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weirdlookindog · 10 months

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Blood Mania (1970)

#blood mania #peter carpenter #maria de aragon #vicki peters #1970 #1970s movies #robert vincent o'neil #sleaze #trash classic #crown international #horror movie poster

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garadinervi · 2 months

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You can go anywhere – The Josef and Anni Albers Foundation at 50, Edited by Edouard Detaille and Willem van Roij, Designed by Graphic Thought Facility, The Josef and Anni Albers Foundation, Bethany, CT, 2022 [Yvon Lambert, Paris. Les presses du réel, Dijon. David Zwirner Books, New York, NY]

Contributors: Laurent Van Reepinghen, Adhiraj Shekhawat, Josh Slocum, Louis Valentin, Matthias Persson, Charles Lemonides, Charlotte Fox Weber, Robbie Smith, Lucy Swift Weber, Victoria Ebin, Fiona Kearney, Hans Renders, Brigitte Degois, Eve Tribouillet-Rozencweig, Gilles Degois, Vincent Broqua, Fabrice Hergott, Raffi Kaiser, Francois Olislaeger, Giovanni Hänninen, Alberto Amoretti, Erika Goldman, Francois Gibault, Belle Place, Nancy Weber, Patrick Dewavrin, Nick Murphy, Bruno Racine, Gerard Sénac, Louis Racine, Daniele Reiber, Robert Devereux, Elena Arzak, Marta Arzak, Daphne Warburg Astor, Atlante, Chiara Graffer, Dario Jucker, Matthew Bourne, Wayne McGregor, Rebecca Salter, Heinz Liesbrock, Paul Smith, Emilia Terragni, Michael Semff, Mando Watson, Shane O'Neill, Nicolas Fox Weber, Paolo Papone, Pierre-Alexis Dumas, Manuel Herz, Alan Riding, Elisa Nocentini, María Toledi, Manuel Fontan del Junco, Christopher Farr, Katherine Weber, Michael Beggs, Mickey Cartin, Brenda Danilowitz, John Eastman, Louise Eastman, Kelly Feeney, George Gibson, John Gordon, Allegra Itsoga, James Green, Jackie Ivy, Fritz Horstman, Charles Kingsley, Emma K. Lewis, Pierre Thiam, Philip Rylands, Andy Seguin, Clarisse Baleja Saïdi, Sarah Meister, Toshiko Mori, Melanie Niemiec, Tim Prentice, Jeannette Redensek, Ruth Lande Shuman, Anne Sisco, Christine Vincent, Molly Wheeler, Victoria Wilson, Martina Yamin, Paul Neale, David Pilling, Ruth Agoos Villalovos, Magueye Ba, Seydou Badiane, Jaime Yaya Barry, Shannon Hart, Maimouna Ka Sow, Saliou Seck, Moussa Sene, Mamadou Cisse Kante, Bamba Sagna, Lassana Keita, Massamba Camara, Abib Dieye, Saliou Diop, Augustin Diouf, Moustapha Diouf, Lucas Zwirner, David Leiber, David Zwirner

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slxsherwriter · 10 months

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Hello and welcome to my depraved little corner of tumblr. Here I write for a variety of slasher and horror characters. Primarily will be featuring drabbles with the occasional longer piece. Headcanons will feature from time to time

At the time I do NOT consent for my work to be translated or posted anywhere else.

Below you will find some more information on who and what I write.

MINORS DNI. Due to the nature of these characters and potential content, only 18 and older are allowed.

Characters || Rules || Masterlist || Non-slasher writings blog: @rewritethisstxry

What I will write:

Angst

Fluff

Smut

Platonic relationships

Alpha/Omega dynamics

What I won’t write:

Snuff

Rape, rape play, non con

Underage

Inc*st

Who I write for:

Michael Myers (primarily Rob Zombie based)

Corey Cunningham

Bo Sinclair

Vincent Sinclair

Lester Sinclair

Billy Loomis

Rusty Nail

Eric Newlon

Jesse Cromeans

Asa Emory

Stu Macher

Jedidiah Sawyer

Ethan Landry

Mickey Altieri

Tex Sawyer

Thomas Brown Hewitt

Jason Voorhees

Evan MacMillan

Frank Morrison

Caleb Quinn

John Ryder

Leslie Vernon

Ethan Belfrage

Dr. Richard Sommers

Lawrence O'Neill

Lawrence Gordon

Robert Englund characters

Wayne Jackson (A Good Day for It)

Stuart Lloyd (The Last Showing)

Dr. Peter Andover (Fear Clinic)

Professor William Wexler (Urban Legend)

Doc Halloran (Behind the Mask)

Dr. Anton Rudolph (Python)

Jim Bickerman (Lake Placid)

Mayor Buckman (2001 Maniacs)

Warden Kane (The Funhouse Massacre)

Inkubus (Inkubus)

Sheriff Richard Berger (Heartstopper)

Scratch Monahan (Windfall)

Detective Gassner (Criminal Minds)

Mr. Meredith (Natty Knocks)

Costas Mandylor characters

Mark Hoffman (Saw)

The Warden (Death Count)

John Shepherd (Bloodthirst)

Agent Cole Bennett (Night of the Sicario)

Cylus Atkinson (The Horde)

Raymond Crowe (Saints & Sinners)

Jim (Blackout)

Chase Harper (Primal Doubt)

Stephan Lang characters

Norman Nordstrom (Don’t Breathe)

The Party Crasher (The Hard Way)

Miles Quartich (Avatar)

Fred Parras (VFW)

Holt Ramsey (A Good Marriage)

John Korver(Gridlocked)

Tony Cobb (Monkey Paw)

Nathaniel Taylor (Terra Nova)

Richard Brake characters

Winslow Foxworth Coltrane (3 From Hell)

Doom-head (31)

Dean Portman (Doom)

Otis Clairborne (RIPD 2)

William Colcott (The Gates)

Mr. Big (Bingo Hell)

Dr. Henry Augustus Wolfgang (The Munsters)

Norman Tyrus (A Good Day For It)

Bill Moseley characters

Otis Driftwood

Luigi Largo (Repo)

Darryl (Old 37)

Logan Burnhardt (Dead Air)

Frank (Fair Game)

Doc (Shed of the Dead)

Zach Garrett (Halloween)

Jake Spooler (The Practice)

Abner Honeywell (Natty Knocks)

Gimple (Minutes to Midnight)

Captain Harris (Welcome to Horrorwood series)

Farmer Sam (Hayride to Hell)

Bruce (Boar)

Jacob Sutter (The Horde)

Peter Van Hooten (The House of the Witchdoctor)

Deputy Henry Depford (Dead Souls)

#slashers #slasher fic #slasher x reader #slasher imagines #horror imagines #horror writing #slasher writing

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oui-bo-wie · 1 year

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Donna Wilkes - Robert Vincent O'Neil

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byneddiedingo · 2 years

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Gene Kelly and Frank Sinatra in Anchors Aweigh (George Sidney, 1945) Cast: Gene Kelly, Frank Sinatra, Kathryn Grayson, José Iturbi, Dean Stockwell, Pamela Britton, Rags Ragland, Billy Gilbert, Henry O'Neill, Carlos Ramirez, Edgar Kennedy, Grady Sutton, Leon Ames, Sharon McManus. Screenplay: Isobel Lennart, Natalie Marcin. Cinematography: Charles P. Boyle, Robert H. Planck. Art direction: Randall Duell, Cedric Gibbons. Film editing: Adrienne Fazan. Music: George Stoll. Anchors Aweigh is not in the top tier of MGM musicals. It doesn't have the smooth integration of story with music found in Vincente Minnelli's Meet Me in St. Louis (1944) and An American in Paris (1951) or Stanley Donen and Gene Kelly's Singin' in the Rain (1952). What it does have is Kelly in his breakthrough film, blazing with his uniquely muscular dancing style in some great set pieces, not only the famously beloved sequence in which he dances with Jerry the Mouse, but also in the charming "Mexican Hat Dance" with little Sharon McManus and the spectacular "La Cumparsita" that has him doing stunt leaps and swinging from a curtain to a balcony occupied by Kathryn Grayson. Kelly did the choreography for these numbers, and they depend heavily on long takes that show the dancing to best advantage. But the film also has Frank Sinatra, still in his skinny idol-of-the-bobby-soxers phase, which earned him top billing -- Grayson is billed second and Kelly third. He's in fine voice, and the phrasing that would make him one of the best singers who ever lived is already in evidence; he was also coached by Kelly into being a more-than-passable dancing partner. Unfortunately, the film also has Grayson, the least charming and talented of the run of Hollywood sopranos that began with Jeanette MacDonald and encompassed singers like Grace Moore, Lily Pons, and Deanna Durbin before fizzling out with Jane Powell. Plus there's José Iturbi, the pianist and conductor whose movie stardom remains a mystery (at least to me); he hashes up the Liszt Hungarian Rhapsody No. 2 in a number shot at the Hollywood Bowl where he's accompanied by a stage full of young pianists. The plot, such as it is, hangs on Kelly and Sinatra getting Grayson, with whom both have fallen in love, an audition with Iturbi at MGM and then figuring out which of them will get Grayson. The whole thing unaccountably earned an Oscar nomination for best picture, but it also landed Kelly his only nomination as best actor. It was also nominated for cinematography and for Jule Styne and Sammy Cahn's song "I Fall in Love Too Easily," which Sinatra introduced, and it won for George Stoll's scoring.

#Anchors Aweigh #George Sidney #Gene Kelly #Frank Sinatra

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filmauteur · 2 years

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What do you think this is, a game? You think you get away Scott free?Everything in life has a price on it Angel. Whatever you do,you pay the price. ANGEL (1983) DIRECTED BY:Robert Vincent O'Neil

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anhed-nia · 3 years

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BLOGTOBER 10/8/2021: ANGEL (1983)

The poster for this movie has been haunting me for years, so I don't know why I didn't get around to watching it faster. It scared me, actually. I understood that the key concept was "jailbait", but the expression of it was frighteningly extreme. The right-hand image looks like something from BUGSY MALONE, but with no obvious sense of irony. Despite her lurid styling, nobody would consider this iteration of Donna Wilkes sexually viable; despite being in her mid-20s, she looks like she's about 9. But maybe that should have been my first clue that this movie was on the level: This image doesn't really capitalize on pedophilic impulses, unless you're already too far gone. Something deeper must be afoot.

Writer-director Robert Vincent O'Neil wrote VICE SQUAD the previous year, and if I had known about that when this image used to threaten me in video stores, I would have been a LOT more afraid of it. I also would have been wronger than usual. Although ANGEL takes place in the heyday of Hollywood Boulevard scumbaggery, and features a super sadistic serial killer, it truly has a heart of gold. Once you get used to Ms. Wilkes' extreme appearance, and settle in to the engrossing story and roundly lovey performances, you can stop worrying about whether and how much the movie is promoting perversion.

The titular ANGEL (have I ever felt more awkward using the word "titular"?) is a diligent prep school student by day, and a nymphet for hire by night. I referenced BUGSY MALONE earlier, but I was also reminded of another scandalous Jodie Foster picture, THE LITTLE GIRL WHO LIVES DOWN THE LANE, in which our underage heroine is secretly living without the hindrance of parents. Apparently abandoned, Angel has been making her way alone for years, and her resourcefulness will come in handy when a crazed psychopath starts picking off her friends.

Luckily, these include wild west refugee Kit Carson (Rory Calhoun), tough but maternal crossdresser Mae West (Dick Shawn), and her hardboiled landlady Solly (Susan Tyrrell), who I'd be good money is related to Mole McHenry. This colorful cast infuses ANGEL with a spicy warmth letting you know that, although this has all the trappings of a dyed in the wool exploitation movie, its characters are human, not just chum for cheap thrills. Actually, ANGEL is so sweet and humane—that is, it's so focused on establishing the humanity of its downtrodden characters, more than their often gruesome circumstances—that I worried it might not really fit into my Blogtober program. Fortunately, John Diehl is here to darken things as the deranged murderer typically obsessed with ladies of the evening, in a performance that is much better seen than described. He certainly represents an undeniable horror element, at the very least. And that's how I'll justify this screening!

See???

#angel #1983 #robert vincent o'neil #exploitation #slasher #blogtober #donna wilkes #susan tyrrell #dick shawn #john diehl #rory calhoun #cliff gorman

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watching-pictures-move · 3 years

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Movie Review | Angel (O'Neil, 1984)

Given the sleazy subject matter, I was surprised by the amount of warmth in Angel. This is a movie about a child prostitute whose friends are murdered by a serial killer, yet in delivering these salacious elements, the movie achieves an impressive level of dramatic weight. There's a surprising amount of attention devoted to the social dynamic on the street, between the prostitutes and the other performers, including a Charlie Chaplin impersonator and a kindly old cowboy played by Rory Calhoun. These characters are likable individuals with real personalities who form something of a family with the heroine played by Donna Wilkes. Even more surprisingly, the movie does a respectable job with its LGBT characters, including an old trans prostitute played by Dick Shawn and a lesbian landlady played by Susan Tyrell. Are they broadly drawn? Yes, but the movie shows a welcome amount of compassion toward them - they're a source of some humour but not the butt of the joke. You get the sense that Hollywood Boulevard isn't just a hive of scum and villainy like the premise would suggest, but a living, breathing community. A good amount of credit goes to the cinematography by Andrew Davis, who is no great visual stylist but brings some of the same feel for location that would distinguish Code of Silence, which he directed the following year. His work is particularly gripping in the climactic chase, where his reliance on handheld gives the action an almost vérité quality.

Movies like this tend to be a bit conservative in that the police are shown to be a stabilizing force, sometimes painting over the antagonistic relationship they've had with sex workers in real life, but again the movie deserves some credit for making its sympathetic cop character kind of an asshole. Yes, he cares, but he's not someone the heroine can readily go to for help. Perhaps unintentionally, it shows the limitations of sympathetic outsiders to this world, in showing a brief yet completely unhelpful visit from a concerned teacher, whose attitude towards the heroine's LGBT friends comes off as entitled and condescending. After Savage Streets, this is the second movie I watched in a row that tries to link the ugly realities of the street with the comfortable domestic existence enjoyed by its assumed target audience, and specifically its impact on children (in the words of Helen Lovejoy... *wrings hands*).

Like that movie this is clumsy in making the connection, although the attempts to pass the cast off as teenagers is less egregious here. Wilkes looks with pigtails a little bit like what Steve Buscemi looks like with a baseball cap turned backwards, and her level of agency feels a bit implausible given her character's age, but she sells this about as well as it can be and turns in a pretty likable performance on the whole. There's also a kid who looks like Poindexter from Revenge of the Nerds and a couple of douchebags, one of whom wears a blazer despite the school not having a uniform, who antagonize the heroine. (The heroine wears a blazer as well, complete with gold buttons. Blazers seem to have been more popular among high schoolers in the '80s than the 2000s when I was of that age. Also beads. Between this and Savage Streets I've seen enough fucking beads for a lifetime.) I did appreciate in delivering the skin quotient, it at least didn't excessively sexualize the heroine (it gets in a few superfluous shower scenes for that purpose), and has a welcome twist on the perfunctory rape scene you think it's setting up.

And of course, the movie wouldn't be very much fun if it didn't have a good villain, and the one here is a real sick fuck. The movie lets you know what a sick fuck he is almost right away. We see him stab a raw egg and drink the yolk while staring at a picture of his mother. He even eats the eggshells. What kind of a sick fuck would do that? His own mother? And then we see him scrubbing himself with a sponge while his junk is facing an uncovered window? What if somebody sees? This fucking sicko probably doesn't even care. And later we see him shaving his own head with a switchblade. Does he even own a razor? Probably, that's how fucked up he is. The picture of the mother is likely the movie's attempt to draw a parallel between him and the heroine's own domestic situation, but given that he's mostly a blank slate (aside from the murders and fucked up personal habits), it doesn't really land. But that's ultimately to the movie's benefit, as the movie's reframing of the slasher movie template keeps us firmly on the heroine's side as the bodies pile up. Not great by any means, but I was pleasantly surprised by how invested I was in this.

#film #movie review #angel #robert vincent o'neil

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betamaxvcr · 4 years

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#angel #robert vincent o'neil #1984

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vhs-ninja · 4 years

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Angel (1984)

#Angel #Robert Vincent O'Neill #Susan Tyrell #Donna Wilkes #Cliff Gorman #VHS #1984

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theartofmoviestills · 4 years

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Wonder Women | Robert Vincent O’Neill | 1973

#wonder women #robert vincent o'neill

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rhetthammersmithhorror · 5 years

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Wonder Women | 1973

#Wonder Women #Ross Hagen #Robert Vincent O'Neill #up in da club #drunk #wasted #rifftrax #party #in da club #Hammersmith Horror #flashing gif #fucked up #cult movie icon

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atomic-chronoscaph · 5 years

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Wonder Women (1973)

#wonder women gif #shirley washington gif #wonder women #70s movies #70s action movies #shirley washington #b-movies #robert vincent o'neill #kung fu #70s exploitation #seventies #1973 #gif #chronoscaph gif

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videoreligion · 6 years

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Angel (1984)

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adimisenko · 6 years

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Wonder Women (1973)

#movies #film #sinema #cinema #Wonder Woman #Robert Vincent O'Neill #action #femme fatale #bad girl #blonde #women fight #fight #b movie #1970s #1970s movies #gif

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calciopics · 2 years

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The Hillsborough 97

Ninety-six men, women and children lose their lives with hundreds more injured. The oldest victim was 67, the youngest, Jon-Paul Gilhooley, aged just 10, was the cousin of Liverpool captain Steven Gerrard.

The name of the 97th Hillsborough disaster victim, who died last year, has been added to Anfield's memorial. Andrew Devine suffered life-changing injuries in the crush at the 1989 FA Cup semi-final in Sheffield, but survived until his death in July 2021.

Jon-Paul Gilhooley - 10 yo Philip Hammond - 14 yo Thomas Anthony Howard - 14 yo Paul Brian Murray - 14 yo Lee Nicol - 14 yo Adam Edward Spearritt - 14 yo Peter Andrew Harrison - 15 yo Victoria Jane Hicks - 15 yo Philip John Steele - 15 yo Kevin Tyrrell - 15 yo Kevin Daniel Williams - 15 yo Kester Roger Marcus Ball - 16 yo Nicholas Michael Hewitt - 16 yo Martin Kevin Traynor - 16 yo Simon Bell - 17 yo Carl Darren Hewitt - 17 yo Keith McGrath - 17 yo Stephen Francis O'Neill - 17 yo Steven Joseph Robinson - 17 yo Henry Charles Rogers - 17 yo Stuart Paul William Thompson - 17 yo Graham John Wright - 17 yo James Gary Aspinall - 18 yo Carl Brown - 18 yo Paul Clark - 18 yo Christopher Barry Devonside - 18 yo Gary Philip Jones - 18 yo Carl David Lewis - 18 yo John McBrien - 18 yo Jonathon Owens - 18 yo Colin Mark Ashcroft - 19 yo Paul William Carlile - 19 yo Gary Christopher Church - 19 yo James Philip Delaney - 19 yo Sarah Louise Hicks - 19 yo David William Mather - 19 yo Colin Wafer - 19 yo Ian David Whelan - 19 yo Stephen Paul Copoc - 20 yo Ian Thomas Glover - 20 yo Gordon Rodney Horn - 20 yo Paul David Brady - 21 yo Thomas Steven Fox - 21 yo Marian Hazel McCabe - 21 yo Joseph Daniel McCarthy - 21 yo Peter McDonnell - 21 yo Carl William Rimmer - 21 yo Peter Francis Tootle - 21 yo David John Benson - 22 yo David William Birtle - 22 yo Tony Bland - 22 yo Gary Collins - 22 yo Tracey Elizabeth Cox - 23 yo William Roy Pemberton - 23 yo Colin Andrew Hugh William Sefton - 23 yo David Leonard Thomas - 23 yo Peter Andrew Burkett - 24 yo Derrick George Godwin - 24 yo Graham John Roberts - 24 yo David Steven Brown - 25 yo Richard Jones - 25 yo Barry Sidney Bennett - 26 yo Andrew Mark Brookes - 26 yo Paul Anthony Hewitson - 26 yo Paula Ann Smith - 26 yo Christopher James Traynor - 26 yo Barry Glover - 27 yo Gary Harrison - 27 yo Christine Anne Jones - 27 yo Nicholas Peter Joynes - 27 yo Francis Joseph McAllister - 27 yo Alan McGlone - 28 yo Joseph Clark - 29 yo Christopher Edwards - 29 yo James Robert Hennessy - 29 yo Alan Johnston - 29 yo Anthony Peter Kelly - 29 yo Martin Kenneth Wild - 29 yo Peter Reuben Thompson - 30 yo Stephen Francis Harrison - 31 yo Eric Hankin - 33 yo Vincent Michael Fitzsimmons - 34 yo Roy Harry Hamilton - 34 yo Patrick John Thompson - 35 yo Michael David Kelly - 38 yo Brian Christopher Mathews - 38 yo David George Rimmer - 38 yo Inger Shah - 38 yo David Hawley - 39 yo Thomas Howard - 39 yo Arthur Horrocks - 41 yo Eric George Hughes - 42 yo Henry Thomas Burke - 47 yo Raymond Thomas Chapman - 50 yo Andrew Stanley Devine -55 yo John Alfred Anderson - 62 yo Gerard Bernard Patrick Baron - 67 yo

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