Poor Devil - Teaser Trailer

a deleted scene, i think. the only known remnants of this are these screengrabs from the teaser on YouTube. went through all the episodes and didn't see it anywhere?? based on stan's charred body, I assume it was from episode 4. Very unfortunate if it is deleted.

If I missed it and someone can let me know where the full scene is in the show, i'd greatly appreciate it!

"Get me, I'm a super-cat!"

It would be fair to say that dogs predominate in the ranks of heroic and super-heroic animals, but cats aren't wholly unrepresented. Consider, for example, Supergirl's cat Streaky, first seen in ACTION COMICS #261 (February 1960). Streaky was originally an ordinary stray cat Supergirl adopted in her guise of Linda Lee, but watch out:

Now, if you have a cat, have ever had a cat, or have ever met a cat, you might think that this could go very badly indeed, but while Streaky is mischievous, he does have a good heart:

Still, it's perhaps fortunate that Streaky's powers prove to only be temporary (and even more fortunate that Supergirl is around to rescue him when his powers fade while he's flying high above the Earth). However, the X-Kryptonite meteor is still out there...

Of course, Streaky did become super again, eventually joining the Legion of Super-Pets along with Krypto the Super-Dog. I have to say candidly, though, that the idea of a cat with heat vision should chill the soul. (If your cat had laser eyes, would they use that power for good? I think not.)

On the orphanage business: In the Silver Age, Superman's cousin, Kara Zor-El, arrived on Earth when she was 14 or 15, having been born in Argo City after the destruction of Krypton. While her parents sent her to find her cousin, presumably assuming he would take her in, Superman refused to adopt Kara, instead forcing her to enter an orphanage (!) under the name Linda Lee and keep her heroic exploits as Supergirl a secret. She was subsequently adopted — no thanks to Superman — by Fred and Edna Danvers, and later learned that her Kryptonian parents were still alive, having survived the destruction of Argo City. Kara decided to remain with the Danvers, while Zor-El and Alura, uncomfortable with trying to assimilate into human culture, settled in the Bottle City of Kandor and later on the planet Rokyn, where Kandor was enlarged in the late '70s.

Azirian Vesinak Yanave (Arizyn)

~ human. he/she. 19. 05/08. pangraysexual ~

Born to the high Yanave family of the Hazik Tribe, Arizyn had always enjoyed a life of luxury. His family had always been wary of the child for his 'strange' tendencies. Instead of studying the arts and mastering a craft like the other city children, Arizyn had always opted to study something darker. He had always been fascinated by the concept of life and death, but it still came as a devastating shock to her parents when she experimented her curiosities on small animals. Upon seeing his parents' reactions, he did his best to act 'normal,' but he never truly felt as though she belonged, forcing herself to still her interests to be accepted.

It was worse when Arizyn revealed her magical affinity for life and death. Shunned from the tribe by his family and peers, she settled in Rokyn, the capital city of Nihaga. After a year of hardship, Arizyn manages to enroll himself into the most prestigious school in the kingdom, where he's free to study what he wishes. For once, Arizyn is surrounded by support, and he can't help but think that things are finally looking up.

It didn't take long for Arizyn's professors to interpret that his research was the opposite of good. He was ridiculed and belittled out of fear by his peers and mentors. The ones he let grow close to him shut him out, sneering at his works and treating him as less than human. Arizyn quickly realized what happened, but couldn't help but feel wronged for being treated as he was when he never did anything bad.

Once more turned away from what he once considered his home, she crosses the border to Arkya. For the first time since she'd left home, something bitter grows within him, twisting and turning dark beyond measure.

Now residing in the forgotten depths beneath the Military Academy, Arizyn waits for the day he can enact his revenge on the ones who antagonized him for what was once simply a curiosity.

Mediapro anuncia para Cartoon Movie, el proyecto de animación, "Mudanza dimensional"

Mediapro anuncia para Cartoon Movie, el proyecto de animación, “Mudanza dimensional”

Mediapro entra en el mundo de la animación  anunciando su primer proyecto de largometraje de animación, “Mudanza dimensional”, que se presentarà en la próxima edicin de Cartoon  Movie de Burdeos del próximo marzo. Este latgo que está coproducido con Rokyn Animation tendrá guion de Joaquín Reyes y Miguel Esteban, que colaborarán en la dirección de la cinta con Manuel Sicilia, que en su día llevó a…

View On WordPress

La nueva generación de películas de animación mide su potencial en Burdeos

París, 5 mar (EFE).- Un año más, y ya suman 21, el cine de animación europeo se congrega a partir de este martes en el foro Cartoon Movie para buscar financiación, socios de coproducción o distribuidoras que den salida a sus proyectos, en los que empiezan a consolidarse los dirigidos a jóvenes y adultos. Burdeos, por tercera edición consecutiva, será el epicentro de las reuniones entre unos 900 profesionales del sector, que en esta ocasión presentan 66 proyectos de largometrajes de 22 países europeos. De ellos, 44 están dirigidos a un público familiar, ocho a una audiencia infantil, uno a niños de preescolar y los 13 restantes a adultos o jóvenes adultos, reflejo de que es un género apto para todo tipo de destinatarios. "En la animación todo es posible: tanto partir de una historia y de personajes imaginarios y completamente irreales como de un contenido muy realista", explica a EFE la directora del foro, Annick Maes. Cartoon Movie celebra este martes el Cartoon Games, una actividad paralela que aspira a crear sinergias entre la industria de la animación y la de los videojuegos, y desde mañana y hasta el jueves pondrá su foco en las presentaciones y en las citas entre participantes. Solo siete largometrajes que se presentarán en Burdeos están ya acabados, incluido el español "Buñuel en el laberinto de las tortugas", dirigida por Salvador Simó, nominado al premio al mejor director europeo. El resto se encuentra en fase de concepto (28), desarrollo (24) y producción (7), y su presupuesto global asciende a los 427,5 millones de euros (485 millones de dólares). Uno de sus platos fuertes será este miércoles la presentación de "Where is Anne Frank?", adaptación que el cineasta israelí Ari Folman, responsable de la premiada "Vals con Bashir", ha hecho de "El diario de Ana Frank", que ya convirtió en novela gráfica y ahora pasará a la pantalla grande. Cartoon Movie no es una feria ni un festival, sino la plataforma que conecta a los distintos actores de este negocio, en el que Francia se coloca como el mayor productor de animación en Europa y el tercero en el mundo, por detrás de Estados Unidos y Japón. "Es el sitio en el que hay que estar a nivel mundial", resume Manuel Cristóbal, responsable de éxitos como "Arrugas", miembro del foro y que en esta edición acude como productor de la esperada cinta sobre Buñuel, que en España se estrenará en abril. La presencia española incluye otras cinco producciones: "Gus, el perro guía"; "Steve & Jacob", "My grandfather used to say he saw demons", "The tree of ears" y "Mudanza dimensional", con la que Mediapro, junto al estudio Rokyn Animation, se embarca por primera vez en el cine de animación. "Es un muy buen síntoma", destaca Cristóbal sobre la incursión de productoras dedicadas hasta ahora a la ficción. "Nuevos actores te permiten llegar a nichos mundiales. A la animación hay que tenerle respeto pero no miedo, porque al final es un tipo de industria que trae muchas alegrías y sobre todo crea mucho empleo". Desde su primera edición en 1999 y gracias a fondos de la Unión Europea, Cartoon Movie ha permitido encontrar financiación a 328 películas, con un presupuesto global de 2.100 millones de euros (unos 2.380 millones de dólares). EFE