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#that said I am genuinely frustrated by how easy it would be to fix 99% of the remaining issues if they'd just been given a 10 ep season
knifeturtlelives · 6 months
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I agree with a lot of what's been said about the pacing (namely that this already great season could have been even better with an extra beat between eps 5 & 6, and likely another between 7 & 8) but I just want to take a second to remember what a fucking accomplishment this season is.
Like, just off the top of my head: they managed to expand the world-building of the show's pirate universe, add compelling new characters, deepen the central relationship in a genuinely complex and nuanced way with rich character arcs for both, at least suggest at greater complexity and emotional development for many of the background characters, and produce more expansive and technically challenging visuals including some very impressive action and crowd sequences. And they did all that with two fewer episodes, while still maintaining the original tone of the show and keeping run times under 30 minutes apiece.
It's not perfect, and they're not equally successful on all fronts, but it is extremely fucking good, and the fact that it gets anywhere close within those limitations is frankly an astounding artistic achievement
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hamliet · 5 years
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Messy, Perfect Redemption: Dazai
My least favorite trope in fiction is probably redemption via death. It just seldom works for the best possible story and more often than not comes across as an author wanting to take the easy way out with having now made the audience like the character, but not having to deal with the repercussions with their relationships with other characters and actual work of changing. Which honestly is also fair. Writing is hard.
But one of the things I love about Bungou Stray Dogs is how the entire story is basically Dazai’s redemption arc in all its disastrous messy glory. Redemption is hard, becoming a better person is exhausting and it doesn’t happen overnight. Despite an often cavalier attitude towards everyone around him, Dazai never loses sight of Odasaku’s last words to him.
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"Listen. You told me that you might find a reason to live if you lived in a world of violence and bloodshed. You won't find it. You must know that already. Whether you're on the side who kills people or the side who saves people, nothing beyond what you would expect will appear. Nothing in this world can fill that lonely hole you have. You will wander the darkness for eternity. (...) Be on the side that saves people. If both sides are the same, become a good man. Save the weak, and protect the orphans. Neither good nor evil means much to you, I know... but that'd make you at least a little bit better. (...) Of course I know. I know better than anyone. Because... I am your friend."
Leaving the mafia and deciding to save people from now on is a good step, but it’s a process, as we see. It’s choosing every day to save orphans, to protect the weak, and even after making the overall choice to become a better man, there are still plenty of struggles along the way. It’s what makes Dazai such a compelling, powerful and ultimately hopeful character for me.
I know Atsushi is often seen as representing Dazai’s second chance after Akutagawa, his redemption in a sense, and that’s not wrong at all. Atsushi is definitely a major, even the main, part of it, but in my opinion it’s not the whole of it. Dazai’s mentoring of Atsushi is a double-edged sword: on the one hand, it absolutely is a part of his redemption. He’s genuinely trying to do his best with Atsushi, and I do think he cares for him--clearly, he cares enough to let himself be captured by the mafia, even.
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On the other hand, ignoring a kid you hurt for a kid you didn't is not redemption in and of itself when you could still do something about it. It’s not like Akutagawa has given up on Dazai in any way; he’s pretty desperate for Dazai’s acknowledgement even now.
If saving one requires you to abandon the other, are you really a better person for it ? Like, if you wanna save orphans, you kinda have to include the one who's literally begging you to save him and who is only in this bad place because of you.
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If joining the agency would have redeemed Dazai, we wouldn’t have a story, though again I’m not minimizing the importance of this or the resonance of Dazai’s mentoring of Atsushi. But in joining the agency, Dazai left someone behind--more than one someones, actually. Dazai’s redemption is a process that will require him to face the harm he caused in the mafia and as much as possible, fix it. And he can’t fully redeem himself until he integrates with his shadow. Unlike Atsushi whose shadow is directly personified in Akutagawa, though, Dazai’s is in several other people (we could also consider Odasaku and Atsushi part of the anima), including Akutagawa, Chuuya, Dostoyevsky, and Mori.
Even the next time Dazai saves an orphan (Kyouka), we find out that a lot of the cruel ways Akutagawa trained her came from how Dazai trained him.
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It’s a consequence coming back to Dazai that his mentee decides to save a child trapped in the mafia whom everyone wants to give up on, a child whose been through the same training he forced Akutagawa into (which I should remind you includes a canonical mock execution). The difficulties of saving Kyouka are probably exactly why Dazai took so long to make baby steps towards Akutagawa. But to his credit, while he’s not exactly compassionate with Kyouka while she’s imprisoned, Dazai does save her. If mentoring a kid on the verge of turning into a criminal is the first step to reconciling with his mafia self, then Dazai’s helping save Kyouka is the next one.
However, he doesn’t fully understand the cruelties of he did to Akutagawa, as shown in how he mocks him after his capture by repeating Akutagawa’s worst fears to him:
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I know Dazai’s playing a long game with setting up Atsushi and Akutagawa’s partnership in shin soukoku, but the ends don’t always justify the means and that’s a lesson often shown to us in BSD (it’s in part the reason Dazai left the mafia; he couldn’t buy that Oda’s death was justifiable because it got rid of Mimic and got the Port Mafia their black ticket). This type of triggering really isn’t okay. Like I said here, Dazai is in part the cause of Atsushi and Akutagawa’s struggles to get along, and he should be part of reconciling that schism as well.
I know while some people are annoyed that fans call a person two years older than someone else their father figure, but the manga itself draws this comparison and codes Dazai/Atsushi and Dazai/Akutaqawa as a mentor/mentee relationship which is 99% of the time coded as parental in literature (and it definitely is here). Akutagawa literally draws the comparison himself between his relationship with Dazai and Atsushi’s with his abusive orphanage headmaster. Yes, Akutagawa’s making some logical jumps here (refusing to acknowledge that Dazai is just as much Atsushi’s mentor as his), but the manga wants us to make this comparison.
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As Atsushi wasn’t able to reconcile his frustration and hurt towards the orphanage headmaster, he’ll probably do so through Akutagawa and through Dazai, because Atsushi’s view of Dazai is basically that he’s already redeemed and fantastic and justified in his choices--again, I know Atsushi complains about his irresponsibility sometimes, but it’s mostly played as a joke and isn’t a serious critique of just how he treated Akutagawa, despite Atsushi hating Akutagawa for how he treated Kyouka (take that train of thought a little further, Atsushi).
But onto Dazai’s other relationships. It’s telling that Dazai is at his most unrestrained and violent in the mafia when he partners with Chuuya, who despite being very restrained thanks to him being capable of uninhibited destruction that would lead to his own death without said restraint, knows who Dazai is and what he’s capable of from the very beginning (he’s so much as seen Dazai murder the orphans who comprise the Sheep even after promising Chuuya he wouldn't). Kunikida is Chuuya’s foil in that he works most closely with Dazai in the agency and is perpetually ready to strangle him, but Kunikida is also incredibly principled and restrained--yet he is significantly the only member of the agency who, prior to the Guild Arc, did not know Dazai used to be in the mafia.
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Kunikida’s ideals including saving everyone if possible. Both Chuuya and Kunikida represent these two extremes of what Dazai is capable of--and yet notably both of them care about saving children and are in many ways more compassionate people than Dazai.
The one time we see Chuuya talk about killing a kid is with Q, who notably is introduced to us as another child with the soukoku partnership team-up.
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Q, a child with half-dark hair and half-white hair (gee I wonder what that symbolizes) is a child made to curse the world and hate ever being born. Chuuya and Dazai team up to save him but contemplate killing him.
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Dazai’s choice not to kill Q is stated to be to save himself, which is probably is, but it’s also symbolic of how Dazai’s saving other people is saving himself (and also ties back to another quote Odasaku liked to repeat from Natsume: “everyone exists to save themselves”).
But Chuuya’s motivation, as I wrote before, is because he’s grieved over the loss of his comrades. Chuuya really cares about people, including Dazai, and the fact that Dazai is actually going to far as to model Atsushi and Akutagawa’s team-up on his team-up with Chuuya pretty strongly implies Dazai doesn’t hate Chuuya as much as he says he does. To be able to truly leave the mafia, he has to make peace with those relationships there. It’s part of being honest with himself: like Atsushi, acknowledging the darker shadows, and like Akutagawa, acknowledging the better parts of him too.
At present, Dostoyevsky proves a perfect foil for Dazai, as @linkspooky has written here. They’re the same in a lot of ways, but Dostoyevsky has allowed nihilism and a god complex to completely consume him and is not trying to be human, whereas Dazai still tries to save people and was devastated by Oda’s death. Dostoyevsky’s ability, whatever it was, works by touching someone like Dazai’s, but since Dazai’s No Longer Human negates another’s abilities, Dazai is the only person on which Fyodor’s ability will not work, making them the perfect counters for each other.  Dostoyevsky is what Dazai could be if his feelings of alienation from human society (a prominent theme in the real life Dostoyevsky’s works) were taken to their utmost extreme, and so it’d be fitting for him to ultimately defeat Fyodor through the relationships he does have (including Atsushi and Akutagawa). 
To return to Odasaku, Odasaku is also kind of a warning to Dazai as much as he is a man Dazai wants to become like. When Odasaku lost the orphans under his care, he fell into complete despair and knowingly embarked on a suicide mission to do what Mori wanted him to. Still, Dazai tried to save him. He wasn’t able to save his life, but Odasaku’s death saved Dazai. Yet it’s potentially concerning that Mori used Odasaku’s human connections to engineer his downfall, and I wouldn’t be surprised if Mori uses Dazai’s to try to engineer his downfall later on (like, way, way on).
The difference is that Dazai is a good foil to Mori, too, in understanding what makes people tick and always thinking several moves ahead. Mori groomed Dazai from the age of like fourteen (or younger) to be his successor in the mafia, manipulating his suicidal tendencies and hopelessness to get what Mori wanted from him. It’s telling that the earliest we have of Dazai is him with Mori, in that Mori instead of caring for a suicidal patient decided to take him along to murder the mafia’s boss and induct him into the mafia thereby. The thing about Jungian stories is that there are often some Oedipal tendencies to them--like, for example, a character needs to overcome/break away from completely/kill their father.  I can see Dazai at some point having to overcome Mori and his influence to cement his arc, but that’s highly speculative (yet fits with Mori’s build up as a villain), so we’ll see.
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