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856764864568 · 3 years

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The prince gave her a curious look

But will it be said. The prince gave her a curious look. If you plough through the marketing jargon, Boost is based on a plastic developed by chemical company BASF. It was down to fours required off each of the balls left.. In Lhazar I slew two of my own serjeants for plotting to steal the gems and gold plate my queen had entrusted to me as gifts for the Lamb Men. His .484 OBP is 4th in the league. The power comes from your abdominal muscles. There all the field-slaves lived and worked. Nor are planters indifferent to the comfort of their gray-headed slaves. Some reported seeing him north of the river, above the grass of the Dothraki sea. Even haibike e mtb 2020 full court. I walk up and down, up and down, here, always alone, always alone, always thinking; thoughts come rushing like a whirlwind! It’s so horrible! One thing I’ve thought of, Vanya; couldn’t you get to know her? You know the countess admired your novel (you said so yourself at the time). It is equipped with a number of accessories including a high speed rotating spindle (2,500rpm), mini collet chuck holder and associated mini collet chuck set (for clamping of electrodes from 0.2 to 2.0mm) together with a microscope for electrode and ceramic guide alignment. “Cockles and mussels and clams,” Cat cried as he went past, “oysters and prawns and fat green mussels.” She even smiled at him. I had one pair of shoes and everything was hand me down. Why do you look at one another? No doubt you’re thinking: here they’ve caught him at once and he hasn’t a grain of will. But, in the actual condition of things, it must be so. Her father, too.”. Innovative techniques of using paper in The Intimate Universe and Pure Pulp trigger a deep sense of appreciation of the diverse materiality in artistic portrayal.. It appeared that the prisoner commenced the punishment of the deceased in the morning, and that it was continued throughout the day: and that the deceased died in the presence of the prisoner, and one of his slaves, and one of the witnesses, whilst the punishment was still progressing... Imagine all that Medici money washing around Bank Medici in King William Street: no need for the CBA or NAB, the submarines not required, Rundle Street in a Renaissance, the new Royal Adelaide already operating around the clock. When he turned away she stealthily nodded to me.. In the one [case], the end in view is the happiness of the youth, born to equal rights with that governor, on whom the duty devolves of training donna di porto pim una storia riassunto the young to usefulness, in chanel ágynemű a station which he is afterwards to assume among freemen. Dany gave her wild children one last lingering look. Katya expressed it very well this morning. I will not feel remorse for something I didn't do. I'm pleased with the outcome.". The story behind the invention was two product developers working for Salomon in France designed a shoe for downhill running with maximum cushioning," said Menosky. The scales there were just as tough as those along a dragon’s back and flanks. On the cog, alas, everyone was just who they appeared to be, no one was particularly congenial, and only the red Mens JORDAN Hoodie priest papuci de casa din pasla was interesting. Airbus opted for the double decker A380 to distinguish itself in the world largest aviation hubs, but Boeing decided to focus its energies instead on smaller aircraft. In Lufkin, Texas, near Lackland Air Force Base where military working dogs are initially trained, also stars Lauren Graham and Thomas Haden Church as Justin parents. COLORADO SPRINGS Cole Gunner scored a career adidas eqt rose gold high four goals to led Air Force to a 10 3 win biciclete rusesti vechi over AIC in game two of a best of three Atlantic Hockey playoff series, Saturday, March 7, at the Cadet Ice Arena. Gibran Essa and Crawford Kennedy were champions, beating Pace Academy in the semifinals and Liberal Arts and Sciences in the finals Max Abramson and Aly Shakoor were semifinalists. But not all. "The result is a film that starts off as a solid, workmanlike exercise in horror, but it can quite keep that energy through to the end. “You saw how we went through the wildlings.” Ser Justin pushed back a lock of flaxen hair. I never liked a pair of shoes that I could not effectively use to run (not that I'm paranoid, but sometimes you just need to run). Jojen’s lips were blue, Meera’s cheeks dark red. “Might that be where whores go?” Tyrion could oakley m frame ice iridium not seem to recall the Valyrian word for whore, and in any case it was too late.. According to meteorologists, the extreme conditions were caused by a low pressure storm that set up over Hudson Bay in Canada. “Great queen,” declared Reznak mo Reznak, “you are so radiant today I fear to look on you.” The seneschal wore a tokar of maroon silk with a golden fringe. IIRC, you're still running UT2K4 as a 32 bit game on a 64 bit OS, right? Only the drivers are 64 bit enabled.Overall, though, great article. I’ve horno teka hc 610 me blanco been crying all night. When we were left alone I told her I had a hundred and fifty roubles for her in case of need. Stuart Blackton of Vitagraph spoke of the need for military preparation to protect US territories and recited a pro war poem whose final words were "So fire your forges and dam the bills/For the wings of peace must have iron quills." When Wilson addressed the audience that night, he kept his remarks limited to vague statements about truth in film storytelling. And each airman will have an opportunity to say thank you as well. Again, these teachers tell them that they should search the Scriptures most earnestly, diligently and continually, at the same time declaring that it is not their intention to interfere with the laws which forbid their being taught to read. This lack of mobility can lead to lack of independence, low self confidence and self esteem, depression, and in some cases these issues can lead to loss of employment and therefore detrimental financial implications.. He was very tall, very thin, so long-legged that it was a wonder his feet did not drag along the ground. It can put them in bed for four to six weeks, says LeCorgne. Admitting that God has cursed both the Jewish race and the descendants of Ham, He is able to fulfil His purpose, though the “rest of mankind” should in all things act up to the papuci de casa din pasla benevolent precepts of the “Divine law.” Man may very safely cultivate the highest principles of the Christian dispensation, and leave God to work out the fulfilment of His curse.. She took off her helm and pushed back her sweat-soaked hair. You have been so exasperated by his thoughtless behaviour. Charles, a mob of such men as only slavery could raise attacked the house to take his life. Griffith 1915 Birth of a Nation. "So she'd sit there in her rocking chair, with those chores of quilting and crocheting, and kept this book on top of the radio with her pen," Wiseman recalls. Policymakers worldwide have been stymied in their effort to reach a global agreement on reducing fossil fuel emissions. The 6 8 Phillips grad, who has come back from major heart surgery, totalled 29 points, 27 rebounds and 15 blocks in two wins.

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moviereviewstation · 4 years

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The Movie List

Hi all,

As promised, here’s the list. Once a movie has been reviewed, I’ll turn the movie into a link to the review on this list. Any movie we can’t find will be marked with a cross through. There were double ups in the categories, movies being listed twice, so I’ve only let them be in the first category they show up in (Hence why there isn’t 100 movies in the fourth category). The list is below:

1. GENRE

Action-Aventure

The Mark of Zorro (Fred Niblo, 1920)

The Adventures of Robin Hood (Michael Curtiz and William Keighley, 1938)

The Seven Samurai (Akira Kurosawa, 1954)

Top Gun (Tony Scott, 1986)

Lethal Weapon (Richard Donner, 1987)

Thelma and Louise (Ridley Scott, 1991)

Mission: Impossible (Brian De Palma, 1996)

Kill Bill: Volume 1 (Quentin Tarantino, 2003)

Animation

Steamboat Willie (Ub Iwerks, 1928)

Snow White and the Seven Dwarfs (David Hand and William Cottrell, 1937)

Pinocchio (Ben Sharpsteen and Hamilton Luske, 1940)

Yellow Submarine (George Dunning, 1968)

Akira (Katsuhiro Otomo, 1988)

Toy Story (John Lasseter, 1995)

Spirited Away (Hayat Miyazaki, 2001)

Belleville Rendez-vous (Sylvain Chomet, 2003)

Wallace and Gromit: The Curse of the Were-Rabbit (Steve Box and Nick Park, 2005)

Wall-E (Andrew Stanton, 2008)

Up (Pete Docter and Bob Peterson, 2009)

How To Train Your Dragon (Chris Sanders and Dean DeBlois, 2010)

Avante-Garde

L’Inhumaine (Marcel L’Herbier, 1924)

Un Chien Andalou (Luis Bunuel, 1929)

L’Age d’Or (Luis Bunuel, 1930)

Biopic

Young Mr. Lincoln (John Ford, 1939)

Gandhi (Richard Attenborough, 1982)

A Beautiful Mind (Ron Howard, 2001)

The Aviator (Martin Scorsese, 2004)

Ray (Taylor Hackford, 2004)

The Last King of Scotland (Kevin Macdonald, 2006)

Milk (Gus Van Sant, 2008)

Comedy

The General (Clyde Bruckman and Buster Keaton, 1927)

Duck Soup (Leo McCarey, 1933)

His Girl Friday (Howard Hawks, 1940)

The Ladykillers (Alexander Mackendrick, 1955)

The Pink Panther (Blake Edwards, 1963)

Annie Hall (Woody Allen, 1977)

Airplane! (Jim Abrahams, David Zucker, and Jerry Zucker, 1980)

Four Weddings and a Funeral (Mike Newell, 1994)

The Full Monty (Peter Cattaneo, 1997)

Meet the Parents (Jay Roach, 2000)

Bridget Jone’s Diary (Sharon Maguire, 2001)

The Devil Wears Prada (David Frankel, 2006)

Costume Drama

Jezebel (William Wyler, 1938)

Les Enfants du Paradis (Marcel Carne, 1945)

Senso (Luchino Visconti, 1954)

Barry Lyndon (Stanley Kubrick, 1975)

Dangerous Liaisons (Stephen Frears, 1988)

Howards End (James Ivory, 1992)

Sense and Sensibility (Ang Lee, 1995)

Bright Star (Jane Campion, 2009)

Cult

Plan 9 from Outer Space (Edward D. Wood, 1958)

Faster, Pussycat! Kill! Kill! (Russ Meyer, 1965)

Pink Flamingos (John Waters, 1972)

The Wicker Man (Robin Hardy, 1973)

The Rocky Horror Picture Show (Jim Sharman, 1975)

Withnail and I (Bruce Robinson, 1987)

Fight Club (David Finch, 1999)

Disaster

Airport (George Seaton, 1970)

The Poseidon Adventure (Ronald Neame, 1972)

The Towering Inferno (John Guillermin, 1974)

Independence Day (Roland Emmerich, 1996)

Titanic (James Cameron, 1997)

Documentary

Man with a Movie Camera (Dziga Vertov, 1929)

Night and Fog (Alain Resnais, 1955)

Don’t Look Back (D.A. Pennebaker, 1967)

The Sorrow and the Pity (Marcel Ophuls, 1969)

Bowling for Columbine (Michael Moore, 2002)

Capturing the Friedmans (Andrew Jarecki, 2003)

The Story of the Weeping Camel (Byambasuren, Dava and Luigi Falorini, 2003)

March of the Penguins (Luc Jacquet, 2005)

An Inconvenient Truth (Davis Guggenheim, 2006)

Epic

The Birth of a Nation (D.W. Griffith, 1915)

Alexander Nevsky (Sergei M. Eisenstein and Dmitri Vasilyev, 1938)

The Robe (Henry Koster, 1953)

The Ten Commandments (Cecil B. DeMille, 1956)

Ben-Hur (William Wyler, 1959)

Spartacus (Stanley Kubrick, 1960)

Doctor Zhivago (David Lean, 1965)

Gladiator (Ridley Scott, 2000)

Kingdom of Heaven (Ridley Scott, 2005)

Film Noir

Double Indemnity (Billy Wilder, 1944)

Fallen Angel (Otto Preminger, 1945)

The Big Sleep (Howard Hawks, 1946)

Kiss Me Deadly (Robert Aldrich, 1955)

Touch of Evil (Orson Welles, 1958)

Chinatown (Roman Polanski, 1974)

L.A. Confidential (Curtis Hanson, 1997)

Sin City (Frank Miller and Robert Rodriguez, 2005)

Gangster

Little Caesar (Mervyn Leroy, 1931)

Public Enemy (William Wellman, 1931)

Angels with Dirty Faces (Michael Curtiz, 1938)

Bonnie and Clyde (Arthur Penn, 1967)

The Godfather (Francis Ford Coppola, 1972)

GoodFellas (Martin Scorsese, 1990)

Pulp Fiction (Quentin Tarantino, 1994)

Snatch (Guy Ritchie, 2000)

Gangs of New York (Martin Scorsese, 2002)

Road to Perdition (Sam Mendes, 2002)

Horror

Nosferatu (F.W. Murnau, 1922)

The Bride of Frankenstein (James Whale, 1935)

Cat People (Jacques Tourneur, 1942)

The Night of the Living Dead (George A. Romero, 1968)

The Exorcist (William Friedkin, 1973)

Halloween (John Carpenter, 1978)

Ring (Hideo Nakata, 1998)

The Blair Witch Project (Daniel Myrick and Eduardo Sanchez, 1999)

Martial Arts

Fists of Fury (Wei Lo, 1971)

The Chinese Connection (Wei Lo, 1972)

Enter the Dragon (Robert Clouse, 1973)

The Karate Kid (John G. Avildsen, 1984)

Once Upon a Time in China (Tsui Hark, 1991)

Crouching Tiger, Hidden Dragon (Ang Lee, 2000)

Hero (Zhang Yimou, 2002)

Melodrama

Imitation of Life (John M. Stahl, 1934)

Stella Dallas (King Vidor, 1937)

Now, Voyager (Irving Rapper, 1942)

Mildred Pierce (Michael Curtiz, 1945)

Brief Encounter (David Lean, 1945)

The Life of Oharu (Kenji Mizoguchi, 1952)

Musical

Le Million (Rene Clair, 1931)

42nd Street (Lloyd Bacon, 1933)

The Merry Widow (Ernst Lubitsch, 1934)

Top Hat (Mark Sandrich, 1935)

Meet Me in St. Louis (Vincente Minnelli, 1944)

Singin’ in the Rain (Gene Kelly and Stanley Donen, 1952)

Gigi (Vincente Minnelli, 1958)

West Side Story (Robert Wise and Jerome Robbins, 1961)

Cabaret (Bob Fosse, 1972)

Grease (Randal Kleiser, 1978)

Dirty Dancing (Emile Ardolina, 1987)

Moulin Rouge! (Baz Luhrmann, 2001)

Hairspray (Adam Shankman, 2007)

Propaganda

The Triumph of the Will (Leni Riefenstahl, 1935)

The Plow that Broke the Plains (Pare Lorentz, 1936)

Der Fuehrer’s Face (Jack Kinney, 1943)

Science Fiction and Fantasy

Metropolis (Fritz Lang, 1927)

The Wizard of Oz (Victor Fleming, 1939)

The Time Machine (George Pal, 1960)

2001: A Space Odyssey (Stanley Kubrick, 1968)

Solaris (Andrei Tarkovsky, 1972)

Star Wars (George Lucas, 1977)

The Matrix (Larry and Andy Wachowski, 1999)

Avatar (James Cameron, 2009)

Inception (Christopher Nolan, 2010)

Serial

The Perils of Pauline (Louis Gasnier, 1914)

Flash Gordon (Frederick Stephani, 1936)

The Lone Ranger (John English and William Witney, 1938)

Series

Charlie Chan (Various, 1931-49)

Don Camillo (Various, 1951-65)

Zatoichi (Various, 1962-2003)

The Lord of the Rings (Peter Jackson, 2001-03)

Harry Potter (Various, 2001-11)

The Chronicles of Narnia (Various, 2005-)

Teens

Rebel Without a Cause (Nicholas Ray, 1955)

American Graffiti (George Lucas, 1973)

The Breakfast Club (John Hughes, 1985)

Mean Girls (Mark Waters, 2004)

Thriller

The Third Man (Carol Reed, 1949)

Psycho (Alfred Hitchcock, 1960)

The Silence of the Lambs (Jonathan Demme, 1991)

The Constant Gardener (Fernando Meirelles, 2005)

The Girl Who Played with Fire (Daniel Alfredson, 2009)

Underground

Meshes of the Afternoon (Maya Deren, 1943)

Wavelength (Michael Snow, 1967)

Flesh (Paul Morrissey, 1968)

War

J’Accuse (Abel Gance, 1919)

Paths of Glory (Stanley Kubrick, 1957)

Apocalypse Now (Francis Ford Coppola, 1979)

Das Boot (Wolfgang Peterson, 1981)

Full Metal Jacket (Stanley Kubrick, 1987)

Saving Private Ryan (Steven Spielberg, 1998)

No Man’s Land (Danis Tanovic, 2001)

The Hurt Locker (Kathryn Bigelow, 2008)

Western

Stagecoach (John Ford, 1939)

The Man from Laramie (Anthony Mann, 1955)

The Searchers (John Ford, 1956)

The Magnificent Seven (John Sturges, 1960)

The Man who Shot Liberty Valance (John Ford, 1962)

The Wild Bunch (Sam Peckinpah, 1969)

Once Upon a Time in the West (Sergio Leone, 1968)

Unforgiven (Clint Eastwood, 1992)

True Grit (Joel and Ethan Coen, 2010)

2. WORLD FILM

Africa

The Money Order (Ousmane Sembene, Senegal, 1968)

The Night of Counting the Years (Shadi Abdelsalam, Egypt, 1969)

Xala (Ousmane Sembene, Senegal, 1975)

Chronicle of the Burning Years (Mohammed Lakhdar-Hamina, Algeria, 1975)

Alexandria… Why? (Youssef Chahine, Egypt, 1978)

Man of Ashes (Nouri Bouzid, Tunisia, 1986)

Yeelen (Souleymane Cisse, Mali, 1987)

The Silences of the Palace (Moufida Tlatli, Tunisia, 1994)

Waiting for Happiness (Abderrahmane Sissako, Mauritania, 2002)

The Middle East

Divine Intervention (Elia Suleiman, Palestine, 2002)

The Syrian Bride (Eran Riklis, Palestine, 2004)

Thirst (Tawfik Abu Wael, Palestine, 2004)

Paradise Now (Hand Abu-Assad, Palestine, 2005)

Iran

The Cow (Dariush Mehrjui, 1968)

The White Balloon (Jafar Panahi, 1995)

Taste of Cherry (Abbas Kiarostami, 1997)

The Children of Heaven (Majid Majidi, 1997)

Blackboards (Samira Makmalbaf, 2000)

The Day I Became a Woman (Marzieh Meshkini, 2000)

Secret Ballot (Babek Payami, 2001)

Kandahar (Mohsen Makmalbaf, 2001)

Turtles Can Fly (Bahman Ghobadi, 2004)

Eastern Europe

Knife in the Water (Roman Polanski, Poland, 1962)

The Shop on the High Street (Jan Kadar, Czechoslovakia, 1965)

The Round-Up (Miklos Jansco, Hungary, 1965)

Loves of a Blonde (Milos Foreman, Czechoslovakia, 1965)

Daisies (Vera Chytilova, Czechoslovakia, 1966)

Closely Observed Trains (Jiri Menzel, Czechoslovakia, 1966)

Man of Marble (Andrzej Wajda, Poland, 1976)

The Three Colours trilogy (Krzysztof Kieslowski, Poland, 1993-94)

Divided We Fall (Jan Hrebejk, Czech Republic, 2000)

The Turin Horse (Bela Tarr, Hungary, 2011)

The Balkans

A Matter of Dignity (Michael Cacoyannis, Greece, 1957)

I Even Met Happy Gypsies (Aleksandar Petrovic, Yugoslavia, 1967)

The Goat Horn (Metodi Andonov, Bulgaria, 1972)

Yol (Yilmaz Güney and Serif Goren, Turkey, 1982)

Underground (Emir Kusturica, Yugoslavia, 1995)

Eternity and a Day (Theo Angelopoulos, Greece, 1998)

Uzak (Nuri Bilge Ceylan, Turkey, 2002)

The Death of Mr. Lazarescu (Cristi Puiu, Romania, 2005)

4 Months, 3 Weeks, and 2 Days (Cristian Mungiu, Romania, 2007)

Russia

The Battleship Potemkin (Sergei Eisenstein, 1925)

Storm Over Asia (Vsevolod Pudovkin, 1928)

Earth (Alexander Dovzhenko, 1930)

Ivan the Terrible Parts I and II (Sergei Eisenstein, 1944/58)

The Cranes are Flying (Mikhail Kalatozov, 1957)

Ballad of a Soldier (Grigori Chukhrai, 1959)

The Colour of Pomegranates (Sergei Parajanov, 1969)

Come and See (Elem Klimov, 1985)

Russian Ark (Aleksandr Sokurov, 2002)

The Nordic Countries

The Phantom Carriage (Victor Sjostrom, Sweden, 1921)

Day of Wrath (Carl Dreyer, Denmark, 1943)

Persona (Ingmar Bergman, Sweden, 1966)

Babette’s Feast (Gabriel Axel, Denmark, 1987)

Festen (Thomas Vinterberg, Denmark, 1998)

Songs from the Second Floor (Roy Andersson, Sweden, 2000)

O’Horten (Bent Hamer, Norway, 2007)

The Girl with the Dragon Tattoo (Niels Arden Oplev, Sweden/Denmark/Germany/Norway, 2009)

Germany

The Last Laugh (F.W. Murnau, 1924)

Pandora’s Box (G.W. Pabst, 1929)

The Blue Angel (Josef von Sternberg, 1930)

M (Fritz Lang, 1931)

The Bridge (Bernhard Wicki, 1959)

Kings of the Road (Wim Wenders, 1976)

The Marriage of Maria Braun (Rainer Werner Fassbinder, 1978)

The Tin Drum (Volker Schlöndorff, 1979)

Run Lola Run (Tom Tykwer, 1998)

France

Napoleon (Abel Gance, 1927)

L’Atalante (Jean Vigo, 1934)

La Grande Illusion (Jean Renoir, 1937)

Le Jour se Leve (Marcel Carne, 1939)

Diary of a Country Priest (Robert Bresson, 1951)

Hiroshima Mon Amour (Alain Resnais, 1959)

Jules et Jim (Francois Truffaut, 1962)

Weekend (Jean-Luc Godard, 1967)

La Haine (Mathieu Kassovitz, 1995)

The Taste of Other (Agnes Jaoui, 2000)

The Class (Laurent Cantet, 2008)

A Prophet (Jacques Audiard, 2009)

Of Gods and Men (Xavier Beauvois, 2010)

Italy

The Flowers of St. Francis (Roberto Rossellini, 1950)

Umberto D. (Vittorio De Sica, 1952)

La Notte (Michelangelo Antonioni, 1961)

The Leopard (Luchino Visconti, 1963)

The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964)

Amarcord (Federico Fellini, 1973)

1900 (Bernardo Bertolucci, 1976)

Cinema Pardiso (Giuseppe Tornatore, 1988)

Il Postino (Michael Radford, 1994)

The Best of Youth (Marco Tullio Giordana, 2003)

Gomorrah (Matteo Garrone, 2008)

Vincere (Marco Bellocchio, 2009)

United Kingdom

The Lady Vanishes (Alfred Hitchcock, 1938)

Odd Man Out (Carol Reed, 1947)

Black Narcissus (Michael Powell and Emeric Pressburger, 1947)

Whiskey Galore (Alexander Mackendrick, 1949)

The Servant (Joseph Losey, 1963)

If… (Lindsay Anderson, 1968)

Local Hero (Bill Forsyth, 1983)

Brazil (Terry Gilliam, 1985)

Billy Elliot (Stephen Daldry, 2000)

Touching the Void (Kevin Macdonald, 2003)

The King’s Speech (Tom Hooper, 2010)

Spain

Welcome Mr. Marshall! (Luis Garcia Berlanga, 1953)

Death of a Cyclist (Juan Antonio Bardem, 1955)

Viridiana (Luis Bunuel, 1961)

The Spirit of the Beehive (Victor Erice, 1973)

Cria Cuervos (Carlos Saura, 1976)

Tierra (Julio Medem, 1996)

Talk to Her (Pedro Almodovar, 2002)

The Sea Inside (Alejandro Amenabar, 2004)

Portugal

Hard Times (Joao Botelho, 19880

Abraham’s Valley (Manoel de Oliveira, 1993)

God’s comedy (Joao Cesar Monteiro, 1995)

River of Gold (Paulo Rocha, 1998)

O Delfim (Fernando Lopes, 2002)

Canada

My Uncle Antoine (Claude Jutra, 1971)

The True Nature of Bernadette (Gilles Carles, 1972)

The Apprenticeship of Duddy Kravitz (Ted Kotcheff, 1974)

The Decline of the American Empire (Denys Arcand, 1986)

I’ve Heard the Mermaids Singing (Patricia Rozema, 1987)

Dead Ringers (David Cronenberg, 1988)

Jesus of Montreal (Denys Arcand, 1989)

Exotica (Atom Egoyan, 1994)

The Sweet Hereafter (Atom Egoyan, 1997)

The Barbarian Invasions (Denys Arcand, 2003)

Twist (Jacob Tierney, 2003)

Central America

Maria Candelaria (Emilio Fernandez, Mexico, 1944)

La Perla (Emilio Fernandez, Mexico, 1947)

Los Olvidados (Luis Bunuel, Mexico, 1950)

I am Cuba (Mikhail Kalatozov, Soviet Union/Cuba, 1964)

Memories of Underdevelopment (Tomas Gutierrez Area, Cuba, 1968)

Lucia (Humberto Solas, Cuba, 1968)

Like Water for Chocolate (Alfonso Area, Mexico, 1992)

Amores Perros (Alejandro Gonzales Inarritu, Mexico, 2000)

Y Tu Mama También (Alfonso Cuaron, Mexico, 2001)

Pan’s Labyrinth (Guillermo del Toro, Mexico, 2006)

South America

The Hand in the Trap (Leopoldo Torre Nilsson, Argentina, 1961)

Barren Lives (Nelson Pereira dos Santos, Brazil, 1963)

Antonio das Mortes (Glauber Rocha, Brazil, 1969)

The Hour of the Furnaces (Fernando Solanas and Octavio Getino, Argentina, 1970)

The Battle of Chile (Patricio Guzman, Chile, 1975/79)

The Official Story (Luis Puenzo, Argentina, 1985)

Central Station (Walter Salles, Brazil, 1998)

City of God (Fernando Meirelles, Brazil, 2002)

The Secret in Their Eyes (Juan Jose Campanella, Argentina, 2010)

China, Hong Kong, and Taiwan

Two Stage Sisters (Xie Jin, China, 1965)

A Touch of Zen (King Hu, Taiwan, 1969)

The Way of the Dragon (Bruce Lee, Hong Kong, 1972)

Yellow Earth (Chen Kaige, China, 1984)

City of Sadness (Hsiou-Hsein Hou, Taiwan, 1989)

Ju Dou (Zhang Yimou and Yang Fengliang, Japan/China, 1990)

Raise the Red Lantern (Zhang Yimou, China, 1991)

Yi Yi (Edward Yang, Taiwan, 2000)

Still Life (Jia Zhang Ke, China, 2006)

Korea

The Day a Pig Fell into the Well (Hong Sang-Soo, 1996)

Shiri (Kang Je-Gyu, 1999)

Chihwaseon (Im Kwon-Taek, 2002)

The Way Home (Lee Jong-Hyang, 2002)

Oasis (Lee Chang-dong, 2002)

Spring, Summer, Fall, Winter… and Spring (Kim Ki-Duk, 2003)

Secret Sunshine (Lee Chang-Dong, 2007)

Japan

Equinox Flower (Yasujiro Ozu, 1958)

An Actor’s Revenge (Kon Ichikawa, 1963)

Boy (Nagisa Oshima, 1969)

Vengeance is Mine (Shohei Imamura, 1979)

Hana-Bi (Takeshi Kitano, 1997)

After Life (Hirokazu Koreeda, 1998)

Still Walking (Hirokazu Koreeda, 2008)

Catepillar (Koji Wakamatsu, 2010)

India

Devdas (Bimal Roy, 1955)

Rather Panchali (Satyajit Ray, 1955)

Mother India (Mehboob Khan, 1957)

Charulata (Satyajit Ray, 1964)

Bhuvan Shome (Mrinal Sen, 1969)

Sholay (Ramesh Sippy, 1975)

Nayagan (Mani Ratnam, 1987)

Salaam Bombay! (Mira Nair, 1988)

Bandit Queen (Shekhar Kapur, 1994)

Dilwale Dulhaniya Le Jayenge (Aditya Chopra, 1995)

Kannathil Muthamittal (Mani Ratnam, 2002)

Shwaas (Sandeep Sawant, 2004)

Harishchandrachi Factory (Paresh Mokashi, 2009)

People Live (Anusha Rizvi, 2010)

Australia and New Zealand

Picnic at the Hanging Rock (Peter Weir, Australia, 1975)

The Getting of Wisdom (Bruce Beresford, Australia, 1977)

Newsfront (Phillip Noyce, Australia, 1978)

My Brilliant Career (Gillian Armstrong, Australia, 1979)

Mad Max (George Millar, Australia, 1979)

Crocodile Dundee (Peter Faiman, Australia, 1986)

An Angel at My Table (Jane Campion, New Zealand, 1990)

Heavenly Creatures (Peter Jackson, New Zealand, 1994)

Happy Feet (George Millar, Australia, 2006)

Australia (Bax Luhrmann, Australia, 2008)

3. DIRECTORS

Woody Allen

Sleeper (1973)

Love and Death (1976)

Manhattan (1979)

Broadway Danny Rose (1984)

The Purple Rose of Cairo (1985)

Hannah and Her Sisters (1986)

Crimes and Misdemeanors (1989)

Husbands and Wives (1992)

Match Point (2005)

Vicky Cristina Barcelona (2008)

Pedro Almodovar

What Have I Done to Deserve This (1984)

Law of Desire (1987)

Women on the Verge of a Nervous Breakdown (1988)

High Heels (1991)

All About My Mother (1999)

Bad Education (2004)

Volver (2006)

Robert Altman

M*A*S*H* (1970)

McCabe and Mrs. Miller (1971)

Nashville (1975)

The Player (1992)

Short Cuts (1993)

Gosford Park (2001)

A Prairie Home Companion (2006)

Theo Angelopoulos

The Traveling Players (1975)

Landscape in the Mist (1988)

The Weeping Meadow (2004)

Michelangelo Antonioni

L’Avventua (1960)

L’Eclisse (1962)

Il Deserto Rosso (1964)

Blow-Up (1966)

The Passenger (1975)

Ingmar Bergman

Summer Interlude (1951)

Smiles of a Summer Night (1955)

The Seventh Seal (1957)

Wild Strawberries (1957)

The Face (1958)

Cries and Whispers (1972)

Autumn Sonata (1978)

Fanny and Alexander (1982)

Bernardo Bertolucci

Before the Revolution (1964)

The Conformist (1970)

Last Tango in Paris (1972)

The Last Emporero (1987)

The Dreamers (2003)

Luc Besson

The Big Blue (1988)

Nikita (1990)

Leon (1995)

The Fifth Element (1997)

Robert Bresson

Ladies of the Park (1945)

A Man Escaped (1956)

Balthazar (1966)

L’Argent (1983)

Tod Browning

The Unholy Three (1925)

The Blackbird (1926)

The Unknown (1927)

West of Zanzibar (1928)

Dracula (1931)

Freaks (1932)

The Devil-Doll (1936)

Luis Bunuel

An Andalusian Dog (1929)

Age of Gold (1930)

The Young and the Damned (1950)

Nazarin (1958)

The Exterminating Angel (1962)

Diary of a Chambermaid (1964)

Belle de Jour (1967)

Tristana (1970)

The Discreet Charm of the Bourgeoisie (1972)

Frank Capra

Platinum Blonde (1931)

The Bitter Tea of General Yen (1933)

Lady for a Day (1933)

It Happened One Night (1934)

Mr. Deeds Goes to Town (1936)

You Can’t Take It with You (1938)

Mr. Smith Goes to Washington (1939)

It’s a Wonderful Life (1946)

Marcel Carne

Bizarre Bizarre (1937)

Port of Shadows (1938)

The Devil’s Envoys (1942)

John Cassavetes

Shadows (1959)

Faces (1968)

Minnie and Maskowitz (1971)

Gloria (1980)

Claude Chabrol

The Cousins (1959)

The Good Time Girls (1960)

The Unfaithful Wife (1969)

The Hatter’s Ghost (1982)

The Ceremony (1995)

Nightcap (2000)

Charlie Chaplin

The Kid (1921)

A Woman of Paris (1923)

The Gold Rush (1925)

The Circus (1928)

City Lights (1931)

Modern Times (1936)

The Great Dictator (1940)

Rene Clair

The Italian Straw Hat (1928)

Under the Roofs of Paris (1930)

The Million (1931)

Freedom for Us (1931)

The Last Billionaire (1934)

The Ghost Goes West (1935)

It Happened Tomorrow (1944)

Night Beauties (1952)

Summer Manoeuvres (1955)

Henri-Geoges Clouzot

The Raven (1943)

Quay of the Goldsmiths (1947)

The Wages of Fear (1953)

Diabolique (1955)

The Picasso Mystery (1956)

Jean Cocteau

The Blood of a Poet (1930)

Beauty and the Beast (1946)

Orpheus (1950)

The Testament of Orpheus (1960)

Joel and Ethan Coen

Blood Simple (1984)

Raising Arizona (1987)

Barton Fink (1991)

Fargo (1996)

The Big Lebowski (1998)

No Country for Old Men (2007)

A Serious Man (2009)

Francis Ford Coppola

The Conversation

The Outsiders

Tucker: The Man and His Dreams

George Cukor

Dinner at Eight (1933)

Little Women (1933)

Sylvia Scarlett (1935)

David Copperfield (1935)

Camille (1936)

Holiday (1938)

The Women (1939)

The Philadelphia Story (1940)

Adam’s Rib (1949)

A Star is Born (1954)

My Fair Lady (1964)

Michael Curtiz

Kid Galahad (19370

Casablanca (1942)

Cecil B. DeMille

The Cheat (1915)

The Ten Commandments (1923)

Cleopatra (1934)

The Plainsman (1936)

Union Pacific (1939)

Reap with Wild Wind (1942)

Unconquered (1947)

Samson and Delilah (1949)

The Greatest Show on Earth (1952)

Vittorio De Sica

Shoeshine (1946)

Bicycle Thieves (1948)

Miracle in Milan (1951)

Two Women (1960)

The Garden of the Finzi-Continis (1970)

Carl Dreyer

Master of the House (1925)

The Passion of Joan of Arc (1928)

The Vampire (1932)

The Word (1955)

Gertrud (1964)

Clint Eastwood

Play Misty for Me

The Outlaw Josey Wales (1976)

Bird (1988)

Mystic River (2003)

Million Dollar Baby (2004)

Flags of Our Fathers (2006)

Letters From Iwo Jima (2006)

Invictus (2009)

Sergei Eisenstein

Strike (1924)

October (1927)

The General Line (1928)

Rainer Werner Fassbinder

The Merchant of Four Seasons (1971)

The Bitter Tears of Petra von Kant (1972)

Fear Eats the Soul (19740

Effi Briest (1974)

Fox (1975)

Mother Kusters’ Trip to Heaven (1975)

In aYear of 13 Moons (1978)

Lola (1981)

Veronika Voss (1982)

Federico Fellini

I Vitelloni (1953)

La Strada (1954)

La Dolce Vita (1960)

8 1/2 (1963)

Juiletta of the Spirits (1945)

Roma (1972)

Fellini’s Casanova (1976)

Robert J. Flaherty

Nanook of the North (1922)

Moana (1926)

Man of Aran (1934)

Louisianna Story (1948)

John Ford

The Grapes of Wrath (1940)

Fort Apache (1948)

Milos Forman

The Firemen’s Ball (1967)

One Flew Over the Cuckoo’s Nest (1975)

Amadeus (1984)

Man on the Moon (1999)

Abel Gance

The Tenth Symphony (1918)

The Wheel (1923)

The Life and Loves of Beethoven (1936)

Jean-Luc Godard

Breathless (1960)

My Life to Live (1962)

Contempt (1963)

Band of Outsiders (1964)

Alphaville (1965)

Two or Three Things I Know About Her (1967)

New Wave (1990)

In Praise of Love (2001)

Our Music (2004)

D.W. Griffith

Intolerance (1916)

True Heart Susie (1919)

Broken Blossoms (1919)

Way Down East (1920)

Orphans of the Storm (1921)

Howard Hanks

Scarface (1932)

Twentieth Century (1934)

Bringing Up Baby (1938)

Only Angels Have Wings (1939)

To Have and Have Not (1944)

Red River (1948)

Rio Bravo (1959)

Werner Herzog

Signs of Life (1967)

Fata Morgana (1971)

Aguirre, Wrath of God (1972)

Enigma of Kasper Hauser (1974)

Fitzcarraldo (1982)

My Best Friend (1999)

Grizzly Man (2005)

Encounters at the End of the World (2007)

The Bad Lieutenant: Port of Call - New Orleans (2009)

Alfred Hitchcock

The 39 Steps (1935)

Shadow of a Doubt (1943)

Strangers on a Train (1951)

Rear Window (1954)

Vertigo (1958)

North by Northwest (1959)

The Birds (1963)

Marnie (1964)

John Huston

The Maltese Falcon (1941)

The Treasure of the Sierra Madre (1948)

Key Largo (1948)

The Asphalt Jungle (1950)

The African Queen (1951)

Beat the Devil (1953)

The Misfits (1961)

Reflections in a Golden Eye (1967)

Fat City (1972)

The Dead (1987)

Miklos Jancso

My Way Home (1965)

The Red and the White (1968)

The Confrontation (1969)

Agnus Dei (1971)

Red Psalm (1972)

Beloved Electra (1974)

Elia Kazan

A Streetcar Named Desire (1951)

On the Waterfront (1954)

East of Eden (1955)

A Face in the Crowd (1957)

Wild River (1960)

Splendor in the Grass (1961)

Abbas Kiarostami

Where is the Friend’s Home? (1987)

And Life Goes On… (1992)

Through the Olive Trees (1994)

The Wind Will Carry Us (1999)

Ten (2002)

Krzysztof Kieslowski

- Blind Chance (1981)

- A Short Film About Killing (1988)

- A Short Film About Love (1988)

- The Double Life of Veronique (1991)

Stanley Kubrick

Lolita (1962)

Dr. Strangelove (1964)

A Clockwork Orange (1971)

Akira Kurosawa

Rashomon (1950)

To Live (1952)

Throne of Blood (1957)

The Hidden Fortress (1958)

The Bodyguard (1961)

Sanjuro (1962)

Dersu Uzala (1975)

Kagemusha (1980)

Ran (1985)

Fritz Lang

Dr. Mabuse: The Gambler (1922)

Fury (1936)

Hangmen Also Die! (1943)

The Woman in the Window (1944)

Scarlet Street (1945)

Clash by Night (1952)

The Big Heat (1953)

Human Desire (1954)

David Lean

In Which We Serve (1942)

Great Expectations (1946)

Oliver Twist (1948)

Hobson’s Choice (1954)

The Bridge on the River Kwai (1957)

A Passage to India (1984)

Spike Lee

She’s Gotta Have It (1986)

Do the Right Thing (1989)

Jungle Fever (1991)

Malcolm X (1992)

Crooklyn (1994)

Clockers (1995)

Ernst Lubitsch

Trouble in Paradise (1932)

Design for Living (1933)

Desire (1936)

Angel (1937)

Ninotchka (1939)

The Shop Around the Corner (1940)

To Be or Not to Be (1942)

David Lynch

Eraserhead (1977)

The Elephant Man (1980)

Blue Velvet (1986)

Twin Peaks (1992)

The Straight Story (1999)

Mulholland Drive (2001)

Louis Malle

The Lovers (1958)

Murmur of the Heart (1971)

Lacombe Lucien (1974)

Pretty Baby (1978)

Atlantic City (1980)

Au Revoir Les Enfants (1987)

Joseph L. Mankiewicz

The Ghost and Mrs. Muir (1947)

A Letter to Three Wives (1949)

All About Eve (1950)

5 Fingers (1952)

Julius Caesar (1953)

The Barefoot Contessa (1954)

Guys and Dolls (1955)

Suddenly, Last Summer (1959)

Leo McCarey

Ruggles of Red Gap (1935)

Make Way for Tomorrow (1937)

The Awful Truth (1937)

Love Affair (1939)

Going My Way (1944)

The Bells of St. Mary’s (1945)

An Affair to Remember (1957)

Jean-Pierre Melville

The Strange Ones (1950)

Bob the Gambler (1956)

Doulos: The Finger Man (1962)

Magnet of Doom (1963)

Second Breath (1966)

The Samurai (1967)

Army of Shadows (1969)

Vincente Minnelli

The Pirate (1948)

An American in Paris (1951)

The Bad and the Beautiful (1953)

The Band Wagon (1953)

Lust for Life (1956)

Some Came Running (1959)

Kenji Mizoguchi

Osaka Elegy (1936)

Sister of the Gion (1936)

The Story of the Last Chrysanthemums (1939)

Utamaro and his Five Women (1946)

Ugetsu Monogatari (1953)

Sansho the Bailiff (1954)

Street of Shame (1956)

F.W. Murnau

Faust (1926)

Sunrise (1927)

Tabu (1931)

Manoel de Oliveira

Aniki Bobo (1942)

Doomed Love (1979)

Francisca (1981)

The Cannibals (1988)

The Convent (1995)

I’m Going Home (2001)

A Talking Picture (2003)

O Estranho Caso de Angelica (2010)

Max Ophuls

Leiberlei (1933)

Mayerling to Sarajevo (1940)

Letter from an Unknown Woman (1948)

La Ronde (1950)

House of Pleasure (1952)

Madame de… (1953)

Lola Montes (1955)

Nagisa Oshima

The Sun’s Burial (1960)

Death by Hanging (1968)

Diary of Shinjuku Thief (1969)

The Ceremony (1971)

In the Realm of the Sense (1976)

Empire of Passion (1978)

Taboo (1999)

Yasujiro Ozu

Record of a Tenement Gentleman (1947)

Late Spring (1949)

Early Summer (1951)

Tokyo Story (1953)

Early Spring (1956)

Good Morning (1959)

Late Autumn (1960)

The End of Summer (1961)

An Autumn Afternoon (1962)

Georg Wilhelm Pabst

The Love of Jeanne Ney (1927)

Diary of a Lost Girl (1929)

The Threepenny Opera (1931)

Comradeship (1931)

Sergei Parajanov

The Stone Flower (1962)

Shadows of Forgotten Ancestors (1964)

Ashik Kerib (1988)

Pier Paolo Pasolini

Accatone (1961)

Oedipus Rex (1967)

Theorem (1968)

The Decameron (1971)

The Canterbury Tales (1972)

The Arabian Nights (1974)

Salo, or the 120 Days of Sodom (1975)

Sam Peckinpah

Ride the High Country (1962)

Major Dundee (1965)

The Ballad of Cable Hogue (1970)

Pat Garrett and Billy the Kid (1973)

Bring Me the Head of Alfredo Garcia (1974)

Roman Polanski

Repulsion (1965)

Cul-de-Sac (1965)

Rosemary’s Baby (1968)

The Tenant (1976)

The Pianist (2002)

The Ghost Writer (2010)

Michael Powell and Emeric Pressburger

The Life and Death of Colonel Blimp (1943)

A Canterbury Tale (1944)

I Know Where I’m Going (1945)

A Matter of Life and Death (1946)

The Red Shoes (1948)

The Small Back Room (1948)

The Tales of Hoffman (1951)

Otto Preminger

Laura (1944)

Daisy Kenyon (1947)

The Man with the Golden Arm (1955)

Anatomy of a Murder (1959)

Exodus (1960)

Advise and Consent (1962)

Vsevolod Pudovkin

Mother (1926)

The End of St. Petersburg (1927)

Nicholas Ray

They Live By Night (1949)

In a Lonely Place (1950)

Johnny Guitar (1954)

Bigger Than Life (1956)

Wind Across the Everglades (1958)

Satyajit Ray

Pather Panchali (1955)

The Unvanquished (1956)

The Music Room (1959)

The World of Apu (1959)

The Big City (1964)

The Lonely Wife (1964)

Days and Nights in the Forest (1970)

Distant Thunder (1973)

The Middleman (1976)

The Chess Players (1977)

Jean Renoir

Boudu Saved from Drowning (1932)

The Crime of Monsieur Lange (1936)

Grand Illusion (1937)

The Human Beast (1938)

The Rulers of the Game (1939)

The Southerner (1945)

The Golden Coach (1952)

French Can-Can (1954)

Elena and Her Men (1956)

Alain Resnais

Last Year at Marienbad (1961)

Muriel (1963)

The War is Over (1966)

Stavisky (1974)

Providence (1977)

Same Old Song (1997)

Les Herbes Folles (2009)

Jacques Rivette

Paris Belongs to Us (1961)

The Nun (1966)

Mad Love (1969)

Celine and Julie Go Boating (1974)

La Belle Noiseuse (1991)

Jeanne la Pucelle I - Les Batailles (1994)

Va Savior (2001)

The Duchess of Langeais (2007)

Eric Rohmer

My Night at Maud’s (1969)

Claire’s Knee (1970)

The Aviator’s Wife (1981)

Pauline at the Beach (1983)

The Green Ray (1986)

A Tale of Springtime (1990)

A Tale of Winter (1992)

A Summer’s Tale (1996)

An Autumn Tale (1998)

Les Amours d’astres et de Celadon (2007)

Roberto Rossellini

Rome, Open City (1945)

Paisan (1946)

Germany Year Zero (1948)

Stromboli (1950)

The Greatest Love (1952)

Voyage to Italy (1953)

General della Rovere (1959)

The Rise of Louis XIV (1966)

Martin Scorsese

Mean Streets (1973)

Taxi Driver (1976)

New York, New York (1977)

Raging Bull (1980)

After Hours (1985)

The Colour of Money (1986)

The Last Temptation of Christ (1988)

The Age of Innocence (1993)

The Departed (2006)

Shutter Island (2010)

Ousmane Sembene

God of Thunder (1971)

The Camp of Thiaroye (1989)

Moolaade (2004)

Douglas Sirk

Has Anybody Seen My Gal? (1952)

Take Me to Town (1953)

All I Desire (1953)

Magnificent Obsession (1954)

All That Heaven Allows (1955)

Written on the Wind (1956)

The Tarnished Angels (1957)

Imitation of Life (1959)

Steven Spielberg

Jaws (1975)

Close Encounters of the Third Kind (1977)

Raiders of the Lost Ark (1981)

E.T.: The Extra-Terrestrial (1982)

Jurassic Park (1993)

Schindler’s List (1993)

Munich (2005)

Indiana Jones (2008)

Josef von Sternberg

Morocco (1930)

Dishonored (1931)

Shanghai Express (1932)

Blonde Venus (1932)

The Scarlet Express (1934)

The Devil is a Woman (1935)

The Saga of Anatahan (1953)

Erich von Sternheim

Blind Husbands (1919)

Foolish Wives (1922)

Greed (1924)

The Merry Widow (1925)

The Wedding March (1928)

Queen Kelly (1929)

Preston Sturges

The Lady Eve (1941)

Sullivan’s Travels (1941)

The Palm Beach Story (1942)

The Miracle of Morgan’s Creek (1944)

Hail the Conquering Hero (1944)

Andrei Tarkovsky

Ivan’s Childhood (1962)

Andrei Rublev (1966)

The Mirror (1975)

Stalker (1979)

The Sacrifice (1986)

Jacques Tati

Jour de fete (1949)

Mr. Hulot’s Holiday (1953)

Mon Oncle (1958)

Playtime (1967)

Lars von Trier

Epidemic (1987)

Europa (1991)

Breaking the Waves (1996)

The Idiots (1998)

Dancer in the Dark (2000)

Dogville (2003)

Antichrist (2009)

François Truffaut

The 400 Blows (1959)

Shoot the Piano Player (1960)

Fahrenheit 451 (1966)

The Bride Wore Black (1968)

The Wild Child (1970)

Bed & Board (1970)

Day for Night (1973)

The Green Room (1978)

Agnes Varda

Cleo from 5 to 7 (1962)

Happiness (1965)

One Sings, the Other Doesn’t (1977)

Vagabond (1985)

Jacquot da Nantes (1991)

The Gleaners & I (2000)

Les plagues d’Agnes (2008)

King Vidor

The Big Parade (1925)

The Crowd (1928)

Hallelujah! (1929)

The Champ (1931)

Our Daily Bread (1934)

Duel in the Sun (1946)

The Fountainhead (1949)

War and Peace (1956)

Jean Vigo

A Propos de Nice (1930)

Zero for Conduct (1933)

Luchino Visconti

Ossessione (1942)

La Terra Trema (1948)

Rocco and his Brothers (1960)

Death in Venice (1971)

Andrzej Wajda

A Generation (1954)

Canal (1957)

Ashes and Diamonds (1958)

Innocent Sorcerers (1960)

Siberian Lady Macbeth (1961)

Landscape After Battle (1970)

Man of Iron (1981)

Danton (1983)

Katyn (2007)

Tatarak (2009)

Orson Welles

Citizen Kane (1941)

The Magnificent Ambesons (1942)

The Lady from Shanghai (1947)

Macbeth (1948)

Othello (1952)

Confidential Report (1955)

Chimes at Midnight (1965)

William Wellman

Wings (1927)

Wild Boys of the Road (1933)

The Call of the Wind (1935)

Nothing Sacred (1937)

Beau Geste (1939)

Roxie Hart (1942)

The Ox-Bow Incident (1943)

The Story of G.I. Joe (1945)

The High and the Mighty (1954)

Wim Wenders

Alice in the Cities (1973)

The American Friend (1977)

Paris, Texas (1984)

Wings of Desire (1987)

Buena Vista Social Club (1999)

Don’t Come Knocking (2005)

James Whale

Frankenstein (1931)

The Old Dark Horse (1932)

The Invisible Man (1933)

Show Boat (1936)

Billy Wilder

The Major and the Minor

The Lost Weekend (1945)

Sunset Boulevard (1950)

Ace in the Hole (1951)

Stalag 17 (1953)

Some Like It Hot (1959)

The Apartment (1960)

One, Two, Three (1961)

Wong Kar Wai

Ashes of Time (1994)

Chungking Express (1994)

Fallen Angels (1995)

Happy Together (1997)

In the Mood for Love (2000)

2046 (2004)

My Blueberry Nights (2007)

William Wyler

The Little Foxes (1941)

Mrs. Miniver (1942)

The Best Years of Our Lives (1946)

Roman Holiday (1953)

Friendly Persuasion (1956)

The Big Country (1958)

Funny Girl (1968)

4. TOP 100 MOVIES

The Cabinet of Dr. Caligari (Robert Wiene, 1920)

All Quiet on the Western Front (Lewis Milestone, 1930)

King Kong (Merian C. Cooper and Ernest B. Schoedsack, 1933)

A Star is Born (William A. Wellman, 1937)

Olympia (Lena Reifenstahl, 1938)

The Rules of the Game (Jean Renoir, 1939)

Gone with the Wind (Victor Fleming, 1939)

Passport to Pimlico (Henry Cornelius, 1949)

Panther Panchali (Satyajit Ray, 1955)

The Night of the Hunter (Charles Laughton, 1955)

Saturday Night and Sunday Morning (Karel Reisz, 1960)

Lawrence of Arabia (David Lean, 1962)

The Sound of Music (Robert Wise, 1965)

The Battle of Algiers (Gillo Pontecorvo, 1966)

The Chelsea Girls (Andy Warhol and Paul Morrissey, 1966)

Easy Rider (Dennis Hopper, 1969)

The Deer Hunter (Michael Cimino, 1978)

Blade Runner (Ridley Scott, 1982)

Heimat (Edgar Reitz, 1984/1992/2004)

Shoah (Claude Lanzmann, 1985)

A Room with a View (James Ivory, 1985)

Reservoir Dogs (Quentin Tarantino, 1992)

Traffic (Steven Soderbergh, 2000)

Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)

#movie #movie list #review #film #actor #director #writer

6 notes · View notes

dellcomics · 6 years

Photo

SAM SAVITT

(1917-2000)

Sam Savitt was born Sam Savitz on March 22, 1917 in Wilkes-Barre, Pennsylvania, a coal mining town. His father, Hyman Savitz, was born in 1884 in Russia and came to America in 1892. His mother, Rose Eskowitz, was born in 1889 in Austria and came America to 1904. Both of his parents were Jewish. They lived at 52 Hancock Street. They had four children, Sally Savitz (born 1915), Sam Savitz (born 1918), Alfred Savitz (born 1922), and Evelyn Savitz (born 1927). His father worked as a timekeeper at an iron foundry.

Although the artist is renowned for his passionate portrayal of horses, there is no significant interaction with horses in his early family history. Nevertheless, he was fascinated by the work horses and mules that labored in his hometown mining community.

When the father lost his job at the foundry he became an itinerant salesman. The family was poor, but their greatest loss was the tragic death, while undergoing surgery, of the youngest daughter, Evelyn, at age 12, when Sam was in high school.

Wilkes-Barre was hard hit by the depression, so most young men left town after graduation. Even as a child, Sam Savitt was a gifted cartoonist. He drew comics for his high school newspaper. After he graduated in 1935 Sam moved to New York City to look for work as a cartoonist. He lived with an uncle in a small Brooklyn apartment. His first freelance assignments were interior pen & ink story illustrations for Action Packed Western, a pulp magazine from Columbia Publications. He signed these early illustrations as Savitts, and later changed his name to Savitt.

These jobs for Columbia only paid five dollars for a single spot and nine dollars for a two page spread, but Sam was able to earn a living. He also drew interiors for Fighting Western, Speed Western, Thrilling Ranch, Ranch Romances, Fight Stories, The Rio Kid Western, Popular Western, Masked Rider, Exciting Western, Leading Western, Super Detective, and Triple Western.

Sam Savitt was soon able to afford to attend art classes at the Pratt Institute in Brooklyn. He studied with illustrators Nicholas Reily and H. Winfield Scott. To make ends meet, Sam waited on tables and even modeled for art classes. He finally received his diploma in 1941.

During WW2, Savitt served in the U.S. Army Corps of Engineers, 352nd Battalion, and became a first lieutenant. He worked on the Ledo-Burma Road project, to resupply the Chinese Nationalist Army of Chiang Kai-Shek in fighting the Japanese occupation of China with Allied war materiel from the Indian seaport of Calcutta.

After the war, while recuperating from a case of malaria, he met Bette Orkin at a USO dance in New York City. It was love at first sight, and they married in 1946. They moved to Levittown and raised two children, a daughter, Vicky, and a son, Roger.

In the 1950s Sam Savitt worked for Dell comic books, painting covers for many of their titles, including Hi-Yo Silver, Champion, Trigger, The Lone Ranger, andThe Cisco Kid.

In 1956 the Savitt family bought a fifteen-acre property named "One Horse Farm" in North Salem, NY, where Sam could ride and school horses.

In the 1960s he worked for several men's adventure magazines such as Outdoor Life, Real, See For Men, Sports Afield, and True. His drawings appeared in Sports Illustrated, Equus and Practical Horseman. He also wrote and illustrated more than a dozen of his own books about horses. He was the official artist of the U.S. Olympic Equestrian Training Team. In 1998 he received the Lifetime Achievement Award from the North American Horsemen's Association.

According to the artist, "The horse is beauty, strength, rhythm, and action. To really know and understand him, to capture his magnificence with pencil or brush, will to me be forever challenging."

Sam Savitt died at age 83 on December 1, 2000.

#sam savitt #dell comics #hi-yo silver #biography

36 notes · View notes

hyaenagallery · 6 years

Photo

Zoë Mozert (1907 – 1993), was an American illustrator, one of the early 20th century's most famous pin-up artists and models. She was born Alice Adelaide Moser in Colorado Springs, Colorado. Her sister Helen was born in 1915 and brother Bruce was born in 1916. Bruce grew up to be a renowned innovator of underwater photography techniques. In 1921 the family moved to Roaring Brook Township , which is five miles Southeast of Scranton, PA, where her father had been appointed Superintendent of Scranton Stove Works after having invented and patented a new design for a cast-iron stove vent. During her teenage years, with growing prosperity, her family could afford to send her to a prestigious private girl's boarding school in Waynesboro, Virginia, called Fairfax Hall. By 1924 she had completed high school and returned to live with her family near Scranton, PA. She began to study art lessons at the LaFrance Art School, which was a trade school established by a benevolent industrialist, Bernard Davis, who ran the LaFrance Tapestry Mill Company. Another young art student who also attended classes at the same time was John W. Scott. He went on to become a pulp artist and a slick illustrator. From 1925 to 1928 she studied at the Philadelphia Museum School of Industrial Art, where she took advanced classes with Thorton Oakley in 1927 and 1928. The future pulp artist, H. J. Ward, was also a student in that same class. She paid for her tuition by modeling at the school. She most likely also posed for H. J. Ward, several of whose paintings from this time period portray a woman with strikingly similar features. She began her career as an artist in 1927, while working for the Pittsburgh Plate Glass Company. She soon began her own window display business. In 1932 she moved to New York City to look for entry-level freelance work in the magazine industry. Her first illustration jobs were for Bernarr Macfadden's True Story. At this time she adopted a professional name, "Zoe Mozert." According to the artist, "I looked through a name dictionary for a new first name and when there were finally no pages left I settled on Zoe." #destroytheday

#destroytheday

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historyofthebatman · 7 years

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Good afternoon Gothamites! Today (October 24), History of the Batman wants to wish co-creator of @DCComics' Batman Bob Kane a bat-tastic birthday! After the overnight success of Jerry Siegel and Joe Shuster's character Superman in 1938, National Publications' editor Vin Sullivan approached comic strip artist Bob Kane (Oct. 24, 1915 - Nov. 3, 1998) to create a hero just as popular. With the incentive to make as much commission as the Man of Steel creators, Kane began working on a new hero, influenced by pulp fiction wonders such as the Shadow, films like Mask of Zorro and classic art like Leonardo da Vinci's flying machine. Once his original character titled 'the Bat-Man' was made, ghostwriter Bill Finger was brought in on the project and made extensive yet valuable changes. Since Kane's Bat-Man visually was similar to Superman's bright red, yellow and blue exterior, Finger decided to change the color scheme to blue and grey to match the pulp ideal. Instead of the domino mask, replaced was a cowl; the stiff bat wings inspired by Da Vinci turned into a flowing cape. Bill Finger also made Bat-Man a scientific detective (inspired by figures like Douglas Fairbanks and Sherlock Holmes), even adding gloves to the vigilante's ensemble. Those elements, Finger's brilliant stories mixed with Kane's superhero vigilante persona refined the character as the dark icon of the DC Universe to Superman's bright image, and the Bat-Man was launched in Detective Comics (Vol 1) 27 on March 30, 1939. In 2015, Bob Kane received a Motion Pictures star on the Hollywood Walk of Fame in front of the Guinness World Record Museum in Los Angeles, California for his creation of DC Comics' Batman who has gone from comic book panels to films, holding the Guinness World Record for “Most Film Adaptations of a Comic Book Character" (Michael Keaton and Kane on the set of 1989's 'Batman' presented). While many artists and writers during Golden Age Comics are to rightfully thank for the shaping of the Batman we know and celebrate every day such as Finger, Jerry Robinson, Charles Paris and Dick Sprang, there is no denying we should also thank Mr. Kane for creating the idea of the Bat-Man. ✌🏼💙🦇🎉

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westletter · 4 years

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September 2019

Winter Morning, Charlevoix County -- A. Y. Jackson, 1933 Dear Friends, The theme of this edition is vision. Fatherless at age 12, the young A. Y. Jackson apprenticed to a lithographer in Montreal and quickly realized he did not want to spend the rest of his life designing soup can labels. He had a vision, hopped a freighter and studied art in Paris. On his return he knew he wanted to dedicate his life to art. We now remember Jackson as one of the co-founders of the Group of Seven in Toronto, and the equally influential Beaver Hall Group in Montreal. Jackson and his friends in both groups were determined to create a new artistic vocabulary that was distinctly Canadian, and not derivative of our European mother countries. And they did! I first encountered the magic of Quebec’s Charlevoix County when I was 12. My Queen’s professor father took me out of school in late spring of my grade eight year and said he was going to take me along on an annual business trip that would take us to Quebec City, Baie St. Paul, Murray Bay (now La Malbaie), Tadoussac, Baie Comeau, Seven Islands (now Sept Isles) and all the way up to Wabush and Labrador City. Baie St. Paul is in the heart of Charlevoix, where the Laurentian mountains tumble down spectacularly into the tidal waters of the St. Lawrence. The air is salty and luminous, like the south of France. The hills are so steep, the region used to be known as Little Switzerland (La Petite Suisse). As many of you know, the biggest and best skiing in the east is at Le Massif, a 15 minute drive down Highway 138 from Baie St. Paul. I have been going there faithfully every winter for the past 25 years. You may not know that part of the charm of Le Massif is that its visionary Cirque du Soleil co-founder and owner, Daniel Gauthier, saw to it to name a number of the resort’s runs after famous Charlevoix artists. It is a very special thrill to make fresh powder tracks in the company of René Richard, Marc- Aurèle Fortin, Clarence Gagnon and Louis Tremblay. This summer, I retraced some of the steps of that long ago voyage with my father. I hadn’t been in Baie St-Paul other than in the depths of winter for close to 60 years, ahem. It is still a teeming art colony hugging the St. Lawrence, with colourful galleries, bistros and auberges lining its one main street. Lest you forget, the city fathers have wisely erected bronze busts of about a dozen of the artists who put Baie St. Paul on the map. The four from Le Massif are joined by the likes of Jean Paul Lemieux; André Biéler (who taught at Queen’s beginning in 1936 and became the first director of the Agnes Etherington Art Centre in 1957); my old Montreal ad agency boss and Charlevoix artist Claude Le Sauteur; the godfather of the Beaver Hall Group and mentor to A. Y. Jackson, William Brymner; the folk artists Blanche and Yvonne Bolduc; and the inimitable A. Y. himself.

High tide in Baie St. Paul with Le Massif in the background Dad said he met A. Y. once on his North Shore travels. I can’t remember what he related of that encounter, but I recall that he was impressed. Who wouldn’t be impressed with an artist who spent so much time tramping through the deep snow in the depths of winter in order to capture the perfect Charlevoix light that the locals dubbed him: Père Raquette (Father Snowshoes)? One of Jackson’s greatest gifts was his ability to connect with fellow artists and lead, without basking in the limelight. Being bilingual, and presumably to some extent bicultural, it was A. Y. who bridged the divide between the anglos in Upper Canada and the French Canadians memorialized in the ski runs of Le Massif. This is what he is recognized for in the plaque below his bust in Baie St. Paul. It was Alexander Young Jackson who coaxed and seduced his brethren in Toronto -- e.g., Edwin Holgate and Arthur Lismer -- to pack their bags and easels and join in the creative ferment of Charlevoix. Equally, he promoted Quebec artists in Toronto, particularly the Beaver Hall Group members, from his perch in the Group of Seven. § I think my father had a vision for his 12-year-old son when he took me on that trip down the North Shore so many decades ago. Without ever saying it out loud, he must have wanted to impart to me the romance of French Canada. The first night in Quebec City, gazing down at Lower Town and the river from Dufferin Terrace with the Chateau Frontenac behind us, Champlain’s statue beside us, and the Plains of Abraham to the west, was enough to do that. As I see it now, Dad also wanted to draw my attention to the kind of people he admired, the doers, creators and builders. He didn’t call them visionaries. He liked to talk about examples as we came upon them. Champlain fit that category. And A. Y. too. When we reached Baie Comeau, and passed a bronze statue in the centre of town of a man paddling a canoe , Dad was quick to tell me that it was Colonel Robert McCormick, the former publisher of the Chicago Tribune.

McCormick was an adventurer and a builder. In 1915, the time depicted in the statue, he was exploring the woodlands of the North Shore of the St. Lawrence, with an eye to sourcing pulp and paper for the hungry Tribune printing presses in Chicago. That is how, 22 years later, the company town of Baie Comeau came to be. Initially pulp and paper was the sole industry, but along the way Reynolds Aluminum established North America’s largest aluminum smelter, the deep water port attracted shipping and the town grew. It even produced Canada’s 18th prime minister.

There are two important rivers that empty into the St. Lawrence at Baie Comeau, the Outardes and the Manicouagan. Baie Comeau continued to prosper as Hydro Québec, over a 20-year period, beginning with the election of Jean Lesage in 1960, built the damns that harnessed the hydro-electric power potential of these magnificent rivers. Dad didn’t say this was part of what we now know as the Quiet Revolution -- the Minister of Energy was Réne Lévesque -- but Hydro Québec were doers, creators and builders, and he knew the energy they were generating was not just hydro-electric.

The visionary Joseph R. Smallwood, Premier of Newfoundland, 1949 - 1972

Joey Smallwood styled himself as Canada’s “last father of Confederation”, having dragged Newfoundland, by dint of sheer will and oratory, kicking and screaming into Canada in 1949. That was only the beginning of his vision. He had much more in store. Joey was determined to bring modern education standards to Newfoundland. A major objective was to elevate Memorial College to full university status. He achieved that soon after being elected Premier in 1949. Joey’s first choice for University Chancellor was Max Aitken, better known as Lord Beaverbrook, the wealthy Canadian industrialist and newspaperman who memorably served as minister of nearly everything in Winston Churchill’s WWII war cabinet. Joey and Aitken had never met. In typical Smallwood fashion, Joey cold-called the Baron and wangled an introductory meeting. Beaverbrook graciously declined the Chancellorship, but the two hit it off personally and a relationship was formed. In 1952, Joey was glad-handing and talking up a storm about his next great visionary project for his beloved Newfoundland and Labrador. He was determined to tap the province’s vast, but largely undeveloped, natural resources. The crowning glory would be harnessing the massive hydro-electricity generation potential of what was then known as Hamilton Falls on the Hamilton River in Labrador. Much like King Charles granted Rupert’s Land to the Hudson’s Bay Company three centuries earlier, Joey was prepared to bestow a similar monopoly over an extraordinary swath of territory in Labrador to the right financial and operating partner. The search was on. Joey was more inclined to look to the mother country than the US. He called up his pal Beaverbrook and said he was coming to London. Could Max possibly set him up for a meeting at Downing Street with Prime Minister Churchill? Beaverbrook and Churchill were no longer close. Max thought it highly unlikely that Winston would be inclined. Joey, pacing the floor at his rooms in the Savoy, would not be deterred. He pestered and pestered until miraculously an opening in the PM’s schedule was created. The meeting took place late in the day over brandy and cigars, after Churchill returned from a wedding, at which presumably copious libations had already been consumed. The prospects for Smallwood making a memorable impression appeared remote. But Joey cranked it up and delivered a spell-binding sales pitch for his grand vision. Afterwards Churchill said to an aide: “Ring up Tony [Anthony Rothschild] and tell him from me I would like him to see Mr. Smallwood.” Rothschild was the head of the British branch of the legendary family of bankers and financiers. A meeting was set up and once again Joey was masterful in his presentation. “It is probably the greatest storehouse of undeveloped natural wealth left in the world, and it’s ours,” he said. He pitched the development of Labrador as being “the beginning of England staging a great [post WWII] industrial comeback.” Rothschild liked the story so much, in short order he brought in major partners and British Newfoundland Corporation (Brinco) came into being. It was granted exclusive mineral, timber and hydro-electric generation rights over territory larger than New Brunswick, Nova Scotia and PEI combined, for 99 years. By 1972, Joey Smallwood’s impossible vision was realized. The Churchill Falls Generation Station (the falls and the river were renamed after Churchill died in 1965) was operational and inaugurated by Prime Minister Pierre Trudeau. It had been the largest construction project ever undertaken by a private company anywhere. Trudeau congratulated “the dreamers as well as the workmen, the financiers as well as the engineers, the scientists as well as the managers” who made it happen. My father, was proud to have been one of them. And so am I. Dad first regaled me with fantastical Joey Smallwood tales on that magical trip down the North Shore when I was 12. He made light of the last father of Confederation’s infamous failings and foibles, always drawing attention to what was best in Joey: the visionary doer, creator and builder. § YEAR-END REPORT CARD Class of 2019: Another Index Beating Year The Headmaster is well pleased with his visionary doers, creators and builders. Collectively, their class average (for the July 1 ‘18 to June 30 ‘19 school year) came in at a more than acceptable 10.3%. The comparable returns for the S&P 500, the Dow and the TSX, were respectively 8.2%. 9.6% and .6%. “Never underestimate the importance of visionary leadership,” says the Headmaster, when assessing a potential investment. “Without the far-sightedness of founders and CEOs like Alain Bouchard at Alimentation Couche Tard, Bill Gates and now Satya Nadella at Microsoft, Steve Jobs and now Tim Cook at Apple, Darren Entwistle at Telus, Bruce Flatt and Sam Pollock at Brookfield, Bob Iger at Disney or Eric La Flèche at Metro -- I could go on -- the Class of 2020 would have very underwhelming prospects." There were many outstanding performances in the Class over the past year, and few disappointments. Here are the sector by sector results. Financials - B TD Bank, Royal Bank, Bank of Nova Scotia and BlackRock continued their sojourn in the doldrums with an average return of -1.5%. “Keep the faith and enjoy those fat dividends,” advises the Headmaster. “This blue chip quartet continues to deliver consistent revenues, earnings and dividend growth, despite the naysayers. Their stock prices will catch up. It’s only a matter of time.” Promoted. Resources - D Sadly, the Headmaster concluded in May that he had no option other than to dispense with long-time class member Vermilion Energy. Despite positive cash flow and demonstrable balance sheet strength backing up a dividend that has never been cut dating back to the Crash of ‘08, the writing is on the wall: Vermilion, like its many Canadian peers, cannot win the respect of the market, no matter what it does. It’s performance to May was down 38.9% and falling. The Headmaster is of the view that blame for the Canadian oil and gas sector’s woes cannot be laid entirely at the feet of government. Yes, things would be better for companies like Vermilion if one or two pipelines had been built by now. But in the larger scheme we have to ask ourselves: how close are we to the tipping point, when fossil fuels will start their slow inexorable descent? “That’s a wagon we do not want to be hitched to,” says the Headmaster, “especially against the backdrop of dramatically falling green energy prices.” Nutrien, the fertilizer and agricultural retailing powerhouse, held up reasonably well, with a return of -2.1%. That negative statistic belies the reality of this class member’s admirable performance: despite one of the worst US planting seasons in years, the company still spun off cash. It is closing in on its target of $650 million in 2019 synergies from the merger of Agrium and Potash; it bought back $1 billion in shares in the second quarter; and still was able to hike its dividend. Promoted. Utilities - B minus Enbridge and newcomer Algonquin Power, who joined the class in May, produced a modest average return of .9%. Faced with permitting delays on new pipeline capacity, Enbridge performed remarkably well, managing to grow revenues, earnings and its dividend (now yielding an eye-popping 6%). If fossil fuels are eventually heading to a tipping point, though, should one be hanging on to an aging oil and gas pipeline player like Enbridge? Says the Headmaster: “I ask myself the same question. As long as pipeline capacity is less than demand, it should bode well for Enbridge. It’s a seller’s market. I also like the fact that much of this class member’s revenue is tied to regulated long term rates. That’s a nice thing to have the next time we head into a downturn.” Promoted. “Eventually, though, the green tide will turn, even against stalwarts like Enbridge. Which is why I asked Algonquin Power to join the class. The company is well managed and has an impressive and growing suite of renewable assets, including solar, wind, hydro-electric and geo-thermal. I think the tidal currents of change are at its back. To boot, it pays a decent 4.2% dividend.” Promoted. Infrastructure - B plus Brookfield Infrastructure, ably led by the visionary doer, creator and builder Sam Pollock, was up a tidy 11.3% at the end of the school year. The Headmaster particularly likes this class member because it affords him exposure to the kinds of long-lasting assets -- like toll roads, port terminals, transmission systems and cell phone towers -- that are often only available through private equity. “I also like the fact that much of its income derives from fixed long-term contracts,” he adds. “This is the kind of company that can weather the storms.” Brookfield has a growing dividend, currently yielding 4.2%. Promoted. Retail - A After resting on their laurels for the past year or more, both Alimentation Couche Tard and Metro showed us their true mettle over the past year with a sparkling average gain of 27.1%. Each uncorked double digit gains in revenues, earnings and dividend growth. “Metro’s takeover of Jean Coutu is really starting to pay off,” says the Headmaster. “And Couche Tard is firing on all cylinders. The company is becoming a cash machine. It’s paying down debt ahead of schedule. We can expect another transformative acquisition in the coming months.” Promoted. Industrials - B plus CNR, John Deere and the packaging conglomerate CCL chalked up an average return of 10.2%. Despite international trade headwinds and market uncertainty, each managed to grow its revenues, profits and dividends in impressive style. “I particularly commend Deere,” says the Headmaster. The American farmer has been hit by a double whammy of bad weather and ill-conceived trade policy. You’d think that the company might have suffered a retreat. But no, they reined in costs, while ramping up handsome gains from the recent acquistion of the Wirtgen heavy equipment group in Germany.” All promoted. Healthcare - A During the year Express Scripts was taken over by the managed care operator, Cigna. This resulted in a large gain. Averaged with class members Amgen and Johnson & Johnson, the collective performance was 19.4%. “Of note,” says the Headmaster, “I decided in May to let Cigna go. We have done well with the takeover, but now Cigna is in a show-me mode as we wait to see it produce numbers to justify its expensive buyout of Express Scripts. I’m not comfortable with that.” Both Amgen and JNJ cranked out workmanlike growth over the school year. Of late the market has tossed a wet blanket over JNJ, responding to its purported involvement in the opioid crisis. The company was fined a half a billion dollars by a judge in Oklahoma. Says the Headmaster: “Pharmaceutical companies are being sued all the time, and it is not unusual for unreasonably large amounts to be awarded in the lower courts. The appeals process takes years and almost inevitably results in dramatically reduced fines. If you don’t own JNJ, now is a good time to buy.” Conversely, the market is delighted with Amgen’s recent announcement that it is going to purchase the blockbuster psoriasis drug Otezla from Celgene Corporation (which in turn is merging with Bristol-Myers Squibb). Both Amgen and Johnson & Johnson are promoted to the Class of 2020. Telecom - B minus “I continue to like Telus,” says the Headmaster. “And I like its visionary CEO Darren Entwistle.” When he joined Telus in 2000, the company was merely a regional landline operator. Entwistle engineered the takeover of the wireless player, Clearnet, that year for $6.6 billion. The stock tanked on the day the deal was announced. The market couldn’t see what Entwistle could see. Today Telus owns 30% of the Canadian national wireless market, and it contributes 50% of company profits. The stock price has marched upwards commensurately.

Telus was up 3.6% over the year. It has the lowest “churn rate” (turnover of customers) in the industry. The dividend is yielding 4.6% and the company is growing it at 7 per cent per annum. Promoted. Information Technology - A plus This group includes Microsoft, Open Text, Apple and Visa. Collectively and individually they had a great year, with an average return of 22.6% and financial performance to match. The only cloud in the sky was a drop in sales and expectations for Apple, courtesy of President Trump’s trade war with China. Even so, the company managed a respectable return of 6.9% and continues to gush free cash, much of which it is returning to shareholders via buybacks. All promoted. Entertainment - A plus Bob Iger and Disney came into their own this year and the Headmaster is delighted. The stock was up a scintillating 33.2%. The catalyst, as predicted in this publication, was the market’s long delayed recognition that Disney is going to be a force to contend with in the delivery of direct-to-consumer streamed content. Under CEO Iger’s visionary leadership, the company is soon to launch streamed bundles to include Hulu, offerings from the Fox and Disney film and television libraries, and ESPN. Says the Headmaster: “Netflix can’t come close to matching this.” The market seems to agree. Promoted. If you would like further information on any of the investing ideas raised in this issue, or a complimentary consultation, please call or email. CW

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pulpfest · 5 years

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Although the scientific romances published in the Munsey pulps remained popular, a trend toward specialized magazines slowly emerged, beginning in late 1915. Street & Smith’s DETECTIVE STORY MAGAZINE was the first successful specialty pulp. It was a magazine that carried only mysteries and detective fiction. The first issue — featuring front cover art by John A. Coughlin — was dated October 5, 1915. https://www.instagram.com/p/BxNyqmsBKrk/?utm_source=ig_tumblr_share&igshid=19vgit8qil3o8

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oakendesk · 1 year

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New Story Magazine Mar 1915

Harvey Dunn

People's Magazine Nov 1914

Harvey Dunn

The All-Story Mar 1914

Frederic W Small

Motor Age Magazine 1913

Clinton Pettee

The All-Story Sep 1913

Patrick J Monahan

The All-Story Jul 1913

Clinton Pettee

The Cavalier Nov 23 1912

Charles David Williams

The All-Story Nov 1912

Clinton Pettee

The All-Story Oct 1912 (first Tarzan story)

Clinton Pettee

Argosy Oct 1912

Modest Stein

#golden age art #pulp magazine art #pulp art #pulp art 1912 #Argosy #Modest Stein art #pulp art 1914 #People's Magazine #Harvey Dunn art #pulp art 1915 #New Story Magazine #The Cavalier #C D Williams art #Fred W Small art #P J Monahan art #Clinton Pettee art #The All-Story #Motor Age Magazine #byronrimbaud

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k-i-l-l-e-r-b-e-e-6-9 · 2 years

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#Walter Molino (1915 – 1997 Italian)#art #artwork #boa constrictor #tiger #violence #Railway #railroad #train #paintings #vintage pulp art #pulp art #60's/70's #forest

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geekynerfherder · 4 years

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#HappyBirthday to author & scriptwriter #LeighBrackett, born #OnThisDay in 1915 #CoolArt #Art #StarWars #TheEmpireStrikesBack #TheBigSleep #RioBravo #TheLongGoodbye #Pulp #SciFi #PlanetStories #Skaith #TheLongTomorrow #TheSwordOfRhiannon https://www.instagram.com/p/B5xV4tIArIf/?igshid=968zbwhq255u

#happybirthday #leighbrackett #onthisday #coolart #art #starwars #theempirestrikesback #thebigsleep #riobravo #thelonggoodbye #pulp #scifi #planetstories #skaith #thelongtomorrow #theswordofrhiannon

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dirtyriver · 7 years

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Original cover art for Spirou n° 1915, 1974, featuring l’Épervier Bleu in Le Cimetière de l’Infini, by Sirius.

I wasn’t reading Spirou at the time, but my Dad was working at a paper recycling plant and a few years later he brought back home a few scattered issues of the mag, including this one. This cover was strikingly different from the rest and has always fascinated me.

I also recognized the character and its author from an old 1949 collection of the mag that belonged to my Mom. I was elated when Dupuis reprinted a lone vintage story, and a few years later three others. And thanks to the wonders of the modern age and small publishers, the whole series is now available in print.

I love everything about this series, its old-timey pulp adventure feel, and the vitality and looseness of the art. Truly a classic, unjustly forgotten adventure comic.

#Comics #BD #Original art #Sirius #Spirou #Epervier Bleu

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sidigame20g · 4 years

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hermanwatts · 4 years

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The Tempo-Star Conan the Barbarian Paperbacks: Part 1

The “Bronze Age” of comic books is said by some to have started in 1970 when Jack Kirby left Marvel Comics. Old time science fiction pulp editor Mort Weisinger (1915-1978) stepped down at D.C. Comics. The creation of Conan the Barbarian by Marvel Comics in 1970s is seen as a pivotal event in the creation of the Bronze Age. Some outstanding artistic talent came to the fore including Barry Smith, Michael Kaluta, Frank Brunner, Mike Grell, Bernie Wrightson, and Gene Colon.

Marvel Comics was a continuation of the same company founded by Martin Goodman who started out publishing pulp magazine as Western Fiction Publishing/ Red Circle Magazines. One of the titles published was Marvel Science Stories/ Marvel Tales/ Marvel Stories in the late 1930s/early 1940s.

The company had been receiving letters urging Marvel to adapt the pulp character of Conan of Cimmeria to the comic book format. Marvel did the unusual action of getting the rights to use Robert E. Howard’s Conan. The new title Conan the Barbarian was under a tight budget, so the new artist Barry Smith was used for art while Roy Thomas adapted Robert E. Howard stories in addition to his own. The title had a rocky start with it almost being canceled at one point. But it grew in sales while picking up some awards along the way. By the mid-1970s, it was a top seller for Marvel Comics spawning a number of imitations, especially from D.C. Comics with short-lived titles like Beowulf, Sword of Sorcery, Claw the Unconquered. Martin Goodman’s Atlas/Seaboard Comics failed with Ironjaw and Wulf the Barbarian.

Mass market paperbacks (4.25” x 6.87”) may have been close to peak of popularity in the middle 1970s. Spinner racks were to be found in drug stories, truck stops, and corner stores. K-Mart used to have a good sized book section in the 70s. Mad Magazine had all sorts of reprints in mass market paperback form that were hugely popular. Ballantine Books produced a paperback in 1965 of E. C. comic book adaptations of Ray Bradbury, that had a cover by Frank Frazetta.

Lancer Books did some paperback reprints including Daredevil, The Fantastic Four, The Incredible Hulk, and The Mighty Thor in 1966-67. This was the same time the first Conan paperbacks were released.

Warner produced two paperbacks in 1972 and ’73 of Jack Oleck stories with Berni Wrightson art reprinted from the D.C. title The House of Mystery.

Marvel experimented with two issues of The Haunt of Horror as a digest magazine with a mix of prose and illustration in 1973.

So, reprinting popular comics was an idea experimented with at the time.

Some factors came together to bring about reprinting the Conan comic book in paperback form.

Grosset & Dunlap acquired Ace Books in 1972, by then in a mess. Donald Wollheim had left in 1971 as he saw the writing on the wall. Tom Doherty at Grosset & Dunlap purchased Ace Books and turned things around. Doherty had already had success as publisher of the young adult imprint, Tempo Books. The Tempo imprint began producing comic book reprints in 1976. The titles were mostly funny book fare such as Beetle Bailey, Broom Hilda, and Caspar the Friendly Ghost. There was a Bat Man paperback in 1977.

Conan Properties, Inc. was formed in January 1977 under pressure to bring the various factions who had a claim on Robert E. Howard’s Conan the Cimmerian character together. There had been interest in a movie that was not going to happen until there was one entity to deal with. Lancer Books had filed for bankruptcy in September 1973. The L. Sprague de Camp edited series of Conan paperbacks were unavailable. By May 1977, Ace Books was distributing the same contents and covers as the Lancer paperbacks under the “Prestige Books” imprint. It all has the whiff of de Camp and his attorney about it.

So, things were clear to reprint Marvel’s Conan the Barbarian in mass market paperback form. The paperbacks would be under the Tempo Star imprint but distributed by Ace Books.

Conan the Barbarian Vol 1 came out in 1978. The cover reprinted the first issue of Conan the Barbarian.160 pages and sold for $1.95.

A half page preface by Stan Lee where he had this to say:

“But why this ever-increasing fascination for the bludgeoning hero of the Hyborian Age? . . . It is far too easy to say that people are turned on by the aura of violence or the semblance of savagery. No, the reasons are far deeper, far more complex. Perhaps the hint of magic, the sense of wonder, the revelation of a noble soul with in a bestial breast, perhaps all of these and more may partially account for the phenomenon of Conan.”

Roy Thomas wrote a concise two- page introduction with a quick history of Robert E. Howard, Conan, and the Hyborian Age. He admitted to formatting changes from comic book to paperback.

“Admittedly, since the comic stories were designed visually for a different format than paperbacks, we’ve had to cut panels and copy to fit– an imperfect process, but one which was inevitable.”

A map of the Hyborian Age leads things off.

“The Coming of Conan” from 1970 was written by Roy Thomas, and drawn by Barry Smith. It starts with Conan in Asgard saving Olav from Vanir raiders. The Vanir serve a shaman with a star stone that summons demons that attack the Aesir. Conan is to be sacrificed but breaks free shattering the star stone.

“Lair of the Beast-Men” was originally in the December 1970 issue of Conan the Barbarian. This is another story written by Roy Thomas. Sal Buscema joined as inker for this issue. The story starts with winter in Nordheim. Conan has just slain a giant. The girl Moira lures Conan into ambush where he is taken prisoner by the Beast Men of Brutheim. Conan is sent to the arena to fight the snow-lion. A revolt of human slaves saves Conan who with Kiord the Thrall bring down the Beast-Men with a giant battering ram.

Barry Smith was in full Jack Kirby mode as the Beast-Men were drawn like something out of a Kirby comic.

The third and last story was Roy Thomas’ adaptation of Robert E. Howard’s “The Grey God Passes” as “Twilight of the Grim Grey God” (Conan the Barbarian #3, Feb. 1971). The Howard story has been posthumously reprinted in the Arkham House anthology Dark Mind, Dark Heart in 1962. Thomas used the story as means of getting Conan into the civilized Hyborian lands.

Thomas wrote:

“I knew I was going to enjoy working with Howard’s prose, and I was committed to making it accessible to comic readers.”

Sal Buscema did the inking. The cover was based on a rough sketch produced by Marie Severin and completed by Smith.

Barry Smith’s art began to take on its own personality with plenty of detail. His Hyperboreans and Brythunians were drawn more as barbarians which is due to the source material of a fantastic retelling of the final dramatic showdown between the Irish and Norse at the Battle of Clontarf in 1014 A.D. The story makes for forceful reading though there is shoehorned feel. A more natural take would have had the Hyperboreans as medieval Russians and the Brythunians as Polish cavalry. No lack of clashes between the two throughout history.

The last page states “Don’t Miss Volume Two of the complete Marvel Conan—on sale now.” So, it appears the plan was to reprint all the Marvel Conan comic books.

The color reproduction to the Tempo Star paperbacks is excellent. Far better than the Dark Horse reprints decades later where the color coordinator was color blind.

The Tempo-Star Conan the Barbarian Paperbacks: Part 1 published first on https://sixchexus.weebly.com/

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