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#steve helping however he can and then recruiting everyone else who's available to come cheer
thefreakandthehair · 7 months
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@eddiemonth prompt, oct 4th: Rejection | Arsonist’s Lullaby - Hozier | Lost a/n: pre-steddie post-s4, angst with soft, happy ending because I'm a marshmallow. un-betaed because I'm challenging myself to write these in under an hour. read on ao3 | link to series on ao3
All Eddie Munson has ever wanted to do is play music. 
That’s it. There are other hobbies, of course, other things that bring him joy– D&D, fantasy novels, art– but ever since he was a kid, whenever a teacher would ask what he wants to be when he grows up, it’s always the same answer. 
I wanna play music. 
As a kid, it seems less daunting. He just has to practice, he just has to play, he just has to have the passion to make it big. To be the next Kirk Hammett, or Eddie Van Halen, or Ozzy Osbourne if he can teach himself to carry a tune. 
Making friends is hard, but he manages to find a few in middle school who can play the instruments he can’t– drums, bass. Eddie takes the role of frontman, not exactly a singer still but he’s charismatic enough to get away with it at their school talent show.
High school comes, and Corroded Coffin is revamped. New vibe, new members. He’s older now, a little more jaded with each rejection. 
No one wants their EP, recorded by hand in Gareth’s garage onto cheap cassette tapes. 
No venue will let them play, and Eddie knows that it’s probably because they’re in high school but hadn’t The Cure started in high school? 
No one believes in them, trying to push them– especially Eddie– to consider more successful careers, safer paths. 
But eventually, they book a regular gig at The Hideout and Eddie’s certain this is it. This is their big break. Until they play week after week, staring at the same five plastered faces every Tuesday. If they can prove themselves though, the owner will have to let them play on a Friday or Saturday.
He never does. 
The final nail in the proverbial coffin comes after Eddie’s final senior year. Being accused of murder should have beefed up his credibility if nothing else– he’s already been traumatized, terrorized, and hunted like a goddamn dog, nevermind almost killed via hoard of angry mutant bats. Surely, he’ll catch at least one break. 
And then the owner at The Hideout tells him he can’t play there anymore. 
The hoards of people who still blame him for Chrissy Cunningham’s death are too much for him to manage himself and, in his words, Eddie’s driving away good business. His heart shatters, his breath catches, and Eddie leaves without a word because if he were to try to speak, all that would come out is either an enraged scream or a choked sob and Eddie doesn’t want to risk either. 
He drives around aimlessly for an unknown amount of time, just circles around the outskirts of Hawkins. Maybe I’ll just leave, he thinks. Indianapolis might be far enough. Maybe Chicago. Fuck it, maybe Argyle and Jonathan can put me up for awhile in California. Eddie wants to go somewhere that makes him forget just how lost he is, how unwanted and forgotten he’s become. Being the social pariah is only fun when he’s making speeches on cafeteria tables, not when it boots him out of his one and only career path. 
Somehow, he ends up in Loch Nora. He can’t face Wayne right now, he doesn’t want to bother Robin or Nancy, he’s already let Jeff, Gareth, and Freak down in the worst way imaginable, and if he goes to his mom’s or Chrissy’s tombstones with one more sob story, he’s afraid they’ll start haunting him. Steve’s become a friend over the last year or so it makes sense. Process of elimination and all of that. 
He doesn’t have the mental bandwidth to realize that he’d started driving that way before he ruled everyone else out. 
Steve welcomes him like he always does and offers him a beer, sitting with him in companionable silence on the couch as they watch Monty Python and The Holy Grail and laugh at the same parts. Eddie knows Steve can see that he’s upset but instead of asking questions Eddie isn’t ready to answer, he just sits a little closer with their thighs touching and one arm strewn over the back of the couch, just barely grazing Eddie’s shoulder. 
The movie ends and Steve moves to switch the tape when Eddie finally speaks up. 
“The Hideout kicked us out. Can’t play there anymore.” 
Eddie sees Steve freeze from behind before turning, his eyebrows knitted together above his nose. “Are you fucking serious?” 
He nods and sighs, lifting one hand to chew on this thumbnail as he looks at the wall beyond Steve. 
“That’s bullshit, dude. Why? Because of the protestors or whatever?” 
He nods again. 
“Want me to go down there? I’ve still got my bat around here somewhere. It might be nice to swing at something that’s not trying to like, eat me.” 
Eddie huffs a small laugh through his nose and meets Steve’s eyes, their righteous anger blending with his own as he sees Steve cross his arms over his chest. It’s hard not to stare. 
 “Well, then at least I wouldn’t be the only guy in this town wanted for murder.” 
Steve shakes his head and just chooses another movie, Howard the Duck this time, before returning to his spot on the couch. It’s one of Eddie’s favorite movies but he can’t focus to save his life because Steve is even closer now, his arm draped fully across Eddie’s shoulders and creating a space for Eddie to easily just… rest. So he does. 
The title sequence starts and Eddie’s head drops to the side, resting on Steve’s shoulder. It’s one of his favorites but he can’t follow the plot to save his life. All he can focus on is the way Steve’s fingers trace symptoms and shapes against the cotton of his tee shirt, and the steady rise and fall of his chest, and the feeling of Steve’s head leaning against the top of his. 
“I had a new song and everything,” Eddie whispers, surprising both himself and Steve. 
Steve hums and tightens his arm around Eddie’s shoulders, a ghost of a hug. “Play it for me sometime?”
All Eddie Munson has ever wanted to do is play music. And maybe he still can.
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