#qiu mori
Note
I don't mean to be rude, but for some reason Qiu Bai en voice reminds me of mori calliope
Dude.
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TOP 2020
25/12/2020
A) Great movies made since 2015 seen for the first time in 2020:
Buoyancy(Freedom;Rodd Rathjen, 2019)
Les choses qu’on dit, les choses qu’on fait(Emmanuel Mouret, 2020)
L’Île au trésor(Guillaume Brac, 2018)
Le Sel des larmes(Philippe Garrel, 2019/20)
Ghawre Bairey Aaj(Home and the World;Aparna Sen, 2019)
Undine(Christian Petzold, 2020)
Happī awā(Happy Hour;Hamaguchi Ryūsuke, 2015)
Netemo Sametemo(Asako I & II;Hamaguchi Ryūsuke, 2018)
Adolescentes(Sébastien Lifshitz, 2013-9/20)
Family Romance, LLC.(Werner Herzog, 2019)
Demain et tous les autres jours(Noémie Lvovsky, 2017)
Gamak Ghar(Achal Mishra, 2019)
Lunana:A Yak in the Classroom(Pawo Choyning Dorji, 2019)
Semina il vento(Sow the Wind;Danilo Caputo, 2020)
Objector(Molly Stuart, 2019)
La France contre les robots(Jean-Marie Straub, 2020)
Paris Calligrammes(Ulrike Ottinger, 2019/20)
Un film dramatique(Éric Baudelaire, 2019)
B) Great movies made before 2015 seen for the first time in 2020:
Là-Haut, un Roi au-dessus des nuages(Pierre Schoendoerffer, 2003)
Pangarap ng Puso(Demons/Whispers of the Demon/Hope of the Heart;Mario O’Hara, 2000)
Les Films rêvés(Eric Pauwels, 2009)
La vida en rojo(Andrés Linares, 2007/8)
Come Next Spring(R.G. Springsteen, 1955/6)
Song of Surrender(Mitchell Leisen, 1948/9)
Adventure in Manhattan(Edward Ludwig, 1936)
Strannaia zhenshchina(A Strange Woman;Iuli Raízman, 1978)
Chastnaia zhízn(Private Life;Iuli Raízman, 1982)
Málva(Vladimir Braun, 1956/7)
Zhila-byla devochka(Once There Was a Girl;Viktor Eisimont, 1944)
The Unknown Man(Richard Thorpe, 1951)
Aisai Monogatari(Story of a Beloved Wife;Shindō Kaneto, 1951)
Practically Yours(Mitchell Leisen, 1944)
A Summer Storm(Robert Wise, 1999/2000)
Lettre d’un cinéaste à sa fille(Eric Pauwels, 2000)
Sombra verde(Untouched;Roberto Gavaldón, 1954)
Fantasma d’amore(Dino Risi, 1981)
Adieu, Mascotte(Das Modell vom Montparnasse;Wilhelm Thiele, 1929)
Mori no kajiya(The Blacksmith of the Forest;Shimizu Hiroshi, 1928/9;fragment)
Zwischen Gestern und Morgen(Between Yesterday and Tomorrow;Harald Braun, 1947)
Last Holiday(Henry Cass, 1950)
Dialogue d’ombres(Danièle Huillet & Jean-Marie Straub, 1954-2013)
Out-Takes from the Life of a Happy Man(Jonas Mekas, 2012)
Nice Time(Claude Goretta & Alain Tanner, 1957)
Aloma of the South Seas(Alfred Santell, 1941)
A Feather in Her Hat(Alfred Santell, 1935)
La Danseuse Orchidée(Léonce Perret, 1928)
Underground(Vincent Sherman, 1941)
Time Out(in Twilight Zone-The Movie)(John Landis, 1983)
Lackawanna Blues(George C. Wolfe, 2005)
Janie(Michael Curtiz, 1944)
Dernier Amour(Léonce Perret, 2016)
Jeunes Filles en détresse(Georg Wilhelm Pabst, 1939)
Kisapmata(Blink of an Eye;Mike De Leon, 1981)
La Dernière Lettre(Frederick Wiseman, 2002)
The Lady of the Dig-Out(W.S. Van Dyke II, 1918)
Their Own Desire(E.Mason Hopper, 1929)
C) Very good movies made since 2015 seen for the first time in 2020:
Zumiriki(Oskar Alegria, 2019)
Atlantique(Mati Diop, 2019)
J’accuse(An Officier and A Spy;Roman Polanski, 2019)
Richard Jewell(Clint Eastwood, 2019)
Alice et le Maire(Nicolas Pariser, 2019)
Contes de Juillet(July Tales;Guillaume Brac, 2017)
Dark Waters(Todd Haynes, 2019)
Ofrenda a la tormenta(Fernando González Molina, 2020)
Nomad:In the Footsteps of Bruce Chatwin(Werner Herzog, 2019)
Into the Inferno(Werner Herzog, 2016)
The Zookeeper’s Wife(Niki Caro, 2017)
Journal de septembre(Eric Pauwels, 2019)
La Deuxième Nuit(Eric Pauwels, 2016)
Kaze no denwa(Voices in the Wind;Suwa Nobuhiro, 2019/20)
Da 5 Bloods(Spike Lee, 2020)
Izaokas(Isaac;Jurgis Matulevičius, 2019)
A Metamorfose dos Pássaros(Catarina Vasconcelos, 2020)
Tabi no Owari Sekai no Hajimari(To the Ends of the Earth;Kurosawa Kiyoshi, 2019)
La Nuit d’avant(Pablo García Canga, 2019)
My Mexican Bretzel(Nuria Giménez, 2018-9)
Domangchin yeoja(The Woman Who Ran;Hong Sang-soo, 2019/20)
Öndög(Wang Quanan, 2019)
Hatsukoi(First Love;Miike Takashi, 1959)
Million raz pogivaet odin Cheloviek(One man dies a million times;Jessica Oreck, 2018/9)
The Two Popes(Fernando Meirelles, 2019)
Félicité(Alain Gomis, 2016/7)
Salt and Fire(Werner Herzog, 2016)
Ni de lian(Your Face;Tsai Ming-liang, 2018)
Qi qiu(Balloon;Pema Tseden, 2019)
River Silence(Rogério Soares, 2019)
Charlie’s Angels(Elizabeth Banks, 2019)
La boda de Rosa(Iciar Bollain, 2020)
Guerra(War;José Oliveira & Marta Ramos, 2020)
My Thoughts Are Silent/Moyi dumky tykhi(Antonio Lukich, 2019)
Namo(The Alien;Nader Saeivar;co-script-Jafar Panahi, 2020)
Los silencios(The Silences;Beatriz Seigner, 2018)
Terminal Sud(Rabah Ameur-Zaïmeche, 2019)
Tu mérites un amour(You Deserve a Lover;Hafsia Herzi, 2019)
Les Misérables(Ladj Ly, 2019)
Padre no hay más que uno(Santiago Segura, 2019)
Honeyland(Tamara Kotovska & Ljubomir Stefanov, 2019)
Izbrisana(Erased;Miha Mazzini & Dusan Joksimovic, 2018)
This Is Not A Burial, It’s A Resurrection(Lemohang Jeremiah Mosese, 2019)
Primero Enero(Darío Mascambroni, 2016)
Lahi, Hayop(Pan, Genus/Genus Pan;Lav Diaz, 2020)
D) Very good movies made before 2015 seen for the first time in 2020:
Topaze(Marcel Pagnol, 1936)
The SIGN OF THE RAM(John Sturges, 1947/8)
Abandoned(Joseph M. Newman, 1949)
Bewitched(Arch Oboler, 1944/5)
La Femme du Bout du Monde((Jean Epstein, 1937)
The Outcast(William Witney, 1954)
Saadia(Albert Lewin, 1953)
Un monde sans femmes(Guillaume Brac, 2011)
Dishonored Lady(Robert Stevenson, 1947)
Always Goodbye(Signey Lanfield, 1938)
A Blueprint for Murder(Andrew L. Stone, 1953)
Bedevilled(Mitchell Leisen, 1955)
That Forsyte Woman(Compton Bennett, 1949)
The Miracle(Irving Rapper, 1959)
The Madonna’s Secret(Wilhelm Thiele, 1946)
The Town That Dreaded Sundown(Charles B. Pierce, 1976)
Grayeagle(Charles B. Pierce, 1977)
Barricade(Peter Godfrey, 1949/50)
Tomorrow is Forever(Irving Pichel, 1945/6)
David Harum(James Cruze, 1934)
The Vanquished(Edward Ludwig, 1953)
Keisatsukan(Uchida Tomu, 1933)
...Enfants des courants d’air(Édouard Luntz, 1959, short)
The Winds of Autumn(Charles B. Pierce, 1976)
Suddenly It’s Spring(Mitchell Leisen, 1946)
Uchūjin Tōkyō ni arawaru(Warning from Space;Shima Kōji, 1956)
Swiss Family Robinson(Edward Ludwig, 1940)
Ludwig der Zweite, König von Bayern(Wilhelm Dieterle, 1930)
Faithless(Harry Beaumont, 1932)
Botan-dorō(Peony Lanterns;Yamamoto Satsuo, 1968)
Ginza 24 chou(Tales of Ginza;Kawashima Yūzō, 1955)
Goodbye Again(Michael Curtiz, 1933)
Lines of White on a Sullen Sea(D.W. Griffith, 1909)
You Gotta Stay Happy(H.C. Potter, 1948)
Cave of Forgotten Dreams(Werner Herzog, 2010)
Riff-Raff(Ted Tetzlaff, 1947)
The Moon is Down(Irving Pichel, 1943)
The Bride Wore Boots(Irving Pichel, 1946)
Adventures in Silverado(Phil Karlson, 1948)
The Stolen Ranch(William Wyler, 1926)
Congo Maisie(H.C. Potter, 1940)
Marcides(Mercedes;Yousry Nasrallah, 1993)
Hell’s Five Hours(Jack L. Copeland, 1958)
Daniel(in Stimulantia;Ingmar Bergman, 1967)
Diên Biên Phú(Pierre Schoendoerffer, 1992)
Canyon River(Cattle King;Harmon Jones, 1956)
Dos Basuras(Kurt Land, 1958)
Smart Girls Don’t Talk(Richard L. Bare, 1948)
The Big Shakedown(John Francis Dillon, 1933/4)
Corvette K-225(Richard Rosson;p.,collab.Howard Hawks, 1943)
The Gay Deception(William Wyler, 1935)
The Invisible Woman(A.Edward Sutherland, 1940)
Rage in Heaven(W.S. Van Dyke II;collab.Robert B. Sinclair,Richard Thorpe, 1941)
Wild Side(Sébastien Lifshitz, 2004)
I bambini e noi(Luigi Comencini, 1970//7)
The House Across The Street(Richard L. Bare, 1948/9)
The Doughgirls(James V. Kern, 1944)
The Love Trap(William Wyler, 1929)
Torch Song(Charles Walters, 1953)
The Meanest Man in the World(Sidney Lanfield, 1942/3)
Cole Younger, Gunfighter(R.G. Springsteen, 1958)
Ballerine(Gustav Machatý, 1936)
Via Mala(Josef von Báky, 1945//8)
Sky Giant(Lew Landers, 1938)
Les Invisibles(Sébastien Lifshitz, 2012)
Promène toi donc tout nu(Emmanuel Mouret, 1998)
A Story for the Modlins(Una historia para los Modlin;Sergio Oksman, 2012)
Something in the Wind(Irving Pichel, 1947)
Spoveď(Confession;Pavol Skýkova, 1968)
Guilty Hands(W.S. Van Dyke II;collab.Lionel Barrymore, 1931)
Atto di accusa(Giacomo Gentilomo, 1950)
Suspense(Frank Tuttle, 1956)
This Is The Night(Frank Tuttle, 1932)
Escape in the Fog(Oscar ‘Budd’ Boetticher,Jr., 1945)
The Price of Fear(Abner Biberman, 1956)
Happy People:A Year in the Taiga(Werner Herzog, 2010)
Urok(The Lesson;Kristina Grozeva & Petar Valchanov, 2014)
Le Naufragé(Guillaume Brac, 2009)
Lili Marlen(Peter Mihálik;script.Dušan Hanák, 1970;short)
Deseo(Antonio Zavala Kugler, 2013)
E) Great movies that improved by new watchings:
Shanghai Express(Josef von Sternberg, 1932)
The Best Years of Our Lives(William Wyler, 1946)
Till We Meet Again(Frank Borzage, 1944)
Man’s Favorite Sport?(Howard Hawks, 1963/4)
Along The Great Divide(Raoul Walsh, 1951)
Hondo(John V. Farrow, 1953)
Where The Sidewalk Ends(Otto Preminger, 1950)
Mrs. Miniver(William Wyler, 1942)
Driftwood(Allan Dwan, 1947)
‘Good-bye, My Lady’(William A. Wellman, 1956)
Touch of Evil(Preview version, 1975;not later ‘improvements’)(Orson Welles, 1958)
Le Crabe-Tambour(Pierre Schoendoerffer, 1977)
Unfinished Business(Gregory LaCava, 1941)
Madigan(Don Siegel, 1968)
Big Business(James Wesley Horne;s.Leo McCarey, 1929)
Putting Pants on Philip(Clyde A. Bruckman;s.Leo McCarey, 1927)
The Runner Stumbles(Stanley Kramer, 1979)
Yushima no Shiraume(Romance at Yushima;Kinugasa Teinosukē, 1955)
David Harum(Allan Dwan, 1915)
The Virginian(Cecil B. DeMille, 1914)
Island in the Sky(William A. Wellman, 1953)
All About Eve(Joseph L. Mankiewicz, 1950)
L’Eclisse(Michelangelo Antonioni, 1962)
The Roaring Twenties(Raoul Walsh, 1939)
The Plainsman(Cecil B. DeMille, 1936)
JLG/JLG-Autoportrait de décembre(Jean-Luc Godard, 1994)
‘Je vous salue, Marie’(Hail Mary;Jean-Luc Godard, 1984)
La Roue(Abel Gance, 1923)
They All Laughed(Peter Bogdanovich, 1981)
Innocent Blood(John Landis, 1992)
An American Werewolf in London(John Landis, 1981)
The Thing Called Love(Peter Bogdanovich, 1993)
Into the Night(John Landis, 1985)
The File On Thelma Jordon(Thelma Jordon;Robert Siodmak, 1949)
The Little American(Cecil B. DeMille, 1917)
In Our Time(Vincent Sherman, 1944)
The Hunters(Dick Powell, 1958)
Phase IV(Saul Bass, 1974)
L’Honneur d’un Capitaine(Pierre Schoendoerffer, 1982)
Backfire(Vincent Sherman, 1948//50)
Five(Arch Oboler, 1951)
Somewhere in the Night(Joseph L. Mankiewiz, 1946)
A Man Alone(Ray Milland, 1955)
Die Geiger von Florez(Paul Czinner, 1926)
Living on Velvet(Frank Borzage, 1934/5)
La Recta provincia(Raúl Ruiz, 2007//15)
La Noche de enfrente(Raúl Ruiz, 2012)
Carrie(Sister Carrie;William Wyler, 1951/2)
The Spiral Staircase(Robert Siodmak, 1945/6)
The Paradine Case(Alfred Hitchcock, 1947)
L’Amore(Una voce umana+Il Miracolo)(Roberto Rossellini, 1947/8)
The Heiress(William Wyler, 1949)
F) Very good movies watched again
Bluebeard’s 10 Honeymoons(W.Lee Wilder, 1960)
The Five Pennies(Melville Shavelson, 1958)
Take a Letter, Darling(Mitchell Leisen, 1942)
Escape(Joseph L. Mankiewicz, 1948)
Appassionatamente(Giacomo Gentilomo, 1954)
Así como habían sido(Trío)(Andrés Linares, 1986/7)
San Antone(Joseph Kane, 1953)
The High and the Mighty(William A. Wellman, 1954)
Taki no Shiraito(The Water Magician;Mizoguchi Kenji, 1933)
The Web(Michael Gordon, 1947)
The Buccaneer(Anthony Quinn;s.Cecil B. DeMille, 1958)
The Buccaneer(Cecil B. DeMille, 1938)
Desire Me(uncredited:George Cukor/Jack Conway/Mervyn LeRoy/Victor Saville, 1946)
Flaxy Martin(Richard L. Bare, 1948/9)
Swing High, Swing Low(Mitchell Leien, 1937)
Death Takes A Holiday(Mitchell Leisen, 1934)
Irene(Herbert Wilcox, 1940)
Beloved Enemy(H.C. Potter, 1936)
The Cowboy and the Lady(H.C. Potter, 1938)
Der Golem, wie er in die Welt kam(Paul Wegener, 1920)
Mia madre(Nanni Moretti, 2015)
Hell On Frisco Bay(Frank Tuttle, 1955)
Stormy Weather(Andrew L. Stone, 1943)
The Milky Way(Leo McCarey;w.Harold Lloyd, 1936)
Pietà per chi cade(Mario Costa, 1954)
Repeat Performance(Alfred L. Werker, 1947)
Das indische Grabmal:1.Die Sendung des Yoghi,2.Der Tiger von Eschnapur(Joe May, 1921)
Julie(Andrew L. Stone, 1956)
The Member of the Wedding(Fred Zinnemann, 1953)
Winterset(Alfred Santell, 1936)
The Right to Romance(Alfred Santell, 1933)
As Young as You Feel(Harmon Jones, 1951)
You’ll Never Get Rich(Sidney Lanfield, 1941)
The Woman Accused(Paul Sloane, 1933)
Foma Gordeiev(Mark Donskoí, 1959)
The Parent Trap(David Swift, 1961)
High Wall(Curtis Bernhardt, 1947)
Mr. Lucky(H.C. Potter, 1943)
Un Marido de Ida y Vuelta(Luis Lucia, 1957)
The Safecracker(Ray Milland, 1957/8)
She’s Funny That Way(Peter Bogdanovich, 2014)
Oh...Rosalinda!!(Michael Powell & Emeric Pressburger, 1955)
Caribbean(Edward Ludwig, 1952)
Harper(The Moving Target;Jack Smight, 1966)
For You I Die(John Reinhardt, 1947)
Crashing Hollywood(Lew Landers, 1937/8)
Le Souvenir d’un avenir(Chris. Marker & Yannick Bellon, 2001)
Susan Slept Here(Frank Tashlin, 1954)
Bishkanyar Deshot(In the Land of Poison Women;Manju Borah, 2019)
Pollyanna(David Swift, 1960)
A Tale of Two Cities(Jack Conway;collab.Val Lewton & Jacques Tourneur, 1935)
Café Society(Woody Allen, 2016)
Shadow on the Wall(Patrick Jackson, 1949/50)
Tonnerre(Guillaume Brac, 2013)
Le Jouet criminel(Adolfo G. Arrieta, 1969)
‘Once more, with feeling!’(Stanley Donen, 1959)
The Shopworn Angel(H.C. Potter, 1938)
The Absent Minded Professor(Robert Stevenson, 1961)
Gavaznha(The Deer;Masud Kimiai, 1974)
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Question Tag
tagged by @enderwiggin THANK U ILY DREW
NAME: enza
NICKNAME(S): enznya
ZODIAC: taurus sun / pisces moon / scorpio rising. analyze me
HEIGHT: 5′2″-5′3″ / 159cm last time i checked
LANGUAGE(S): english and mandarin chinese
FAV SEASON: autumn (or winter)
CURRENT FAVE SONGS: wannabe (itzy), a bunch of twice songs like tt, likey, fancy, feel special, oh yes i am and sonatine by loona x_x yeah sorry they’re all kpop rn. the one non kpop song i love still is memento mori by red vox
FAVE COLOR: specifically periwinkle but i like blue/purple/pink
# OF BLANKETS YOU SLEEP WITH: one
FAVE ANIMALS: all cats, chow chows and samoyeds, bunnies
FAVE SCENTS: vanilla, strawberry, citrus (orange or lemon)
FAVE FICTIONAL CHARACTERS: i have so many its kind of embarrassing but the ones that immediately come to mind are someone cringe, qiu tong, gaius (fe), gon and killua, asuka langley soryu, jirachi, pompompurin, cinnamoroll, and KIRBY >:)
AVERAGE SLEEPING HOURS: like 7-9? i wake up and fall back asleep sometimes
DOGS OR CATS: cats sorry they are just very soft and rotund
DREAM TRIPS: idk anywhere really i wanna see the northern lights or some other pretty stuff tho
BLOG ESTABLISHED: decided to come back on tumblr for my friends in dec 2019 but my old blog was made way back in feb 2013 LOL mistake
TAGGING: all of my mutuals ^_^ i dont really have anyone in mind so you can all do it <3
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8月10号 1.00pm-2.00pm， 我们将会在Quill City Mall举办的Cashless Day Carnival盛大发布旗下最新产品🔥Suimeiji睡美姬 🔥 势必要再次把高品质产品端出市场，让大家再有机会享受美丽魔力的顶级产品！👍🙌 当天Suimeiji还是由当红网络女神Youtuber Qiu Wen与我们一起发布哦！😘👸 想一睹Qiu Wen女神 X Suimeiji的风采，就一定要守住Beaute Mori的这场大型活动！👀 2019年8月8日-11日 Malaysia Cashless Day我们与您不见不散🌟 #Beautemori #Suimeiji #grandlaunching #Malaysia #Cashlessday #VBLOC #Quillcitymall https://www.instagram.com/p/B0440ZYl4bPmnJzf0IxvnL1sk0KAcWcJDW4Riw0/?igshid=1hswaw51jdpic
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Art021 Wants to Mint a Million New Chinese Collectors
Installation view of Hauser & Wirth’s booth at Art021, 2018. Courtesy of Hauser & Wirth.
The first edition of Shanghai’s Art021 in 2013 was scrappy—just 29 galleries filling up a space in the Rockbund Complex. But it proved its art market mettle quickly, and by 2016, fellow Shanghai art fair West Bund Art & Design moved from September to November so that both events could happen simultaneously. Art021 takes a different approach to the internationally-focused West Bund, having committed to reserving at least half of its booths each year for Chinese galleries. And it has become increasingly important to rising Chinese collectors who have started buying art as a lifestyle.
“When we started it, November was nothing—there wasn’t an art thing then,” said David Chau, who co-founded Art021 with PR maven Bao Yifeng and collector Kelly Ying. “People forget that we started before West Bund, and people forget that West Bund started in September and had to move to November. You know, there’s a reason for that.”
Both fairs have grown rapidly—a testament to the market power in mainland China—and attract international galleries aiming to sell to the growing number of collectors in Shanghai and others who travel here from across China. West Bund jumped from 39 to 87 galleries participating in its main section this year. The sixth edition of Art021, which opened to VIPs Thursday afternoon, hosts 103 galleries in three wings of the Shanghai Exhibition Center. But, while West Bund is part of a larger, government-funded initiative to turn a previously industrial stretch of the Huangpu Riverfront into a cultural epicenter, Chau said the privately owned Art021 has been able to become a power center on its own terms.
"FLOWER", 2018.
Takashi Murakami and Virgil Abloh
Gagosian
Memento Mori: Black, 2018.
Takashi Murakami and Virgil Abloh
Gagosian
“We’ve looked at how West Bund is becoming a Basel kind of fair, whereas if we were trying to follow them, or even beat them, we’d be dead by now,” Chau said. “The reason we’re able to succeed is we are just not really following the art world’s rules. We never set ourselves to be a Basel or a Frieze.”
The 34-year-old Chau, who as a 21-year-old investment banker set up a $32 million art investment fund, said instead of fitting the mold of what an art fair should be, he’s focused on courting the newly wealthy would-be collectors in a country where a new billionaire is minted every two days. It’s the major Chinese collectors who buy at Art Basel in Hong Kong and at evening sales held in Shanghai, Hong Kong, and Beijing, that are currently driving the country’s rise in art-world clout—and its ability to edge out the United Kingdom to be the world’s second-biggest art market, after the United States, according to Clare McAndrew’s The Art Market | 2018. While many of those collectors buy art at Art021 too, Chau said his focus is on finding newly wealthy, culture hungry Chinese who haven’t collected yet, and turning them on to buying.
“Out of 1.4 billion people I think this is a big enough market that our mission should be to cultivate a million people rather than just cultivating the art world,” Chau said. In other words, Chau wants to expand the size of the pie, not just take a slice from it.
This is what he pitches to potential exhibitors: there is money here and there are people who want to spend it on art. It’s his job to deliver them on the first week of November.
Untitled Anxious Audience, 2018.
Rashid Johnson
Hauser & Wirth
“It’s about selling, and getting people to come back,” Chau.
Judging by the scene at Thursday’s VIP preview, they’re clearly doing something right. The aisles thronged with fashionable young collectors who milled about in the two halls upstairs before spilling down into the cavernous, Soviet-style structure’s main foyer, where quite a spectrum of offerings was on display. On one end, Gagosian was presenting the wildly popular collaborations between the artist Takashi Murakami and Louis Vuitton men’s creative director Virgil Abloh. Drake is a known collector of the bombastic work and fairgoers were audibly yelling at passersby to move so they could get pictures. At the other end of the hall, Galerie Thaddaeus Ropac had mounted a solo booth of serene portraits by the nonagenarian New Yorker Alex Katz.
True to Chau’s word, there were plenty of deals taking place in the opening hours—contra the general wisdom that Chinese collectors tend to wait to transact until the final day. Hauser & Wirth sold Zhang Enli’s The Garden (2017) for $385,000 to a Chinese museum, Rashid Johnson’s Untitled Anxious Collage (2017) to a collection in Hong Kong, and Martin Creed’s Work No. 2316 COCONUTS (2015) for $210,000 to a collection in China. The gallery also staged a show of work by Matthew Day Jackson at Qiao Space, next to West Bund, and sold his Babel (2013) for $325,000 and Flowers in a Vase with Jewels, Coins, and Shells (Milan) (2018) for $150,000—both to Chinese collectors. At David Zwirner, Oscar Murillo’s bank of (2017-18) sold for $300,000; a small Carol Bove sculpture sold for $220,000; and an untitled 2011–12 encaustic by Francis Alÿs, who opened a show at Shanghai’s Rockbund Art Museum on Thursday night, sold for $250,000.
Installation view of David Zwirner’s booth at Art021, 2018. Courtesy of David Zwirner.
At Pace, which was participating in Art021 for the first time (they’ve done West Bund since 2015), a suite of three David Hockney iPad paintings sold for $26,000 each, as well as several works by Chinese artists in their program like Qiu Xiaofei and Hong Hao.
“It’s our first year doing the fair alongside West Bund, and we brought more work by Chinese artists here because there’s a different sort of purpose here,” said Youngjoo Lee, the director of the mega-gallery’s outpost in Seoul. “At West Bund it’s more international, and here, it’s more local Shanghai clients.”
bank of, 2017-2018.
Oscar Murillo
David Zwirner
Untitled, 2011-2012.
Francis Alÿs
David Zwirner
Galleria Continua is attuned to the buying habits of the Chinese markets, having opened a gallery in Beijing in 2005 (they also have outposts in Havana, Cuba, San Gimignano, Italy, and Les Moulins, France). Federica Beltrame, a director at Galleria Continua’s space in the Chinese capital, said that they had a lot of requests from local clients for work by Antony Gormley—et voila, an Antony Gormley solo booth. Three works were on reserve a few hours into the fair, at €350,000 for large sculptures and €175,000 for small ones. Beltrame added that, while they’ve done fairs in Beijing to support the local gallery scene, she doesn’t see it them taking off in the way Art021 and West Bund have in Shanghai, turning the city into a real destination for Asian buyers every November.
“I feel that Shanghai has a special energy,” she said. “Beijing fairs are a million years behind. Here, everything is just vibrating.”
Centre of the Centre , 2017.
Vittorio Brodmann
Gavin Brown's Enterprise
Transfiguring (RGB), 2013.
Mark Leckey
Gavin Brown's Enterprise
Contributing to that energy this year is a new sector at Art021, Detour, where Cesar Garcia, who is the director of The Mistake Room in Los Angeles, hand-picked five galleries, in addition to his own, that each paid a discounted booth price. A slowing Chinese economy and volatile capital markets in the country have also, perhaps counterintuitively, buoyed the art trade, said Sophia Wang, assistant to the director at Beijing’s Pifo Gallery who came to the gallery this year from Christie’s.
“People here are seeing art more as an investment,” she said, adding that this tendency increases in periods of volatility such as the one caused by the current trade war between Donald Trump and Xi Jinping. Wang said that even with the Office of the United States Trade Representative having announced that Chinese-made art and antiquities would not be included on the list of goods included in the tariffs, the conflict still poses issues.
“It’s building a wall, a barrier,” Wang said of the back-and-forth taxation between the two countries. “It’s not just about the taxes, it affects so many things.”
Pifo focused on works by European and Asian artists at Art021. And on opening day, they sold an untitled Enrico Bach painting for CNY140,000 (roughly $20,000), and two works by the Chinese artist Ni Jun, one for CNY70,000 (roughly $10,000) and another for CNY80,000 (roughly $11,500).
LOVE (Red, Violet), 1966-1999.
Robert Indiana
Kasmin
Trade war or not, Art021 continues to serve as a prime opportunity for American galleries to test the market waters in mainland China without the significant investment and business challenges that hiring staff or opening a physical space here can generate. Gavin Brown’s Enterprise did the fair for the first time this year and sold work by Vittorio Brodmann and Mark Leckey. It was also Kasmin’s first time at Art021. The New York gallery sold Mark Ryden’s cheeky painting Salvator Mundi (2018), a play on the Leonardo da Vinci painting that sold for $450 million at Christie’s a year ago, but with a fluffy dog holding the gazing ball instead of Jesus Christ.
Kasmin had a bit of fun with the presentation, as two security guards stood by the painting protecting the canvas as if it were truly the Leonardo and not a cute puppy-fied homage. And while it didn’t command a price tag nearing half a billion, it did sell for a very respectable $350,000.
“We’re only three hours into the fair and the activity has been overwhelming,” said director Eric Gleason. As if on cue, a woman approached him, pointed and yelled “Sit down!”—she wanted to get an unobstructed picture of the six-foot-tall Robert Indiana “LOVE” sculpture that served as the booth’s centerpiece.
“We’re thrilled to be here,” Gleason said. His only regret about Art021: “I wished we had came earlier.”
from Artsy News
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Data management and visualizationcourse
After enrolling in the Data Management and Visualization Course I have decided to use my own data set. I work on the medical field (Neurology), so I decided to work with something related. I am interested in patients with the diagnosis of subarachnoid hemorrhage (SAH) and the development of a complication of this disease known as vasospasm. I specifically want to find out risk factors for this complication and will evaluate if hyponatremia (low serum sodium levels) is associated to the development of vasospasm in patients with SAH. Also I want to know if the hyponatremia happens before the vasospasm and if this can be used as a probable predictive method for this complication. I will add to my codebook variables reflecting sodium levels and the development or not of the complication (vasospasm). The second thing I am interested is to know if this risk factor (hyponatremia) is related to a worse or better outcome after hospitalization, so I will also add variables that measure the subject’s health after they were discharged from hospital.
Research question:
1. Is hyponatremia (low serum sodium) related with the later development of vasospasm in patients with subarachnoid hemorrhage?
2. Does the hyponatremia presents before or after the vasospasm complication?
3. Do patients with hyponatremia have worse or better outcomes than patients with no hyponatremia after hospitalization?
Hypothesis:
After doing a literature review, I noticed previous studies have reported this association however whether hyponatremia directly contributes to the development of vasospasm, or is a by-product of this complication, is still unclear. Also there is some controversies in the literature regarding this topic.
My hypothesis is that hyponatremia is associated to vasospasm development and can precipitate it.
References
1. Wijdicks EF, Vermeulen M, Hijdra A, van Gijn J. Hyponatremia and cerebral infarction in patients with ruptured intracranial aneurysms: is fluid restriction harmful? Ann Neurol 1985;17:137-40.
2. Kurokawa Y, Uede T, Ishiguro M, Honda O, Honmou O, Kato R, et al. Pathogenesis of hyponatremia following subarachnoid hemorrhage due to ruptured cerebral aneurysm. Surg Neurol 1996; 46:500-07.
3. Berendes E, Walter M, Cullen P, Prien T, Van Aken H, Horsthemke J, et al. Secretion of brain natriuretic peptide in patients with aneurysmal subarachnoid hemorrhage. Lancet 1997;349:245-9.
4. Chandy D, Sy R, Aronow WS, Lee W-N, Maguire G, Murali R. Hyponatremia and cerebrovascular spasm in aneurysmal subarachnoid hemorrhage. Neurol India 2006;34:617-23.
5. Katayama Y, Haraoka J, Hirabayashi H, Kawamata T, Kawamoto K, Kitahara T, et al. A randomized controlled trial of hydrocortisone against hyponatremia in patients with aneurysmal subarachnoid hemorrhage. Stroke 2007;38:2373-5.
6. Igarashi T, Moro N, Katayama Y, Mori T, Kojima J, Kawamata T. Prediction of symptomatic cerebral vasospasm in patients with aneurysmal subarachnoid hemorrhage: relationship to cerebral salt wasting syndrome. Neurol Res 2007;29:835-41.
7. Kubo Y, Ogasawara K, Kakino S, Kashimura H, Yoshida K, Ogawa A. Cerebrospinal fluid adrenomedullin concentration correlates with hyponatremia and delayed ischemic neurological deficits after subarachnoid hemorrhage. Cerebrovasc Dis 2008;25:164-69.
8. Nakagawa I, Kurokawa S, Nakase H. Hyponatremia is predictable in patients with aneurysmal subarachnoid hemorrhage-clinical significance of serum atrial natriuretic peptide. Acta Neurochir (Wien) 2010;152:2147-52.
9. Vrsajkov V, Javanovic G, Stanisavljevic S, Uvelin A, Vrsajkov J. Clinical and predictive significance of hyponatremia after aneurysmal subarachnoid hemorrhage. Balkan Med J 2012;29:243-46.
10. Maimaitili A, Maimaitili M, Rexidan A, Lu J, Ajimu K, Cheng X, et al. Pituitary hormone level changes and hyponatremia in aneurysmal subarachnoid hemorrhage. Exp Ther Med 2013;5:1657-62.
11. Brown RJ, Epling BP, Staff I, Fortunato G, Grady JJ, McCullough LD. Polyuria and cerebral vasospasm after aneurysmal subarachnoid hemorrhage. BMC Neurol 2015;15:201.
12. Zheng B, Qiu J, Jin H, Wang L, Chen X, Shi C, et al. A predictive value of hyponatremia for poor outcome and cerebral infarction in high-grade aneurysmal subarachnoid haemorrhage patients. J Neurol Neurosurg Psychiatry 2011;82:213-7.
13. Uozumi Y, Mizobe T, Miyamoto H, Ashida N, Katsube T, Tatsumi S, et al. Decreased serum sodium levels predict symptomatic vasospasm in patients with subarachnoid hemorrhage. J Clin Neurosci 2018;46:118-23.
14. Mapa B, Taylor BE, Appelboom G, Bruce EM, Claassen J, Connolly ES Jr. Impact of hyponatremia on morbidity, mortality, and complications after aneurysmal subarachnoid hemorrhage: A systematic review. World Neurosurg 2016;85:305-14.
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Bookshelf Overload: September 2017
Another month, another collection of interesting stuff made its way into my domicile! It’s been a while since I’ve gotten a box full of review copies, but Kodansha Comics did send a few things my way in September. Of those, I was most excited to see the debut of Kore Yamazaki’s Frau Faust, which I already had my eyes on due to my fondness for the creator’s other series in English, The Ancient Magus’ Bride. The other September debut that I was particularly happy to see, and one of my most anticipated releases of the year, was the first omnibus of Takako Shimura’s Sweet Blue Flowers. (I should hopefully have my review of that written up and posted soon.) On the other end of the spectrum, last month I also managed to snag complete sets of a couple of out-of-print and somewhat difficult to find manga series for a good price–Mizuho Kusanagi’s NG Life and Makoto Kobayashi’s What’s Michael?–which pleased me immensely.
Manga!
Aho-Girl, Volume 1 by Hiroyuki
Appleseed Alpha by Iou Kuroda
A Bride’s Story, Volume 9 by Kaoru Mori
Blame, Omnibus 3 by Tsutomu Nihei
Bungo Stray Dogs, Volume 4 by Kafka Asagiri
Captain Harlock: Dimensional Voyage, Volume 1 written by Leiji Matsumoto, illustrated by Kouiti Shimaboshi
Fairy Tail: Rhodonite by Kyouta Shibano
Frau Faust, Volume 1 by Kore Yamazaki
Golden Kamuy, Volume 2 by Satoru Noda
Haikyu!!, Volume 16 by Haruichi Furudate
Kigurumi Guardians, Volume 1 by Lily Hoshino
Kiss Me at the Stroke of Midnight, Volume 1 by Rin Mikimoto
NG Life, Volumes 1-9 by Mizuho Kusanagi
Princess Jellyfish, Omnibus 6 by Akiko Higashimura
Sweet Blue Flowers, Omnibus 1 by Takako Shimura
That Time I Got Reincarnated as a Slime written by Fuse, illustrated by Taiki Kawakami.
Waiting for Spring, Volume 1 by Anashin
What’s Michael?, Volumes 1-11 by Makoto Kobayashi
Yona of the Dawn, Volume 8 by Mizuho Kusanagi
Comics!
Breaks, Volume 1 by Emma Vieceli and Malin Ryden
The Clerics of Midsummer by Victoria Grace Elliott
Empowered, Omnibus 3 by Adam Warren
Finding Molly: An Adventure in Catsitting written by Justine Prado, illustrated by Jenn St-Onge
Finding Peace by Jordan Alsaqa and Marie Enger
Fresh Romance, Volume 2 edited by Maytal Gilboa
Galahad and the Far-Off Horizon written by Hansel Moreno
M.F.K. by Nilah Magruder
Minority Monsters by Tab Kimpton
The Mystery of La Luna written by Rhiannon Rasmussen-Silverstein, illustrated by Ainsley Yeager
Not Stray by Wai Au
Off the Ice by Wai Au
Sex Fantasy by Sophia Foster-Dimino
Taproot by Keezy Young
Venture Forth by Ainsley Yeager
Verona written by Emily Dell, illustrated by Bryndon Everett and Mollie Helms
White Rice Fish by Wai Au
Artbooks!
Bubbly by Meredith McClaren
Novels!
Attack on Titan Adventure: Year 850: Last Stand at Wall Rose by Tomoyuki Fujinami
The Black Tides of Heaven by Jy Yang
Death’s End by Cixin Liu
Last Words from Montmartre by Miaojin Qiu
Quantum Devil Saga: Avatar Tuner, Volume 2 by Yu Godai
The Part of Me That Isn’t Broken Inside by Kazufumi Shiraishi
The Red Threads of Fortune by Jy Yang
Sweet Bean Paste by Durian Sukegawa
Yesterday by Felicia Yap
Anthologies!
The Ginza Ghost and Other Stories by Keikichi Osaka
Into the Light: An Anthology of Literature by Koreans in Japan edited by Melissa L. Wender
Nonfiction!
Womansword: What Japanese Words Say About Women by Kittredge Cherry
By: Ash Brown
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