Queer Angel’s Tea-sis on Darling in the Franxx
Part 1: Introductions-We’re doing this in parts because tumblr says I typed way too much
Welcome guys, gals, and enpals to Queer Angel’s Tea-sis. A series where I discuss the good, the bad, and the questionable depictions of queer characters in anime and apply a queer lens of analysis. As any anime watcher will tell you, there are anime that start so-so but end well or turn out awful. However, few anime has the distinction of starting near-universally applauded (albeit I saw red flags a mile away) and then slowly take a downturn before nose-diving into a flaming hunk of garbage and exiting through the gift shop. Of course, some queer fans saw the death flags of this show’s narrative in the first three episodes of the show with its positing of a post-apocalyptic world where humans achieve immortality at the cost of reproduction and where they rely on quite literally the naïveté and uneducated horniness of teenagers to defend themselves from a subterranean existential threat. By discussing issues in production, story, and representation/messaging I hereby present the case for the designation of the title of “dumpster fire” to the show: Darling in the Franxx (DITF). (franks? Fran-X-X? who cares?)
Production
Taking us back to July of 2017, Studio Trigger announced DITF at Anime Expo 2017 revealing that it would be a co-production with A-1 pictures. A-1 is most known for creating the Black Butler adaptation and Anohana: The Flower We Saw That Day, but in recent years they’ve gained a reputation for making some … lackluster features like the Sword Art Online franchise and Eromanga Sensei (a production that is gross on many levels). However, during the show’s broadcast (January-July 2018), the team working on the project from A-1 changed labels to CloverWorks on April 1st of the same year. This change may or may not have led to issues toward the end of the series. Another issue with the production was a poor choice of director and head writer for the series. While Atsushi Nishigori has some serious animation chops such as being the Chief Animation Director for Evangelion 3.0 + 1.0 and key animation credits to multiple A-tier anime, he had almost no writing experience before DITF. Besides, his sole directing credit for a show was…an adaption of the Idolmaster franchise. Now while I will admit to enjoying some very cheap “cute people doing cute things” musical anime, they’re typically not the most intensive story-wise and Idolmaster is in my personal opinion, one of the most brainless and junk-foody of idol anime. This is coming from someone who watched an anime that was basically a recruitment tool made by the corporate monsters behind AKB48 and still enjoys it while trying to pretend it was made in a vacuum universe where creepy entitled male fans and producers don’t exist.
While I don’t want to place blame solely on Nishigori for the faults of DITF, there were other issues that I will discuss in the later sections, his inexperience in writing and directing beyond single anime episodes certainly didn’t do the show any favors. This is especially considering this was a show heavily publicized by both major studios A-1 and Trigger, was heavily promoted in both Japanese and western anime news media, and was guaranteed to have a lot of eyes on it.
Footnote: Japanese idol culture has the expectation that female idols remain single. The penalty for being caught dating can be getting kicked out of their groups and ostracized by their fans for the crime of dating.
Note: I’ll slowly start adding my sources to the review as I post the rest of this apparently too long for tumblr review.
Also, the rest of the review is added via reblogs~
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Gayonetta: Some Thoughts on My Favorite Video Game
So here’s the tea; Bayonetta is my favorite video game, as of the time I’m typing out this whatever-this-is. I just wanted to put some thoughts down. The teaser trailer has dropped for the third game, but we’ve received no other news yet.
My first experience with Bayonetta was when I got the first two games for the Wii-U in...I think 2015? Maybe 2016. It was a gift, I know that. But I can’t remember if it was for my birthday or Christmas, let alone the year. But I know it was while I was being homeschooled, so I have a rough idea. I played for about an hour, got stuck on a puzzle, and didn’t touch it again until I turned 18 and decided to start over from the beginning on a whim. And, goddamn, did it make an impression. I couldn’t put it down. Before, when I got home from school, I would have a snack, let the dog out, and take a nap until my mom got home from work. But after picking up Bayonetta, I would go home and play the game all afternoon and evening, only stopping to eat dinner, shower, and other necessary tasks.
I absolutely loved the game, and everything about it. It kicked my ass hard during my first playthrough though. I lost track of how many times I died. However, I never wanted to stop playing. Most, if not all, the deaths were my own fault. And I was having too much fun to stop in any case.
The story of the amnesiac witch resonated with me for one reason or another. The entire story did, if I’m being honest. Bayonetta was a character I loved. Honestly, I love almost every character in the first game. Bayonetta was stylish, strong, attractive, strategic, clever, and funny. She was guarded, but kind beneath it. She had a lot of baggage, and had difficulty dealing with it.
I can’t get enough of her relationship with Jeanne. I don’t care what hets have to say. It’s canon if you ask me. The creators posted art of it, and BayoJeanne was included on a poll of the most popular canon pairings from that company. Also, it’s heavily implied in the games themselves. It’s canon that they live together. In one of the documents you can find in the second game, Luka compares Bayo’s quest to save Jeanne to lovers in mythology going on quests to save each other. Let’s not forget the climax of the first game either. That’s gay. No denying it. And, Bayonetta literally goes to hell to rescue Jeanne. Not to mention her reaction when she saves jeanne. She breaks down, thinking she failed, but when Jeanne wakes up, the first thing she says is ‘What, do you need a wake-up kiss?’. They’re lovers, you absolute fools. Here’s the tea sis. She and Jeanne live together. There’s that fan art in the Eyes of Bayonetta where Bayo’s pulling the blankets off of Jeanne to wake her up, and Jeanne is naked. The fact that both Bayo and Jeanne absolutely break down and start crying when they think the other has died. Also, the demon that sends Jeanne to hell? It was Gomorrah. Anyone familiar with Biblical lore will know that Sodom and Gomorrah was the capital of Queer. The ending of the first game is the gayest shit I’ve ever seen. “We’re both one of a kind.” That hits me in the heart. That is the thing that a queer kid (who doesn’t yet know they’re queer) hears and feels a connection to, and doesn’t know why. They know they’re different but they can’t put a finger on it. Also “Now those are the eyes I’ve been wanting to see.” That is incredible. Oh, and “I’m ok!” then “Just stay close to me!”
Jeanne is a non-binary lesbian, Bayo is bisexual. That’s it, chief.
Anyway, back to me resonating with the story. I mega-resonate with the gay shit, don’t get me wrong. But that’s not all that hits me. Bayo’s guarded personality. Her constant flirting and joking. She acts like she doesn’t give a shit about anything, and she probably doesn’t about most things. But she does have soft spots. Particularly her loved ones, and children. Also. Her relationships with those around her, specifically her parents and the Umbra witches as a whole (excluding Jeanne). She has a shitty relationship with her father, Balder, in the first game. In the second game, when it’s revealed that Balder’s asshole actions were the result of possession, there is a real emotional conflict for her there. She cries. The only other times she has cried on screen (as an adult) were when her mother died, and when she thought Jeanne was dead. That says some shit.
Nevermind what Jeanne must be going through from this revelation.
For a more in-depth analysis of the queer themes in Bayonetta, I recommend reading Reading Bayonetta as a Queer Disabled Woman; a meta. by Aurora_Lua (https://archiveofourown.org/works/21080381)
Oh, side note, I also love the implication that Umbra witches are a society of queer women who mostly pair with their own. And that Lumen sages are a society of queer men who mostly pair with their own.
Bayonetta is as close to perfect as I’ve ever seen in a video game. The story, the characters, the aesthetics, the visuals, the music, the gameplay, the bosses, the levels, everything. It’s all slappin. Bayonetta 2 is a good game too, don’t get me wrong. But, in my opinion, it's not as good as Bayonetta 1.
Here are the things it does better. The character designs. I like the designs for Bayonetta, Jeanne, and Luka better in Bayonetta 2. I just find them more fitting and also much more aesthetically pleasing. Maybe it’s just me, but Bayonetta’s beehive gave me second-hand embarrassment sometimes. I liked that we got to see more of Balder and Rosa.
Ok now onto something very iconic. The music. There are several tracks, both vocal and instrumental, that I enjoyed and still remember from the first game. The music in Gates of Hell, the Angel Attack version of Mysterious Destiny, the music that plays during the final fight against Jeanne, the track for the fight with Balder, Mysterious Destiny, Let’s Dance Boys, and of course, Fly Me to the Moon. The only tracks I can remember off the top of my head from the second game are Tomorrow’s Mine and Moon River. They’re both great songs, but still.
Bayonetta (both the games and the character herself) remains a modern queer icon. And I eagerly await the third game, which will surely be just as (if not more) queer as its predecessors. Oh and it’ll probably be a kickass game too.
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Bringing “Queer Angel’s Tea-sis” to tumblr
So I kinda want to share these mini reviews I made for friends a while ago I called “Queer Angel’s Tea-sis” (there’s a reference and a bad pun in there).
I might go back and look for all the sources I used for the big review of Darling the Franxx I did and had my obligatory straight friend (OSF) look over. The OSF is very lovely and adores queer media so we’ve agreed loudly, as Mexicans do, over Shinji being queer and in love with Kaoru. So hopefully y’all enjoy these small reviews as much as I did making them.
I also kind of want to use it as an excuse to watch anime again since I’ve had a bit a dry spell with it too.
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Regarding the Queer Angel’s Tea-sis review
So the plan now is just dump the text first and then I’ll slowly go back and add my sources to it. My reason’s, because I realized some sources are either missing or have been deleted. So I may have to go back and relook for other sources with the same information.
This review will be on Darling in the Franxx which I originally broke down into parts with maybe too snarky of titles.
I’ll see if I can at least dump the text here with the relevant images by the weekend.
Also my birthday is coming soon and I’m going to a afternoon tea as a gift to myself~
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