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border-spam · 4 years

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Bit of a subjective question, but I'm at a crossroads with my au. I posted a while ago that I think Ava should have been Lilith's apprentice - and while I do still think that, I think it for the story we had. A lot of its problems came from Ava's connection to Maya when she had more of one with Lilith - but I'm changing the story, and I do like Ava's relationship with Maya. So, in a different world, would Ava work best as Maya or Lilith's apprentice?

This is such a great question that I’m gonna essay it because I’ve not commented on Ava as much as I wanted to in general. Any choice you make here in regards to using her is going to work, because she’s a blank slate character you can develop to fit your overarching planning. I like Ava. There is nothing wrong with her character build, she’s an exciting and interesting idea to work with. The problem is:

Ava in BL3 was a plot mechanic for a plot that never actually happened. She was seeded into the game story in a way that destroyed the “Sirens can choose who they give their powers to” rule in the same game it was added to canon in.

Throughout Bl3, Maya repeatedly drops hints that she knows Ava is going to be a Siren. She does this more than once, it’s literally the driving cause of her death when Ava mouths it to the twins (apart from blatant fucking stupidity from all sides which I’ll cover later), and that as well as how much Maya cares about Ava, is meant to be a major plotpoint in the game.

It isn’t, it gets completely ignored after the entire plot shits itself when Troy goes full e-thot and dies.

Essay under the cut. /dab

Ava exists as a character to further a very simple and clear plot that’s fed to us from the point we meet her:

She is going to be a Siren.

Maya knows she is going to be a Siren.

Maya has taken her on as an apprentice because she wants to train her how to be a Siren before she becomes one (wat).

She is very important to Maya and may as well be a sister figure.

We know this, and we sit and wait to be shown it instead of told it, but the problem is that BL3 completely falls at showing not telling (which I covered before), and instead we are left wondering WHY the hell Maya, a character we know very well and understand is very intelligent, is doing any of this at all.

We have no context for why Maya cares about her, we have no build up of relationship or backstory. It’s hamfisted and shoved into the game plot and like most things in BL3, the writing thinks the players are stupid enough to just accept it and move on - which is why the story has been slammed in general as time goes on. If Maya had for some reason met Ava and decided this kid was going to inherit her powers, it means also she had vast amounts of knowledge she was refusing to share with any other Sirens and chose newcomer Ava over any of the women she’d known very well who could be excellent choices over the years.

None of this is very Maya at all, so we move onto option two for why she chose Ava:

Because we have no actual explanation for WHY Maya is so close to this kid or HOW she knows she is going to be a Siren, we have to rely on mystical fuckery instead. That Sirens can somehow... sense.. other future Sirens? And this is where things start spiraling downhill very quickly.

If Sirens can sense other future Sirens, then they aren’t choosing who their powers go to, are they.

They can’t decide who gets them, it’s preordained. And if they can sense this, why did NO ONE cop Tannis was going to be one or WAS one the entire time she was? It makes literally no sense, it’s contradicting its own plot as the story continues, so now we are left with something really terrible.

Now we are left with Maya and Ava having a clearly written side plot of:

She is going to be a Siren.

Maya knows she is going to be a Siren.

Maya has taken her on as an apprentice because she wants to train her how to be a Siren before she becomes one (wat).

She is very important to Maya and may as well be a sister figure.

.... except as the game progresses you realise this fits nowhere in the story. It literally does not fit into BL3′s plot, it contradicts it blatantly.

The story needs to get Maya’s power into Ava for some reason, it’s stressed she knows Ava will get her powers and is highly defensive of her and given us no actual explanation of why, and suddenly we are in a cutscene that’s going to haunt a huge group of players for a long ass time, watching Maya, this intelligent woman we care about and know:

Grab one of the fucking Leech Sirens who kill with direct contact with her hands.

Have him fumble at her arm as she has him in a choke hold and begin to husk her despite not having a clue he could do that.

Stare in surprise and give a “Wat lol” response (I don’t blame u Troy that was mine too)

Threaten our dearly beloved Ava

We are meant to care about all of this, but none of this intended plot has been put in the game correctly so instead we just stare in complete confusion and try and work out what the hell just happened. It’s garbage tier storytelling. It’s absolute wankery.

The only way to redeem this arc would have been for Maya’s death to somehow have some grand saving grace across the rest of the game, like for Troy to turn on Tyreen and join the raiders - become the true Leech and return Maya’s power to Ava with a somber acknowledgement of her loss, or to have Ava become a force for good, mature and step up to the mantle Maya had known she would bear and use Maya’s gifted powers to defeat the God Twins, but instead we got nothing.

Ava was completely forgotten about till the end of the game where suddenly she’s given control of the Raiders, and Maya just.... lol. Goddddd. No one cared.

Because this fizzled so badly, and the actual arc was:

Maya dies -> Troy gets power ->Troy pisses on moon -> Troy dies -> Ava gets power -> Fart noises -> Ava big girl commander now

Ava is hated for being a shitty character and people want Maya back.

Ava isn’t a shitty character, her and Maya (and Troy’s!) plots were not part of BL3 and so came across as clownshoes honk honk leading to people hating that entire arc.

If you’re using Ava in an AU, go ham with her! Don’t even consider the canon, it’s -shite-. If Sirens don’t predetermine who an upcoming Siren is going to be, then don’t even have her in your AU if you want, because there is no reason for her to have been in the position she was at all.

She’s not in Leech Lord as a main char for the above reason, there is literally no logic for Maya to have taken her on as an apprentice because Siren’s can’t.. magically.. tell.. who will be one in the future. She’s just a kid who got a chance at a home and a live with Maya’s sect instead of some star crossed Mary Sue the game used her as.

I think personally, Ava’s way of interacting with other’s and explosive emotions does suit Lilith a little closer to Maya, but we got so damn little of her canonically that you cannot go wrong. Just have fun with her, give her the use she missed out on BL3.

She’s a great char, she just needs a chance.

#borderlands #borderlands 3 #bl3 #maya #lilith #ava #siren #tannis #amara #troy calypso #calypso twins #my hcs #my writing #garlicbreadbowl

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boykingboytoy · 4 years

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Hi, my lovely!! 💕💕 5,6,21, and 25? 💋

Hello gorgeous!! 💕💕 Thank you for the ask! 💋

5. Favorite episode

Amber, I’m surprised at you! We have 307 episodes of Winchester goodness and you expect me to pick one? Hmm, nope too hard. You get a list again. :p

Lebanon is special to me because we finally get to see the whole family together, but it’s not my first choice. It is probably one of my favs in terms of making me emotional though. I’m a bitch and I a l w a y s cry.

Mystery Spot / Channel Chasers are my definite favorite in terms of comedy. They’re fun and silly and sometimes I just need to have a good time in a show with so much fucking angst in it.

Fan Fiction / Sympathy for the Devil are amazing in terms of meta material alone. It’s nice to see fans of a show represented in the show itself. We all put so much passion into what we do so these two give me the warm and fuzzies.

I won’t subject you to more, but these are all up there for me.

6. Favorite quote

In Sharp Teeth (S9 E12) Dean says, “You know, who cares where happiness comes from? Look, we’re all a little weird, we’re all a little wacky – some more than others – but… if it works, it works.”

This quote always hits me hard because being in fandom is so hard to explain to people who don’t get it. Most of my irl friends think it’s so weird that I’m still involved in fandom when they all “grew out of their fandom phases”. Older people in my life are critical about the amount of time I “waste” on fandom and other “nonproductive” hobbies. But hey the weird shit that I like makes me happy and “if it works, it works”. As long as something makes me happy, everyone else’s negative opinions can fuck right off.

21. Top 5 ships

Wincest [Dean/Sam]

Brady/Sam/Jess [Stanford Sinners OT3]

Destiel [Dean/Castiel] (Was in the #1 spot for a long ass time)

Daddycest [John/Sam/Dean]

Sabriel [Sam/Gabriel]

25. Top 5 minor characters In No Particular Order

Missouri Moseley - I love this woman to death ok. She is such a badass and she’s psychic and she takes no shit. She was only in 4 episodes, but I wish she had become closer to a Bobby type character seeing how close she seemed to be to John. Not to mention helping Sam out with his powers would have been an amazing character arc.

Andrew Gallagher / Ava Wilson - Both of these Special Children were in a few episodes during S2 and both of them got killed off so fucking quickly. Couldn’t like o n e of them live and help Sam figure out shit. Being a Special Child is such a mind fuck and letting Sam have friends that he can learn with would be so good for him.

Jesse Turner - This little boy from S5 was the original Jack. I love Jack, but what happened to this kid?? He was a half-demon, half-human who was destined to become the anti-christ. Hello?? Having him come back would have been a m a z i n g!! And he’s so powerful like f u c k. This child who is like 10 years old can alter reality, exorcise demons, conceal himself from any supernatural beings, use telekinesis, and teleport. The writers just made him go missing?? Where was he during the apocalypse or when everyone was summoning their armies and shit?? He also could have been a great foil for Jack’s character if they ran into him later on. (Also if Sam became the King of Hell I o v e the thought of this kid being one of his right hands..)

Jacob Pond - Now this little boy was in S7 E3 and is a Kitsune. After the death of his mother Dean tells him if he kills anyone else Dean will come after him and this motherfucker tells Dean “ The only person I'm going to kill – is you. ” I wish we got to see this kid pop up every now and then trying to kill Dean, growing more powerful every time we see him. It would have been so good if the writers didn’t completely trash this story line after this episode.

Becky Rosen - Personally I have mixed feelings about Becky as a character, but I like to see her pop up every now and again. I’m glad to see the writers actually keeping a side character alive for once, even if she’s a questionable character. Can you taste the salt I’m spewing or am I not yelling loud enough?

Thank you for the ask my darling!! 💕 💕 I loved getting to answer such a long ask. Have a good day and stay safe out there beautiful!

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taste-in-music · 5 years

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My Favorite Songs of 2018 by Genre

There was a LOT of music this year that I still wanted to talk about but didn’t get put on the other posts I made, so I decided to put yet ANOTHER list together. (Read my top albums and EPs of the year lists if you want some context.) Buckle up, because it’s going to be a long one, folks. Here are the rules for eligibility:

The songs on this list most likely a) weren’t on an album that I loved in its entirety/didn’t feel that strongly about, b) were on an album that I didn’t have time to listen to, or c) were released as singles.

No songs from the albums or EPs I’ve previously mentioned are eligible.

I’ll try my best not to include singles that are for albums coming out next year (for example, I’m not putting Light On by Maggie Rogers or Party For One by Carly Rae Jepsen on the list.) Those songs will be eligible if I do a list next year. If I accidentally do put an album single on the list, it’s because I didn’t know ¯\_(ツ)_/¯

Now, presented in no particular order, let’s get to some tunes.

POP

Used to You by Dagny: If you’ve been with me for a while, you know that I’m obsessed with Norwegian pop star Dagny, who I learned about through a recommendation from a friend. This song is one of her best: uptempo but melancholy, with honest, vulnerable lyrics about a strained relationship.

Crush by Tessa Violet: On the complete opposite end of the spectrum, we’ve got a bubbly sugar-pop song about having a crush on someone. It’s quite simple as to why I love this song: it’s just so joyfully adorable.

Sweet but Psycho by Ava Max: Okay, why is this not a hit the U.S.? It’s already gotten to number one in Norway, Finland, and Sweden, and is making a splash in the U.K. While I’m iffy on the lyrics, this song has one of the catchiest hooks of the year. It’s a giant guilty pleasure of mine.

Sucker Punch by Sigrid: This was named the eighth best song of the year by Time magazine and it’s easy to see why. It has all the elements that make up a Sigrid song (catchy melody, her signature raspy vocals,) but has just enough quirky touches and eccentric details to it that set it apart from the rest of her discography.

Do Right by Glades: Glades are so underrated, and I’ve mentioned them in a bunch of posts before. This song is them at their best, with one of the stickiest choruses of the year and a sweet synth riff.

Batshit by Sofi Tukker: I first heard this song in an iPhone commercial, oddly enough. I’m not going to say that this song is good, because I’m fairly sure that it isn’t good. The chorus is literally the word “batshit” said over and over and over again. But somehow, it’s perfect? It’s simple while at the same time having so many cool elements that it’s never boring. The funky bass riff, lowered vocals, electronic drop are all so infectious. Sofi Tukker are my guilty pleasure band, so check them out if you’re into strange dance club music.

Chasers by Bahari: This pulsating, electronic groove from California based trio (now duo :/) Bahari is like a dangerous lullaby. The twinkling production and harmonies keep the tone tense but enjoyable. I hope they release more music soon.

Cause You Did by Willa: Willa exploded onto my radar with her powerful, ass kicking anthem Swan, which she released back in 2016. I was so excited to see that she had released new music. This song is a bit different from her previous work, swerving more into the pop lane, but is still charming as hell. (Fun fact, she was in an episode of Supernatural. 10.13 Halt and Catch Fire. The more you know, am I right?)

San Francisco by Fickle Friends: This is my favorite song off of the Broken Sleep EP (I think it’s an EP? It’s only three songs... Check it out regardless.) Fickle Friends’s sound is so summery and tropical, it never fails to put me in a good mood, and this song is a perfect example of that.

F**k U by Kailee Morgue: A whole tell off anthem. Like her other material, this song balances darker material with a sweet and innocent sounding vocal delivery. Just make sure you listen to the uncensored version. Listening to the clean version is like listening to the radio edit of IDGAF by Dua Lipa or “Forget” You by CeeLo Green. It has no bite to it without the title word being said.

Emotion by Astrid S: When I first heard Such a Boy, I knew that Astrid S had the potential to be a pop starlet in the vein of Zara Larsson. This song is a lot of fun, with a whistling hook and Astrid S’s usual sassy delivery.

Cherry by Rina Sawayama: This is a whole BOP, from the whispery intro to the rushing production to the melodic, get-stuck-in-your-head chorus. This song is much like its title suggests: bright and sweet with just enough of a twang to keep it interesting, just like a cherry.

Baby Don’t Talk by LÉON: Of the two singles she released this year, I can’t help but like this one a little bit more (but don’t get me wrong, Falling is a whole bop and a half.) This song is just so likable, from the snappy percussion to the “ooOOooOOhs,” to the unforgettable melody. LÉON is so underrated, I can’t encourage you enough to listen through her three EPs and other singles. They’re all gold.

Daughter by L Devine: I can’t tell you how shook I was when I first heard this song. It’s L Devine at her finest, with a catchy melody, relatable lyrics, and just the right amount of electronic elements. This song is the wlw bop that no one’s talking about that everyone should be talking about.

Carousel by Skylar Spence: I found this gem thanks to Spotify’s Indie Pop playlist. The pulse to this song always makes me want to tap my toes. It’s like if the color yellow was a song. The lyrics are super cute, and the glitchy, robotic chorus just works somehow.

R.E.M. by Ariana Grande: While I found Sweetener as an album a bit uneven in quality, it’s still by Ariana fucking Grande. She could sing What’s The Fox Say and it would sound beautiful. This track is my personal favorite, with the cute little “bum bum bums” and the all around dreamy atmosphere. There’s also a funny amount of self awareness in this song, with the whole “’Excuse me, um, I love you,’” and “does this end?” It adds a layer of charm and personality that elevate this song. Ariana Grande is definitely the pop idol we need in the hot 100 right now, dear Lorde.

Sue Me by Sabrina Carpenter: What a fricking BANGER! This song rocked me to my core. Sabrina Carpenter is one of the best singers to come out of the Disney machine, and she’s always had potential for greatness (remember Thumbs? That song slaps.) There’s something visceral and inexplicably powerful about this song, I feel it right in my gut. It’s my favorite off of Singular Act 1, @eleanorschidis thank you for convincing me to listen through the album.

Love The Lie by Call Me Loop: I don’t feel like I can communicate why I’m so obsessed with this song, but I’ll try. It’s catchy as fuck, the twinkling guitar riff, the beat and melody... it’s all just so perfect. You know what? I can’t do it justice. Just listen to it.

Drink About by Seeb ft. Dagny: This might be my favorite pop song of the year, and I both do and don’t know why. On one hand, the lyrics are repetitive, it’s simplistic, and it’s just another club dance song. But on the other hand, there’s something about it that elevates it beyond that. First off, there’s Dagny, who I’ve said before I LOVE, and her performance brings so much emotion and pain and personality to the song. Then there’s Seeb’s production, managing to make an unforgettable drop and chorus out of only a handful of lines. There was a period of time where I would just listen to this song on repeat, and it never got old or tired despite its repetition. It’s like a rush of euphoria whenever I hear it, and I can’t recommend it enough.

R&B/HIP HOP

Honey Dew by LION BABE: Like Say Lou Lou, I first learned about LION BABE by reading about them in Teen Vogue. I put off checking them out for a while, and when I finally did, I wasn’t disappointed. This songs is one of the chillest I’ve heard this year. Jillian Hervey’s smooth voice and the twinkling pianos and shuffling percussion of Lucas Goodman’s production just meld so perfectly together.

After the Storm by Kali Uchis ft. Tyler, The Creator and Bootsy Collins: There’s something about Kali Uchis’s voice that is so unique and so sultry, I can’t help but get sucked into her music. This song mixes together her lovely crooning, a rap verse from Tyler, The Creator, bubbly production, and uplifting lyrics, and I can’t help but feel happy whenever I hear it. This song feels like emerging from a cold lake, it’s that refreshing. (Also, count In My Dreams as an honorable mention, that song is great too.)

The Kids Are Alright by Chloe x Halle: The song is awe-inspiring, from the powerful harmonies of the opening to the rhythmic switch-ups present all throughout the song. I love the “we are we are we are” mantra that repeats all throughout the song. It almost sounds like a poem put to music.

Blue Lights by Jorja Smith: Mixing a spoken word style hip hop and reggae elements into her usual graceful sound, Jorja Smith manages to craft a pretty sounding R&B song with a meaningful message behind it. Her debut album Lost & Found isn’t what I usually listen to, but I enjoyed it quite a bit. Also, can Jorja Smith drop her skincare routine? How does she get it so dewy and smooth? She’s so hecking pretty, I can’t even.

Honey by Raveena: YouTube played this song as a commercial before a video I was watching, and I fell in love with it. Raveena’s voice is so delicate, fragile even, and just lovely paired with the simple but glistening production.

Summer Pack by Childish Gambino: Okay, I’m putting both songs on here. My only explanation for this EP is that Donald Glover took the entire season of Summer and managed to distill it into two R&B songs. Summertime Magic has a watery, tropical mood that’s always refreshing to hear (am I the only one that is reminded of Wii Sports Resort?) and Feels Like Summer makes me feel like I’m sitting on my front steps in the middle of August with a melting orange popsicle.

ALTERNATIVE/INDIE/ROCK

Baby by Bishop Briggs: While more pop leaning than her usual content, the blatant sexuality, personal lyrics, and Bishop Briggs’s usual powerful vocals sell this song. Also, the music video is AMAZING. I’ve put it on my animated music videos that give me life series, but I can’t reiterate enough how great the animation is. Holy hell.

Gold Rush by Death Cab for Cutie: This song is downright ethereal. It sounds like it’s lulling you to sleep, but in the best kind of way. It isn’t boring, it’s soothing. Hearing this song on the radio is what got me into this band, and while I haven’t heard their entire discography, I know that this song will remain one of my favorites.

Hand It Over by MGMT: Just like Gold Rush, this song is so soothing it’s practically therapeutic. Every time I hear it, I just melt right into my chair. I’d say I’m a casual fan of MGMT, (I haven’t heard their less mainstream albums,) but I really like Oracular Spectacular and Little Dark Age. This is one of my favorite cuts off the latter album.

Idaho by Gorillaz: While The Now Now didn’t leave a big impression on me, this song makes me glad that I decided to listen to it. The production has this swell to it at the chorus, which is just so calming. I really like how the song is dappled with nature sounds, too. It makes me feel like I’m in a cabin next to a lake in the middle of the woods and it’s raining outside but I’m cuddled up in a cozy blanket with a cup of peppermint tea.

Baby You’re A Haunted House by Gerard Way: I’ve never listened to My Chemical Romance, so I didn’t know what to expect from this song, but holy crap. It’s a total banger. The guitars on this track are so fuzzy and aggressive in all the right ways. This was what I had on repeat all throughout Halloween.

Blood and Bones by TRACE: The only word I can use to describe the song is entrancing. TRACE’s smooth vocals and the laid back production always make me feel so relaxed, and the funkier electronic touches and glittery piano riffs add just enough to keep it all interesting.

Nobody by Mitski: I told y’all I be mentioning Mitski on one of these lists! While the entirety of Be The Cowboy was lovely, Nobody stands out as one of the catchiest, strangest, and most depressing songs of the year. How can a song about crushing, isolating loneliness that literally has a lyric about the hypothetical aliens living on Venus bop to the gods? I have no clue, but Mistki pulled it off.

Fruity by Rubblebucket: Speaking of weird lyrics, this one takes the cake: “I said I’d make it to the party / But I’ve got a lot going on / The lioness gave a feast for forty off her body / Then slept on the ground till a flower grew out.” I have no clue what the hell that's supposed to mean, but it works. The little “lalala”s and the whispered vocals make for an interesting listen. Thanks, Spotify’s Discover Weekly!

Pristine by Snail Mail: The brain child of nineteen year old Lindsey Jordan, Snail Mail is one of the most intriguing indie rock acts I’ve heard this year. Her debut album, Lush, is full of awesome songs, but Pristine has got to be my favorite. The lyrics about the monotony of party culture, accompanied by an upbeat guitar riff and communicated through her raw vocals, all come together to form a song that you can both headbang and relax to.

She’s Kerosene by The Interrupters: I don’t listen to ska punk, but this song is a just a ton of fun. There’s a sweet saxophone solo, and holy crap does Aimee Allen have a ton of personality on the vocals. Even my dad liked this song.

Body Talks by The Struts ft. Kesha: AND I MEAN THE KESHA VERSION. The original is fine, but when you’ve got a version of a song with Kesha on it, do you really need to hear the other one? This song has such an explosive and rocking chorus and Luke Spiller of The Struts and Kesha have great chemistry. I hope Kesha ventures more into the rock genre in the future, because she, well, rocks at it.

Midnight by Black Honey: A grimy banger complete with bold vocals, a chorus that will get. stuck. in your. head, assertive guitars, and a kick ass synthesizer solo? Yes, please. I loved Midnight from the first time I heard it. I might have mentioned before that I heard of this song through YouTube recommendations, and I’m so happy to have come across this song and this band.

Lavender Bones by Stand Atlantic: As I mentioned in my artist recommendation post, this song is the update to Misery Business by Paramore that I never knew I needed. It’s noisy, it’s angry, it’s so goddamn catchy. I’m not always into the whole punk sound, but this song surpasses its genre. It’s just so good.

Shame by Elle King: Since hearing Ex’s and Oh’s back in 2015, I’ve been obsessed with Elle King’s debut, Love Stuff. It’s one of those albums that I can put on and listen to all the way through. Her follow up, Shake The Spirit, was also pretty good, showcasing her gritty, powerful voice intertwined with rock, blues, and country elements. This song is the standout, explosive, boot stomping, and a whole lot of fun.

Uh Huh by Jade Bird: This song is the epitome of a headbanger. It was a tossup between this song and her other singles, Love Has All Been Done Before and Lottery, for this list, but this one just had to be on it. This is one of my most listened to rock songs of the year. The energetic guitar gives the song an electric pulse, and Jade Bird’s vocals... holy shit does she have pipes. Her voice reminds me of Alanis Morissette. This song sprints at full speed, as over as quickly as it started, and a hell of a rush too.

Fireworks by First Aid Kit: I’m not a big fan of country/folk music, but this Swedish sister duo have surpassed my usual genre bias time and time again. This song is my favorite off of their album Ruins, (they dropped the EP Tender Offerings this year, too. It’s a lovely little slice of folk that I’d definitely recommend y’all check out.) This is a grand, soaring ballad, showcasing the sisters’ harmonization and a showstopping string instrument. Just gorgeous.

Reasons Not To Die (Demo) by Ryn Weaver: Ryn Weaver was one of the first artists I listened to when I was first defining my taste in music. Her album The Fool is what got me into the indie pop and alternative genres. While hopeful that she’d drop more music, I was also pretty sure that it wasn’t going to happen for a long, long while because she doesn’t currently have a label. Then this song came along. Everything about it is beautiful: Ryn’s vibrato-rich voice, the melody, the lyrics, guys. This song’s lyrics are so personal and authentic. As the song continues, it builds up to this crescendo, and Ryn’s voice gets more powerful and yet more vulnerable at the same time, the music swells... and then it drops back down again. This song makes me teary whenever I hear it, and that doesn’t happen that often. Please, Ryn. Drop more music. Lorde knows we need voices like yours in the current music scene.

Listen to the complete mix of all these songs HERE. What were your favorite songs of 2018? Any artists, albums, singles, etc. I should know about? Leave your thoughts and recommendations down below.

#favorites #songs #music #i'm not tagging every artist good lorde #taste in music #taste in music 2018 faves

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