to point out with this preliminary post is that while Rey Palpatine *could* have worked, in different circumstances, it couldn’t have had post-TLJ… and we’re left to see a mutilated horse who was dead on arrival. And that’s tragic.

#star wars #tros spoilers #the rise of skywalker spoilers #rants and reviews #anti tros #rey #reylo #my meta #reylo meta #rey meta

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creepercraftguy · 4 years

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If Danganronpa: Another Despair Academy had an English cast

So I recently made a post very similar to this where I talked about who a hypothetical English voice cast for Our World Is Ended would be. I kind of enjoyed making that post, so I decided to do something similar with the cast of a Danganronpa fan game that has been featured prominently on my chanel and that’s the Danganronpa: Another series. Being a Korean fan game, the original dub of Danganronpa Another has barely any dialogue to speak of. In fact, the only two characters in the series who speak often are Yuki and Sora, the protagonists of the two games, but that’s when they’re in trials. As of right now, a group of people is working on an English dub for the second game. This is why I’m specifically going to talk about the first game in the series, and bare in mind 2 things.

1) There will be some pretty heavy spoilers that I talk about in this post, so if you’re going to read it, please play the game, watch a playthrough or read up on it first.

2) If by any chance the first game gets a dub and the following people I do mention end up voicing the characters, I assure you it is purely coincidental. I wouldn’t even call this a hypothetical scenario so much as I’d call it a basic thought process of my weird weird mind.

Without further ado, let’s begin.

Yuki Maeda: Yuri Lowenthal

In the current dub for the second game, Yuki is being voiced by a user by the name of Soluri, who is pretty talented in their right, but my thought process for an alternative voice actor would be this. Yuki as a protagonist takes a very similar standing as Makoto Naegi and Hajime Hinata, whom are voiced by Bryce Papenbrook and Johnny Yong Bosch respectively, so if I was given a choice to choose who could voice act him, then I think Yuri Lowenthal would be a fitting choice, since he’s also often voiced protagonists. Being someone who often does work in famous franchises, his voice work includes Marth from Fire Emblem, Yosuke Hanamura in Persona, Ben Tennyson in many Ben 10 works, Klavier Gavin in Ace Attorney, Simon in Gurren Lagann and Suzaku from Code Geass. However, he’d also be a fitting choice since I believe he’d be able to do a good job as both the somwhat cowardly and submissive Yuki as well as the mysterious and somewhat stoically dangerous Utsuro, as he is also the main VA for Sasuke in Naruto and Alucard in Castlevania.

Akane Taira: Monica Rial

Akane’s basic character throughout the majority of the game is that she’s lighthearted and even though the killing game is getting to her just as much as everyone else, she still finds a way to lighten the atmosphere, and is a usually cheery and kind person, if a little scary when angry. However, her true nature is something much more freakish, being, in actuality, the mastermind behind the aforementioned killing game that she spends a lot of the game seemingly fighting against. For an English VA, I think the best bet is Monica Rial, who has previously voiced in Danganronpa as Sayaka Maizono in the Danganronpa anime. The reason for my choice is she has previously voiced usually nice, if a little stern, characters like Bulma from Dragon Ball, Tsuyu Asui from My Hero Academia, May Chang from Full Metal Alchemist, Tsubaki from Soul Eater, Kayano from Assassination Classroom, Mirajane Strauss from Fairy Tale and Sakura from CardCaptor Sakura. However, she’s not one to shy away from maniacal villains, or generally creepy characters either, also voicing Tanya from Saga of Tanya the Evil, Krul Tepes from Seraph of the End or Stocking from Panty and Stocking. Also doing the voice of Misaki Ayuzawa from Maid Sama and Mey-rin in Black Butler, she’s not new to voicing maid characters.

Tsurugi Kinjo: Crispin Freeman

Having already done voice work in a main Danganronpa game, albeit for a very unlikable character, I ruled out Matthew Mercer for this one. I can only really describe Tsurugi as the Nagito Komaeda of this series. He has good intentions, but a really messed up way of thinking, even at times quite self-deprecating and reflecting on his own incapabilities to stop the killing game and catch the mastermind. Like I already said, he seems like he’d be voiced by a deep voiced character like Matt Mercer, but when it comes to characters like that, Crispin Freeman is a safe bet. Some of the rightous and/or badass characters that he’s lent his voice to include Winston from Overwatch, Kyon in the Haruhi Suzumiya series, Tsume in Wolf’s Rain and more, but can also do a pretty good crazy character every once in a while, like Alucard from Hellsing, Itachi Uchiha from Naruto and Firefly in the Batman Arkham Series.

Rei Mekaru: Laura Post

Admittedly, I was considering Monica Rial for this crude and shrewd character too. Mature and professional to a fault, barely showing any sort of real emotion and often insulting the other killing game participants for seemingly no reason, Rei is basically Another 2′s Byakuya Togami, intelligent, but rude. Having previously voiced condescending characters, Laura Post is a pretty good choice. I’m referring mostly to characters like Kill La Kill’s Ragyo Kiryuin and Fubuki/Blizzard from Hell from One Punch Man, as well as Diana Cavendish from Little Witch Academia and one of her first ever performances, Queen Nehelenia from Sailor Moon. However, Laura Post has also voiced rather gentle and friendly characters before, which would be a good way to highlight Rei’s secret soft side. Characters like Nozomi Tojo from Love Live and her most recent role, Kasumi Yoshizawa from Persona 5 Royal.

Haruhiko “Haru” Kobashikawa: Sam Riegal

The minute I was introduced to him, I immediately thought, “Ok, he’s going to be the Kazuichi of this game isn’t he?” And to be honest, I don’t think I was that far off. However, even so, he seems more like Kaito if Kaito wasn’t necessarily a central character. Haru’s important, but he’s on the same level of importance as a character like say...Game 1 Toko. A sociable person who’s only goal is to get along well with everyone, he’s cheerful, laid back and more often than not pretty amusing to watch. Someone I believe to be fit for the role, having previously voiced a repertoire of pretty dorky and likeable characters, is Sam Riegal. By that, I mean he’s done the voice work of Teddy from Persona, Phoenix Wright in Ace Attorney, Emperor Awesome in Wander of Yonder, Kanata from Trinity Universe, Shirou Emiya from Fate/Stay Night and Donatello in a large number of Teenage Mutant Ninja Turtles works.

Teruya Otori: Kyle McCarly

Teruya is a character that returns for the second game, and his voice actor in that is NuzikVA. I was really stuck on this one, since Yuri Lowenthal, whom I picked for Yuki, was my main option for Teruya too, but my second option for him would be just as viable. One of Teruya’s most important aspects to his character is that he has a pretty unique western accent despite being Japanese, since his Ultimate Merchant talent means he’s travelled the world and picked up on a few things. On top of that, he’s pretty adorkable and a little childish. I’ve heard Yuri Lowenthal do accents before, which is why I considered it, but I figured anything Yuri Lowenthal can do, Kyle McCarly can do just as well, if not better. He’s a voice actor who’s lines are packed full of expression and some of his previous work includes 9S from Neir: Automata, Hyde in Cross Tag Battle, Hal in Astral Chain, Gatekeeper in Fire Emblem Three Houses and Narancia in JoJo Part 5.

Satsuki Iranami: Deva Marie Gregory

While she was a character that I found initially very irritating and she was definitely the one I had to warm to the most, I won’t deny that Satsuki Iranami is like 70% of the humour and happiness in this game. Similarly to Ibuki, she tends to act childish and make jokes in very tense situations and as described by Yuki as “a person that makes you tired just by talking with her” or something along those lines. Now, this might seem like a pretty obscure and strange choice for a VA, but my choice for a voice is Deva Marie Gregory. It’s obscure, since she is relatively new to the voice acting industry, only voicing one character in one franchise so far. However, that character is Flayn from Fire Emblem Three Houses, arguably one of the characters with the more comedic dialogue. I can totally picture her playing an “In-your-face” practical joker character like Satsuki, making common wisecracks, and it’s something I’d really like to bear witness to.

Mitsuhiro “Mitch” Higa: Joe Brogie

Possibly my least favourite character in this game, he’s essentially a worse version of Leon Kuwata from the first game. He’s genuinely kind of a chill guy, but his status as the Ultimate Soccer Player and his world fame makes him more than a little arrogant and cocky and often ignores people who he doesn’t care for. Joe Brogie is my choice for him, despite being a relatively new voice actor. His previous work includes the player character from God Eater 3, Linus from Fire Emblem Heroes, Donatello from Injustice 2 and Sylvain Jose Gautier from Fire Emblem Three Houses. However, despite his few roles and lacking history of voices, he’s talented and capable nonetheless.

Kizuna Tomori: Tia Ballard

Kizuna can be described in the following words: Cutesy, flirtatious and distrustful. I know those phrases sound mutually exclusive to each other, but trust me, it’s true. Obviously, her nature just changes depending on the situation, since she’s lighthearted and merry more often than not, but in a tense situation becomes suspicious, snappy and even physically violent. I picture her having a high voice, and when taking her character into account, I think the best bet is Tia Ballard. The main reason for my choice is that Tia’s most common voices belong to generally “moe” anime girls, but she voices them in a way that doesn’t sound annoyingly high pitched like how Stephanie Sheh does with Mikan in Danganronpa 2. If Ballard voiced Kizuna, she could pretty much perfectly land the “cutesy at first, but angry when provoked” attitude that Kizuna has. Some of her previous work includes Marron from Dragon Ball, Happy from Fairy Tail, Chiho Sasaki from The Devil is a Part Timer, Takao from D-Frag, Zero Two from Darling in the Franxx and has actually voiced in Danganronpa previously as Daisaku Bandai in Danganronpa 3.

Mikako Kurokawa: Brittany Cox

Extremely similarly to my choice for Satsuki, my choice for Mikako has also only ever been in one game, and it’s the same game as my choice for Satsuki actually. Mikako is a quiet person and she isn’t much of a talker, and when she does she sticks to short replies after long periods of silence, often causing people to forget she's around or becoming surprised when she eventually speaks up. She is unresponsive in a conversation and avoids making eye contact with anyone she talks to which seems rude, but her past explains why. The character Brittany Cox plays in Three Houses is Ingrid Galatea, who is generally a pretty merry, if a little serious and motherly, character, who’s personality isn’t a quiet one. However, while her voice acting is really good, Brittany Cox has a bit of a stoic, monotone and quiet voice, that I believe would fit Mikako perfectly.

Kinji Uehara: Robbie Daymond

There were a few reasons why I chose this person for this characters voice, but I’ll talk about those in a moment. Kinji is the good type of priest, one who is serious and quiet, but is a good listener, and respectful of people to a point where he doesn’t force his religious ideals onto others. However, when put under immense amounts of pressure, he can break down and turn somewhat psychotic. Hence my choice for his voice actor. Robbie Daymond is a personal favourite of mine, since he has a special talent of playing characters such as Goro Akechi and Hubert Vestra, from Persona and Three Houses respectively; characters who for the most part are calm, reserved, quiet and in Akechi’s case, somewhat kind. However, after certain points in the games stories, the two characters turn inexplicably evil and crazy, and the voice work and the shift in tone has such an amazing range that it’s hard to believe it’s the same guy. Seriously, look up Daymond’s work as Akechi, it’s honestly amazing and is the type of voice I’d honestly expect for Kinji when he breaks down. Alongside those two roles, Daymond also voices Prompto in Final Fantasy 15, Reinhard in RE:Zero, Professor Willow in Pokemon, Gilthunder in Nanatsu No Taizai and Mumen Rider in One Punch Man.

Kiyoka Maki: Colleen Clinkenbeard

A girl with a personality that doesn’t match her talent, Kiyoka Maki is outgoing and carefree and doesn’t have an awful lot of care for her talent, being way more interested in more effeminate things than guns. When I first saw Kiyoka and was introduced to her character, for some reason I thought “This is the type of character Colleen Clinkenbeard would voice.” Originally I was going to cast Clinkenbeard as Teruya before I realised Teruya wouldn’t necessarily have a child-like voice. Clinkenbeard however, does have experience of voicing male anime characters, and a lot of characters that scream a lot, Monkey D. Luffy from One Piece and Young Gohan being the prime examples. Alongside that, she’s also voiced another gunslinger in Full Metal Alchemist as Riza Hawkeye, as well as Momo Yaoyorozu in My Hero Academia, Rachel Moore in Case Closed, Erza Scarlet in Fairy Tail and previously in Danganronpa 3 as the loveable Chisa Yukizome.

Ayame Hatano: Karen Strassman

Ayame is a stoic and strong-willed person. Although she appears to be perfectly calm in most situations, she admits that she can be awkward especially during conversations, and as a result, she has a tendency to ramble and wander off in her own, or not talk much at all. To me, she seems like a character that someone like Karen Strassman would lend her voice to, since she’s played several characters with those personality traits before. To name a few, there’s Aigis and Nanako from Persona and she’s also voiced Anna in several Fire Emblem games. She’s also played Kallen Stadtfeld in Code Geass, Miyuki Takara in Lucky Star and Rouge the Bat in several Sonic the Hedghog games.

Kanata Inori: Felicia Angelle

I was also considering casting Tia Ballard for this character too, but unlike Kizuna, Kanata genuinely seems like a moe character that would have a high voice. Kanata is a sweet girl who wishes nothing more than the comfort of her patients and everyone else around her. Exceedingly formal and polite, she addresses her classmates as Mr or Ms, like how Hifumi Yamada does in the first game. My choice for her is Felicia Angelle, who’s repertoire consists of both cute and geeky anime girls, as well a little bit of the scary stuff too. This includes Tohru Hagakure from My Hero Academia, Perona from One Piece, The Supreme Kai of Time from Dragon Ball Xenoverse, Shinoa Hiragi from Seraph of the end, Shaltear from Overlord, Georgie from Maid Dragon and has previously been in the Danganronpa anime, playing Aoi Asahina.

Kakeru Yamaguchi: J Michael Tatum

I have a pretty good reason for this cast. Becoming a legal prodigy when he was quite young, Kakeru is a character who seems to have a split personality, but on a level way less extreme than that of Toko Fukawa. Essentially, he’s usually quite a timid and shy person, that finds it hard to hold a conversation, but when he’s in the courtroom or a class trial, he becomes quite loud and brash in a way similar to that of Nekomaru in the second game. His personality reminds me that of characters like Tenya Iida from My Hero Academia and Rei Ryugazaki from Free! both of whom are voiced by J Michal Tatum, whom is my choice for Kakeru. Tatum has also voiced Zarbon from Dragon Ball, Commander Erwin from Attack on Titan, Rintaro Okabe from Steins:Gate, Scar from Full Metal Alchemist, France from Hetalia and Sebastian from Black Butler.

Yamato Kisaragi: Max Mittleman

Yamato is almost as crazy an inventor as Miu, sans the whole sexual and perverted invention parts. Being a character who’s introduced a little later into the story, Yamato is pretty quirky, energetic and honestly friendly, but that leads people to be a little doubtful of him, Tsurugi in particular. His energetic character and his genuine feel make me think that someone who could voice him is Max Mittleman. Mittleman’s previous voices include Plag from Miraculous Ladybug, Ryuji Sakamoto from Persona, Saitama from One Punch Man, King from Natatsu No Taizai, Meruem in HunterXHunter and more

So that’s what I got. If you liked this, then leave me a heart and repost if you want. If you have any other recommendations for Japanese exclusive projects I should assign voice actors to, then let me know.

#danganronpa #danganronpa another despair academy #dra #yuki maeda #akane taira #tsurugi kinjo #rei mekaru #haruhiko kobashikawa #teruya otori #satsuki iranami #mitsuhiro higa #kizuna tomori #mikako kurokawa #kinji uehara #kiyoka maki #ayame hatano #kanata inori #kakeru yamaguchi #yamato kisaragi

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margridarnauds · 6 years

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2, 8, 9, 20, 30, 31, 32, 40, 51 (for the abominaton)

Thanks!

2. Favorite part of writing.

I love the feeling that comes with putting the thoughts that I’ve been visualizing in my mind on the page, I love getting to work with characters that I love dearly and putting them where normal circumstances wouldn’t, I love dealing with a wide cast of characters that help me learn more about myself.

8. Favorite trope to write.

In general, I like to write emotionally constipated characters dealing with their gay emotions for the first time. Also, I tend to work with straight-up fix-its or dealing with post-canon events (and, when I say “post canon” I mean “post my very, very specific version of canon).

9. Least favorite trope to write.

This is probably surprising, but I tend to not be fond of actually writing depressing endings. Like, even in the universes where I kill characters off, I like to at least give them some closure, even if it’s an afterlife AU. (Which…the Afterlife AU for Pour la Peine is going to be fun if I ever get around to it).

Also, I don’t like Modern AUs all that much, even though I have numerous ones for 1789. It’s probably mostly a matter of translating 18th century politics to the modern age. That and I hate writing anything set in the modern age on principle.

20. Post a snippet of a WIP you’re working on.

Tw: References to animal abuse, bullying, and Lazare being a 13 year old with slightly homicidal tendencies (BUT HE’S STILL VALID)

Lazare didn’t know how he got involved. One moment he was gritting his teeth in anger at them, his rage reaching a boiling point after one of the punches caused Ronan to cry out, the next one of the bullies was on the ground crying, Ronan was putting another one on the ground nearby him, and he had his hand wrapped around Denis’ throat, feeling his fingernails tighten around skin that had never been bruised before. All those military exercises his grandfather had made him run had their uses, he thought, as a strange thrill ran through him. Thibault Denis couldn’t do anything now, couldn’t hurt anyone; he was completely under his control. No matter how much he tried, flailed, choked, the little pretend tyrant was weak. So this was what authority meant. All that time when his grandfather had tried to explain it to him, and he’d never fully understood it.

“Lazare!” He was vaguely aware of Ronan shouting, and that was enough for him to release his grip. The boy fell to the ground, looking at him like he was Death incarnate, all widened eyes and quick breathing before he ran as fast as he could, his legs barely supporting him. The others followed suit, and it was just him, Ronan, and the cat. He flexed his hands, remembering the touch, looking at Ronan, wondering how he would look at him now that Lazare had hurt one of his own, but if he’d seen anything unusual, he hadn’t noticed, lavishing attention to the cat instead.

“Why would someone do something like that, huh? It’s just a cat, it wasn’t harming anybody.” Ronan held the wretched thing in his arms, petting it, with its torn ear and matted, faded fur and bony spine. “It probably just wanted to make friends.”

“The world can be cruel.” It had been the first thing he’d been told, when he was left on the steps of the Chateau de Peyrol and greeted by a stern, sharp man who introduced himself as his grandfather, and it had been something that he’d made sure he’d remember. The world had been cruel since time began, it would remain cruel. All that was important was ensuring that he himself did the best he could in the role he was given and to support the Crown in its efforts to keep order amidst the destructive forces that would bathe the world in fire otherwise.

Ronan shook his head. “It doesn’t have to be.” He held the cat a little closer, letting it burrow its face into his chest weakly, its pink tongue flicking over his fingers slowly. “It doesn’t have to be.”

30. Favorite line you’ve ever written.

There was a sadness in du Puget’s eyes, and Peyrol felt like he was a schoolboy again, missing some obvious point that he had just explained to him in vivid detail. Only instead of the immediate reprisals, he got this. A beating he could deal with, scorn he could deal with, pity he could not. “We are all human beings, Monsieur de Peyrol. We are all human beings with a child’s longing for the companionship and love of our fellow man. If you cannot do that basic amount for him, then you will never deserve his trust or his love, no matter how many livres you pour into it.”

31. Hardest character to write.

In general, any of the kid characters. I HATE writing children in general, and in the first part of the Abomination in particular SO MUCH rests on selling the kid versions of Ronan and Lazare and their relationship because literally the rest of this universe depends on them. I consider having to type “How do children make friends” and “What do children do with friends” to be on par with me trying to think about how long it’d take me to bang the man who (hypothetically) killed my father as far as Signature Abomination Moments.

For the non-historical characters of 1789, I’ve talked repeatedly how hard Solene is to write because of how little we get on her and how downright contradictory a lot of it is (see: her talking about how ambition and bloodlust have blinded Ronan…while she and the girls lynch a baker and march to Versailles. You go girl?) And you want to do a solid job with her, especially since her storyline touches on subjects that are STILL pretty damn sensitive, but you also don’t want to accidentally put her into any of the contemporary stereotypes of The Fallen Woman, The Victim, The Fury, etc, or any of our modern stereotypes when it comes to what a sex worker should look like and behave. That and trying to develop her relationship with Olympe is going to be slightly harder than usual, given that I still…need to figure out how they’re going to meet. With Pour la Peine, it was easier, since they had an easy way to meet up (Ronan’s funeral, RIP bro), but here, this is taking place in the canon era.

On a larger level, writing ANY of the historical figures that we have a decent amount of documentation for is hard, since these are people who are still highly controversial to this day and who can kind of….shift between different sources. Not necessarily the ones they wrote themselves, but, like, if you ask ten different people about Robespierre, you’ll get ten different responses. You’ll think you’ve caught onto him, and then he slips away. Likewise for Antoinette or Fersen or De Launay. Even Papa du Puget is rather hard for me to grasp, not the least because I know that the sources I need are locked behind an archive in France, untranslated and mostly obscure. (Funnily enough, the easiest for me to grasp is the Marquis de Sade, because the man’s just a dick. I will proudly proclaim the man’s a dick. He deserved to spend the rest of his life rotting away and I consider it an eternal tragedy that far better men than him in every way died during the course of the Frev while he managed, despite himself, to survive.) With some characters, like Danton and Desmoulins, I sense that my interpretation of them is going to be much different than the normal interpretation of them.

Basically, there’s a lot of pressure with them that isn’t necessarily there with the canon OCs, I don’t have as much freedom, and it can be damn hard to put them into a given situation to see how they’d react. (Incidentally, I’m going to put a tentative guess that they won’t react well to L/R. Just a guess. Though I’m sure Lazare can win them over with his A+ social skills, charm, and tact.)

32. Easiest character to write.

Laz and I get along very well at this point, even as I torture him.

40. Original Fiction or Fanfiction, and why?

Fanfiction, actually.

With original fiction, there’s a lot of pressure when it comes to constructing the world you’re working with and the characters and how they interact with it. And, believe me, it’s a lot of fun, but it’s also damned hard to visualize it. Like, I fucking specialize in Early Irish Lit, and yet my retelling of CMT is hard to write 90% of the time because I have a hard time working with this world and how it works (which…given that the rules themselves weren’t concrete in the original lit, I don’t feel all that bad, but still). To tell you the truth, even after looking at tons of pictures of longhouses and hillforts and costumes from the Book of Kells, I still can’t get a decent idea for this stuff. It’s even harder for the main WIP, where I have to do a lot more construction, working with inspirations from multiple time periods, and it’s a real mess because I’ve never entirely gotten those inspirations under control and the characters keep shifting out from under me.

With fanfic, on the other hand, you have characters, you have a setting, and you have a decent idea with how the world works. Now, you can always do what I do and completely throw canon out anyway, BUT you still have some basics. No matter what, I have some baseline for the characters and some baseline for how the world works and I can build my research off of that.

51. Describe the aesthetic of your story _______ in 5 sentences or words.

Doing this for the first part because it’d be literally impossible to do it otherwise.

A gloved hand on a black walking stick, a slightly bent, silver wolf’s head gleaming from the top.

A sea of golden wheat over flat land as far as the eye can see, a sharp blue sky hanging over it.

An old, faded book with a decrepit spine.

A blue parrot locked in a gilded cage.

Two boys against a tree on a slightly chilly summer night, looking at the stars, unaware of what they hold for them.

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floofsnoot · 3 years

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Any ideas for songs and levels for Elite Beat Cops? How do you think the cutscenes would go depending on how you do? What would happen if the meter reached 0? What would the last level involve?

Oh dang dawg that's a tough one, considering it's no longer 2008 and the whole music scene has kinda gone everywhere it would be hard to say what they could do with the soundtrack.

My personal opinion probably wouldn't please the masses, but my top 4 songs I would like to see would probably be Sell Out - Reel Big Fish (because let's face it banging out to ska while trying to save the world is really fitting), Livin La Vida Loca - Ricky Martin (simply because it got scrapped), We Got the Beat - The Go-Go's (Because it's Elite Beat Cops for a reason), and Let's Groove - Earth Wind and Fire (simply because it has a funky beat).

Moving on from the songs, I honestly don't have many original level ideas. But I think it would be cool of they explored the concept of space travel in at least one song, like they end up meeting another alien species besides the Rombulans (i hope I spelled thay right) that are actually kinda peaceful and they try to colonize an empty planet together or something like that. (And if you fail at it you get like obliterated by space rocks or something) Maybe a level that takes a lighthearted spin on going to therapy. (I like to think it'll take a similar route to LaLa, except the cops get to watch an epic battle take place in the human brain.) If you fail that one maybe you'll see an exaggerated panic attack in the therapy office. Or maybe with the lift on game size/hardware limitations from the DS maybe they could do more sad songs like what they did for You're the Inspiration. It would be nice to have a few tearjerkers in the midst of the other comical storylines. (Dare I say they could be funerals for some of the older characters from the 1st game or maybe even Ouendan.) If you fail at those maybe it'll be a bit like what happened in the 1st game, the acceptance of death just would be a weight on the characters involved for the rest of their lives. I can't really think of any other level ideas that wouldn't feel stale tbh.

Uh... And for the last level? Tough call to be honest. I feel like it wouldn't break the formula of "Cheese and Rice the world is ending, let's dance." that EBA and the two entries of Ouendan had. But the thing is, in the Japanese entries you don't really get alien invasion scenarios quite like in EBA. (Then again I never finished the 1st Ouendan so what do I know.) Maybe global warming will kick in again like in the 2nd entry of Ouendan and that has a chance of killing everyone you've met along the way and more. I can't think of a good song they could use here off the top of my head, not many recent songs have gone off the shits yet somehow have been popular enough for many to hear. Edit: I looked around for a bit, maybe Shake It Up - The Cars (that's a really big stretch to be a good final song 😥) (if anyone can think of something better go ahead and throw it into the ring)

But yeah, there's a few of my silly little ideas for Elite Beat Cops (it's unfortunately not many) If y'all wanna lump your ideas in about this hypothetical sequel go ahead and take a shot at it. I would love to read them. Thank you kind anon for letting me ramble a bit on what I personally wanna see.

#pepper.xml #elite beat agents #eba #long post #toss me some golf balls

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rock-and-compass · 7 years

Text

7.02 thoughts

Okay. Here we go. I’ve slept on this but it was written while I watched the episode.

Under the cut because of negativity

The suitably vague “Years Ago” – I don’t think we’re ever going to get an explanation as to why everyone’s ageing is funky and exactly how long has passed since Henry left town…

A bit of friendly sword-play turns into sulky teen pretty darn quickly – Henry doesn’t seem nearly old enough or mature enough to be leaving home… although I guess there is nothing like leaving home to make you grow up quickly. And boy does he grow up quickly!

“This isn’t an ending Emma, there’s more to come.” …You keep trying to tell us that A&E…

Hook and Emma are clearly planning on expanding the family and, I guess, not finding it so simple…. I think this is supposed to reinforce the “Emma is too pregnant to help” discourse that runs under the episode.

Good god, you just happen to have that magic message-in-a-bottle bottle lying around and just happen to mention it now. How many times would that little piece of plot convenience have come in handy? dark swan; missing hook; wish world; baby Gideon . . . every other freaking time that a character has been missing, lost or trapped. The thing with fantasy is that it still needs rules – to make anything conveniently possible with a new magical item that is then never seen again undercuts the narrative and makes the story trite. If you want people to be summoned to other realms then establish a method via your story, not just produce yet another artefact that can miraculously do what you need done. One of the core tenants of this show was that travel between realms was hard – but they’ve broken that rule so many times while still pretending that it holds true that it has become ridiculous.

Another realm … more “years later” yep. Continue with the vague. And Henry’s “in love” already to the point where others are noticing. So no slow burn for Hella then.

Why would Henry say “Captain Hook” into the bottle? Surely is would be “Emma, Regina and Killian” as Henry has called him for, jeeze I don’t know the duration of the proverbial “years” that have apparently passed. But I guess this is why WishHook is suddenly also in this new realm…

And now we are suddenly in “Today” sheesh. The break-neck speed continues.

“Rogers” asking about Emma complete with CS theme has potential. Well Didn’t that turn out to be a big old tease?

“People should be given a second chance” Hello theme of the day.

Still don’t get why the step mother has so much control over Lucy. It’s annoying and doesn’t assist in building any interest in the Cinderella storyline. The newcomers acting continues to feel contrived and pantomimic, particularly Lady Tremaine and Co.

Such clunky dialogue – “where’s my other mother?” not “where’s mum?” or even “where’s Emma?” Could they make it any more transparently obvious that this is an explanation session for those legions of new viewers that this spin-off has failed to pick up. The writing really is subpar this season, even from Jane Espenson who I always thought was better than the rest.

Hmmmm – so Hook when covering for Emma’s whereabouts, lies to Henry, at Emma’s request, about “what really happened” so Henry doesn’t drop everything and go running back to Storybrooke but can “get on with his life”. I wonder when we will find out what this is . . . or is it meant to be the baby news. It’s very vague. Still, nice to see Regina’s opinion that “Emma is wrong” get shut down so efficiently by Killian. If only people had done that more often in Storybrooke… One must suspect that Regina is not concerned with telling Henry the truth as much as she is desirous of using this information as a way of getting her son home…

What is with Weaver’s voice?

Who are these people???

Ugh. I really really hate that Wish World and everything associated with it – Wish Hook included! This is a massive stumbling block for me. I was on the fence before – if it had been Our Killian, I probably would have continued with the show. But not with this. I can’t go forward with a show when it has just become a mockery of itself. Killian and WishHook are NOT the same person. One is a bad joke taken too far. The other is a character that I genuinely love. I can’t commit to WishHook even if he is magically made to resemble GenuineKillianJones. As WishHook himself says, with absolutely no logic to underpin his explanation, they may have had similar beginnings but life and experience took them in very different directions so nope, not the same person.

The biggest issue for me is that WishHook was created with a wish just a few “years earlier” in season 6 - he didn’t actually exist before this. HE DOESN’T HAVE THE HISTORY THAT THEY APPARENTLY WANT US TO BELIEVE HE HAS. HE LITERALLY DIDN’T EXIST BEFORE THE WISH WAS MADE. He is a theoretical construct created out of the malicious twisting of Emma’s once uttered wish that she was not the saviour. The Wish World was not factual. Emma would not have actually been that meek little princess if she had been raised by her parents – the WishWorld was an insulting, twisted fantasy that is now infecting the entire show and we are supposed to embrace that caricature, that glib joke of WishHook as our substitute Killian. Others might like it, but it’s not for me.

It’s like, in life, we are all products of our choices…. Let’s say you had a choice between two paths – Path A and Path B - you have to choose one and there is no going back. You pick choice A and follow that road until the next set of choices presents itself. Path A becomes your path and effects and influences the person you become. All the possibilities from choice B cease to exist. That path is closed and all the potentials it offered become purely hypothetical. There is no alternate “you” walking down Path B. But this is what this stupid premise wants us to accept and the upcoming episode titled “The Garden of Forking Paths” would seem to confirm this. And it might make sense if there had been time travel involved but there wasn’t – it was a wish and a new wish at that.

And didn’t Regina discover that WishRobin was not “her” Robin - HE WAS NOT THE SAME PERSON and he ended up going back to the wish world where he belonged. So sorry, I can’t accept the Killian and WishHook are “the same person” as a justification for reinvesting in the show. I was invested in Killian Jones, not a very poor wish-born imitation. Unfortunately, it smacks of the writers wanting their cake and to eat it too – they want Colin/Hook in the show but they also want to facilitate Emma’s exit and preserve CaptainSwan’s happy ending. So okay, I’ll take the slice of CS cake and go away and eat it, but as a consequence, I’m good and full – I can live without the slice of WishHook.

Colin is great as Killian but his “officer Rogers” is kinda bland and underwhelming. Sorry. I know I’m the minority on that one. Lol.

Ugh Rumple.

No. no one would pay $550 to see a kiddie ballet concert. And all this Hyperion Heights stuff is just a bit . . . boring.

Gaaaaaaah how could a recently created wish version of Hook have a daughter????? Sorry I can’t buy any level of care for this silly plot contrivance. There is no logic at all. And it all feels so emotionally manipulative – they tell us Emma and Hook are having a baby but we’re never going to see that one come to fruition so they fob us off with WishHook and his freaking WishDaughter trying to make mileage off the fact that mush of the audience would have loved to have seen Emma and Hook as parents.

Lol. Regina is such a loser. She can’t find a life outside her adult son. One might theorise that she isn’t truly happy living a ‘good’ life… And Henry continues his pattern of being the parent in this relationship when he suggests she stay in the new realm. Yeah, another reason I exit at this stop. And she was added by CGI into the goodbye scene. Hilarious.

Oh Jaysus… the exposition in that final WishHook/Henry scene at the bar – we didn’t have time to show it all so we’ve got to tell it (and add in a dash of completely superfluous Roni in for good measure)

Final thoughts: The episode was underwhelming and not an appropriate tribute to Emma Swan. I’m happy that Emma and Killian are happy in Storybrooke – though it would be nice to at least know the name of their baby. I’m glad they are free of Regina and Rumple and that the whole town gets to live in peace and far away from those two utterly horrible people. I wish the story was continuing in Storybrooke, not Hyperion Heights. With no Emma and no Killian in Hyperion Heights, it’s just not a place I’m interested in. But, can I just add that I was prepared to keep watching if it had been the real Killian in Storybrooke. Yep, I know that would have meant that Emma and Killian would be separated yet again, that the CS baby may not have been hatched . . . but you know what it would have given me?

Hope.

…Hope that one day there was a chance, ever so slim or remote, of seeing Emma Swan again. Rogers would have automatically bee an altogether more compelling character because he wouldn’t be an imposter – he would have been our Killian, with an opportunity to have a story outside Emma but also to keep her as an important part of the story, even in her absence. That would have got me back. As the story stands, with the ending we were given, I have literally no hope or expectation of ever seeing Emma and Killian ever again. I do feel the choice not to keep authentic-Killian in the story will cost them in the long run – I think it was a short-sighted narrative choice that allowed them to exit Emma with no fuss or consequence. So yeah, for me, personally I would have preferred to have seen Killian and Emma as part of the curse (I would have made Emma an inanimate object ah la Beauty and the Beast or as a swan or a cat or whatever – They promised us that whoever cast this curse learnt from the previous one so what could have been a more important lesson that neutralising the saviour.) Yes the fandom would have been furious but they still would have had a reason to watch – I mean, those OQ fans are still begging for Sean to return… but they’ve exited Emma and Killian in a way that effectively silences the fandom.

I’ll accept the nice ending because it means that Emma and Killian get to live on elsewhere, but unfortunately, it also means I’m done with the show.

#ouat #season 7 #ouat negative

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