south park s27 episode: the girls get really into shifting. cartman tries it so that he can shift into a universe that is just like their own except everyone loves him and also he has a dad and no one calls him fat. kyle tries to prove that he’s just lucid dreaming and should probably see a psychologist but everyone in the town starts believing that cartman is actually tapping into some kind of wormhole. heidi shifts to harry potter and accidentally beats draco malfoy to death and is really scared that she’s going to get actual real life arrested.

PROMPT LIST

Here is my prompt list. You can either use these or your specific plot to request. Remember to add your requested driver and the corresponding letter and number if you use a prompt. I mainly write for: Lando Norris but I’ll take other driver requests if I’m not busy.

FLUFF F1. "I will walk you home." F2. "I want everything with you." F3. "You care too much for an idiot like me." F4. "Remind me why we waited so long?" F5. "I could spend forever in your arms." F6. Wait did you just ask me out?" F7. "Can I kiss you?" F8. "I can get used to this." F9. "Do we have to share a room?" F10. "Apparently we are dating." F11. "My clothes look better on you." F12. "You feel like home." F13. "Is this a date?" F14. "Is that my shirt?" F15. "Why are you being so nice?" F16. "I don't think I can be just your friend." F17. "I've waited so long for this." F18. "My friends made a bet to see how long it would take for me to ask you out, so here I am." F19. "Would you mind staying a little longer?" F20. "You can't keep pretending it didn't happen." F21. "Do you want to come to the next race?" F22. "Can I use this as an excuse for our second date?" F23. You were the last two single friends in your friend group. F24. "I'm sorry, do I know you?" F25. "Because I fell for you, isn't it obvious?" F26. "You shouldn't look at me like that and then say that we are just friends." F27. "You're telling me you believe in love at first sight?" F28. "Those things you said, did you mean them?" F29. "I have no one to go to the wedding with." F30. "There will be better days, but I will be here for all of them." F31. "Nothing some love and care and a good soup can't fix." F32. "I'm here to support you, always." F33. "We don't have to do this, if you don't want to." F34. "I've seen the way he looks at you." F35. "You have no idea how long I've waited for this."

SMUT S1. His thumb had begun to run up and down your thigh. S2. His actions had you moaning quietly, desperate for his touch. S3. "It's not my fault you keep turning me on." S4. "I love it when you kiss my neck." S5. "Do you want to put my shirt on?" S6. "Don't give me that look." S7. "Do you think they can hear us?" S8. "Don't talk to me when you're only wearing a towel." S9. "I'm trying to sleep." S10. "If we get caught, it's your fault." S11. "Don't make me pull over." S12. "Friends don't do this type of shit." S13. "You're going to regret this." S14. "I can't control myself around you." S15. "We are not sleeping tonight." S16. "I normally don't do second rounds, but for you I'm willing to make an exception." S17. "We really shouldn't be doing this." S18. "that's not what you said last night." S19. "This can never happen again." S20. "Going to fuck the word friend right out of your mouth." S21. "You had to know it was this big." S22. "Not going to last very long, if you keep doing that." S23. "I love the way look when I'm inside you." S24. "I've never wanted to fuck you more than I do now." S25. "You can't keep coming over in the middle of the night." S26. "Your eyes are saying so much more than your mouth right now." S27. "I like it when you moan my name." S28. "Don't start something you won't finish." S29. "If you don't like it, then we will move on." S30. "Are you sure you want this? We can still stop." S31. "Keep doing that and I won't be gentle." S32. "I'm going to fuck you, so there is at least one thing I fucked the right way." S33. "This is a one time thing." S34. "Don't be gentle." S35. "I've never done this before." S36. "There is no way anyone is that innocent." S37. "No one can ever find out about this." S38. "It's like I hear angels, every time I hear you moan." S39. "Don't act innocent now." S40. "You don't know what you do to me, do you?" S41. "Are you going to join me or just keep staring?" S42. "Round two?" S43. "I need to feel all of you." S44. His hands wraps around your throat. S45. "Are you going to keep eye fucking me?"

ANGST A1. "I know I fucked up." A2. "I don't know how to deal with this." A3. "I don't know how much more of this I can actually deal with." A4. "I know this might be dumb, but can you stay with me?" A5. "If you love me, then why did you sleep with him?" A6. "Please, just listen for a second." A7. "I hate seeing you like this." A8. "Is that what you think about me?" A9. "What happened?" A10. "I just want to see you happy." A11. "Nobody compares to you." A12. "You're not alone." A13. "Have I ever lied to you?" A14. "You are saying goodbye, aren't you?" A15. "Don't finish that sentence." A16. "You can't fix this." A17. "Don't make promises you can't keep." A18. They are meant to be, in another universe." A19. "He would've made it." A20. "I've been in love with you since we were kids." A21. "I was happier with you." A22. "It's pouring rain, why are you here?" A23. "I didn't know where else to go." A24. "Why are you walking out of my life?" A25. "They still ask about you." A26. "And then he left." A27. "I'm tired of keeping this a secret." A28. "Don't you see I'm trying?" A29. "Don't go on that date." A30. "I never stopped loving you." A31. "I could have won." A32. "I'd rather deny my feeling than have to explain them." A33. "You can't keep pretending it didn't happen." A34. It was not what was said that ended their relationship. It was what went unsaid. A35. "I never stopped supporting you, although it hurt." A36. "I didn't know where else to go." A37. "You probably don't want to watch this." A38. "You didn't deserve to hear that." A39. "Oh my god, can you hear yourself!" A40. "You know I want you. It's not a secret I try to hide, but I can't have you."

*Rhetoric as Narrative*

In this entry, I will be examining the question(s): What narratives are important to me or U.S culture or a certain group of people? What truths does it promote? What truths does it limit or ignore? What are the advantages or disadvantages of this narrative?

To help me investigate these questions, I will be analyzing a press conference with Penn State football coach James Franklin after they lost to Ohio State this past year by one point. This press conferences forms a narrative based of loss to Ohio State to work harder after failure as opposed to quitting and accepting defeat. James Franklin uses rhetoric to create a narrative that is very motivational for the success of his football team moving forward. This press conferences highlights the things his program is going to do differently moving forward to help allow the program go from great to elite. 

“Narratives can be stories, characters, themes, or plots that describe events” (Palczewski, Ice, Fritch 2012). Narratives are referential. Stories can be told in different manners because everyone interprets or experiences a situation in a different way. They indicate values and ideology and engage interest throughout. I chose this artifact involving Penn State because of the current state of their football program. Which revolves around the american success narrative that the harder you work the more success you can obtain. In this press conference with James Franklin, Penn State is suffering a tough loss to Ohio State. Penn State was leading by a margin the entire game and ending up coming one point short to Ohio State for the second year in a row. In the press conference, Franklin talks about the football program going from average to great and from great to elite. He talks about the strides the team has made to become great but he then focuses on how such little details make up the difference between great and elite. The truths that this narrative shows is that after defeat it is a social norm to not give up and work even harder. Franklin talks about how much harder the entire program is going to work to bridge the gap between great and elite. He talks about all the little details such as going to class are what is going to make the difference. Some truths this narrative limits are the fact that just because you say you are going to do something doesn’t mean it’s going to happen. This revolves around the idea that just because we work harder doesn’t mean we are promised anything more because of it. So for the purpose of this artifact, Penn State is not promised to go from great to elite just because James Franklin says they are going to outwork everyone else by the little things. In “Rhetoric in civic life”, it states, “Narratives are interesting and enjoyable, even when they are about painful events,” (Palczewski 126). I think this relates directly to this interview because although Penn State was suffering a very hard loss, the interview was very enjoyable to watch and provided an important message of how very small details over the course of a game or even life are what make the difference between winning/losing or even success vs. failure.

This narrative shows more advantages than disadvantages because of the theme that is prevalent throughout the press conference. It shows the norm of expectations for powerful programs like Penn State. It shows that after losses by one point in back to back years is not an excuse to give up and stop working hard. The coach shows how the situation is going to motivate him and his entire program to do better in every aspect of life, which includes all the things players and coaches do off the football field. A message like this is setting a high standard for not only Penn State athletics but everyone they compete against. As an athletic program, this interview sends the message of match up with our standards or we will outperform you. Some people could have blamed the entire game on poor weather, bad officiating, or many other factors. Franklin shows the impact of integrity and it’s very important to always own up to what you do and not blame others for the outcome of your decisions.

In additional research, I analyzed a scholarly article titled “Narratives Hold Open the Future”. This article elaborates on how narratives play a tremendous role in our individual lives and can mold our personalities. They do this by bringing listeners into the memory with the storyteller, causing us to empathize with their dilemma that has brought them to the future they now are at (Halpern S25). This article goes on to talk about narrative ethics, narratives within friendships, and the importance of communication and how hearing different narratives can change our thinking or motivation. Halpern states that “Narratives can help people see that our individual potential can be widened if we have others who can listen to us with open minds and help us form our stories” (S27). This holds well with the press conference that I analyzed because it focuses on how the impact of losing by one point to Ohio State is going to strongly make the Penn State football team want to be that much better. It focuses on how the narrative that what their coach is saying in the press conference is going to translate back to being better in every aspect of life so it ultimately bridges the gap between great and elite. Their story is losing to Ohio State two years in a row and it creates a sense for each individual to be that much better. Each teammate is going to be responsible for making the person beside them as good as they are willing to be. This press conference also connected with me on a deeper level because I saw on the bus ride home following one of our losses to Millikin University in which our case we lost back to back years by one point in each game. So I was able to relate to this narrative very strongly and it motivated me to be better in all aspects of life on and off the football field.

In summary, narratives and narrative ethics are important to individuals and how they go about achieving their success. Narratives can be a useful way for us to express emotions after certain situations and also a way for us to move forward in life. This interview presents the narrative of moving forward in life with hard work. It demonstrates the reward that success can bring and how hard it can be to achieve. It also shows that all the hard work in the world can still leave you to come up a point short. But instead of blaming other people and quitting, this narrative embraces the idea that suffering from defeat is not an excuse to quit but rather use it as motivation to be successful moving forward.

References:

ESPN. (2018, September 29). ESPN “James Franklin sounds off over loss to     Ohio State”. Retrieved March 22, 2018, from https://www.youtube.com/watch?v=V6zBzZSitDc

Halpern, J. (2014). Narratives Hold Open the Future. Hastings Center Report, 44(pp. S25-S27).

Palczewski, C. H., Ice, R., Fritch, J. (2012). Narratives. In Rhetoric in Civic Life (pp. 117-146). State College, PA: Strata Publishing, Inc.

I can't believe The Simpsons angered Big Dairy enough to have an episode cut because it talked about them all growing hair because of the hormones in milk.

I wish this was just me being factious but unfortunately it's not it literally cut through, very sloppily, the entire plot point.

S27 E11 On xfinity on demand. The entire episode literally ran 9 minutes with majorly sloppy editing.

S27: Kung Fu Temper Tantrum

Iron Fist.

Marvel's Netflix series have seen quite a bit of success beginning with Daredevil, then leading into Jessica Jones and Luke Cage, but before we get to The Defenders there is one more stop they had to make in K'un-Lun to pick up a wayward kung fu master.

In this supplemental episode of The 602 Club host Matthew Rushing is joined by Daniel Proulx to talk about Iron Fist. We discuss our first impressions, the characters, plot and premise, fight scenes, the music, The Defenders and our ratings.

Chapters First Impressions (00:03:01) Danny Rand/Finn Jones (00:12:33) Colleen Wing (00:24:59) The Meachum Kids (00:28:59) Davos (00:36:55) Bakuto (00:39:02) Claire Temple (00:39:56) David Wenham (00:42:46) Plot and Premise (00:46:07) Fight Scenes (00:53:48) The Music (01:00:20) The Defenders (01:03:19) Ratings (01:08:36)

Host Matthew Rushing

Guest Daniel Proulx

Production Matthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) Ken Tripp (Executive Producer) Matthew Rushing (Executive Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager) Ken Tripp (Associate Producer) Davis Grayson (Associate Producer)

New podcast episode:

If you had creative control over s27, what storylines would you do

a-plot: cartman diagnoses himself with autism and starts using it as an excuse to be a dick. kyle and craig team to up try and fight him on this. craig wouldn’t have been part of this, but it’s personal this time and he assumes that it is for kyle too, being that he’s autistic. kyle is under exactly zero impression that he is autistic btw.

b-plot: randy starts to get more and more suspicious of stan being gay. in an attempt to right his past wrongs and make his son feel like he has a safe space to come out, he tries to proposition a bunch of the dads in town to have sex with him so stan can have a good bisexual role model in the home.

i will eat up any and all s27 plots you give actually. can i have another?

a-plot: the trans panic comes to south park. a bunch of the parents are terrified that their kids are being forced to be gay and trans by the school and start holding massive protests for it. the kids try to assure their parents that they don’t learn ANYTHING in school, god forbid anything about their own identities, but they refuse to listen and demand to sit in on their kids classes and make sure that no one is learning about any kind of Gender Ideology in there. fed up, the boys hop a plane to florida to track down ron desantis so they can fight this problem at the source. they put a bunch of laxatives in his coffee, which he takes to the debates, leading to him violently shitting himself on national television. this leads to the parents getting disillusioned and realizing that maybe this isn’t exactly the person they should be treating as someone whose ideas are worth following.

b-plot: tweek and craig are turned into figureheads of the resistance against the parents’ panic, being the only out gay kids. this makes tweek freak the fuck out, naturally, and also pisses craig off because he doesn’t want to be a part of this. they both plan to figure out if there are any other kids at the school that are closeted that they can convince to come out and become figureheads instead of them, because it really is a lot of pressure. enter stan. for the record, stan doesn’t come out here, he doesn’t even realize that he’s gay, he just wants the attention and praise.

gimme another s27 episode plot please

a-plot: cartman and butters are putting up increasingly absurd items on resale sites like depop with the goal of becoming ridiculously rich from scamming people. they start with just normal clothes and build up and up until they’re selling catholic indulgences and eventually butters himself. butters is really mad about this part because the price is only $10 and he thinks he’s worth at least $15. cartman disagrees.

b-plot: obviously they have to do a trump arrest one. they’ve got to. it’s fucking south park. so the b-plot is a looney tunes ass chase of mr garrison to bring him to the courthouse. and he’s simultaneously experiencing a christmas carol situation with a bunch of dead mobsters who are the ghosts of RICO act past present and future and trying to show him why he HAS to turn himself in. for SOCIETY. and yeah obviously he has a cunty mugshot photoshoot. once again this is an obligatory b-plot you guys know this.

S27 plotline: style (as in, even just them INTERACTING) edition????

a-plot: a category 4 hurricane is heading towards south park and everyone is doomsday prepping for it. the boys try to go and take cover in cartman’s basement, but stan and kyle end up getting separated and find themselves stuck in the middle of the storm. the storm itself is actually just mild drizzling, but they’re treated it with the gravity of the full on hurricane that it was predicted to be. stan and kyle are holding onto each other sobbing saying how important they are to each other because they’re convinced they’re gonna die and in the end the worst thing is that kyle’s hair gets fucked up. which some might argue is as bad as dying.

b-plot: cartman and kenny make it safely to cartman’s basement and have a massive sleepover bash where they order a shitton of pizza and desserts and play tons of video games and just have fun. they invite other people but no one comes because of the hurricane. this is only a mild b-plot, as it’s mostly used to juxtapose stan and kyle’s suffering and tragedy with cartman and kenny just having the time of their lives, but it’s a b-plot nonetheless. in the end, when it’s declared safe to go outside, kenny goes upstairs and the hurricane suddenly picks up and kills him on impact. after kenny dies, the rain stops completely and everything goes back to normal.

you think you could come up with a s27 plot concerning the stepbrothers au?

a-plot: cartman’s mom and clyde’s dad announce that they’ve gotten engaged and cartman and clyde decide that they have to do everything in their power to prevent this from happening. cartman because he loves being an only child and not sharing attention and clyde because Cartman. they try to break them up with increasingly elaborate schemes and work together on it but while clyde is just trying to stop the marriage cartman is totally chill with just killing clyde’s dad. clyde is unaware of this factor.

b-plot: liane tries to erase all evidence of her past and tie up any loose ends with her previous partners so she can move on and also keep roger in the dark as much as possible. this is especially difficult because 1. clyde is hellbent on informing his dad of EVERYTHING and 2. as we all know she’s slept with most of the town so it’s a LOT of work to try and convince every single person to keep their mouths shut it’s a whole ORDEAL. and the thing is roger very much knows everything about her, he just doesn’t really give a shit.

feed us more s27 plots

a-plot: stan gets cast in a bit role on a show after being discovered on the street. when he finds out that he’s not actually going to be on the show and they’re just going to use his likeness through AI, he’s outraged and makes a big thing of it, leading to the WGA and SAG strike occurring (because you Know that’s gonna be a plotline) and stan being the face of the strike. he obviously gets in over his head. also he probably ends up getting into a physical fight with bob iger.

b-plot: cartman starts scabbing and gets cast in a bunch of movies and becomes a new hollywood it girl. he’s also doing tons of interviews where he tells everyone that stan pees the bed and eats human shit for breakfast lunch and dinner as a form of class warfare. clyde is also trying to scab but is unsuccessful, as none of the production companies will take his screenplays. he also blames this on stan and teams up with cartman to destroy him.

got any s27 plot ideas that focus on catg?

a-plot: tolkien clyde and jimmy create their own form of cryptocurrency because they want to get a head start on participating in the free market. it becomes an overnight hit and they find themselves in hot water when elon musk—jealous of their success—challenges them to a battle of wits and a battle of fists. midway through the episode there’s a rocky style montage of them training for the fight. the fight ends with tolkien getting one hit in and elon collapsing to the ground and sobbing violently about how mean everyone is to him for no reason and his fans who came to watch all crowd around him and reassure him that he’s a genius and very very impressive and super up-to-date with memes and youth trends.

b-plot: wendy tries to raise awareness of the dangers of crypto and data mining to the environment in the rise in popularity of crypto in the town because of tolkien jimmy and clyde’s success. this ends up confusing the other kids, who think data mining is actual physical mining like in the coal mines, which leads to a there will be blood esque parody with cartman trying to “mine” for data in the desert and kyle trying to stop him. for anyone who has seen the movie and cares, cartman is daniel day lewis and kyle is paul dano.

your s27 plots are so so good actually. what witchcraft is this

autism