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#read those headcanons im passionate abt them and ill be sad if you dont
oxygen-stealer · 8 months
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I've got many many thoughts on resurrected Terzo :)))
More sketches and LOTS of headcanons below the cut
(Click for better quality btw)
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So to start my explanation of how he could've even been brought back in the first place is because- yknow that hammer they hit head popes with to make sure they're dead? Yeah well the people embalming him didn't do that because he was decapitated and they figured that was probably a good indication that he was actually dead.
Well later on, The Clergy is starting to get a bit nervous with all of the power Copia seems to be growing into and they're looking for a plan B despite being out of heirs. Commence resurrection.
Upon first being revived, Terzo immediately lashes out, catching Sister Imperator with his claws. He's literally been in hell for five years and it shows in the fear on his face.
His skin is paler, greener. He smells of formaldehyde, his head is hastily stitched on his neck. Being in hell has also embedded slight demonic energy into him, it seems like the world warps around him, like his power leeches into the ground he walks on. He has flashes of his memories of hell but he generally tries not to think about it.
Now I also want you to imagine this:
Imagine you're a guy in a very high position of power that never really feels like he's good enough, then eventually you're forcibly retired and killed for not being good enough by people that should technically be below you and your asshole dad. Then suddenly you're dragged out of your glorious afterlife in hell because those same bozos want you to replace your absolute sweetheart younger brother (he's actually your brother now too???) because they also maybe want to kill him. And to top it all off your favorite ghoul was tossed back into the Pit like he was nothing right after you died.
You'd be pissed off right? Yeah well that's where Terzo is at.
All of his usual charm and whimsy takes a backseat for a low burning rage. He doesn't bother giving any of the siblings of sin the time of day anymore. The Clergy quickly recognizes that this was a terrible idea because this guy hates them even more than he did before and is one more situation away from snapping and taking someone back to hell with him. Maybe Copia, even as the antichrist, wasn't actually that bad.
Regardless, Terzo reluctantly becomes Papa again through some loopholes regarding living papas and what not. His new album takes a significantly darker, angrier tone than any other. Imagine the darker sounds of Cirice through most of the album. I'd argue that kinda darkness was very much present in Meliora but even that had some zest for life within it. Now, like, this music is made by a guy that literally died horribly and went to hell. This album is haunting.
During rituals he tries to kinda act like his old self because he does love his fans but you can kinda tell it's not the same ("heeyyy guyyyys I'm back :))" *barely contained rage*). You can also tell all of the ghouls are quite a bit more on edge than they were with Copia, you can cut the tension with a knife.
(The ghouls are not really concerned about Terzo himself, but rather what it means for Copia and themselves. They're concerned that the clergy's trying really hard to throw them all out. Which they are. Also none of these ghouls have really been around the other Papas, and they know Copia has been unusually friendly with them, so they're a bit weary about acting wildly as they usually would)
Really there are only two people Terzo isn't mad at. First, probably the only benefit of all of this in his mind is getting to see Copia again and getting to witness how much his awkward little brother (they actually were brothers too! He jokes he that he always knew it) has really grown into his skin as Papa. They catch up for hours, Terzo meets Copia's ghouls, they talk about his music, they talk shit about Nihil, reminisce, etc. It's been the one good thing about all of this. Terzo is heartbroken that he was taking Copia out of the spotlight because it seemed like he had grown into it so well.
And the other of course is Omega. Apparently, all of Terzo's ghouls had been thrown back into the pit almost the same day he'd died, but it was believed that Omega himself had killed a sibling of sin beforehand and left their body as an omen, greatly straining the relationship between the ministry and ghouls as a whole. Despite this, Terzo doesn't once stop asking for him. If they're going to bring him back they could've at least had the foresight to give him any kind of motivation to stay. He'll summon him himself if he needs to dammit.
In all honesty he misses him and the rest of his ghouls dearly. You'd think they'd be able to be together in hell but the reality is the different layers of hell aren't actually something most are meant to pass through unless you're a 13th century italian poet. So Terzo really hasn't seen any of them since he was alive and it weighs heavily on him. He knows wanting to summon Omega again is probably selfish and that his time back on earth is likely to be very limited, but he finds it difficult to think of anything else. (Omega would be thrilled, but the ache of being left again would still linger. He should've stopped to think about all of this before falling in love with a mortal but it's too late for that now isn't it?)
Of course, nothing lasts forever and Terzo's revived body gives out after a good handful of months. It's a wonder he didn't take anyone with him on his way out or that the Clergy didn't take him out themselves. That whole situation was a bit of a disaster so the Clergy decides that maybe Copia isn't that bad for now. Until they come up with something better at least.
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