Tumgik
#star wars is open to interpretation obv
intermundia · 1 year
Text
i recently read cass sustein's book the World According to Star Wars which was generally quite informative and charming (especially his repeated, gentle defense of the prequels), but his ultimate argument was that paternal attachment was what prompted vader to save luke at the end of return of the jedi, that attachment could be a good thing, and therefore the series was fundamentally more christian than buddhist.
it's a common interpretation here that while attachment was the thing that lead to anakin's ruin, it was also the thing that led to his ultimate salvation the second time, and i understand why this theory is so popular. the end of revenge of the sith was designed to echo with the end of return of the jedi, so it's definitely in conversation and a reversal of the choices in revenge of the sith, and the usamerican audience has a deep bias that familial love implies good attachment.
i however think this reading represents a fundamental redefinition of the term attachment, changing it away from its former buddhist meaning midway through the series. it's an inconsistent use of words that is revealing of sustein's cultural lens. like i recently read lumi's incredible compilation of jedi lore, and the passage that has lingered in my mind the most is this exchange from a high republic book:
 “Let me ask you this: If saving Master Sy or Zeen meant that you’d never see them again but you’d have the knowledge that they’d be safe, would you still do it?” [....]      “I would.”      “Then you are saving them for them, Padawan, not for yourself.  It is not attachment.” --Vernestra Rwoh and Lula Talisola, [Star Wars: Race to Crashpoint Tower]
so in this framework, it's not attachment that saves luke in return of the jedi, but love without clinging, unselfish and giving love. in that moment, vader saves luke for luke's sake, not for his own, which is different than how his attachment to having padme's love ruined everything in his past. he's able to be selfless, sacrificing his life for his son, and i think that it's his lack of attachment that makes that redemption possible, not a new and better kind of attachment.
i guess i simply disagree with sustein's reading and think it's completely plausible and reasonable to have a buddhist interpretation of the end—i just think that 'attachment in rots and no attachment in rotj' is equally an echo and reversal, just as much as sustein's christian reading of 'attachment in rots (bad) and attachment in rotj (good).'
48 notes · View notes
aki-chan2014 · 5 years
Text
And So It Begins playlist
imiSome of you might know that I started a new DanganRonpa fic called ‘And So It Begins’, which happens to be an SYOC. A lot of songs have inspired my writing of it so far, as well as some of my planning, so I figured I may as well begin a playlist of sort. It is a work in progress, so more songs will be added over time, and the links (put in the song name) to the videos will also only be put in as and when I can. But yeah, I hope you enjoy: (Quick note 11/11: I have also decided to add some quick notes next to certain songs to explain why they have been chosen for the playlist, where I did have specific things in mind for them. If anyone else has interpretations of how certain songs relate I’d be all for sticking those in here too-with credits, of course)
Mafumafu-Keep Out
Fantastic Youth- DAYBREAK FRONTLINE (rap arrange ver) (This song is for the happier moments in the story, particualrly those between the whole group/ larger parts of the group, and any moments that, in a different story, would have simply been carefree and youthful. Also check out this dance version, as I will be making an Ending Song chapter based on it)
Nuyuri ft flower-Proto Disco (This song is meant to be reflective of how the characters are descending down a dark path in the choices they make and the events that draw them closer to creating a killing game.)
HENSHIN ft GUMI- One Moment’s Crime (This song can relate somewhat to the system Hope’s Peak has in this story. It is also the ‘opening song’ for the story, as you may have noticed)
THE SIXTH LIE- HIBANA
Eve-Dramaturgy
Jonas Blue ft Jack and Jack-Rise (This one is about the rebellion aspects of the story)
Police Piccadilly ft Miku Hatsune-Separate (This song is meant to relate to certain pairs and possibly trios in this story, and the bittersweetness of the fact they have developed such closeness in such bad circumstances. I’d say I have Mizuki and Mokomichi in mind particularly here, but it could easily apply to others too. This is also the first ED song of the story)
Do As Infinity-Kenshin no Kemono
Foreground Eclipse-When Innocence is Just a Mask (This one is definitely also about the rebellion aspects of the story, but perhaps at a later stage of the story, where some characters may be more fatalistic about it. When they are further down the rabbit hole, so to speak.)
Natsushiro Takaaki-Endroll (also check out this chorus cover done by CATINABOX for round 2 of the Ascencion Chorus Battle 2019-my personal headcanon is that Reirei’s voice is like Emiko’s singing voice)
brave elements-Bakudan Ma (cover)
Zutto Mayonaka de ii no ni-Humanoid
Wowaka-Unknown Mother Goose
Luschka-Moratorium (This song is related to the remorse some people might feel from being involved, wondering if they’d ever be forgiven)
Sayuri x MY FIRST STORY-Reimei
Dima Lancaster ft BrokeN-Feed the Fire (cover) This one is definitely related to the point of the story where everything gets awful and there’s no turning back
ONE OK ROCK-We Are (This song can relate in some ways to how some characters see themselves as doing something good in the situation. Also a song for how they may have started off feeling when setting off on this endeavour, or the general feelings of Reserve Course oppression. )
AmaLee-Again (English Cover) (This song could link to some relationships within the story)
Cepheid ft Un3h-Chronos (this one is about feeling helpless about the situation, and how some characters are having regrets about it)
Minstrel-Fiction
AViVA-Blame it on the kids
Hanatan-Niwaka Ame
Misumi ft flower and Miku Hatsune-FAKE (see also this cover)
Dean Lewis-Waves
nameless-Toumei Elegy (cover)
HarryP- 泥中に咲く(blooming in the mud)
MurasagiYT-Little Parade (English Cover)
DECO*27 ft Miku Hatsune-Otome Dissection
Three Days Grace-Riot (Thanks to tobi-is-an-artist-too for this one. I am sure the reason for it’s inclusion is self explanatory lol)
Yunosuke ft Miku Hatsune-Spiral
2NE1-Come Back Home (Japanese unplugged ver)
Tears of Today-Corregret
Zutto Mayonake de ii no ni-mabushii DNA dake
Pizuya’s Cell X Barrage Am Ring ft Meramipop -my temperature is zero degrees
Rupert Pope and John Robertson ft Isla Meller-Coming Round
After the Rain (Soraru x Mafumafu)-yuudachi (evening rain) (this one could relate to some of the character dynamics between certain pairings, particularly between cast members and some side characters as the relationships become more distant/deteriorating. It can also relate to the feeling some characters might have at their youth slowly slipping away as the story continues)
ONE OK ROCK-Mighty Long Fall
Akiakane-FlashBack (I am planning to use this for a second OP song chapter at some point ^.^, and the actual PV of the song will inspire the sequence I write for that. Also, this is such a good song about falling apart and grief and betrayal so it fits really well with later events)
*Luna ft  來 -Epilogue (Also check out the chorus cover done by EncripT for round 1 of the Ascencion Chorus Battle 2019. Anyway, this one is about being able to make one’s own choices and how the idea of doing this has served as a motivation for some characters)
Fractured Light Music-These Final Words
Fractured Light Music-We Dream of Stars
Fractured Light Music-Goodbye
Ludovico Einaudi- I Giorni
Eve-Yamiyo
Tokyo Teddy Bear English Chorus Cover
YURRY-CANON ft GUMI-Humanly
Eve-This World To You (For the bittersweet moments and the bereavement)
CYPHER-Redmoon (another one for the rebellion themes, and also the theme of doing something that you cannot go back from)
Misumi ft Hatsune Miku-Weird Beast
chorus cover of ‘Bolero’
Zutto Mayonaka de ii no ni-Seigi (justice)
After the Rain (Soraru x Mafumafu)-The equation for the beginning of love (a particular couple relationship is what I have in mind with this song, because the song characters are sweet awkward dorks and so are the characters of the couple)
Fantastic Youth-Mairieux (acoustic arrange)
Nathan Wagner-Innocence (because well, they will end up losing it, won’t they?)
Fantastic Youth-I thought I was an angel (cover and rap arrange) (Kinda self explanatory-they started out trying to do the right thing, thinking they were the ‘angels’ in this. Of course, they aren’t really, are they?)
Jayn-With Love (for the slightly more supportive/positive aspects of various character relationships, both platonic and romantic) UVERworld-Touch Off Dasu x Ensou ft Len Kagamine-Jet Ammo
Memai Siren-Ajisai
Crusher-P ft Miku Hatsune-Propaganda! (both about the elitism of Hope’s Peak and how they’re trying to present this very particular image, and also how dangerously close-knit the cast get)
ALEXANDROS-Pray (There’s a lot of cases of characters wanting to help each other, and not knowing how. So this song is about that, and those particular relationships)
FELT-Until Tomorrow
MAN WITH A MISSION-Remember Me
Aron Wright-How You’ll Be Remembered
JubyPhonic- Häagen-Dazs Ika no Sappuukei (English Cover) (This inspired the scene with Keiko on the roof in Party Time, part 1. I guess this could be a song for the main event of Preparation/Party Time in general)
BRAVES ft Nikki Reed-World’s On Fire
Fantastic Youth-Totemo Suteki Na Rokugatsu Deshita (cover)
Wolpis Kater-1% (Melon soda no hoshizora wo)
Studio Yuraki-Mukanjyo(English cover) (this fits with the themes of the story so well in general)
Misumi ft Hatsune Miku -Alter Ego (there’s something about the darkness of Misumi songs that fit so well with ASIB aaaaa)
chorus cover of ‘0verf10w’
Raon Lee X KOBASOLO-Philosophy of Adversity
chorus over of ‘Yankee Boy Yankee Girl’ 
Eve x Rib-Lear
Pizuya’s Cell-Midnight Liberty
Studio Yuraki-MAYDAY (cover)
Mitei no Hanashi-Drown in the Night
YOASOBI-Racing into the Night (check out this group cover too)
Fantastic Youth cover of no title
chorus cover of Los!Los!Los!
Sou-Mr Fixer
Techniken ft Lollia and Sohly-Make Me, Hate Me
Eve - ‘Love & Destroy’ (cover ver-originally by Mi8k ft GUMI) There are a fair few good covers of this really, but I picked this one because Eve.
FUZI x Neru ft Luschka and Mas Kimura-Optimi2er
Chorus cover of ‘RENEGADE’ (come on, tell me this isn’t a Shino song. Or even an Emiko song, for that matter. I dare you.)
SYND!CATE-In The Elegy (a chorus cover mash-up of ‘In the End and ‘愛迷エレジー ‘. Yes, really.)
Nathan Wagner-New Horizon
Neru ft Len and Rin Kagamine-Becoming Potatoes
Wild Fire- Everybody Knows (cover)  (about the elitism, obvs)
Harry-P- 徒花の涙
Ivy Adara-Rebels
GRIMES- We Appreciate Power (feat Hana)
Opening song for ‘Get Even’ (BBC drama)
THE BINARY- 花に雨を、君に歌を
MILGRAM-Undercover
Mafumafu- 悔やむと書いてミライ
Sou’s cover of ‘Penguin’s Detour’
HANDEAD ANTHEM-Why Not?
MARETU- ドクハク  (The link leads to a dance cover because why not? But this one would link to the more violent events and mindsets that develop over the story)
Stray Kids-District 9
KIRA-RISE UP NATION (Quite a few of the cast could be seen as misfits in some way, and they are all for causing trouble and making changes)
*Luna ft GUMI-Black Out Stray Kids- SLUMP (English Ver) (Deteriorating relationships of all sorts, and the emotional conflict that some of the characters are going through especially as they realise that they are at the point of no return.)
Red-The War We Made (Well, it’s more or less a war anyway)
Citizen Soldier-Hope It Haunts You (I’ll let you all theorise over this one lol) Citizen Soldier-Would Anyone Care? (Suggested by PainX65, as fitting certain characters, moments and even Hope’s Peak’s actions over the story)
Eve-How to Eat Life
MYTH&ROID-Remembrance (Goes without saying that Remembrance is in a way one of the stronger motives behind what our cast are doing, in a macabre way)
No Resolve-What You Deserve
Nine Lashes-Guilty Hands (They all have them)
Nathan Wagner cover of ‘The Kill’
Mako Niina-Sensen no Realism (The implications/consequences of what they are all doing hitting them)
After the Rain-Kono Yubi Tomare
Mashiro cover of ‘That Summer Saturates’ (the heady fallout of being involved in a crime with friends, and the general intensity of adolesence, and how the two combine)
chorus cover of ‘Nocturnal Creatures’
Fumiko Uchimura-Dotte Koto Nai Sympathy
14 notes · View notes
terriblygrimm · 3 years
Note
It’s a waste they were kept unnaturally apart in-story. Then we’re shamed for bringing up complaints like we’re crazy to see what was setup first. Unique characters, interpersonal relationships, theme of fighting status quo evils w tech—lured in the original audience(like me). 2015-2016 was its peak but even S1 concluded by walking back on that theme of revolution/fighting back n each season kept doing this growing the stagnancy + raising characters body count. Hiatus yr didn’t help either. 1/3
By S4 think few originals stayed hoping for smth that wasn’t a copout. But it’s true rest were in it for mental illness/shock value. Still recall the toxicity of ppl harassed for sharing criticism. Even showrunner guilty of being a dick to some fans. Fandoms can b trash istg. Sorry for the rant nearly yr later still sad this n new SW trilogy (SW’s my childhood comfort)made me a fool in the same month. Guess I’m also guilty of high expectations, but would also b nice not to resort to a03 2/3 or “open for interpretation” whenever a tv show/franchise lets me down. It is nice chatting w you. Thought I was being too negative before (if not def now lol) so thanks for talking back w me. I also appreciate it. 3/3
hey don’t worry, you were not being too negative at all. i completely agree with you and i’m RIGHT there with you when it comes to the double let down of mr robot & star wars. that star wars trilogy was.. a mess, to put it lightly. but that’s a rant for another day lol.
mr robot really was something special and provocative. every thing you said in your 1/3 ask was SPOT ON. that’s exactly why i started digging the show too. it’s a shame it didn’t carry through. i mean obv we were building up to SOME culmination/reveal of elliot’s trauma disorder storyline, but it really was at the cost of everything else. i’ll always be bitter about how dirty they did tyrelliot. those two had it going on and like you said, they were unnaturally kept apart.
& regarding the backlash for its ending, i was never too heavily into its fandom but i do recall ppl being outraged at other ppl voicing their dislike for how it ended. i didn’t know about the showrunner being a dick, though i can’t say i’m surprised.. 🙄
0 notes