Just got back to my hotel from the Ministry concert and let me just say:

It. Was. FUCKING AMAZING!!!!!!

The music was the best quality it ever was, played a lot of my favorites and I got a Psalm 69 shirt there as well!

Sadly I can't share pictures at this time, but once I'm able I'll share my shirt on here!!

Ministry’s fifth album 'Psalm 69: The Way to Succeed and the Way to Suck Eggs' was released July 14th 1992 on Sire Records. Recorded at Chicago Trax! and finished at Shade Tree Studios in Lake Geneva, Wisconsin. The title was derived from Aleister Crowley’s 'The Book of Lies' and 'ΚΕΦΑΛΗΞΘ' in greek translates to 'HEAD69'. The album peaked at #27 on the US Billboard 200 and #33 on the UK Albums Chart. The lineup: Paul Ion Barker, Bill Rieflin, Jeff Ward, Mike Scaccia & Al Jourgensen. #NWO #Scarecrow 🎶🎵

Psalm 69: The Way to Succeed and the Way to Suck Eggs

July 14, 1992

Ministry - Jesus Built My Hotrod (1992)

KAORU PERSONAL INTERVIEW SPECIAL HEADBANG VOL.27 TRANSLATION 2/2

The ideal figure that the guitarist who leads the band as a leader got while struggling, and the reason for his unstoppable pursuit. “Without ‘BLUE BLOOD’ I wouldn’t really be who I am now” “After all, I’ve always liked dark and hopeless stuff, that kind of things” “I’m the type of person who wants to be affected by cd jackets and lyrics” "Sometimes I can do it. A song with a very pop and bright atmosphere"

Notes before reading: This is the second part of the personal interview of Kaoru from the magazine Headbang Vol.27 released on 18th August 2020.  The interview is 11 pages long and this part covers the last 5 pages.  As Toshiya and Die’s interviews, 2nd part is focused on his roots as a guitarist.

You can get the magazine at Amazon Japan or CDJapan. Read Toshiya’s interview here Read Die’s interview here

Feel free to correct me if you spot any mistake or any confusing. Links or credits to this post when the content is reposted or captured in other SNS is appreciated :) ----- Text by: Yohsuke Hayakawa (First part here) “Without “BLUE BLOOD” I wouldn’t really be who I am now” -Then, the topic of the talk changes from here.  I would like to ask you about the story behind the 20 albums that you selected regardless of era or reasons but, you chose 10 albums from Japan and 10 foreign albums.

K: Is that true? (laughs). It's a coincidence, but it was very difficult to narrow down when it came to choose again. So, I chose mainly the ones I listened to a lot before I started the band and when I started doing it. They are just albums that influenced me. -I have the impression that Japanese music was a kids who read WeROCK’s thing. K:  Hahaha. Yes (laughs). -First of all…. COLOR's mini album "FOOLS! GET LUCKY !!" (1989) is also included. I have to ask about why you picked this one. K: Well, I really love it (laughs). Even though it was "X in the east, COLOR in the west"*, I was really into it, so I went to see their live performance. I like their punkish songs and they have many fast songs. At that time, if a song wasn’t  fast, it was a “no” for me. I also liked ROSE ROSE. *(This makes reference to X Japan being from the Kanto region (East) and COLOR being from Kansai (West) as both band emerged around the same time.) -Then D'ERLANGER. DIR EN GREY participated in D'ERLANGER's tribute (announced in 2017 ‘D'ERLANGER TRIBUTE ALBUM  ~ Stairway to Heaven~ "). Was the album "LA VIE EN ROSE" (1989) a shock for you?

K: That’s right, “LA VIE EN ROSE” too but also CIPHER (G) himself. Well, I think it was at ”BURNN! JAPAN”, CIPHER appeared in a solo photo on one page in colour.

-Oh, it’s a shot in which you can see him standing with a flashy Les Paul guitar. It was before kyo (D’ERLANGER vocalist) became a member. K: That’s right.  I though “What on earth is this person?” After that, they were releasing a CD ("LA VIE EN ROSE") , so I made a I made a reservation right away.

-Also, a band you can't miss from those times is DEAD END. It never gets old because it’s respected across generations. K: I chose "Shambara" (1988), well, it's a masterpiece. Just listening to the opening song "EMBRYO BURNING" made me sick. When I first started listening to metal music, I was a bit reluctant but with DEAD END, the melody that MORRIE sung got me very quickly, I got into them without any resistance. I didn’t have the impression that DEAD END was so-called “metal”. Since I started playing in bands, I was overwhelmed by the seriousness of YOU’s guitar technique. - Next is ZI: KILL is "ROCKET" (1993). Initially, the dark positive punk style was strong but with that last album, their musicality expanded dramatically and there are even piano jazz songs. K: It’s an album that feels like something has been reached. I got into ZI:KILL since the early albums and after making their major debut, I got the impression that their albums got milder. However, when I listened to "ROCKET", it seemed like an insanely cool album. I still listen to it. -Including a horn in their arrangements was ground-breaking. K: Yes, at first I hated it! But somehow, I didn’t care about it at all. Still, TUSK (Vo) lyrics and the songs were addictive. It made a deep impression on me, that’s why I read ZI:KILL lyrics carefully as well.

-Do you care about the lyrics when it comes to Japanese artists? K: I check the booklets properly. After all, the lyrics reach my ears at the point in which the words make you feel something.

- And, needless to say, you also chose X's "BLUE BLOOD" (1989). At the Vol. 20 of this magazine, you chose it as a “metal album that changed your life”. So, as expected, if you choose an album from X japan, would be this one? K: Without this album, I wouldn't really be who I am now.

-You were influenced by everything, both the music and the guitar play….is that so? K: The guitar too, right? Well, it’s not at that level anymore.

-Ah, that’s not the level (laughs) K: I was just listening to it earnestly and thinking “amazing!”, it just something that I like, there is no particular reason (laughs).

“Western music  (I listened to) was also greatly influenced by HIDE. That’s why everything it’s related to HIDE (laughs)”

- On the other hand, Tsuyoshi Nagabuchi and Cocco are also included. K: I've always liked Nagabuchi. Like "Tonbo" (1988), there was a tv drama about that. *(”Tonbo” (Dragonfly) was also a tv drama  in which Tsuyoshi Nagabuchi played a member of a yakuza gang  who is trapped in a violent existence.)

- Oh, after that was "Shabontama" (1991). K: I also like the movie "Orgel" (1989), I was really into Nagabuchi at that time. The "Showa" (1989) album I chose this time is the album that got me hooked. The masterpiece "Gekiai" which is my favourite song was recorded around that time.

-You liked Nagabuchi’s drama series. K: Yes, they are rather dark series. I don’t know much about the brighter/cheerful ones.

-The ones like "Family Game" (1983)? K: That's right. Those are not the ones that I prefer. After all, I’ve always liked dark and hopeless stuff, that kind of things. -(Laughs) However, the radical portrayal of Nagabuchi’s drama shocked your heart as a young boy. Probably such a drama couldn’t be made in this era. K: Yes, you can’t. There isn’t even a rebroadcast of these ones.

-Certainly.  Also, I remember that Cocco was around in the scene at the same time than HIDE (g). K: Yes. When I listened to her album, it didn’t feel like I was listening to a Japanese cd. I felt like it was a western heavy band, so I got into it with that kind of image.

-I feel that foreign music, the alternative vibe is overall stronger, but do you like that? K: After all, HIDE’s influence in foreign music (I listened to) is huge. At that time, I was buying various magazines and looking for some more, I checked the names that appeared in HIDE’s articles and I’ve been listening to the ones I liked all the time.

- I have the impression that HIDE had a great influence on you listening to bands like Jane's Addiction at that time. What about Vanessa Paradis and Japan ( English new wave band)? K: That was also due to the influence of HIDE. That’s why almost everything is related to HIDE (laughs). Also, this album of hers (released in 1992, “Vanessa Paradis”) was produced by Lenny Kravitz, who liked to go to her lives.  She's still good, but I especially like her early days, I'm attracted to that voice.

“I’m the type of person who wants to be affected by cd jackets and lyrics”

- So that's it. The only work related to HIDE that you chose was with X Japan but, what about his solo works? K: Well, of course I like his solo, but in my case, I like HIDE in X Japan the most.

-Other than that, I can tell that you like strong sounds, heavy riffs and industrial. K: That’s right. As I was always seeking fierce things, I came to like strong riffs such as Pantera and Ministry.

-What about the so-called European German metal? K: Especially at that time, it wasn’t my cup of tea (laughs) - Then, some of the foreign music you chose…. "Psalm 69: The Way To Succeed And The Way To Suck Eggs" (1992) by Ministry. This album was already mentioned in this magazine before as an important metal album for you. K:  At that time, there was a foreign-related CD shop called WAVE at  Umeda Loft in Osaka. I think that I found it there and listened to it. I was like “what the hell?”, so I bought it right away. I listened to it at home again. That night I went to a acquaintance’s house and I said “Listen to this!”, and I forced him to listen (laughs). -I can tell your excitement (laughs) K: Then I listened to all the other albums. Above all, I like this one the most.  -And you also mentioned Nine Inch Nails. K: The first thing I heard from them was a single or something. At that time, I thought, "Wow, that's amazing," but when I listened to the songs on that album, I felt like I was listening to something I had never heard before. It's dark, but it sounds very aggressive. But it’s not like european music dark feeling.At that time, I wasn't sure if  they were a band or not (laughs).  -You wondered if it was a one-person band. K: That’s right. I was like “Is the same person doing everything?”, “Is he playing drums too?”. Everything was a mystery. Information was not available as soon as it does now, so I was wondering “Who is this person?”. I also wondered if the cd jacket had something to grasp, like it was a cd jacket that I didn’t really understand. Like the logo. It was all mysterious and addictive. I myself am the type who wants to be influenced/affected by cd jackets and lyrics, so I look at every corner. Everything up to the back of the wrapping. Then, when I looked at the back, I thought, "Isn't there anything attached?" (Laughs).  -(Laughs)There are many things that are totally attractive, including elaborate art books.  K: Yes. Especially for Nine Inch Nails, I went looking for some place that sell T-shirts of them.  "Sometimes I can do it. A song with a very pop and bright atmosphere"  -Among these works, isn't there any in particular that has an easy-to-understand influence on the songs that you make with DIR EN GREY? K: Well, I don't know that .  - Some of the works you chose this time have a strong melody…. For example, on a 2017 tour focused in “MACABRE" (2000), you played “Taijou no ao” for the first time in a while. I mentioned in this magazine before that "If you change the arrangement of a song to your current style, you can still play it ", but is there a desire to make a song with that kind of melody now? K: I don’t have a particular desire to do it. I think that it feels like something from that time, it’s an image that doesn’t make me feel excited now.  -By the way, do you usually listen to music with melodies like that? K: I do, I do.  Rather, I’ve been listening to pop music all the time lately.  I am not listening noisy bands at all.  -Noisy ones (laughs). K: Hahaha. -However, it's a little hard to think that you are going to make songs like that. K: Yeah, it doesn't happen very often sometimes, but there are times when I can do it. A song with a very pop and bright atmosphere. So, when I tried to start to work on songs, one turns out like “this is what I have done”. But maybe then I think that it’s a little different from what I do with DIR EN GREY, so I have to mess with it, fix it or just store it. - Eh! Do you make that kind of songs? I would like to hear a song like that from you now. That’s why the melody of “Taijou no Ao” that I mentioned as an example is not only pop but also suffocating. Faintly scented lyrics. I wonder if that it’s your true self. K: That's right.The first thing that influenced me was  the New Wave*. Pet Shop Boys and so, I liked that kinds of thing. That’s why there is a bit of that “kind of atmosphere” sometimes. It's not just pop. *(New wave is a broad music genre that encompasses numerous pop-oriented styles from the late 1970s and the 1980s) -There is also a sorrowful side. K: So, if I had to pick one, Europe is better in that than America. Well, when it comes to the songs I make, I’d like to make them more interesting, but I don’t feel like doing something that is off the point/wrong.  -I have to ask you about the melody part now. K: If you have any concerns, I will answer them…  - What if there is something clear for you like, “this song has this kind of image”? K: After that, Kyo has several ways to sing so I will combine them in my own way and propose new melodies. Like “I think in this way would be cool”.   -Oh, that’s how you do it. In any case, now I'm looking forward to the day when I can listen to a new song again. Will the album be completed in 2021? K: That's right.  -By the way, Kaoru-san's hard disk has already material for the new album…. K: Well, there's something for the album……there is, but it’s still not the whole thing at all (laughs).

The year was 1992.

The ‘Psalm 69: The Way To Succeed And The Way To Suck Eggs’ album was released by Ministry. (ref.)

The first track was N.W.O. (aka New World Order). It had a sound byte from the then- President George H.W. Bush. It also had another sound byte - a familiar voice shouting “It’s Alright!” numerous times throughout the entire song.

Today, I heard this song again...and it clicked in my head. I remember listening to the album (CD) in the early 90’s and I couldn’t place that voice, or where it was from. It bugged me for a few years, although I never researched or paid it much attention. I distinctly do not recall hearing the byte when they played this song live...granted I didn’t last long in the pit at Lolla in Alpine Valley that show.

When the song came on today, about 30 minutes ago, I turned it up. I heard it for what seemed like the first time in a very, very long time. At the exactly moment it came on, I finally figured it out...the byte that is. It was Dennis Hopper playing the Photo Journalist in Apocalypse Now.

I’m so happy to have finally have that missing piece in my brain click into place after 29 years. Now that space can be filled with something more important.

my top 75 quarantine records: 75-66

wahoo! we actually begin this list with a controversial lowball rank, i think. bandcamp links as always where applicable!

#75. doom - born like this (2009) the masked mc's first appearance on this list comes with what i regard as his weakest solo album, actually his final one as well. this is a much darker effort than most of his other records, his verses spinning more genuinely twisted and gross yarns than his usual cartoonish villainy. it is also worth mentioning that there is an entire song on this that's dedicated to being homophobic, specifically towards, uh, batman? there's enough great wordplay and slinky beats on this thing to satisfy, though, and i did enjoy it. worth a listen just for the tracks where doom decides to kick it into his top form.

#74. the lemon twigs - do hollywood (2016) half beatles worship, half pure cabaret silliness, the lemon twigs for me are an extremely hit or miss band. i think they miss slightly more than they hit on this record, as they have a tendency to cover a lack of strong songwriter with extended noodling instrumental passages. THAT SAID, when they hit, they hit hard enough to make you forget they ever missed - the formula does work, provided they actually stick to it and don't lose the plot.

#73. car seat headrest - how to leave town (2014) similarly to doom, car seat headrest was an artist that i decided to check out the back catalogue of, and found it extremely rewarding!!! how to leave town was one of the lower-impact ones for me, just because of how dense and long-winded some of the songwriting can be. that's not necessarily a detractor for a lot of people, but it's hard for it to sustain my attention for that long. that said (becoming my catchphrase), it has so many amazing moments of pure catharsis that the project is still super compelling as a full listen. as individual tracks though, if you're not in for an hour, they tend to lose me.

#72. third eye blind - s/t (1997) i think there are a lot of people on this earth who would have my head for ranking this above how to leave town, but i really did enjoy this just a little bit more. it's not perfect, again, not every song hits, but when it does hit it is muscular, catchy as hell, and a good precursor of where the better side of scraggly pop-punk like PUP and knuckle puck would go in the next few decades. the guitar tones on this thing are way better than they have any right to be, too, what a satisfying flavor of crunch.

#71. molchat doma - etazhi (2018) if you liked the genuine viral hit "sudno" enough to check out the full album, you'll probably like the rest of it too. molchat doma's coldwave sound is down to a formula here, as listening to the full record repeatedly can get... well, repetitive, but each individual song IS worth it on its own. this is a really good album for playlistification, the hooks hit and the songs totally work, it's just a lot of the time they all fall into a similar niche. this is a problem that i think they fix on their much better followup, monument - which is unfortunately ineligible for this list 'cuz i listened to it right when it came out - but etazhi is more than good enough to represent the dark and gloomy fun i had with molchat doma this year.

#70. ministry - psalm 69: the way to succeed & the way to suck eggs (1991) the 90s industrial scene was a scene that i knew absolutely nothing about, and had very little motivation to get into, since i was born just a tick late to experience it and it seemed kind of like a "you had to be there" thing. it took halfway-befriending a bizarre older coworker who lived and breathed industrial music to get me to actually check some stuff out, and i'm happy to report, you don't have to have been there to get it. if you have a tolerance or love for punishing, breakneck beats, crunched-to-shit guitars, and devilishly soothsaying lyrical content, ministry is probably up your alley. definitely something to lose your mind in the pit to.

#69. hotel mira - divorce (2016) this one caught me totally off guard. soundwise they're nothing special, a pretty standard hard-rock leaning alternative group (who recently changed their name away from the turbo-cringe jpnsgrls), but their melodic sense is some of the sharpest and catchiest ive heard in this style in a long time. damn near every song on this is sticky as hell, and they cover a huge range of emotional ground, from barn-burning romantic odes, to stoner anthems, to this one, which uses a circus as a metaphor for performing in your daily life when you're suffering from depression. shoutout especially to the charisma of the singer, who doesn't have the most amazing voice in the world but makes up for it with dynamism, character, and passion to spare.

#68. the drums - abysmal thoughts (2017) jonny pierce has a remarkable gift for making teeth-rottingly sugary songs that conceal layers of eerie darkness underneath them. whether it's the oddly sinister videos, the emotional strings, the cyclical song structures, the unsettling phrasing and acidic bite on some of the lyrics... there's a lot of strange touches all over this jangly, surfy, catchy as fuck record, and it makes for a breakup album that keeps you on your toes the entire run. it's only this low because of a few unmemorable songs, but this is definitely my favorite drums album.

#67. panic! at the disco - vices and virtues (2011) there may be later panic albums that attained more commercial success by hewing more to the pop side than the oddball side, and there may be earlier panic albums that lost themselves a bit by hewing to the oddball side and getting caught in fanciful concepts that didn't give their sharp hooks enough room to breathe. for my money, though, this may just be the finest of them all, one where brendon's pure pop and vocal acrobatics share equal room with his sole remaining bandmate's punk inclinations and their shared love of theatrics, and neither buries the other. super underrated album in Serious Critical Circles.

#66. hayden thorpe - diviner (2019) look. i will be honest with you. do i miss wild beasts? yes, absolutely, they were one of my favorite bands for a long, long time, and this hayden thorpe solo album can't quite replace the absence of the full group. buuuuut..... was a huge part of why wild beasts appealed to me over other similar bands thorpe's striking and distinctive falsetto? yes. am i glad i can still scratch that itch with new stuff? holy shit, yes. this album is quiet, reflective, and emotionally open, and hayden's voice is as rich ever. i'm fine with this outcome as long as i can still hear him.

tune in next time for 65 thru 56!

Ministry - “N.W.O.” from 1992s “Psalm 69: The Way to Succeed and the Way to Suck Eggs”

All the locals hide their tears of regret Open fire 'cause I love you to death Sky high with a heartache of stone You'll never see me 'cause I'm always alone

I'm in love without a trace of dissent I'll buy the torture 'cause you pay for the rent Tied high with a broken command You're all alone in the promised land

I'm in love with this malicious intent You've been taken but you don't know it yet What you will know must never live to be found 'Cause it's a subject in the eyes of the clown

What we are looking at Is good and evil, right and wrong A new world order

A new world order A new world order A new world order We're not about to make that same mistakes right

A new world order A new world order A new world order

Ministry “Greatest Fits” 2001/2018, double LP reissue on Run Out Grooves, blue and grey marbled vinyl. A great collection of Ministry’s hard industrial dance/metal singles from 1988 to 2001. Despite seeing Ministry’s somewhat disappointing show about a couple years ago, I still really love Ministry. This comp has some of their best including “Stigmata” and “The Land of Rape and Honey” (from the 1988 Land of Rape and Honey), “Thieves” and “So What” (from 1989′s The Mind is a Terrible Thing to Taste -- the version of “So What” on this comp is a live version from a performance in 1994) and three tracks from their hit album 1992 LP Psalm 69: The Way to Succeed and the Way to Suck Eggs including the Grammy-nominated “N.W.O.,” “Just One Fix” and “Jesus Built My Hotrod” which features Butthole Surfers’ Gibby Haynes. (Sidenote: Ministry recorded Psalm 69 at studios in both Chicago and in a small town not that far from Milwaukee - Lake Geneva - which makes me laugh because it’s one of those bucolic Wisconsin communities full of tourists, cheese shops, fudge....and Ministry!) From the less-successful Filth Pig (1996) are Ministry’s cover of Bob Dylan’s “Lay Lady Lay” (hilarious, mainly because I really don’t like Dylan’s original) and the 12″ single version of “Reload.” “Supermanic Soul” and “Bad Blood” are included from 1999′s Dark Side of the Spoon. Two non-Ministry album tracks are also on Greatest Fits: “What About Us?” from the 2001 movie A.I.: Artificial Intelligence, directed by Steven Spielberg and a cover of Black Sabbath’s “Supernaut,” a song much more in line with Ministry’s sound than Dylan’s.  Both the Dylan and Sabbath cover songs were later included on Ministry’s all-cover song album Cover Up (2008). 

I just realized that at the very end of Ministry’s song Psalm 69 it is probably this guy from the movie Susperia. At the end of the song you hear “The way to succeed and the way to suck eggs.... STOP IT!”. Maybe this is common knowledge to diehard Ministry fans, but I just noticed this as I was watching Susperia last night. I’ve played this song so many times that this guy saying “stop it” was pretty spot on. I’m a fan of both Ministry and Susperia, and to see the two somehow (possibly) have some type of association with each other is pretty cool. #ministry #stopit #susperia #classichorror #misterfitshace #metal #heavymetal #industrial #industrialmusic #music #psalm69 #sampling #soundsampling #retro #horrormovies #movies (at Boston, Massachusetts) https://www.instagram.com/p/B4fIRfFHW7I/?igshid=jc3zh0tnlafl

Album po album: Ministry - Industrial metal legende (1983 - 1999)

Album po album: Ministry – Industrial metal legende (1983 – 1999)

Većina rok ili metal bendova vremenom počinje da ublažava svoj zvuk, smanjuje količinu distorzije na gitarama, umanjuje ili u potpunosti izbacuje iz muzike agresivne vokale, možda započinje više akustične setove. Postoje bendovi koji održavaju izvestan konzistentan zvuk i stil tokom decenija i ne skreću preterano u neke nove muzičke svetove. S druge strane, postoji i Ministry, sa svojevrsnim…

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Jesus Built My Hotrod (video remix) Ministry Psalm 69: The Way to Succeed, and the Way to Suck Eggs - 1992 Greatest Fits (compilation) - 2001 Further remixed on subsequent Ministry compilation albums

14 de julio de 1992. Se publica ''Psalm 69: The Way to Succeed and the Way to Suck Eggs'' (o simplemente Psalm 69). Es el quinto álbum de la banda estadounidense de metal industrial Ministry, publicado por el sello Sire Records. El título real del álbum es ??F????T, una combinación de las palabras ?efa?? (kephale) y ?T, que significan "capítulo 69" en griego. El título Psalm 69 se usa por razones de simplicidad. El álbum acercó a Ministry a una audiencia mundial, especialmente con la canción "Jesus Built My Hotrod", cuyo vídeo recibió fuerte rotación en MTV. Psalm 69 también representó la primera colaboración con la banda del guitarrista Mike Scaccia, contratado por Al Jourgensen en 1989. https://www.instagram.com/p/CRUV7YTLNlg/?utm_medium=tumblr

J£SÜS BÜÏLT M¥ HÖTRÖD 1991 PSÄLM 69: TH£ ￦Ä¥ TÖ SÜÇÇ££D ÄÑD TH£ ￦Ä¥ TÖ SÜÇK £GGS [∆] MÏÑÏSTR¥ B∆ÑD P∆ÑT£R∆'SH∆DØ￦ ØFFÏÇÏÅL VÏD£Ø https://youtu.be/GXCh9OhDiCI L¥RÏK: "Jesus Built My Hotrod" Soon I discovered that this rock thing was true Jerry Lee Lewis was the devil Jesus was an architect previous to his career as a prophet All of a sudden, I found myself in love with the world So there was only one thing that I could do Was ding a ding dang my dang a long ling long Ding dang a dong bong bing bong Ticky ticky thought of a gun Everytime I try to do it all now baby Am I on the run Why why why why why baby If it's so evil then? Give me my time, with all my power Give it to me all again (wow) Ding a ding a dang a dong dong ding dong Every where I go Everytime you tell me baby When I settle down Got to get me a trailer park And hold my world around Why why why why? Ding ding donga dong dong ding dong Dingy dingy son of a gun Half my time I tell you baby Never am I all for sure Why why why why why baby Sicky sicky from within Everytime I stick my finger on in ya You're a wild wild little town bitch Now how 'bout ding a dang dong dong dong ling long Dingy a dingy dong a down Everytime you tell me baby When I settle down Got to get me a trailer park And hold my world around Why why why why? In my dang a ding a ding a ding dong A sticky sticky son of a gun Ding a danga danga dong dong ding dong Why why never know Why why wack a dong a dang ding dong Then you take it on the bill Ding dang dong don't dong Whoa! I wanna love ya! Why why why, why why darling Do you do you tell me to play? Half the time I talk about it all now baby You know what I'm talkin' about I said Why why why it'll Ticky ticky ticky ticky Son of a gun Ding ding dong a bong bong bing bong Ticky ticky thought of a gun Bing bing bang a bang a bang bing bong bing a bing bang a bong Binga bing a bang a bong bong bing bong bing banga bong Bing bing bang a bong bong bing bing binga binga banga bong Bing bing bang a bang bang bing bong Aarrrhhhh... Ding dang a dang bong bing bong Ticky ticky thought of a gun Everytime I try to do it all now baby Am I on the run Why why why It'll ticky ticky ticky ticky ticky ticky Dawn of a gun Bing bing bang a bong a bong bing bang a Ticky ticky thought of a gun Bing bip bip a bop bop boom bam Ticky ticky through the day If you got a doubt 'bout baby The memory is on the bed Why why why why why Darlin' uh it don't know When my time is on Might tell me never do it on his own If my time was all as is yours Make me burn a wish When my time with you is brutish No I'll never not ever Why why why why why why baby heavy hell Alone and it's here it's this thunder The thunder oh thunder Oh! Jesus built my car It's a love affair Mainly Jesus and my hot rod Yeah, fuck it! ÏÑFØ: https://en.m.wikipedia.org/wiki/Jesus_Built_My_Hotrod "Jesus Built My Hotrod" is a song by an American industrial metal band Ministry. It is the fifth track and the debut single from Ministry's fifth studio album, Psalm 69: The Way to Succeed and the Way to Suck Eggs, released in late 1991. Heavily influenced by Flannery O'Connor novel Wise Blood, the song features vocals and spoken word parts recorded by Gibby Haynes of Butthole Surfers, and is regarded to be one of most known tracks recorded by Ministry, as it built significant anticipation for Psalm 69. "Jesus Built My Hotrod"

MINISTRY:  Psalm 69: The Way to Succeed and the Way to Suck Eggs, our fifth studio album. Released July 14, 1992 on Sire/Warner Bros Records. The album was recorded at Chicago Trax! and finished at Shade Tree Studios in Lake Geneva, Wisconsin.