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#shuhua is such a bright presence
hooned · 9 months
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we take eye smiles very seriously in this company
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minachuuu · 3 years
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(G)-Idle Reaction to falling for a composer.
This one was maybe inspired by Maze. I thought of the concept one day when listening to the song, and it stuck with me. This one is pretty fluffy if I say so myself!
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Miyeon
The first time she saw you sitting near the console in the studio she couldn’t take her eyes from you, but you were sitting there in silence, just taking notes and she had no idea who you were and why you were there. She went into the cabin to record her lines, not losing sight of you through the glass, but when you raised your eyes to meet hers and smiled, she fumbled and scrambled every single one of the words.
After another take and the red on her cheeks not easing, she went back to your side of the studio, and with every nerve on her body filled with courage, she wrote her phone number on a piece of paper and handed it to you. Later that day, a text made her phone shake and she was surprised when she read:
Such an angelic voice fits perfectly with such a pretty girl. I’ll write more songs if that means I get to see you again. Btw, my name is Y/n, glad to meet you.
The oldest squeaked in bliss as she embraced her phone for dear life, to the surprise of all her youngest members.
It didn’t take long until you started dating, and with such a beautiful muse by your side, inspiration flows like a river through you, composing beautiful creations only for you to listen to Miyeon bring them to life with her beautiful voice.
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Minnie
You were sitting in the studio, playing around with the synths and some lyrics. You wouldn’t say you have a perfect voice, but you could carry a melody enough to record your own demos. But you were so into your own thoughts that you failed to realize the only other presence in the room. 
“I think that would sound better if you went a bit higher…”
Her voice made you spring in surprise, as Minnie grabbed the chair besides you, and pulled in closer. She sang the melody you were working on and that was the moment you knew you were hooked. And by the way she looked at you when you got lost in your creations, one could safely say it was mutual. You spend your days locked in the studio, looking like children in a candy store, playing with chords, melodies and everything in your disposal. 
Yes, you were both very aware of your feelings, but Minnie took the first step when she arrived one day at the studio, a little folder paper with a confession written on it… in five different languages. 
Of course you nervously said yes, and from that day on your life, your life is a thousand times more fun and full of light, courtesy of one of the most beautiful, talented and bright girls in the world. 
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Soojin
One night, it was very late and you found yourself roaming the empty, dark dance studio with your guitar, searching for something to help you with your mind block. Your prayers would be answered in the form of a beautiful girl opening the door. 
You both shared the same problem, and with a glance you promised not to bother the other as you coexisted in the same room. 
But when your eyes caught a glimpse of Soojin freestyling, your fingers instinctively struck the chords and rhythm in harmony with her body. She caught on pretty fast to whatever you were doing, letting passion flow like a language in between your two different but very complementary art forms. Let’s say you ended up exchanging a little more than phone numbers that night.
And now you two are now the best team to ever grace the company. Sometimes she runs to you, and shows you a new dance movement and you create a beautiful melody to go with it. A passionate relationship to say the least, her bandmates have a say that when your hands aren't on an instrument, they're on Soojin. 
But can they really complain when there's some really iconic stages born from your freestyling sessions? At least that's what you both say you're working on when you lock the door of the studio behind you. 
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Soyeon
This one itself could be worthy of an entire enemy-to-lovers fic. 
We know Soyeon is fond of her craft, so when Cube assigned (G)-Idle a composer she was furious. She tried missing some meetings, tried to get to deadlines earlier, in general, she evaded you as long as she could, but the one time she couldn’t find a way around meeting you, she hated herself a little for discovering late you were really kind and talented, and mostly… incredibly cute.
Now more than evading you on spite, she tried her best to not fall for you. And she was doing great, keeping her distance and the relationship between you two as professional as possible until one day, you knocked the door to her studio. 
She couldn't resist and invited you in. And nobody could predict what followed. You were taking out hit, after hit, after hit, albums full of songs worth title tracks. 
To be honest, no one would have known you two eventually got together until you decided to tell her members, you like the privacy of your haven. And even if people think it's a little odd for a relationship, more than cuddles and kisses, your love language consists of sharing the passion you both have for music. 
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Yuqi
There's not a single soul in Cube's building that Yuqi hasn't stricken up a conversation with, and you were no exception when you first arrived as the new composer. There was no stopping her as she found your craft fascinating, having dipped her own fingers in the composing pool a few times, everyday that her schedules allowed her she was there asking you a thousand different things. 
And of course you didn't mind. It was really fun and sweet to have someone that interested in you and in what you do. Especially someone as cute as Yuqi. 
Time was the only factor needed for you two to be able to build a very close relationship. One day you were both putting the final touches on a new track, and after giving a last listen to the whole arrangement you had a definite hit in your hands, Yuqi's excitement couldn't be contained and she crashed her lips against yours. Was it shocking? Yes. But surprising? Not really, you could cut the tension in between you both with a plastic knife. 
You could say that entering a relationship full of energy and love, where everyday it's a new opportunity to discover new things and learn something it's your favorite perk of your new job.
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Shuhua
Shuhua had finished her schedules early, she was feeling a little bit down and tired, so she decided to join Soyeon and Soojin to the recording studio, but she wasn't prepared for what awaited her beyond that door. 
When she locked her eyes on your concentrated face, tweaking the arrangement, your fingers gracefully dancing across the piano, a sudden chill traveled her spine, and her brain started working at a thousand miles per hour. Her bandmates had never seen her like this, but she just wanted to have your attention, and it sure worked. 
You too weren't feeling great that day in particular, but Shuhua's energy managed to uplift your spirits. It was a rush through both of your veins, an atmosphere you became addicted to because well… It made you both extremely happy. From that day on, there was never a single boring day in your life as it is said that after meeting Shuhua, you were able to write the first happy song of your career. 
They say the best relationships have a good friendship as a base, and you and Shuhua are nothing but best friends with some extra physical perks here and there. Days full of pranks, laughter, dancing and singing all to the rhythm of happy songs. 
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gyrlversion · 5 years
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(G)I-dle Are Standing Out With Their Self-Produced Sound And Defining It On Their Own Terms
By Taylor Glasby
Before the recent release of their fourth single — the lyrically sagacious, ’90s hip-hop-soaked “Uh-Oh” — the six members of the multinational K-pop group (G)I-DLE felt the prickly onslaught of nerves. Not that this was new; according to Beijing-born vocalist Yuqi, 19, they get nervous before every drop of new material. Their way through it is by communicating with each other. A lot. Not just before a comeback but “almost every day if we have time,” says Thai vocalist Minnie, in English. “Maybe not all six of us every day, maybe just two or three, but we’ll always talk.”
“We often encourage each other before a stage,” Yuqi elaborates, also in English, her long, diamante earrings repeatedly catching the light. “We’ll have a pep talk.” She’s an animated speaker, hands fluidly mapping out the rhythm of her words. The group’s leader, rapper and songwriter, Soyeon, 20, and Minnie, 21, also share this habit, and the latter’s thin metal bangles collide as she talks, filling this beige, windowless room deep inside Madison Square Garden with tiny, bright spirals of noise.
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KCON USA
Members Shuhua, Yuqi, Soyeon, Soojin, Miyeon, and Minnie at KCON New York on July 7, 2019
This isn’t their first trip to New York City — they made a fleeting stop last summer for a 3-song showcase — but as they step confidently onto the stage at KCON to the noisy adoration of thousands, it’s easy to see how far they’ve come in just a year since their debut. Each of (G)I-DLE has their own ultra-distinctive presence: Minnie is almost Amazonian, all lithe strength and power; Soojin, 21, oozes a sexy playfulness; Miyeon, 22, is coolly composed; Taiwanese Shuhua’s, 19, etherealness is punctuated by cheeky, knowing glances; Yuqi has a feisty, fighting spirit; and Soyeon’s compelling energy (which saw her effortlessly take down opponents on the 2016 season of Korean hip-hop survival show, Unpretty Rapstar) ignites every move and word.
Their KCON performance consists of “Uh-Oh,” “LATATA,” “HANN,” and “Senorita,” all of which have been penned by Soyeon (alongside some legendary Korean producers, including Big Sancho). She’s written for other idols (CLC, JBJ, SHINee’s Key) and penned four of the five tracks on (G)I-DLE’s second EP, I Am, with Minnie composing its final track, “Blow Your Mind.”
Although Soyeon had been given songwriting classes while she was a trainee, she never intended to be the group’s primary songwriter. “At first, I really didn’t know I’d be writing these songs,” she recalls. “But our debut was getting delayed because we didn’t have a song. So that’s when I thought, I should write our song, and started writing a title track.”
“Because I was a rapper, I’d only written lyrics and verses,” she continues. “I started putting on the beats and melody, then I took a MIDI class and stuff.” Although she appears to have been undaunted by the task at hand, it doesn’t lessen the enormity of the situation — that the reception to, and even the fate of, her group lay in her hands. “I always have pressure,” she concedes with a small laugh and smile, but her arms fold protectively over her body, “because it’s not a solo song — it’s for the team.”
The members are her muses. “She always says my voice inspires her,” says Minnie, who was the main influence for “LATATA.” “I think she knows my voice better than me! She knows how to put it in a way that sounds good. She’s like…” She pauses. A mind reader? Minnie laughs. “Yeah, a mind reader.”
“I usually have lots of conversations with Soyeon,” says Miyeon softly. Soyeon says, smiling at her: “For some songs, I write with inspiration coming only from Miyeon. I get it in various aspects but mostly from the powerful, emotional parts of her.”
Shuhua believes it’s her image and her vibe that helps spark Soyeon’s creativity, but for Yuqi, it’s the other way around; she doesn’t think she inspires their leader as much as Soyeon inspires her. “I prefer to just believe in her. She’s done everything so fast so, from my point of view, whatever parts she gives me, I try to do my best with. I think that trust works for me.”
“She’s been seeing me since trainee period, so she knows what fits me the best, and she writes me that part,” says Soojin, glancing over at her bandmate, who nods. “Soojin has a really cute voice,” Soyeon says, “so I sometimes make her do cute songs. But I also know she expresses sexy well, so I try to give her parts like that, too.”
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KCON USA
Their label, CUBE Entertainment, recently gave them their own studio and the girls can be found ducking in to check on progress. “Soyeon lets us listen to a sample or maybe the hook and asks us if it’s OK, then she’ll continue writing,” says Minnie. But Soyeon isn’t one to sit around writing fragments of songs and tucking them away onto hard drives that gather dust on a shelf. “I’ve written so many raps,” Soyeon points out, “but for the team, I write songs for an album. I don’t really have made songs [lying around]. I’m more like, once I write it, I publish it.”
The songs are steeped in their very essence — a girl’s complex, internal house of mirrors that is constantly being broken, assessed, understood, and remade, where one style or sound is never enough to reflect who they really are. And so (G)I-DLE are the enticing tropical beats and coy fingersnaps of “LATATA” and the ominous, warning whistled hook of “HANN.” They’re also the pensive harmonies and slow throb of bass on the R&B-infused ballad “Put It Straight,” the whimsical words painted over the house music of “What’s In Your House,” and even the tango of “Senorita.” Their lyrics push back, they beckon. They can be bored nonchalance or sharpening desire.
Soyeon sees their self-produced sound as a “perk,” since “knowing our members better than any [external] songwriter means we know what we can do best.” There are a number of prominent female idol songwriters (such as Miryo, LE, Sunmi), although they’re primarily from an older generation of idols. Unsurprisingly, they’re not often talked about with the same reverence, or even in the same breath, as male idol writers such as Zico or G-Dragon.
Ask (G)I-DLE if they feel like their status as a female, self-producing group is pushing forward or laying new ground for their generation and they exchange unsure looks, then laugh at each other’s expressions. “I guess… not really,” says Minnie slowly. “The strength of our group is that we make our own songs and we put our opinions into the concepts and everything, but we just want to do something that suits us. We want to show who we are as best we can, and how we can perform.”
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Although Soyeon mentioned in a 2018 interview that she was keen for (G)I-DLE not “to be like other idol groups in Korea,” she takes a moment now to elaborate and say that “rather than being different from other groups in a certain way, we’d like to have our own color. Like, [someone saying] ‘Oh, this song must be (G)I-DLE.’ It’s not being different, it’s about standing out,” she says seriously.
However much they downplay their role, (G)I-DLE are already a significant addition to the pop landscape. Soyeon’s shy, slightly embarrassed smile indicates she’s still coming to terms with that line of thought, admitting that winning over a dozen awards in their first year stunned her. “We used to say our first goal was ‘the best rookie award’ and when we actually got it, it was unbelievable,” she says. Minnie adds: “We didn’t really know until we received the rookie awards. That’s when we realized, oh, maybe we can do something. But even now we’re still just trying harder [as a group].”
Their impressive start (118 million views for “LATATA,” 64 million for its follow-up “HANN”) is no small burden on the group who are expected to not only maintain their success but continue growing. “The president of CUBE always says, ‘If you stop now, there’s no spotlight later,'” says Soojin. It honestly sounds terrifying. They laugh, even as they nod in agreement.
But Yuqi knows there’s a middle ground to be struck and she wants to have fun in the process. “Of course, every time we’re successful, then the next time everybody will have even more expectations for us — like, what will their next color be, what will their style be? Instead of getting pressured, we can enjoy it, we just do what we want to do. We show who and what (G)I-DLE is — that’s the only goal for us.”
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