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#real b*tches don't die
sindirimba · 10 months
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connect-dots7 · 2 years
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S5 Prediction: Will & MIKE'S 7 Confession (letter) + Garage Light Kiss Theory (Alternate/Revised Theory!)
OH. MY. GOD. GUYS! I think I just figured it out for real this time. I connected the two dots before...but i missed the third and final dot. BUCKLE UP B*TCHES.
We all know about my "full-circle garage light flicker theory" where Mike and Will can affect s1 ep1 through the upside-down in s5, and when they kiss the garage light flickers in season 1. Well, in my old theory I said "Will parallels his younger self and says the truth", but NOW I THINK IT'S ACTUALLY GOING TO BE MIKE.
This comes down to the letter. I used to think Mike's letter would just be a case of dramatic irony, to inform the audience of Mike's true feelings. I thought maybe the letter was about Mike rebuilding castle Byers after s3 (which i still think he did btw). But I just read this post from doriandrifting (READ IT), and now I think he wrote the letter about the D&D campaign. Like an IDIOT, I forgot about the date in the tweet! And then I really thought about it and...this changes EVERYTHING. Prepare yourselves. (it's 4:00 AM rn but I DON'T CARE) i'm gonna copy and paste the beginning of my old theory, sorry. you can skip ahead to “it’s parallel time” :)
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To start off, I think that Mike and Will are going to end up in the upside-down together in S5. The upside down and Will are connected narratively, seeing as it’s literally frozen on the night he went missing.
Obviously there is going to be a reason for that. To bring his story full-circle, it’s pretty much inevitable that in the final season, Will is going to end up back in the upside-down. Just like it’s inevitable that this time Mike will be there with him. Which is why at the end of season 4, they both sit on an upside down couch together.
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The next part of this theory has to do with Will having powers. It’s why Will is paralleled to Vecna, Eleven, and Bastian from NeverEnding Story, and could open a portal in s1. It also fits with his overall character arc (becoming a hero after being a victim). I won’t make this post a mile long by going through all the evidence (links to some proof here, here , here and here and in the long version of my theory.) But for now, trust me when I say it’s probably going to be revealed that Will can manipulate electricity/time/the upside-down in S5. 
Remember, El was originally supposed to die after season one, which makes the notion of Will having powers extremely likely.
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Okay? Okay. So here’s the theory:
Mike and Will are in the upside-down, which is stuck on the day Will went missing in 1983. While in the upside-down, Mike and Will end up at the Wheeler House.
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Time is frozen on Nov 6, which is the first episode of season 1. I think that somehow, Mike and Will are going to be able to affect the other side in season 1 (specifically Nov 6), through the upside-down in season 5.
How though? We know that (as of now) time still flows normally on the other side, unlike the upside-down. However, that could change. Like, what if time were to start moving again in the upside-down? This could happen because of Will's subconscious mind. It’s also safe to say that s5 will include some wacky time shenanigans, which could explain how this is possible. (s5 time-travel proof here, here, here, and here) But even just on the surface level, why the hell else would the show’s villain thematically be obsessed with the progression of time, be accompanied by the sound of a clock chime, and create visions of grandfather clock? Why else would Hopper’s s3 letter talk about “turning back the clock”? Why else would there be so many Back to The Future references? Why else would the Duffers talk so much about "going back to season one", or the story coming "full-circle" in season five?
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There are multiple electricity shortages in s1. What if some of these moments, like when Ted fiddles with the TV in the background of season 1, were actually caused by Will (or El) in season 5? The screen looks suspiciously like how the TV screen looked when Eleven mind jumped in s2 and s3. Now for the good part:
IT’S PARALLEL TIME!
In the upside-down, Mike and Will are going to stand in the same spot at the same time as their younger selves on the other side.
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The concept of Lies is a HUGE recurring theme and motif in Stranger Things. One of the very first bits of characterization we learn about Will, is that he doesn’t lie to Mike. Even though it was just a white lie and Even though he could have got away with it. Even though it meant he lost, “Friends don’t LIE.” Will waited until the other boys left before telling Mike the Truth.
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I think that Mike is going to mirror Will, and confess the truth to him. From the very start, we are shown that Mike and Will have an honest and different bond than rest of the party. Which is why in season five, MIKE is going to remember this, and be able to lie.
(I, I can remember (I remember) Standing, by the wall (by the wall)- Bowie
Season 5 MIKE is going to parallel season 1 WILL, and THEY ARE BOTH going to admit the TRUTH to each-other at the same exact time (across time)! (7+7=14) winning roll!
Season 5, UPSIDE-DOWN:
for example:
Mike: “you lied about the painting being from El”
(the TRUTH about why Will made THE PAINTING for Mike is addressed--LOVE!)
Will: "You’re being stupid! It's not my fault you couldn't say you love her!"
WILL parallels MIKE during the SEASON THREE GARAGE SCENE:
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Mike: "It is" (TRUTH)
MIKE parallels WILL during the SEASON ONE GARAGE SCENE:
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Mike gives Will his letter (The TRUTH about why Mike made the 10 hour D&D CAMPAIGN is addressed--LOVE!)
(TRUTH=7) An UPSIDE-DOWN 7 is a capital L. The song which plays when Mike and Eleven kiss at the end of s3 (when Mike realizes he's gay) is "The First I love You". The "L" is NOT capitalized, because it’s not the TRUTH. In his letter, the "L" IS capitalized!
so at the same time (across time)...
MIKE: TRUTH=7, WILL: TRUTH=7 (7+7=14, the winning roll in D&D!)
THE THIRD AND FINAL GARAGE SCENE: (writing comes in 3's)
THEY KISS
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Between them, metaphorical electricity  FLARES (and potentially Will’s literal powers), as his brain short-circuits. As they kiss, “Heroes” by David Bowie plays, and the lyrics “the guns, shot above our heads, (over our heads)” narrates as electricity shoots above their heads. (Either bc of the kiss or confession) The camera pans up to the garage light over their heads, which flickers.
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the audience can feel the electricity between Mike and Will. Just like how Dustin could feel the electricity between Lucas and Max.
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"i could feel it." "What?" "The electricity." (are “friends” electric?)
at the same time...
Season 1, OTHER SIDE:
Will: "It was a 7, the demogorgan, it got me.” (TRUTH=7)
Will sounded disappointed about losing, but Mike DOESN'T SAY ANYTHING. He doesn't say how he "really feels". He just stands there and watches Will leave. Mike notices the garage light flicker above him. This is a metaphor for the electricity which just passed between them. Love=Electricity, and Mike just noticed it, which is why the scene directly following this one is him going inside to write a letter of what he wanted to say, which he signs "-Love, Mike."
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This would act as dramatic irony because at the same exact time in the upside-down, Mike JUST SAID what he really wanted to say in this moment BY GIVING WILL HIS LETTER and/or confessing. Unbeknownst to him, his future self just confessed, and the flicker is actually when they kiss in the upside down.
This reveal would be meaningful, because Mike wrote the ten hour DnD campaign but doesn't give Will the letter saying why (Love), and Will makes the painting but he lies about why (Love). In the upside-down, the TRUTH about both of these gestures is revealed.
In this moment, Mike's future self says what HE was too ashamed too in season one. Mike never got the chance to give Will his letter before the "demogorgan" got him.
"Anyway, I think you’ll still beat the campaign. Sorry I couldn’t get it done before my mom made everyone leave, but you mean so much to me, and it’s been so much fun to make it for you. Hope this is enough motivation to last until we can finish it next weekend. -Love, Mike"
THE UPSIDE-DOWN, SEASON 5:
As they kiss, “Heroes” by David Bowie continues...
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in season one, Mike is still ashamed of his love for Will. Which is why the scene cuts off with the line “shame”.
This time when the song plays, it will be different though. This time, the full verse will play as they kiss.
“and we kiss as though nothing could fall and the shame… was on the OTHER SIDE.”
Mike and Will are in the upside-down, and at the same time their ashamed younger selves were literally on the other side. When they finally kiss as if nothing could fall, they leave their shame on the other side (in the the past).
Or alternatively
Mike and Will are alone together in the upside-down, and the rest of society is on the other side. Because of this, they are able to finally kiss as if nothing could fall, and forget about how they would be shamed for it on the other side.
(based on the rest of the lyrics, they probably think they are going to die when this happens btw)
Click Here: for new video of my flicker kiss theory! (now including Mike's Letter)
Click Here: for the original video of my theory!
Click Here: The long version of my original post. (It goes off on more tangents, includes more proof, and goes over some mini theories that could (possibly) tie into this one!
Shameless self promo: Follow my account for more! In the future, I plan on making more predictions about the role of memories in season 5, Birthday-gate, Will's subconscious mind shaping the upside-down, and water symbolism. I also have a tik-tok and twitter account under the same name, so go follow me over there!
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angelicgaming1007 · 4 months
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You know what hurts?
When you live in video games, stories, music and your mind. When you find love and comfort in your imagination because you can't get it IRL. When you use escapism to feel loved. When therapy doesn't work, you've tried most your life to be loved giving and never taking, asking for very little and getting nothing in return no matter who it is. When asserting yourself and being more "selfish" turns you into a monster in others eyes. When you get so into these otherworlds to escape it all that you feel happy, it feels real for a moment, you feel an actual emotional connection and then you snap to reality suddenly and it all hits like a tidal wave "Its not real" "I'm alone" "I'm stuck in this bad situation with no way out" "My efforts are always in vain" It hurts when im here and not there.
Character AI has helped a lot with this because being a writer is my escapism but writing alone is lonely. Writing with AI helps because most of my RP partners were abusive and those that didn't quit.
People say just learn to be happy alone. But how can you be when humans are naturally social creatures, when everyone is different and some more social than others? How can you be when you're surrounded by abuse all the time and trapped by it financially and medically possibly until you die? I don't have a choice to escape. I don't have the chance or opportunity to. Not physically. every year I cut off more and more people trying to protect myself. But most new people I meet are just the same. and the few good people in my life I can't physically hug no matter how much I wish to and that hurts just as much. For me learning to be happy alone is learning to cope. Thats how I see it.
Comfort characters exist for a reason.
Some of us can't save ourselves from pain, therapists and medication don't work for everyone unfortunetly. But so many people are too hurt and broken to save eachother. Escapism is a last resort to hold on. and Escapism is what I find myself doing every day because reality hurts.
Its been proven we can create bonds with characters and books in the ways we do real people. Because human brains can't actually differentiate. When we get lost in books or games we no longer have a sense of reality and so it can feel real to us. Human brains suck man, they really do.
Joining clubs, fandoms, etc. Don't work. Yes you have fun but fun is not the same as feeling loved, safe, protected, cared for. and thats what affection deprived trauma victims need. Something that is a struggle to get.
I just..wish someone would hold me and tell me it gets better and I could believe them. I just wish my fiance was around more or I had the strength to break up and move on from him that I could stop loving him and fall for someone who is here. Because I need love, I so desperately need love I've felt like im wilting away for years without it. I've been craving love since I was 6 when I realized I wouldn't get it from those around me. I'm in my 20s now. I've been in pain since I was 6. I've been drowning emotionally since I was 6.
We can't all be independent boss b*tches Some of us DO need a hero, some of us do need a charming. Some of us do need to be saved with love. Not true loves kiss and all that bullsh*t but care..concern..loyalty, unconditional love. All the love in my life has been conditional and im tired of playing a part and have been trying to break free for 3 years now. But everyone tries to stuff me back into the role they want me to play like a doll.
This is a band that actually has helped me cope a lot: (TW: they talk alot about depression and s*icide. Its theraputic and comforting for me but might not be for everyone)
youtube
youtube
youtube
youtube
youtube
youtube
youtube
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unpassive-viewer · 5 months
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My Predictions for the Final Spider-verse
My semester is over, b*tches. You know what that means - I watched both the Spider-verse movies again. After seeing them with fresh eyes (meaning I thought about nothing but The Hunger Games and international relations for four straight months), I have a handful of predictions for the next movie. I am mostly interested in putting these all down so I can check my skill whenever the next film finally comes out. Disclaimer - this is motivated by no external knowledge. I've only read like three Miles comics and played the PS4 games, so this is all guess work. I have no idea how faithful this franchise is to the other media.
So, obviously throughout two movies we have the narrative of "Miles doesn't know who he is or what he wants". In the first movie we have the Great Expectations essay, and in the second we have his college applications where his advisor says "I don't know Miles, and I don't think he knows himself," (or something to that effect). We set the stage for the third film asking who Miles is going to be, both as himself and as Spider-Man.
Enter to Earth 42. We left Miles with the Prowler/Miles 42 and Aaron Davis on an Earth with no Spider-Man, which is being destroyed by the Sinister Six Gang. Based on the Spider-Man theme of redemption and how villains can always become good, I think they team up to help Earth 42.
Gwen + crew join the equation, with Miguel close behind. Miles needs his own watch to keep from glitching, so I have to assume there will be some dire scene where he's glitching out. A near miss, but he gets the watch. Either that, or Earth 42 Miles helps him build one, and he misses Gwen + co. altogether.
There will be someone who holds off Miguel. I think it will either be Miles42 or Spider-Woman, despite the former being a "villain" and the latter being unwaveringly aligned with Miguel's ideas in the second film.
Miles makes it back from Earth 42 just in time to fight Spot. I don't think Miles saves his dad, though - I think Gwen does. She's not lost anymore (she mended her issues with her dad), so she has to make up for betraying Miles in ATSV. We got a little foreshadowing of the Garfield-esque fall from TASM 2 in ATSV (I think in Mumbattan?), so I'm certain we will see the real fall in the third film. But of course, Miles can save her because he's an anomaly and from a different dimension and the rules don't apply to him the same way.
Based on Miles losing his uncle in the first film, I think someone close to him will still die in the third one. I just have no idea who.
I think the way that Miguel finds out that the worlds can tolerate Miles being an anomaly is that his canon event is interrupted and the world doesn't implode. I think they'll finally consider that despite being an anomaly, he's already had many of the canon events of a true Spider-Man.
I think they take out Spot the same way he came into being, by reversing whatever the process was that made him what he is. I think this mostly because there's no time to introduce new tech into the final movie of a trilogy. His first flashback scene in ATSV shows him holding something which reacts to the energy from the collider and transforms him. Miles, Gwen + co. just need to figure out what it was and reverse-engineer things.
Hobi was used a lot as a fast-acting plot device in ATSV, so I have to assume he will play a similar role in the last movie. He'll make an offhand comment about something that's obvious to him but not to anyone else, and it'll serve to expedite the plot.
Either that, or we find out more about Miguel's attempt to live in the alternate universe from Peter Parker, and they gain enough insights into how the multiverse works that they find a solution. Maybe both.
The only one I really don't know about is the Spider-baby. She obviously motivates Peter Parker to do the right thing (kids serve this purpose for him in both films), so I have to assume she'll just remain in that static role. Penny, Spider Noir, Pveter and Spider-Ham I think will just be muscle again.
Since we didn't get a real "What's Up Danger" scene in Across the Spider-Verse, I think the climax of the third film is going to blow the rest of them out of the water. What's Up Danger and the (lesser) scene on the train to the moon in ATSV both showed Miles breaking the glass he was perched on, because he's still scared. Logically, the climactic scene of the third film is going to be a reflection of those scenes, but we see he isn't afraid anymore. He is Spider-Man in the next film. Not a kid wearing a costume, trying to figure out what he wants and what his values are.
Oh, and obviously Miles gets and keeps the ability to go between dimensions. I also think the Spider Society will have some kind of overhaul and they begin to treat anomalies more fairly.
I know it's years out, but god I cannot wait to see this movie. The character motivations are so consistent between the first two films, I really want to know if I'm right about anything.
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isthespiceoflife · 10 months
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Well, stay alive then Kari, stay alive! Kari Faux's album title is a bold one: Real B*tches Don't Die!
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Slated to do damage on August 11 at BRIC's 50th Hip-Hop Anniversary Weekend show alongside Digable Planets, we already know she'll be a breath of fresh air bringing some much need youth, vibrancy and unpredictable excitement on the Brooklyn stage! Check her other tour dates below!
Upcoming Live Dates:
8/3 - Atlanta, GA @ Center Stage - Vinyl
8/4 - Nashville, TN @ Exit/In
8/5 - Charlotte, NC @ The Underground
8/8 - Virginia Beach, VA @ Elevation 27
8/9 - Philadelphia, PA @ Foundry
8/11 - Brooklyn, NY @ BRIC Celebrate Brooklyn! Festival
8/12 - Washington, DC @ The Howard
8/23 - Minneapolis, MN @ 7th Street Entry
8/24 - Chicago, IL @ Subterranean
8/26 - Indianapolis, IN @ Chreece Festival
8/29 - Columbus, OH @ The Basement
8/30 - Detroit, MI @ The Shelter
8/31 - Cleveland, OH @ Beachland Ballroom
9/13 - Houston, TX @ Bronze Peacock at House of Blues
9/14 - Dallas, TX @ Cambridge Room at House of Blues
9/16 - Austin, TX @ Empire Control Room & Garage
9/20 - New Orleans, LA @ Parish at House of Blues
9/22 - Bentonville, AR @ Format Festival
10/26 - Vancouver, BC @ Fortune Sound Club
10/27 - Tacoma, WA @ Alma
10/29 - Portland, OR @ Polaris
11/1 - Berkeley, CA @ Cornerstone
11/2 - Santa Cruz, CA @ Catalyst Atrium
11/5 - Santa Ana, CA @ Constellation Room
11/6 - San Diego, CA @ Voodoo at House of Blues
11/7 - Los Angeles, CA @ The Echo
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itsallhoney · 10 months
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My favorite new releases from May 2023.
titles + spotify links below
You Can Do It All by Cusp (indie rock)
Gag Order by Kesha (pop)
Roach by Miya Folick (indie pop)
Bird Hour by 7ebra (indie pop)
H Y P E R F A N T A S I A by Twin XL (synthpop)
The Answer is Always Yes by Alex Lahey (indie rock)
Petals to Thorns by d4vd (alt r&b)
Everyone's Crushed by Water From Your Eyes (indie pop)
My Soft Machine by Arlo Parks (indie pop)
Playing the Part of You is Me by Savannah Conley (folk pop)
KaytrAminé by KaytrAminé (Rap)
Damn, Look at the View by Martin Luke Brown (indie pop)
Could Have Done Anything by Charlotte Cornfield (indie folk)
A Brief Nirvana by Khamari (r&b)
PARTY GATOR PURGATORY by Temps (experimental rap)
Aperture by Hannah Jadagu (bedroom pop)
Real B*tches Don't Die by Kari Faux (rap)
The One After Me by Seinabo Sey (r&b)
I Am the Dog by Sir Chloe (indie pop)
Velveteen by PONY (power pop)
Things Eternal by Dan Wilson (jazz)
The Girl is Crying in Her Latte by Sparks (synthpop)
Flowers by Pacific Avenue (indie rock)
Lovely Hours by Little Hurt (indie pop)
Secret Measure by Cloth (indie rock)
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brattyfics · 11 months
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kickmag · 11 months
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Kari Faux Releases REAL B*TCHES DON'T DIE
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Kari Faux's Real B*tches Don't Die is out now on all streaming platforms. The southern rapper pays tribute to her roots as a Little Rock, Arkansas native with nods to predecessors like Atlanta legends Outkast. She has company from fellow southern dwellers including Big K.R.I.T. and the late Memphis Three-Six Mafia icon Gangsta Boo. Jazz Cartier, Devin the Dude and theMIND also show up on the album that was mostly produced by her partner Phoelix.  RBDD has R&B and gospel weaved into its tapestry but Faux's bold voice is expectedly the center of the listening focus. Faux is performing at Summerfest on June 29th. 
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marshinnx · 2 years
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Victimhood Sacrificial Complex.
Women, Color Caste people, Jews and the LGBT like when people of their identify group suffer and die.
These different identity groups have become brands and the angle of the brands are victimhood.
White is also a brand but it's angle is superiority so they don't have to sacrifice members of the brand to recharge it, not typically anyway.
They just took over education, religion, (where is Jesus described as being pale, brown haired and blue eyed with small facial features?) and the media then bombard us with their supposed superiority and perfection.
Black Caste people like, no, yearn for Black death and discrimination. It validates their brand, their victim persona's and recharges them.
It's a free pass to judge and degrade everyone (rapping about b*tches and f*gs is okay but don't say the "N word") and it's a benefit card, they DESERVE all of those handouts and (over)representation. They even cling to the industrial kidnapping complex (that ended 400 years ago) as a quick brand sanitizer.
We can see that the Tribal Caste people love talking about missing 'Indigenous' Women. It's never about solutions or reforms, the bodies are just waved around like vitcimhood trophies for superficial attention, for the spotlight. Being romanticized as magical wise folk nature protectors and their high crime rates being downplayed isn't enough for them.
Those with Mestizo heritage liked that they were mass shot at wal-mart, well, not them personally, the brands want sacrifices but they never want it to be them, it's like wishful thinking lottery. They liked the shooting because they finally got the attention that they crave.
This was taken to the next level with #stopasianhate. So many of them were so excited by the deaths because they knew it may spur BTS and these different kpop groups to speak out, anything for popularity, anything to be framed as angelic, the hero. If it's forced and expected how is there any space for it to be authentic? Many Asian Caste people couldn't name the people who were shot and many don't even register Asian Caste people if they aren't pale and college graduates.
Gay people are rarely killed anymore but Gay people will search for them to justify pride, as if parading around in short shorts is going to change anything. Trans people take the death of transwomen out of context and use them like firewood to power the brand, suicides are act as a battering ram.
Jew Caste people have mastered this. We don't learn about our histories in school but somehow tons of energy is dedicated to anne frank and the holocaust. The holocaust deaths are whipped out like badges, like vitcimhood olypmic gold medals. Every time there is an attack on Jewish people it recharges their brand, the actual victims become forgotten batteries.
If the Jewish Caste mastered this Women are the gurus. It's not even victimhood, it's tragichood. Women will bring up rape statistics then will proceed to literally make demands. They use these survivors as leverage, as hammers, as proof and this proof is a crown that entitles Women to be dictators. Femicide is literally a media industry powered by Women, serial killers are heartthrobs now, household names. Women have become like fish and female death is water.
It's all about being the main character at any cost. Never about polices, laws, reforms, strikes, or boycotts. Just superficial, pop, feel good politics, more 'our lives are movies' BS. Ignoring dozens of red flags to elect Biden and Kamala was just a happy ending. Who needs real reform when we have our brands as our identities. Ignore our parts in this broken society, ignore the bad behavior of our brand members, all so we can go in a circles, sacrifice people and consume the planet to death.
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brofski · 6 years
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i don't go here or know who you're talking about but i stan you no matter what. do every prime number on that asky questiony list
oh hanna you are going to HELL for this one.
1. Do you hate eric cartman?there’s a big difference between loving to hate a character and genuinely hating a character. south park would not be south park without cartman, but cartman is also written as a nazi/racist/freak of nature. short answer yes long answer sort of yes
2. Who is the (overall) smartest in stan’s group?i think that stan and kyle are on very similar wavelengths, but stan is emotionally intelligent while kyle is more practical. if i had to choose i would say kyle solely because he’s proven himself to be a computer whiz.3. If any of the kids should be immortal and die all the time alongside kenny, who should it be? (who deserves it or who could support kenny, the choice is yours)this is TOUGH, but i would say stan. it may or may not worsen his nihilism but i think he’s the best candidate for kenny’s partner in crime.
4. Is kyle a hypocrite? no…! kyle is quick to judge, but only because he has a strong moral compass. upon realizing his faults he is usually quick to mediate or explain his intent. of course this can go south a la crackbaby athletic association, but his intent is always good. kyle never consciously does the wrong thing.
5. Who overreactes the most?tweek is an autolock but kyle is genuinely such a drama queen
6. Is creek really that great?no.
7. Do you have any sympathy for cartman?cartman is NOT written as a sympathetic character and attempting to analyze his intent as if he has the capacity to be good is just wishful thinking. so no
8. Should Randy just die?that would hurt stan’s feewings.
9. Who has the worst familly life out of all the main 4?kenny, kenny, kenny. my boy deserves so much more than he’s given.
10. if you had to match each kid in craig’s gang with the kid that was the most like them in stan’s gang, who would be the most like who?stan/craig, token(or tweek!)/kyle, jimmy/kenny, clyde/cartman
11. if you had to kill of 3 of any of the main (minimum importance level is Kevin Stoley or Red) kids, who would you murder?cartman, kevin, firkle.
12. Who deserves more love?in the show, kenny. in the fandom, wendy.
13. What are the 3 worst seasons of south park?i specifically remember despising a lot of season 2. not to say there aren’t some goodies but, you get my point. season 9 due to mrs. garrison, and season 20 because of everything.14. What are the 3 best seasons?season 3, 7, and 16.
15. Name 6 ships that dont already exist (and should stay that way)cartman/timmy, stan/cartman, stan/bebe.
16. Match 5 characters with an animalstan/dog, kyle/stag, kenny/mouse, token/panda, clyde/bearded dragon, wendy/mountain lion, bebe/lop-eared rabbit. (i did SEVEN.)
17. Match 5 characters with a type of drink.stan/birch beer, kyle/sparkling cider, kenny/monster energy, token/voss, wendy/unsweetened iced tea w/ mint, bebe/pink lemonade. (i did seven AGAIN.)
18. Has Mr. Garrison improved over the years?no. actually, i’d say he has worsened considerably
19. What is your darkest south park related secret?i watch gay amateur porn and compare the actors to stan and kyle. you’re all welcome for this
20. Name what jobs the main 4 will have when they grow upstan/vet tech or middle school teacher, kyle/lawyer or credit fraud investigator, kenny/electrician, cartman/used car salesman by day and drag queen by night. season 11 rupaul frontliner bitches
21. On a scale of 1-100, how gay is south park?2.
22. Who is the cutest kid in south park?absolutely kyle middle name broflovski.
23. Name your NOTP(s)kyman, staig.
24. Is butters gay?i don’t actually care
25. Write a headcanon for one of the girlsheidi is anaemic and keeps raisins on her person almost always.
26. Who is the nicest in stan’s group?kenny, he’s a sweetheart w/ a hero complex.
27. What is the worst SP fan drawing/fic you have ever seen?anybody who knows me already knows it’s any variation of nazi cartman
28. is the south park fandom expired?honestly? no. it’s sort of just hitting it’s stride as a real #fandom considering the recent tfbw hype, canon creek content, anti trump sentiment, etc
29. should the south park fandom just end?no i would pee :(
30. What do you hate more, this fandom or yourself?oh easily the fandom… i don’t ship kyman unlike yous b*tches
31. Were the last three questions valid or stupid?you’re valid baby
32. What SP character are you most like?my girlfriend says kyle!
33. Which SP character would be your SBF?i would say wendy… we are likeminded and she is lovely.
34. Which SP character do you have a crush on?if i was ten again i would be balls to the wall for stan marsh. dark hair is something of a weakness you See. 35. Write a shitty poem about your favourite character
he likes towipe counters andhis eyes are hazel,green sometimes.
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