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biblioflyer · 1 year

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The Map is Not the Terrain: Institutional Power vs Individual Action in Star Trek Picard

In terms of its depiction of the Federation and the setting’s overall understanding of human nature and human rights, Star Trek Picard has continued the tradition of storytelling about the Federation as a place with an expansive state that is ready to free people from want and need, but is extremely cautious when it comes to violations of individual autonomy.

Yet while it is upholding this vision of the Federation, the series is also interrogating whether or not an expansive state is capable of the omniscience and omnipotence needed to guarantee a good life for every citizen and of empowering individual actors on the bridges of starships to know with absolute certainty what the morally righteous choice is.

This is part of a series of essays reevaluating Star Trek Picard and interrogating the widely held fandom criticism that Picard made the Federation into a Dystopia.

As discussed previously, I think the best interpretation of Raffi is that if we are to judge the circumstances we meet her in, the Federation has looked at the history of earlier states and their people and made a determination that it does not have the wisdom to know what’s best for Raffi. Trying to impose its view of what’s best on her is a moral hazard. As such the Federation is content to let Raffi figure this out on her own or until she affirmatively seeks assistance.

I’ve also written before about the challenges Picard likely faced in understanding the power of admiralship and using it correctly. Namely that the scope of the information available to you becomes more expansive but the finer grained resolution takes on limits. If you spend too much time on minutiae, you lose sight of the big picture.

As an Admiral, it's the big picture Picard was responsible for. And a big picture is ultimately numbers. Ship numbers, timetables, manpower: all numbers to be plugged into equations to try to make the “good things happening” numbers go up: Romulans resettled, industrial replicators brought online. This isn’t being divorced from reality, it's a different, more impersonal relationship with reality where an individual has tremendous power to move resources around for the better of billions of lives, but a more limited capacity to see what that power is actually doing beyond making good numbers go up and bad numbers go down.

The dark side of abstaining from all acts that may inadvertently cause harm

Ultimately Picard’s Federation is a place where a Raffi can sit and stew for 14 years in her anger while still being afforded basic necessities. Through this, the state is also providing her as much dignity and autonomy as I think we can reasonably expect from a Federation that didn’t see a prestigious use for her worldview and could not supply an alternate means for her to obtain the validation she craved.

Yet Picard’s Federation is a place that is extremely wary of bestowing its largess upon out groups. And let's be clear: it's always been this way. The Prime Directive is simultaneously an anti-imperialist mandate but also a means by which the Federation can duck responsibility for the galaxy outside its borders if it doesn’t feel like it. On a good day, it's more anti-imperialist than Social Darwinist, but sometimes when fear or suspicion are in the driver’s seat, it definitely has Social Darwinist outcomes, see also: Tasha Yar’s homeworld.

This is as good a time as any to talk about the philosophy of law. The central tension in the idealized version of the Federation hinted at by TNG and the more human “utopia is a process, not a destination” version that Picard is centering is that those of us who are more sensitive to disorder and untidiness in our systems crave utopia as a thing to be achieved. A final era of perfect law enacted by wise and fair administrators. A time in which the law itself would really and truly be just.

At varying times though, such as the “Drumhead” and gradually ratcheting up in DS9, what we start realizing is that even in the Federation the law is not justice. Federation law is usually just, but the law is not, has never been, and never will be justice itself. Justice is a condition, maybe it's even a Platonic form: a thing apart from reality that we are trying to reproduce out of the imperfect matter of a world forever distant from Source.

What justice is not, is law. Law is a tool to try to create conditions of justice. In its most perfected form, law is a thing that provides a blueprint for justice to be followed by those who lack the inner purity and unlimited wisdom to do it on their own. Which, unless you’re a Bodhisattva, is most of us. Also if you are a Bodhisattva, DM me with some tips on how to start and sustain a good meditation practice because boy howdy am I bad at that.

In one of the earliest TNG episodes, Picard saves Wesley from execution for trampling some flowers. I can’t really think of another time where we see how law is not justice in its rawest form. It’s almost a strawman in how extreme the situation is, but it is useful in illustrating the broader point. The Edo and their maximalist approach to capital punishment is almost as far from justice as the law can get, but let's keep in mind going forward that laws that more closely resemble our internal Platonic Ideals of justice are still not justice itself.

Laws may not be real but that doesn’t mean they aren’t useful

Minor spoilers, but Captain Shaw in season three is a perfect example of someone who is joined at the hip to laws because he himself does not feel confident in his own wisdom. He’s also an example of a type of personality that I think we would be wise to recognize more widely as existing as a default template for humanity.

Shaw is someone who is more sensitive to disruption of the status quo and the violation of rules. We owe the Shaws compassion not because they’re intrinsically right or more deserving of not being discomforted than anyone else, but because they are people too. Those of us who are a bit more inclined to look beyond the status quo and see unlimited potential owe it to ourselves to put a little effort into trying to talk the Shaws off the ledge when we suggest an update to the EULA for civilization. Assuming we can do so from a place of safety.

Admiral Clancy too makes extremely compelling arguments as well for why the Federation had to mind its own knitting after Mars. “The needs of the many” and all that.

When the Federation acts, sometimes it wagers entire ships and their crews, entire planets, entire civilizations. This was acutely felt every time Picard was in a standoff with a Romulan, especially Tomalak, who was in some sense also trapped in a standoff with Picard, having to calculate whether or not everything he had been told all his life about the Federation was true and when might he need to shoot first to save his crew but perhaps condemn his Star Empire to a war in which billions will suffer even if it wins.

This is where the Fenris Rangers and other independent actors (ahem, season three spoilers) come into play. Because they can operate outside the Federation’s rules and can react nimbly and more precisely to small problems.

Okay sure, but what does this have to do with episode four?

Herein I think is where I think we start seeing Picard get a taste of what true freedom of action might be like. The ability to represent only himself means he gets to follow his conscience and he alone owns the consequences. Was there a sort of giddiness in episode three where he tells Rios he’s not in the habit of consulting lawyers before he does something? On reflection, that’s obviously a half truth. As a Starfleet Officer, he was bound to a set of rules he dared not break lightly. Although generally he thought those rules were in the right, except when he broke them.

Picard is also being asked to confront the consequences of myopically focusing on Starfleet as the only valid mechanism through which positive change can be implemented in the universe. Something that he still seems to be grappling with in Season Three.

#star trek picard #picard s1e4 #star trek ethics #fictional politics #defining justice

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aion-rsa · 3 years

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The Star Trek: The Original Series Episodes That Best Define the Franchise

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By the time my generation got to watch Star Trek: The Original Series, the episodes often were being presented in top-ten marathons. When I was ten-years-old, for the 25th Anniversary of Star Trek, I tape-recorded a marathon of ten episodes that had all been voted by fans as the best-ever installments of The Original Series. Later, I got lucky and found Trek stickers at the grocery store and was able to label my VHS tapes correctly. But do I think all the episodes that were in that marathon back in 1991 were really the best episodes of all of the classic Star Trek? The short answer: no. Although I love nearly every episode of the first 79 installments of Star Trek, I do think that certain lists have been created by what we think should be on the list rather than what episodes really best represent the classic show.

This is a long-winded way of saying, no, I didn’t include “Amok Time” or “The Menagerie” on this list because, as great as they are, I don’t think they really represent the greatest hits of the series. Also, if you’ve never watched TOS, I think those two episodes will throw you off cause you’ll assume Spock is always losing his mind or trying to steal the ship. If you’ve never watched TOS, or you feel like rewatching it with fresh eyes, I feel pretty strong that these 10 episodes are not only wonderful, but that they best represent what the entire series is really about. Given this metric, my choice for the best episode of TOS may surprise you…

10. “The Man Trap”

The first Star Trek ever episode aired should not be the first episode you watch. And yet, you should watch it at some point. The goofy premise concerns an alien with shaggy dog fur, suckers on its hand, and a face like a terrifying deep-sea fish. This alien is also a salt vampire that uses telepathy that effectively also makes it a shapeshifter. It’s all so specifically bonkers that trying to rip-off this trope would be nuts. Written by science fiction legend George Clayton Johnson (one half of Logan’s Run authorship) “The Man Trap” still slaps, and not because Spock (Leonard Nimoy) tries to slap the alien. Back in the early Season 1 episodes of Star Trek, the “supporting” players like Uhura and Sulu are actually doing stuff in the episode. We all talk about Kirk crying out in pain when the M-113 creature puts those suckers on his face, but the real scene to watch is when Uhura starts speaking Swahili. The casual way Uhura and Sulu are just their lovable selves in this episode is part of why we just can’t quit the classic Star Trek to this day. Plus, the fact that the story is technically centered on Bones gives the episode some gravitas and oomph. You will believe an old country doctor thinks that salt vampire is Nancy! (Spoiler alert: It’s not Nancy.)

9. “Let that Be Your Last Battlefield”

There are two episodes everyone always likes to bring up when discussing the ways in which Star Trek changed the game for the better in pop culture’s discourse on racism: “Plato’s Stepchildren” and this episode, “Let that Be Your Last Battlefield.” The former episode is famous because Kirk and Uhura kiss, which is sometimes considered the first interracial kiss on an American TV show. (British TV shows had a few of those before Star Trek, though.) But “Plato’s Stepchildren” is not a great episode, and Kirk and Uhura were also manipulated to kiss by telepaths. So, no, I’m not crazy about “Plato’s Stepchildren.” Uhura being forced to kiss a white dude isn’t great.

But “Let that Be Your Last Battlefield,” oddly holds up. Yep. This is the one about space racism where the Riddler from the ‘60s Batman (Frank Gorshin) looks like a black-and-white cookie. Is this episode cheesy? Is it hard to take most of it seriously? Is it weird that Bele (Frank Gorshin) didn’t have a spaceship because the budget was so low at that time? Yes. Is the entire episode dated, and sometimes borderline offensive even though its heart is in the right place? Yes. Does the ending of the episode still work? You bet it does. If you’re going to watch OG Star Trek and skip this episode, you’re kind of missing out on just how charmingly heavy-handed the series could get. “Let that Be Your Last Battlefield” is like a ‘60s after-school special about racism, but they were high while they were writing it.

8. “Arena”

You’re gonna try to list the best episodes of Star Trek: The Original Series and not list the episode where Kirk fights a lizard wearing gold dress-tunic? The most amazing thing about “Arena” is that it’s a Season 1 episode of The Original Series and somehow everyone involved in making TOS had enough restraint not to ever try to use this Gorn costume again. They didn’t throw it away either! This famous rubber lizard was built by Wah Chang and is currently owned by none other than Ben Stiller.

So, here’s the thing about “Arena” that makes it a great episode of Star Trek, or any TV series with a lizard person. Kirk refuses to kill the Gorn even though he could have, and Star Trek refused to put a lizard costume in a bunch of episodes later, even though they totally could have. Gold stars all around.

7. “Balance of Terror”

The fact that Star Trek managed to introduce a race of aliens that looked exactly like Spock, and not confuse its viewership is amazing. On top of that, the fact that this detail isn’t exactly the entire focus of the episode is equally impressive. The notion that the Romulans look like Vulcans is a great twist in The Original Series, and decades upon decades of seeing Romulans has probably dulled the novelty ever so slightly. But, the idea that there was a brutally cold and efficient version of the Vulcans flying around in invisible ships blowing shit up is not only cool, but smart.

“Balance of Terror” made the Romulans the best villains of Star Trek because their villainy felt personal. Most Romulan stories in TNG, DS9, and Picard are pretty damn good and they all start right here.

6. “Space Seed”

Khaaaan!!!! Although The Wrath of Khan is infinitely more famous than the episode from which it came, “Space Seed” is one of the best episodes of The Original Series even if it hadn’t been the progenitor of that famous film. In this episode, the worst human villain the Enterprise can encounter doesn’t come from the present, but instead, the past. Even though “Space Seed” isn’t considered a very thoughtful episode and Khan is a straight-up gaslighter, the larger point here is that Khan’s evilness is connected to the fact that he lived on a version of Earth closer to our own.

The episode’s coda is also amazing and speaks of just how interesting Captain Kirk really is. After Khan beat the shit out of him and tried to suffocate the entire Enterprise crew, Kirk’s like “Yeah, this guy just needs a long camping trip.”

5. “A Piece of the Action”

A few years back, Saturday Night Live did a Star Trek sketch in which it was revealed that Spock had a relative named “Spocko.” This sketch was tragically unfunny because TOS had already made the “Spocko” joke a million times better in “A Piece of the Action.” When you describe the premise of this episode to someone who has never seen it or even heard of it, it sounds like you’re making it up. Kirk, Spock, and Bones are tasked with cleaning-up a planet full of old-timey mobsters who use phrases like “put the bag on you.” Not only is the episode hilarious, but it also demonstrates the range of what Star Trek can do as an emerging type of pop-art. In “A Piece of the Action,” Star Trek begins asking questions about genres that nobody ever dreamed of before. Such as, “what if we did an old-timey gangster movie, but there’s a spaceship involved?”

4. “Devil in the Dark”

When I was a kid, my sister and I called this episode, “the one with giant pizza.” Today, it’s one of those episodes of Star Trek that people tell you defines the entire franchise. They’re not wrong, particularly because we’re just talking about The Original Series. The legacy of this episode is beyond brilliant and set-up a wonderful tradition within the rest of the franchise; a monster story is almost never a monster story

The ending of this episode is so good, and Leonard Nimoy and Shatner play the final scenes so well that I’m actually not sure it’s cool to reveal what the big twist is. If you somehow don’t know, I’ll just say this. You can’t imagine Chris Pratt’s friendly Velicrapotrs, or Ripper on Discovery without the Horta getting their first.

3. “The Corbomite Maneuver”

If there’s one episode on this list that truly represents what Star Trek is usually all about on a plot level, it’s this one. After the first two pilot episodes —“Where No Man Has Gone Before” and “The Cage”—this was the first regular episode filmed. It’s the first episode with Uhura and, in almost every single way, a great way to actually explain who all these characters are and what the hell they’re doing. The episode begins with Spock saying something is “fascinating” and then, after the opening credits, calling Kirk, who is down in sickbay with his shirt off. Bones gives Kirk shit about not having done his physical in a while, and Kirk wanders through the halls of the episode without his shirt, just kind of holding his boots.

That’s just the first like 5 minutes. It just gets better and better from there. Like a good bottle of tranya, this episode only improves with time. And if you think it’s cheesy and the big reveal bizarre, then I’m going to say, you’re not going to like the rest of Star Trek.

2. “The City on the Edge of Forever”

No more blah blah blah! Sorry, wrong episode. Still, you’ve heard about “The City on the Edge of Forever.” You’ve heard it’s a great time travel episode. You’ve heard Harlan Ellison was pissed about how the script turned out. You heard that Ron Moore really wanted to bring back Edith Keeler for Star Trek Generations. (Okay, maybe you haven’t heard that, but he did.)

Everything you’ve heard about this episode is correct. There’s some stuff that will make any sensible person roll their eyes today, but the overall feeling of this episode is unparalleled. Time travel stories are always popular, but Star Trek has never really done a time travel story this good ever again. The edge of forever will always be just out of reach.

1. “A Taste of Armageddon”

Plot twist! This excellent episode of TOS almost never makes it on top ten lists. Until now! If you blink, “A Taste of Armageddon” could resemble at least a dozen other episodes of TOS. Kirk and Spock are trapped without their communicators. The crew has to overpower some guards to get to some central computer hub and blow it up. Scotty is in command with Kirk on the surface and is just kind of scowling the whole time. Kirk is giving big speeches about how humanity is great because it’s so deeply flawed.

What makes this episode fantastic is that all of these elements come together thanks to a simplistic science fiction premise: What if a society eliminated violence but retained murder? What if hatred was still encouraged, but war was automated? Star Trek’s best moments were often direct allegories about things that were actually happening, but what makes “A Taste of Armageddon” so great is that this metaphor reached for something that could happen. Kirk’s solution to this problem is a non-solution, which makes the episode even better. At its best classic Star Trek wasn’t just presenting a social problem and then telling us how to fix it. Sometimes it was saying something more interesting — what if the problem gets even harder? What do we do then?

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The humor and bombast of “A Taste of Armageddon” is part of the answer to that unspoken question, but there’s also a clever lesson about making smaller philosophical decisions. In Star Wars, people are always trying to rid themselves of the dark side of the Force. In Star Trek, Kirk just teaches us to say, “Hey I won’t be a terrible person, today” and then just see how many days we can go in a row being like that.

What do you think are the most franchise-defining episodes of Star Trek: The Original Series? Let us know in the comments below.

The post The Star Trek: The Original Series Episodes That Best Define the Franchise appeared first on Den of Geek.

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caitlinsfandomthoughts · 3 years

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Watching Star Trek TOS For the First Time! Season 1 Reaction

I’ve been a TNG, DS9 and Voyager fan for maybe 10 years but had never watched TOS until I decided that I would. And then I realised I couldn’t live with the possibility of the internet not being able to know my incoherent rambling reactions if it so desired. Most of these were written the day after I saw them but with the early ones it was later so sorry if I don’t remember your favourite.

Season 1:

The Cage: Be still my beating heart why must number 1 leave the show? Why?! Imagine a world in which Majel Barrett got to continue to be her in the Star Trek universe instead of Lwuxana (sorry I don’t love her) and Nurse Chapel. She’s so beautiful I love her. And she gets to where pants and be the second in command. While the episode for sure has sexist moments it does seem like there was more of an actual effort to present to future as having gender equality. When you compare this to the ultra mini skirted version of the actual show, it does feel like executives went through it to make it more marketable. It’s been noted by others that she is quite similar to what Spock’s character became: the cold, logical one, while Spock smiles in this episode. While I ended up loving Spock I still would’ve loved to see a woman in that kind of role, especially in the 60s. Although I’m not sure she would’ve been treated that well.

So Vina can’t like, get medical treatment from Starfleet doctors who know how to put a human body together? No? We’re just gonna leave her there? She’s too ugly? She’s better off living in a fantasy world where she’s pretty? Ok then…

The Man Trap: I don’t even really remember this one so I’d have to rewatch it.

Charlie X: Charlie sees women and becomes an incel, Kirk has to try and teach him not to be. This is a decent goal that somehow culminates in a space boxing match. Kirk loses his shirt. Sexual tension is presumably resolved. Uhura sings.

Where No Man Has Gone Before: The pants are back. Man becomes some kind of god and Kirk beats him up if I remember correctly.

The Naked Time: This is where The Naked Now comes from. This one was less sexual, which is probably a good thing, and less drunk, which is too bad cause I love drunk Crusher and Picard trying to focus on work while their brains won’t brain. Highly relatable mood. This one is where the immortal line “sorry, neither” comes from, spoken by Uhura in response to Sulu calling her a “fair maiden.” According to the internet that was an ad lib and I so hope that’s true cause it’s amazing. Also according to Spock Sulu is a “swashbuckler at heart” which is cool and all but I wish we got to find that out by him actually being a character that we know the personality of rather than a background diversity guy who gets to say a couple of lines sometimes. Also each to their own but shirtless Sulu is infinitely more attractive than shirtless Kirk.

The Enemy Within: Bad. Women at Warp podcast said it best, it’s bad because they say the evil Kirk is still Kirk and is needed for him to be a good captain/person. This could’ve been ok if he didn’t do something so irredeemable, or they could’ve not had him be defined as a true and necessary part of Kirk, but you can’t have both and sell it as an ok message. Rand not being able to look at ‘good’ Kirk after really makes it feel real, her acting in general makes it feel too real.

Mudd’s Women: Women take beauty pills that make them have makeup on and men find them too ugly to marry without them even though they are still beautiful. Also said women were kinda slaves but don’t worry about it! *hand waves*

What Are Little Girls Made Off: I don’t know what the title has to do with the episode. This is the episode where Nurse Chapel is introduced even though she was in a previous episode. And she’s taken more seriously than I thought she would be. Kirk gets an android version of himself made by a guy who he already doesn’t trust and doesn’t predict that maybe that’s not a good idea. Apparently to make an android all you need to do is put one person and one dummy on a giant plate and spin them around real fast. If only the guy who wanted to take apart Data in Measure of a Man knew.

Miri: Problematic. I think the crush angle could’ve worked if it was one sided, but Kirk played into it and it was creepy, and you know, also manipulative, assuming Kirk doesn’t actually feel the same way and is using it to get her to help them. That’s my more charitable interpretation anyway. Also McCoy doesn’t know how vaccines work. Also this episode doesn’t know what puberty is, or rather when it starts. If the virus is supposed to get to you then, that starts round the preteen age. Miri is older than that even though she’s not an adult.

Dagger of the Mind: This was the first one where I was starting to quite like it and it was feeling a little more like Star Trek to me (I know this is the first Star Trek but there’s a certain way 80s/90s era Star Trek feels to me). I really liked the beginning where it was setting up this whole maybe prisoners become violent because of how the prison treats them thing and that it was challenging the viewpoints of some of the main characters, although McCoy was already team prisons are bad and I love him for that. It then went more into the lobotomising asylum type story which was still ok. The guy turned out to be a doctor rather than a prisoner which I didn’t like cause I wanted the prisoners to be humanised. Although you could’ve done a “see anyone, even ‘innocent’ non criminals can be turned violent with this treatment” but they didn’t really emphasise that.

The Corbomite Maneuver: I don’t remember this. Kirk playing poker with some alien I think. Edit: I’m been informed this is the one where the alien turns out to be a lollypop guild kid lip-syncing to an adult’s voice, which I do remember, and probably thought it was some kind of sleep-deprived fever dream.

The Menagerie Part 1 & 2: I laughed so much when they wheeled Pike out and I finally got the Futurama reference in Where No Fan Has Gone Before. I mean I obviously knew the whole thing was a Star Trek Reference, but I had never seen that specific imagery before and now the joke makes sense! Also Pike wanting to go back there seems kinda wrong. I mean they say he’s a vegetable mentally I think but he doesn’t seem to be? I can kinda get that he’s got more incentive to be there than Vina who could probably be helped by Federation doctors but also, he hated that place and spent the whole episode trying to get out of it and it doesn’t feel like a fitting ending for him.

The Conscious of the King: And here begins Star Trek’s love affair with Shakespeare. The only thing I have to say really is, if I didn’t mishear something… a father and daughter played Macbeth and Lady Macbeth? A married couple. And no-one thought that was weird? She was the daughter of a dictator though so there was an Ivanka Trump vibe.

Balance of Terror: Romulans. Spock wasn’t sure that they were related to Vulcans till this ep, though he suspected it. How far back did they split for it to be unknown? I like that the Romulans were sympathetic and we had scenes with them just in their ship from their perspective, and they had some conflicting views with each other. And I really like how Spock was suspected as a spy cause racism and of course he wasn’t and saved that guy cause he’s the better person. That said I found this episode pretty boring and I don’t know why. I kinda wish it turned into a witchhunt situation and was more about the racism on the Enterprise, kinda like The Drumhead from TNG.

Shore leave: Wtf was this episode?! And I don’t ask that because the white rabbit from Alice in Wonderland showed up, or that it was a random holodeck planet episode, that’s fine. When the White Rabbit appeared I was just like, ok it’s going to be one of those episodes, that’s fine. Holodeck episodes are fun, I don’t even mind a random magic alien or two appearing for no reason to wreak havoc, say by making everyone larp as Robin Hood, that’s all Star Trek, that’s Star Trek doing a Star Trek, what I didn’t like is this episode goes nowhere! McCoy sees the White Rabbit, we’re off to a good start, Sulu “Swashbuckler at Heart” sees an old gun that he geeks out on, cool. Kirk sees some woman of course. Also there’s some guy fending off a tiger. Random female guest star of the week rather than letting Uhura be part of the story gets her uniform torn by some guy. Then she imagines a princess dress and if that were me as soon as I realised I could think things into existence I would just imagine all my dream clothes. Kirk imagines an old student friend who is attempting very hard to be Irish (thank you Colm Meany for saving us from this).

Anyway so the planets a holodeck cool. And I’m like, Spock should beam down, I wanna know what he’ll see, this is where the episode could get interesting. And then it happens, but nothing happens, they don’t even make much of a deal of him not seeing anything. But then I thought what if! What if Spock didn’t beam down and this was another imagination?! What if he was some alien with some ulterior motive OR better than that we get to see Spock as imagined by whoever was thinking of him. You could go down a very fanfic road if it were Kirk’s imagined or desired view of him, or maybe you could show different people’s perceptions and then they still suspect he’s not acting like himself even though it’s how they see him, but its not quite right, cause it’s not actually how he is. Or at least I thought they were going to find out what was going on. But NOPE none of that happens. Instead leprechaun guy shows up again and Kirk just wonders off to fight him for the next fucking millennium! The uniforms they wore at the academy seem like they were made out of better quality material than that of a Starfleet captain’s. Poor Kirk must be having to replicate new uniforms every other day. Then they laugh I think, and sexual tension is presumably resolved. Then the aliens show up and are like yeah this planet is a holodeck we thought you’d like it also McCoy died but he didn’t and I’m like THEY DIDN’T CONSENT TO THIS. But then they decide to party.

It reminded me of a Red Dwarf episode called Better Than Life where they knowingly go into a virtual reality game which is basically the same as this planet. But over time Rimmer keeps sabotaging what he imagines cause he hates himself so much his brain won’t let him have nice things. And it’s still a comedy, but there’s an opportunity for exploring the character’s psyche with this setup that wasn’t done here and that made it boring.

The Galileo Seven: This episode was good!! In contrast to the last one it delivered on promises it made, it had a satisfying ending, it’s probably my favourite so far. The whole time I was like this should be about how Spock can be wrong and logic isn’t everything to be a good commander. But given the quality of the previous episodes wasn’t that great and Spock was always right about everything I didn’t trust them to do that. BUT I WAS WRONG. I thought it would be about how just because you don’t have emotions doesn’t mean you can disregard those of the crew. But instead it was about how he couldn’t predict their enemy wouldn’t act based on emotion rather than logic. And then he admitted he was wrong and helped the guy bury the other guy, and then they were about to die and McCoy was like at least I’ve lived to hear Spock say he fucked up. And then Spock jettisoned the fuel so that it might act like a flare but it gave them less time and I was like no you’ve learned nothing! Don’t just do things that severe without asking your crew. But then after they were saved it was described as an act of desperation rather than anything logical and Kirk was like that’s an emotion isn’t it? You acted on emotion? And Spock was like well yes but I’m not gonna say it like that.

I like that emotion was good actually. I think it’s a fine balance between the message of its ok to be different and using Spock as an analogy for racism, and inadvertently neurodiversity, but also not buying into the idea that emotions = weakness and lack of emotion, or emotional repression = objectivity. Even if you don’t factor emotion into your decisions (which would be impossible unless you don’t experience emotions at all) it doesn’t mean that you don’t have personal biases in your perspective. So I’m glad Spock was wrong for once.

The Squire of Gothos: This is Q this is Proto-Q. He does all the same things that Q does; he shows up in clothes that are way out of date (and he thinks they’re from 900 years ago when they’re clearly early 19th century) and he flirts with the captain. Oh and he has powers, maybe they were computer powers, but not all? And he goes on about humans being brutal, warmongering people but he’s kinda into it. He fights Kirk but there was actual tension so it wasn’t annoying like the one with the Irish guy. And then it turns out he was just a kid exactly like the Futurama episode, except he is a kid not 35. I think him being a kid makes the flirting seem weird though.

Arena: Kirk and the Gorn at Tanagra. Kirk fights a lizard because aliens wanted to encourage them to not fight by telling them to fight. I thought maybe these lizards could be proto Cardassians but then I thought they can’t be they don’t talk, but then he spoke so I thought they could be, but then he was the one who was invaded and was only defending his people so I thought they couldn’t be, unless that was actually just lies and justifications in which case they definitely would be, but then that would undermine the message of the episode so I guess not. I wonder how many leaders have killed each other before these alien’s negotiation tactic actually worked.

Tomorrow is Yesterday: This was fun. There were a lot of twists and turns. I wonder if it was before or after the moonlanding. Every plan just makes it worse and more and more people keep getting exposed to the future. Kirk could’ve easily just closed the door and beamed back at the end but instead opts to punch like six people. (I think this is where “a woman?” “Crewman.” Comes from).

Court Martial: What if Kirk actually did it though? Would that be more interesting? Maybe. At least here he has an age appropriate love interest. She’s prosecuting against him which is surely a conflict of interest. AND she has a uniform with a longer skirt! And it actually looks good, like it looks like an actual dress that she can sit down in and it still looks like a dress and not a crumpled up shirt. It’s elegant but it’s still short. I could see this being an option (for any gender) as a dress uniform but it would still make no sense when they’re serving on a ship.

Return of the Archons: I am LIVING for Spock in a medieval style hood. It’s giving me Peter Cook in a Mother Superior’s wimple in Bedazzled vibe, it’s not quite on that level of beauty, but it’s close. For some reason Sulu returned from the planet in 18th century gear but then everyone else is dressed like it’s the 19th century, with some medieval robes thrown in, and this annoys me more than it should. Maybe it’s because he’s a swashbuckler at heart. Apparently they had a completely peaceful society except for the nightly purge they seemed to have going on that is never mentioned again.

Space Seed: KHHANN! I liked this a lot until the end. I want to know the lore behind Data’s Dad having his middle and last name. Edit: Actually only the middle name is the same and the last name is just similar. I still think there’s lore there (excuse the pun), probably he’s a descendent of his cult followers or something. The story seemed to be eugenics bad and also the type of guy to basically be a eugenics cult leader would be super manipulative and abusive but just charming enough in a relationship. It does a pretty good job of showing the abuse in his relationship with the historian woman, how he switches between being loving and I guess charming, and flattering to being abusive and degrading. I wish that the historian woman could find someone that she can explore domination and submission with consensually cause that seems like it would be what she really wants. Anyway but in the end they just let him go? Like he tried to take over the ship but they were like here have a colony. They compared the place to Australia when the colonists arrived at Botany Bay and that it could be... I forget what the word was but basically ‘civilised’ and No NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO NO STOP RIGHT THERE NO Australia was already populated and didn’t need eugenicist cult leaders who were demonstrably bad to show up make it ‘better.’ AND THEN the historian is given the choice to go with them and she does and its framed like it’s good? Or at least ok? When they just did a pretty decent job of showing how abusive and manipulative he was and she had redeemed herself by turning against him? So I get that they probably wanted to bring him back although they’re probably not gonna bring her back, but they could’ve easily had him escape instead.

A Taste of Armageddon: Suicide machines. I forget the rest.

This Side of Paradise: SEX POLLEN! Well it’s more fall in love pollen, I guess, for one character. There’s a woman and there’s the music and the soft focus and BUT WAIT then the camera cuts to Spock not Kirk! Because she has taste. It’s about this point that I think the ‘Spock’s the most popular but Shatner wants to remain the star so we’ll emphasise their character’s relationship thus inadvertently inventing slash fic’ might’ve started. It’s time for a love triangle! She makes Spock get the sex pollen, which is not getting consent, and then he falls in love with her and is climbing trees and is all happy. Kirk can’t get a text back from Spock. Then Kirk and two others get the pollen except Kirk didn’t, but he did, but anyway I thought everyone would be horny but they weren’t they were just brainwashed. Soon Kirk is all alone on the bridge, then he gets the pollen and is happy to live as a poly triad but then he gets angry and it’s gone. Then he calls Spock to the ship and approaches the situation in the only way Kirk knows how: Homoerotic punching! So they fight for not long enough and then Spock is cured but he’s a little sad, there’s sadness in his voice, it’s not quite so matter of fact. Then Spock’s gf gets sad and the sex pollen is gone too, Spock might still have feelings for her but he has responsibilities to the ship and “to that man on the bridge” which if he was saying to just mean once again the whole ship, and its mission and the captain in a professional sense, seems a little redundant, which would surely be illogical.

The colonists get sad that they haven’t done anything for years because the sex pollen made them unambitious but I would argue maybe the sex pollen was right and you were better off just vibing. This episode was more interesting and less silly than I thought the creator of sex pollen would be. At the end Spock says that for the first time in his life he was happy. While every other character could still easily become addicted to a thing like that they could at least know they would experience happiness or any feelings again in their life, for Spock it was going back to nothingness.

Devil in the Dark: Spock calls Kirk Jim which I don’t think he has before, when he’s talking over the communicator and he’s worried he’s in danger, there’s some actual fear or urgency in his voice. Also the moment that got me was when Kirk wanted to send Spock back the ship cause he didn’t trust him to kill the creature and Spock was like “but… I’m not really as useful there I am here… so…” If I was writing it I would’ve played that up more but anyway, I like that they didn’t kill the creature. I like that McCoy said the thing. And also said “I’m starting to think I can cure a rainy day.” He’s my favourite.

Errand of Mercy: It’s kinda becoming the Kirk Spock show now, I like the ship but I miss McCoy. I like that the passive pacifists who Kirk was so angry with were actually more powerful. And KLINGONS! Oh yeah the orientalism, the yellow peril, it’s… it’s there all right. They were played a lot colder here, a little Cardassian maybe, still bloodthirsty but I don’t believe this guy has to do it himself to feel honourable, he can kill for sure but he’s fine ordering someone else to do it and being a chessmaster too.

The Alternative Factor: God this one was boring. But it does have a man with the worst beard wig I’ve ever seen. Now he’s stuck fighting the bad version of himself or something to save the universe. So remember that when you’re watching later Trek series, all of this could suddenly be destroyed if one of them gets tired.

The City on the Edge of Forever: UHURA GETS TO GO ON AN AWAY MISSION! Aaaand she doesn’t get to do anything :/ The usual three go back in time! To the 60s again! Oh wait… that’s meant to be the 30s? Oh. That’s some tall hair that lady has for the 30s. But at least said lady is a character, she’s a little perfect but she does things, she has strong beliefs, she might be written a little idealised, but she is still written like a person compared to almost every other Kirk love interest. “He says it (captain) even when he doesn’t say it” is an interesting line. So she has to die, I still think they could’ve just convinced her that you don’t make friends with fascists but ok. They never say what the Clark Gable movie is.

Operation Annihilate! Kirk’s brother dies, and so does his sister in law, leaving his nephew without parents. This is never resolved and the episode ends with them laughing about how Spock got his eyesight back.

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kinetic-elaboration · 3 years

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February 17: 2x07 Catspaw

It’s not Halloween but it is my mom’s birthday so a very good opportunity to watch Catspaw.

So we start with Sulu and Scotty missing on an away mission but why exactly the Enterprise is here and what the away mission was is not explained...

Also speaking of interesting and unusual combos--Scotty and Sulu!

“I have a bad feeling about this.”

I like Uhura’s nails. They go so well with her communications board. Even her job is stylish.

Oooh, possessed dead mannequin crew member warning the ship that it has been cursed?? Very promising.

Also falling like that was an impressive stunt.

Lol Assistant Chief Engineer Dealle is in charge because the first and second in command are going after the third and fourth in command. What would TNG have to say about that??

According to the Amazon trivia, Uhura was supposed to be the next in command and in charge of the ship in this ep but NBC didn’t want a woman in charge and can I just say that if this is true we were ROBBED.

Oooh mysterious fog.

Chekov and his terrible wig. Should have left him in charge.

Also it’s interesting that this is the first Chekov episode in production order and he’s actually not the navigator. He’s Spock’s backup.

This is like a game of telephone: Chekov tells Desalle to tell Uhura to tell Kirk.

This is a very serious, creepy, mysterious opening in a lot of ways (the dead crewman mystery) but I remember this as more of a goofy, silly episode. (But actually upon having now seen the whole thing... it’s more serious than I remembered in its sci fi concepts! I guess I was just remembering the witches lol.)

Honestly those witches... I guess Macbeth is a pretty big part of Earth Lore lol. I think McCoy is alarmed and unsettled by this while Spock is more intrigued and Kirk just thinks it’s dumb.

I love Kirk’s face when Spock’s only comment is “bad poetry.” Hilarious. Like “I love you but please be more helpful. This is Serious Time not time to play games and fuck with me.”

I really like Kirk in this episode. He’s giving off smart, curious explorer vibes. (Although I will say, with the whole episode down... he is very harsh on the aliens. I mean he lost a man in the opening and so he’s not down to clown but still.. I think he overestimates their hostility some.)

Creepy castle. Trick-or-treating. I want the deleted scene where Kirk explains Trick-or-Treating to Spock.

Kirk looks so frustrated by the cat.

“I’m not that green.” Lol.

What a talented cat actor!! Trot trot trot.

“Bones? I mean...the other Bones?” Maybe a different nickname today. That’s a really underrated joke.

I wish they’d picked up on Spock and put some Vulcan horror in there too. (Although I guess creating horror tropes wasn’t exactly their intention...) I wonder what Vulcan subconscious horror is like.

That was actually a pretty cool transition from the dungeon to the dining room.

Kirk would be more impressed with all this if they hadn’t killed someone. He’s never up for fun and games when someone’s dead. He’s very dubious about all of this, especially the cat.

Hmm, they are not native.

Kirk’s face just screams: “So the cat...is talking...to you?” (Actually you know what, I do think it’s very interesting that Korob can understand Sylvia even when she’s speaking in a different language.)

I bet young Spocks read about wizards and familiars and was super taken with the idea.

I don’t believe for one second that Spock’s thoughts are black and white lol. This decadent bitch? No way.

None of this is Kirk’s interest. Illusions, weird tricks, people who don’t give straight answers. This is not the way to impress him or make him want to help you in any way.

McCoy the jewel expert. These look real!

You like shiny stuff right humans? Pretty crystalline forms for you?? Not in a post-scarcity utopia!

McCoy has just realized this woman IS the cat.

Hmmm, telepathy, like Spock’s?

I want that Enterprise necklace!!

“You do with your minds what we do with tools.”

Lol at Kirk thinking he’s won because he can send another search party. Like... how’d the last search party work out for you?

Mmm, Kirk looking at the necklace. That’s some Acting.

Credits to navy beans.

“An Earthman like yourself...”

These aliens are very interesting. Very, totally alien, as Spock says. This idea that they tried to read the humans’ minds and missed their target is just so cool. Like, they weren’t trying to create a weird Halloween experience, they thought they were creating a familiar home for the aliens. “Oh, a castle, just like home!”

So it sounds like this planet is not that far away from Earth. The aliens are coming closer...

Haha Sylvia says she’s not a puppet but ironically--she is exactly, literally a puppet.

I’m just going to say it: Sylvia is one of the best female characters in TOS. Like should I be insulted that the lady alien went insane and emotional and messed everything up? Probably but I prefer to think of it as her being intrigued and invested in her own power and possibilities and then she goes overboard.

Anyway this is Macbeth whoops

“You torture our specimens.”

So what is their mission??

Hmm, she’s really into Kirk. And he knows just how to manipulate her: telling her she’s not really a woman, she’s not real, then transitioning into Honeypot Mode.

“I can be many women,” she says and just puts on different wigs.

Whoops she found his conscious mind. So much for manipulating her.

And so the familiar becomes the wizard.

This is sad; they could have become friends with the aliens. Korob doesn’t seem so bad.

Big cat!! Really big cat! Not the most terrifying creature at all; the nicest and softest. I'm not convinced that cat is big; I think it's pretty obvious the hallway is just small. However, I like the idea. I wish I had a super big cat to be friends with.

[Cat screams continue]

“Well at least we found them.”

Spock is so unruffled. "Hmmm, this is most unpleasant. If only we had some kind of weapon or something..."

“I got the transmuter. It’s mine now.”

Sylvia is obviously still into him lol.

“Don’t let her touch the wand.” It’s a transmuter Spock have you not been listening?

THE PUPPETS.

Spock wants to study them. Of course he does. And so the specimen becomes the scientist and the scientist the specimen.

...Overall an interesting ep. But I do have some questions. One of those eps that leaves a lot of world bulding unsaid, which leaves room for fun speculation.

So, first, these aliens came from very far away, and now they’re in our galaxy. Mom question if it was an “invasion.” I think so, at least in a neutral sense. But what was their purpose? Why were they traveling to new planets? Do they need something their planet can’t give them? Or are they just exploring for fun/curiosity--as we ourselves do?

Sometimes they’d speak as if they had some greater mission--the references to the old ones, their insistence on getting the humans’ help as if they relied on it, their “tests” like they were looking for something specific--but the actual mission was never stated or even hinted at. So I guess it’s just as possible they were exploring as intelligent beings do, and then found these humans, and came to really like them and just thought the alliance (or possible further study) could be advantageous.

Are these two the only aliens left or are there others back home? I assume there are others but it wasn’t completely clear if the “old ones” were memories or beings with, like, literal oversight.

Also, why were Scotty and Sulu on the planet in the first place? Spock says the planet has never known to have beings on it. So was the Enterprise just like triple checking that or did they have a reason to go down? Did Korob and Sylvia lure them? Because I felt like Kirk's annoyance with them was rather unfounded if his men just invaded their home first. I tend to think that they were in the area and something on the planet attracted them--that the aliens specifically wanted them to come down. That, and the killing of Jackson, would make Kirk’s reaction to them more reasonable.

I’m not saying I don’t have sympathy for the aliens because I definitely do. Like, we would absolutely do the same thing: find the interesting specimens and examine them. These are curious aliens. A lot of what they do seems to be in fun also--providing the humans with a setting they think the humans will like; offering them things; playing around with illusion. Of course then there are hostile actions--like killing Jackson, manipulating Scotty, Sulu, and Bones, and harming the Enterprise. But it’s not entirely clear to me if these are meant to be hostile actions, or if they just don’t see them as that serious--or perhaps, serious but worth it. Also some of it might just be Sylvia going power-mad (like the Enterprise torture, which Korob didn’t like).

I wonder what the aliens were doing on the planet before the Enterprise arrived. Were they in their real forms, or were they creating other illusions? They took these forms (human and cat) from the Enterprise crew’s mind so one would assume they looked different before the Enterprise got there. Were they on their way somewhere else? Could they have already known about Earth, even?

I like these aliens because they really do feel alien. I think that’s very difficult; a lot of sci fi (including Star Trek, often) presents aliens against the bar of humans: how are they different from humans, as opposed to, what are they like? These aliens have some very impressive powers: mind-reading, mental control, shapeshifting, “magic.” But their powers also have limits: they don’t always read minds correctly, for example, and Sylvia is so easily corrupted by her newfound love of sensation. And like I said before, their actions seem erratic and the morality of them hard to parse, perhaps because they’re just operating on a completely different moral plane than people.

Like, why DID they kill Jackson? Did Sylvia do it just because she could? Was it part of the test? Korob says later “you were warned not to come and you came anyway, that shows loyalty,” and the nature of the warning--the curse--was also taken from the horror subconscious. So maybe they thought this is how you communicate with humans, and the idea that killing one of them was so egregious didn’t occur to them, either because they see the humans as specimens, and would no more mourn our deaths than we mourn the deaths of lab rats (or than Kirk et.al. mourned the aliens tbqh), or because they just have a different relationship to death on their planet.

And what was the purpose of taking control of Scotty, Sulu, and Bones? Some of the dialogue implies that control is part of their telepathy--and yet they seem more than capable of reading minds without actually altering what the object of the mind reading does. Do they gain control when they go particularly deep in their interrogations? Why are they interrogating that deeply at all, and what are they STILL looking for after taking control of 3 people?

Another possibility is that they had too many specimens and didn’t know enough about them to feel comfortable letting them all roam free. They were outnumbered 5 to 2. The fewer people who are free, the easier to interrogate them and learn about them--they also use physical restraints at times, and after they try talking to 3 and find it too much, they switch to talking to 1 at a time.

And then finally, as with the killing of Jackson--it might just be something they did because they can. And I have to say, humans would be the same. Like if we had a group of aliens, we’d use the tools at our disposal to corral and restrain them and then learn about them, not necessarily malevolently, but for our own safety and sense of power and control. And some people probably would cross lines. Like, Korob and Sylvia aren’t entirely benevolent OR malevolent. They’re just alien.

The transmuter was very weird. I have to say, it didn’t really make sense. They seemed to use their powers just fine without it most of the time, which is why I’m inclined to think Sylvia wasn’t lying when she said it just magnified their abilities. BUT then why did destroying it destroy all the illusion? It seems pretty obviously just a plot device that would allow the episode to wrap up in an hour.

I’m also confused and intrigued by the line that they used the transmuter to get to the planet. How do you use it to travel?

And...why did they die in the end? If those were their real forms, you’d think being returned to them wouldn’t harm them in any way. And yet they seemed to disintegrate right there. They did seem very delicate and we don’t know what their native planet was like. Perhaps they needed the transmuter/their shape-shifting abilities to survive on this planet at all.

Actually just occurred to me--the transmuter. Maybe their mind reading abilities are inherent but their shape-shifting isn’t. Although that raises the question of how they could have built something so big when they are so small--does the wand itself change shape and size?

One interesting thing about these aliens is that even though they appear as humans without being humans, they are NOT energy beings like a lot of other aliens who shape-shift to human forms. They haven’t transcended to a state beyond teh physical form. Unlike the Organians or the aliens from Return to Tomorrow, there’s no sense that they are purposefully evolving or striving toward being so mentally powerful that they no longer need the body--they do have bodies and they are physical beings, but one of their, imo, inherent powers is this extreme mental capacity, including a version of telepathy and a version of shapeshifting.

The Amazon summary says they are “aliens on a mission of conquest” but I don’t think that’s true.

Anyway idk if I had other thoughts but I’m becoming decreasingly coherent so I think it’s time for bed!

Next up is I, Mudd. I’m not a big Harvery Mudd fan but I seem to remember there were some funny bits in that ep so it should be fun.

#the year 2021 #2021: fandom thoughts #2021: star trek #star trek tos

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uribo-in-space · 4 years

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Star Trek TOS First Time Viewing Reaction - S2E2: Who Mourns for Adonais?

DISCLAIMER: I have seen some TNG and Voyager when I was a child and later the AOS movies as a teenager. I felt quarantine time was the right moment to begin the ambitious project “Star Trek marathon 2020/(2021?20??)”, meaning I’m going to watch all of Star Trek starting with TOS finishing with Disco (or maybe we have Strange New Worlds by the time I catch up haha). I started TOS last month and I AM LIVING. IT’S AWESOME and sparks so much joy. I decided I could just write up my thoughts as I am viewing it for the first time as a memory of the experience, not knowing most episodes at all. So, there we go.

Spoilers obviously - just in case somebody else is 50 years late like me, haha.

Opening scene: Scotty flirts with a female lieutenant on the bridge. So far so cute. What about the dialogue from Bones and Kirk accompanying this scene though?

MCCOY: I'm not sure I like that, Jim. KIRK: Why, Bones? Scotty's a good man. MCCOY: And he thinks he's the right man for her, but I'm not sure she thinks he's the right man. On the other hand, she's a woman. All woman. One day she'll find the right man and off she'll go, out of the service. KIRK: I like to think of it not so much losing an officer as gaining SCOTT: Come along. (He and Carolyn enter the turbolift.) KIRK: Actually, I'm losing an officer.

like - what? I had to rewatch this scene to fully understand what they’re saying. I think it’s interesting that, despite TOS being like 50 years old now, I find it easy to forget we’re actually in the 60s/70s when binge watching. Watching it now is sometimes a weird meta experience as you tend to overlook elements that were considered super futuristic in the 60s but are perfectly normal now, so that you actually miss some FUTURISTIC elements because you’re living those aspects of FUTURE already. Yes, of course women quitting their jobs after marriage still happens, but it is not considered a “rule” or “natural order of events” anymore, and is (talking from a western perspective) more of a choice and you would not assume this happening automatically. Especially if you produced an utopian sci-fi series today, that concept would probably not be included. Anyway, it’s pretty interesting that female Starfleet members seem to drop out of service after marriage and it is not considered something a captain or anyone can do something about in the future (I mean, apparently the men still continue their service? I only have divorced Bones for reference so far though). Anyway, TLDR, I am not judging the 60s relics as they are a product of their time, I think they are rather an interesting addition to the viewing experience in 2020, considering the writers did think this concept would persist in the far future. Back to the episode.

IS THAT A GIANT HAND IN SPACE

I love that Chekov casually assumes he has hallucinations - like bro do you have reasons to believe that and what did you do in your free time

This hand really kills me. I also could not believe what I am seeing but I love it

Spock stating he is not offended because you need emotions to be offended - interesting, Spock, so what happened when Kirk pulled a yo mama joke on you in that Paradise Hippie Love Romance Pollen episode (man that was a gem of an episode)

Chekov has one of the most HILARIOUS lines in that episode (next to having one of the most hilarious hairstyles, his hairstyle looks like an interesting over the top take on the Beatles haircut and his head looks so much like a mushroom I feel like he has a side job in Mario Kart):

APOLLO: Search your most distant memories, those of the thousands of years past, and I am there. Your fathers knew me, and your father's fathers. I am Apollo.

CHEKOV: And I am the tsar of all the Russias.

KIRK: Mister Chekov.

CHEKOV: I'm sorry, Captain. I never met a god before.

Chekov be sassy to gods

I can’t let this haircut go, as it got me thinking: Is there a hairdresser on the Enterprise?

That’s a thing to explore

What gossip that person might hear sign me up

So, the guy really is the God Apollo huh

Costume note 1: That toga Apollo wears is SO SMALL like - “SIR nice to meet you but you’re REVEALING THINGS please sit with more modesty OR - NO NOT LIKE THAT”

Costume note 1, addition: Nice to see the ratio of revealing costumes of men & women wearing sexy revealing clothing in this episode is very equal

Apollo really has a worshipping kink huh

But as a Greek god you probably have that

Also where ARE the other gods? Like he just casually says they are all gone... “with the wind” but... why? Did they suffer from worship withdrawal like he does now?

Also: I really LOVE the concept they introduced that the Ancient Greek gods were just a bunch of space travellers visiting Earth who decided to chill there for a while and be all powerful and worshipped. But as Kirk says in the end they were a huge factor for mankind to move to the Golden Age, which is a cool thought.

Seriously what a fun premise? I would watch that as a series. Hera, Artemis, Zeus, Apollo etc. all chilling on their ship and having fights and romances and space adventures on strange planets. I imagine them being a really chaotic and high-maintenance bunch though

Thinking about it, Apollo said he was a demi-god with a human mother (if I understood that correctly) so basically he was born on Earth and never saw (what I assumed is) their home planet until he was an adult and they returned (why did they return?)? But the Enterprise crew defeats him by finding out his “god powers” are actually originating from the temple structure on the planet, so does that work long distance then?? Like they could access their home planet powers from far away...? And not the powers themselves are passed down by genes but rather the access to it? Or is it that they need worship to thrive (like that’s why it worked on Earth and they just need a temple?) Questions over questions. Love the concept overall.

Kirk, Scotty and Chekov talking about energy patterns and science and how to defeat Apollo (also Chekov you’re such a smart boy! and he says he is only 22 in this episode awwW and the others are looking at him like - wow a child is with us) and Bones just randomly... grabs a bowl of fruit, holds it a bit and puts it aside - as I saw no note for that in the script I think it was improvised by Kelley... but why? Like was somebody from the staff whispering last minute “oh no that bowl is ruining the shot take it away subtly if you can”? It really startled me but it’s kinda funny.

Chekovs hair is even more FLUFFY and voluminous in this scene like did they bring the Enterprise’s hairdresser with them? (It’s cute)

CHEKOV: Perhaps if I assisted. KIRK: How old are you? CHEKOV: Twenty two, sir. KIRK: Then I'd better handle it.

Also I like protective Scotty in this episode. I think it is one of the first times he really gets some character development and proper screen time

Kirk being choked by Apollo is on the thin line of really intense acting and passing into Shatners school of overacting but - it works so I am giving a thumbs up for very INTENSE acting

I feel somebody shouted at him “MORE INTENSE” “MORE MOANING” “INTENSITYYY” “BE MORE CHOKED”

Lieutenant Carolyn is kind of a weak character and is pretty much the embodiment of a 60s ideal of a woman but HELL she is beautiful

Costume Note 3: I actually like the cut of her costume, it is an imaginative take on the toga and also sexy - I was surprised they aired it like that tbh - like from one side it looks like she is topless really

Costume Note 3 addition: but then HOW did they fix it? Like she’s not wearing any kind of bra and the fabric is not attached to anything so I guess they glued it to her skin in a lot of places huh - also there is a scene with a storm and a strong wind where I feel the way she tries to protect and cover herself is not just acting but really an attempt by the actress to catch her costume from flying away and not trusting the glue the costume people used

I don’t want to imagine how many wardrobe malfunctions she had with that costume and how many times she stood there topless in front of everyone so... idk

I guess same goes for Apollos costume lol so fair

On a more positive note on the portrayal of women is Uhura’s role here. Her in that mechanics uniform building a bypass circuit in that crammed space under her console (she still has her full hairdo which gets all squished oh NO and the hairdresser is down on the planet fixing Chekovs mushroom!) - you go girl

UHURA: Mister Spock, I haven't done anything like this in years. If it isn't done just right, I could blow the entire communications system. It's very delicate work, sir.

SPOCK: I can think no one better equipped to handle it, Miss Uhura. Please proceed.

Thumbs up for the supporting Spock.

Also I love every time Spock takes over the Bridge. It’s so cool.

So that’s all! Overall a campy episode at first look but I was pleasantly surprised by the concept of the Greek Gods being space travellers etc. Thumbs up for that giant hand too (pun intended). I like to imagine that like with episodes that play in a middle-age setting they just had a set from another movie lying around and thought - how can we make this a strange planet - but that’s really part of the charme of it for me.

This was a long text huh.

BONUS QUOTE (or rather BONES QUOTE?) - as it was my favorite:

MCCOY: To coin a phrase, fascinating.

#star trek tos #star trek marathon 2020 #star trek #star trek episode reaction #star trek tos s2 #star trek tos s2e2 #who mourns for adonais

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