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#prue x roger
phoebehalliwell · 2 years
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a witch's most sacred day; the day when the source of all magic can be tapped into: ALL HALLOW’S EVE ✧ HALLOWEEN costumes as found in the charmed universes
prue halliwell as PORTRAIT OF MADAME X by jean singer sargent piper halliwell as BELLE from beauty and the beast (1991) phoebe halliwell as CARRIE WHITE from carrie (1976) paige matthews as JESSICA RABBIT from who framed roger rabbit (1988)
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halliwellsims4 · 2 years
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Something Wicca This Way Comes - P2
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Roger: It was my idea to spark corporate interest in private donations. Not only have I been with this project since its inception, (Prue walks in his office.) but we both know who really secured the entire exhibit. (He swings around on his chair and sees Prue.) Prue ...
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Prue: I quit.
Roger: (On the phone) I'm going to have to call you back. (He hangs up.) Think about this, Prue.
Prue: Lousy job, lousy pay, lousy boss. What's to think about?
Roger: Your future. Because, believe me, if you walk out with no notice, you can kiss any references--
Prue: Don't threaten me, Roger.
Roger: You know me. Had to try. You're hurt, you're angry, your pride is wounded. I understand all that. That's why you can't see that I'm doing you a favour.
Prue: Excuse me?
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Roger: I had to take the exhibit away from you. If I hadn't, the board would have come and put a total stranger in my place. Think about it, Prue. I'm here for you. Not some stranger. You should be thanking me not leaving me.
Prue: Well, I'm not worried. I'm certain that your intellect will make quick work of the seventy-five computer discs and thousands of pages of research I left in my office.
Roger: You're gonna regret this.
Prue: Oh, I don't think so. I thought breaking up with you was the best thing I'd ever done. But this definitely tops that. Goodbye, Roger.
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(She turns and leaves towards the door.)
Roger: I hope there are no office supplies in your purse. (She stops and wraps her hands around an imaginary neck. Roger's tie tightens around his neck and starts strangling him. He opens his draw and finds a pair of scissors. He cuts the tie off.) What the hell was that?
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Piper: Phoebe, answer the phone. Answer the phone. (She hangs up and walks out of the booth. Jeremy walks up to her.) Oh, God, Jeremy you scared me.
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Jeremy: I-I can see, I'm sorry. You okay?
Piper: Yeah, now I am. I really am. Um, what are you doing here?
Jeremy: Well, I wanted to be the first to congratulate you on your new job.
Piper: You always surprise me. How did you know?
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Jeremy: You prepared your specialty, and everyone's who's ever sampled your work, can truly see how talented you are.
Piper: I get so turned on when you talk about food.
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Jeremy: Hamburgers, pizza. (They kiss.)
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[Scene: On the road. Phoebe is riding her bike. All of a sudden she has a premonition. In it she sees two boys on rollerblades and they skate right in front of a car which hits them. The premonition finishes. Phoebe continues riding and then sees the car and the two boys.]
Phoebe: No! Wait!
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(She rides in front of the boys stopping them from skating in front of the car. The car honks and Phoebe falls off her bike.)
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Prue: Hi, um, I'm looking for my sister, Phoebe Halliwell.
Nurse: One second please. (to Andy) What's the name again?
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Andy: (to nurse) Inspector Andrew Trudeau. Homocide. Dr Gordon's expecting me.
Prue: Andy?
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Andy: Prue? I don't believe it. How are you?
Prue: I'm good. How are you?
Andy: Fine. I just can't believe I'm running into you.
Prue: Yeah, I'm picking up Phoebe. She had some kind of accident.
Andy: Is she gonna be okay?
Prue: Yeah, she'll be fine. Um, what are you doing here?
Andy: Murder investigation.
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Nurse: (to Prue) Your sisters still in x-ray's so it'll be another fifteen minutes. (to Andy) Do Gordon's office is to the left and down the hall. He's with a patient right now but you're free to wait outside his office.
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Andy: Thank you.
Prue: Thank you.
Andy: Well, it's good seeing you, Prue. (They shake hands.)
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Prue: Yeah, you too, Andy. Take care.
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Andy: You know, Phoebe's busy, Dr Gordon's busy. Can I buy you a bad cup of coffee while we wait?
Prue: Sure. (They walk towards the coffee machine.) So, you're an inspector now?
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Andy: What can I say? In any other city I'd be called detective.
Prue: Inspector's classier.
Andy: Liking it better already.
Prue: Your dad must be so proud.
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Andy: Third generation. You bet he's happy. How about you? You taking the world by storm?
Prue: Well, I'm living back at Grams' house, and as of an hour ago, looking for work.
Andy: Oh.
Prue: I heard you moved to Portland.
Andy: I'm back. You, uh, still seeing Roger?
Prue: How did you know about him?
Andy: I know people.
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Prue: You checked up on me?
Andy: I wouldn't call it that.
Prue: What would you call it?
Andy: Inquiring minds want to know. What can I say? I'm a detective.
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Prue: The Chosen Ones? The Charmed Ones? Phoebe, this is insane.
Phoebe: Are you telling me that nothing strange happened to you today? You didn't freeze time or move anything?
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Prue: Roger took an exhibit away from me. All right, look, Phoebe, I know that you think you can see the future which is pretty ironic.
Phoebe: Since you don't think I have one, that my vision of life is cloudy compared to your perfect hell? Even if you don't want to believe me, just once can't you trust me?
Prue: Phoebe, I do not have special powers. Now, where is the cream?
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Phoebe: Really? That looked pretty special to me.
Prue: Oh my god. So, um, I can move things with my mind?
Phoebe: With how much you hold inside, you should be a lethal weapon by now.
Prue: I don't believe it.
Phoebe: This must mean that Piper can freeze time. (Prue grabs a shot of tequila and drinks it all.) Are you okay?
Prue: No, I'm not okay. You turned me into a witch.
Phoebe: You were born one. We all were. And I think we better start to deal with it.
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Phoebe: When I was looking through the Book Of Shadows, I saw these wood carvings. They looked like something out of a bosch paintings. All these terrifying images of three women battling different incarnations of evil.
Prue: Evil fighting evil, that's a twist.
Phoebe: Actually, a witch can be either good or evil. A good witch follows the wiccan rede. 'An it harm none, do what ye will.' A bad witch or a warlock has but one goal: to kill good witches and retain their powers. Unfortunately, they look like regular people. They could be anyone, anywhere.
Prue: And this has what to do with us?
Phoebe: Well, in the first wood carving, they were in the slumber, but in the second one, they were battling some kind of warlock. I think as long as we were in the dark about our powers we were safe. Not anymore.
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Piper: Has anything weird or unexplainable ever happened to you?
Jeremy: Sure. It's called luck or fate or some people call it miracles. Why? What happened?
Piper: Forget it. Even if I could tell you, you'd swear I was crazy. Now open your fortune cookie.
(She hands him one.)
Jeremy: Okay. (He opens it and reads the bit of paper.) Soon you will be on top.
Piper: It doesn't say that.
Jeremy: Yes it does.
Piper: Let me see that. (She snatches the bit of paper off him.)
Jeremy: Is that a bad thing?
Piper: Of the world. Soon you will be on top of the world.
Jeremy: (to the cab driver) Can you make a left on 7th please.
Driver: You got it.
Piper: Hey, I thought that we were going to your place.
Jeremy: We are, but you reminded me of something. I wanna show you the old Bowing building. The view of the Bay bridge is amazing.
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Pharmacist: (to Phoebe) I'll be right back with your prescription.
Phoebe: Take your time.
Prue: Excuse me, where do you keep the aspirin?
Pharmacist: Aisle three.
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Phoebe: Chamomile tea works great for headaches.
Prue: Not for this one it won't.
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Phoebe: You know I'm not afraid of our powers. I mean, everyone inherits something from their family, right?
Prue: Yeah, money, antiques, a strong disposition. That's what normal people inherit.
Phoebe: Who wants to be normal when we can be special?
Prue: I want to be normal, I want my life to be... you know, isn't this aisle 3?
Phoebe: Well, we can't change what happened. We can't undo our destiny.
Prue: Do you see any aspirin?
Phoebe: I see chamomile tea.
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Prue: Look, I have just found out that I'm a witch, that my sisters are witches, and that we have powers that will apparently unleash all forms of evil. Evil that is apparently going to come looking for us. So excuse me Phoebe, but I'm not exactly in a homeopathic mood right now.
Phoebe: Then move your headache out of your mind. (Prue stares angrily at Phoebe and a bottle of aspirin flies off the shelf and Prue catches it.) You move things when you're upset.
Prue: This is ridiculous! I thought that you landed on your arm, not your head.
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Phoebe: You don't believe me.
Prue: Of course I don't believe you.
Phoebe: Ro-ger. (A few more bottle of aspirin fly off the shelf.) Now let's talk about Dad and see what happens.
Prue: He's dead, Phoebe.
Phoebe: No, he's moved from New York, but he's very much alive.
Prue: He isn't to me. He died the day he left Mom.
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Phoebe: What are you talking about? He's always been a major button pusher for you. You're mad he's alive, you're mad I tried to find him, and you're mad I came back. Dad, Dad, Dad, Dad, Dad, Dad, Dad. (All the medicines and bottles fly off the shelves.) Feel better?
Prue: Lots.
Phoebe: The Book of Shadows said our powers would grow.
Prue: Grow to what? (They laugh.)
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Jeremy: Well, here we are.
Piper: I don't care how amazing the view is. I'm not going in there.
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Jeremy: Come on, come on. I have a surprise inside. (They step inside an elevator. Jeremy pressed the button and the elevator starts to go up.) You are gonna love this. I bet you tell Prue and Phoebe the moment you see them.
Piper: I never mentioned Phoebe came home.
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Jeremy: Whoops. (He pulls out a knife.)
Piper: What is that?
Jeremy: It's your surprise.
Piper: Jeremy, stop it, you're scaring me. Damn it! I'm serious!
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Jeremy: So am I. See, I've waited six months for this. Ever since Grams went to the hospital. I've known for some quite time that the moment that old witch croaked that all your powers would be released. Powers that would reveal themselves as soon as the three of you got together again. All that was needed was for Phoebe to return.
Piper: It was you, wasn't it? You killed all those women.
Jeremy: Not women, witches!
Piper: Why?
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Jeremy: It was the only way to get their powers. (In a demonic voice.) And now I want yours.
(Piper screams as Jeremy raises his arm about to stab Piper. She puts her hands up and he freezes. The elevator freezes as well.)
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Piper: Okay, think, stay calm. I gotta get outta here. Okay.
(She climbs up onto the next floor. Jeremy unfreezes and he grabs her leg. He tries to pull her back into the elevator but she grabs a wooden two-by-four and hits him over the head. He falls to the floor unconscious.)
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Roger: Prue, it's Roger. I've decided to let you come back to work. Seriously, let's talk. Bye.
Prue: Piper's definitely not home unless she's turned into a cat.
Phoebe: How'd the cat get in?
Prue: I don't know. Someone must have left the window open. Um, did Piper leave a message?
Phoebe: She's probably out with Jeremy. Roger called.
Prue: Yeah, I heard.
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Piper: Prue?
Phoebe: In here. (Piper locks the door.) Piper?
Prue: Oh my God, what is it? What's wrong?
Piper: Lock the doors, check the windows. We don't have a lot of time. Phoebe, in the Book Of Shadows, did it say how to get rid of a ...
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Phoebe: Warlock?
Prue: Oh my God.
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Jeremy: I'll get you, you bitch.
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Prue: I'm calling the cops.
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Piper: And tell them what? That we're witches? That some freak with powers beyond comprehension is trying to kill us? Even if the cops did come, they'd be no match for Jeremy, and we'd be next.
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Phoebe: (At the top of the stairs) I found the answer, come on.
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Prue: Okay, we've placed the nine candles anointed with oil and spices in a circle.
Piper: Wait, I only count eight.
Phoebe: Oh you forgot this one. (She holds up a birthday candle.)
Piper: A birthday candle?
Phoebe: I guess Grams was a little low on witch supplies.
Prue: Alright, we need the poppet.
Piper: Got it.
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(Phoebe lights the birthday candle and puts it in the pot.)
Prue: Right, we're set. Get ready to cast the spell.
Piper: Okay, first I'll make it stronger. (She gets a rose and places it on top of the poppet.) "Your love with wither and depart, from my life and my heart, let me be, Jeremy, and go away forever." (She presses the rose thorn into the poppet and places it in the pot.) Okay, the spell's complete.
Prue: Let's hope it works.
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Phoebe: Wait! It didn't work.
Piper: What?
Phoebe: The spell, it didn't work.
Prue: How do you know?
Phoebe: When I touched the pot, I had a flash. I saw Jeremy.
Prue: You touched the pot and you saw him?
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Phoebe: He's on his way here.
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Jeremy: Hello, ladies..
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Prue: Piper, Phoebe, get out of here now!
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Jeremy: Cool parlor trick, bitch. You were always the tough one weren't you, Prue?
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Prue: Phoebe, you're right, our powers are growing.
Piper: Put as many things against the door as you can.
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Jeremy: (From outside) Take me now, Prue. My powers are stronger than yours. (He laughs.) Do you think a chair will stop me?
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Do you think a dresser will stop me? (The dresser slides away from the door.) Have you witches figured it out yet? Nothing, nothing can keep us away.
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Piper: What do we do? We're trapped.
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Prue: Come on, we'll face him together. Do you remember the spirit board?
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Piper: The inscription on the back.
Prue: The power of three will set us free. (A circle of fire surrounds them. They hold hands.) Come on, we gotta say it together.
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Prue/Piper/Phoebe: The power of three will set us free.
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Jeremy: I am not the only one! I am one of millions! In places you can't even imagine! In forms you would never believe! We are hell on this earth! You will never be safe! And you will never be free!
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Prue: The power of three.
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Andy: Good morning!
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Prue: Hey, this is a surprise.
Andy: I've been feeling really guilty about that bad cup of coffee. I just want to make it up to you.
Prue: So, you brought me a good cup of coffee?
Andy: Oh this? No, this is mine. I, uh, just wanted to ask you out to dinner. Unless of course you're afraid.
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Prue: Afraid of what?
Andy: Oh, you know, having too good of time, stirring up old memories, rekindling and old flame.
Prue: Hmm, good point, better not.
Andy: Okay. Friday night, eight o'clock? You're hesitating.
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Prue: Yeah, but it's not what you think. It's just that my life has gotten a bit complicated. Can I call you?
Andy: Take care, Prue.
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Prue: Bye, Andy.
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It's Andy. I told you I heard a man's voice.
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Piper: What did he want?
Prue: He asked me out.
Piper: And you said ...?
Prue: I started to say yes and then I stopped. I wondered if I could date. I mean, do witches date?
Piper: Not only do they date but they usually get the best guys.
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Prue: You two will not be laughing when this happens to you. Believe me, everything will be different now.
Phoebe: Well, at least our lives won't be boring.
Prue: But they'll never be the same.
Phoebe: And this is a bad thing?
Prue: No. But it could be a big problem.
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Piper: Prue's right. What are we gonna do?
Phoebe: What can't we do?
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Prue: We are gonna be careful, we're gonna be wise and we're gonna stick together.
Piper: This should be interesting.
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phoebehalliwell · 4 years
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so apparently my brain will not let me rest until I figure out the Prue/Roger dynamic, so: Prue's right out of college when she gets hired at the museum and she gets partnered with a senior curator, Roger. Roger flatters Prue first professionally, then personally, and when Prue is hesitant because he's married, he spins some line about how his marriage is over in everything but name. Prue, young and only having one real relationship before, falls for his charm and they start sneaking around 1/?
at the office. at some point Roger does divorce his wife, he and Prue are together publicly, and then he proposes. somewhere in there, he makes a move on Phoebe, who rejects him. Phoebe immediately goes to Prue, but Roger insists that she's lying, "Prue, don't you think I love you, I left my wife for you." Prue, habituated by years of this kind of emotional manipulation, chooses Roger over Phoebe. This pretty much destroys her relationship with her sister. Prue and Roger continue plans for the wedding until Grams dies, at which point Roger calls off the wedding because he didn't sign up to be anyone else's emotional support. Prue, spends her days angry at Roger, Grams, and Phoebe for abandoning her, and spends her nights secretly wondering if there was anything she could have done to keep any of them with her.   
hmm an inch resting yarn you have spun here but i’m gonna offer you another one: pure was popular in high school she was like really fuckin cool and she could very easily have been any man of her choosing. there was no settling for her, she was prue motherfuckin halliwell. so she went for what her heart always wanted and dated her childhood sweetheart andy trudeau. and like,, they were the It Couple in their heyday and it was definitely that passion head first our love will never die dramatic but also just kinda silly love. and that sorta sets the bar. then she’s off to college presumably at this point still trying to pursue a career in photography and she’s like having fun she hangs out with the artists and free spirits and people who were misfits in high school and draws them in with her undeniable queen bee energy but like. she knows her stuff. she doesn’t get by on looks and popularity, she’s really good at what she does. so now we bring in college boyfriend no. 1 who cupid name checked as alan, and we’ll say this really is a relationship of two artists and they’re both amazed by each other’s work and the soul and heart and spirit in it and in them it’s definitely the most pretentious of prue’s relationships but it’s like the kind where they “break into” the local art gallery after hours (alan works there and has a key, so it’s not like it took a lot of masterminding) and like slide around polished hardwood floors until they fall down laughing that type of vibe. but now we’re encroaching on prue’s blue period. for starters, piper’s get ready to y’know apply for college this that and the other and like grams is all concerned about how much college costs blah blah blah with paying for both prue and piper and the same time yada yada yada and prue sorta realizes how sorta tight the money situation is what with the cost of education and the house and this that and the other and she’s starting to realize that this photography career is Not the move bc like this house needs a breadwinner if they want to keep it blah blah blah so life already blows when she has to go pick up phoebe from a party which she’s not like happy about but like you know at least phoebe isn’t drunk driving maybe this is a chance for them to bond as sisters for prue to impart some wisdom on her chaotic younger sister but no of course not of course they have to get in a huge argument and prue doesn’t hit the breaks in time and the car gets totalled and phoebe lands in the hospital and like now prue’s sorta spiralling and she like wants to quit photography and she feels horrible about everything and alan who is again i must harp on pretty pretentious is like no u can’t quit ur family doesn’t understand you it’s not about the money it’s about the art use this pain to make something amazing to which like sorry king,,, but it is about the money. the manor has been in the family for decades and prue can’t lose it. and with piper’s college, phoebe’s hospital bills, and grams’s failing health... it’s 100% about the money dude. and fuck turning your pain into art fuck glorifying suffering and fuck you. so now prue’s p cut off she’s pretty isolated she’s all down in the dumps blah blah blah she changed majors to whatever major it was she needed for like museum jobs bc at least this way she can make bank but she’ll still hold a piece of art close to her and she like drowns herself in her work like she’s not just gonna be this major (art history?) she’s gonna be the fuckin best she’s gonna be the top of her class blah blah blah yada yada yada. but y’know flash forward an amount of time and her roommate’s like hey babe. i get like life’s shit i get u got to be the very best like no one ever was but like. you have not left the apartment in four months. you haven’t smiled in probably twice as long so like. idk do something?? that makes you happy maybe???? and prue’s just like :/ bc what made her happy was like photography but now she has very mixed emotions around that and her roommate’s like what did you do for fun in high school like what did you do after school and prue’s like idk cheerleading practice and her roommate’s like word well then go to cheerleading tryouts time skip we really see prue return to all her old glory and climb up the lil cheerleading ladder blah blah blah and in this renaissance of hers she also scores a new love interest who’s basically the opposite of alan enter tom peters the star wide receiver. and i think this relationship for prue was really just like fun it was tipping her toes back into the water it was learning to smile again it was just like a good time fun simple no concerns about the future just like vibing right then and there and then that ended just sorta naturally and they both graduated and it’s time for prue to leap into the professional world and she’s never left california so when she gets a job offer in london she jumps at the chance blah blah blah she’s working she’s having fun she’s defining herself enter eric from london who i’ll say is like a Business Man he’s like a this that or the other idk maybe a museum investor like the young son who just took over his dad’s business that sorta vibe and like eyes meet breath catches there was just this click but it like took them months to get together it was just this dance this game of cat and mouse until prue finally like took the bull by the horns and just like went for it and i think that would be her like most “adult” relationship like dates were going out to fancy dinners not breaking and entering or picnics on the empty football field these were like two professional adults like dating but you know they hit a year and then some and we’ll say like prue is maybe like 24 25 and this guy’s maybe 29 or whatever and they’ve attended friend’s weddings bs they’ve hit that era where everyone’s getting married and suddenly this cloud’s hanging in the air like baby are you my forever girl like is this it fifty years from now to i still come home to you put you know what let’s push that to the back of our minds but now eric’s like 30 and his family’s like dawg,,,, r u gonna be like a spinster or something are you gonna put a ring on it or not and prue (after many many international phone calls to piper) has decided yes she’d do it she’d stay her and be with this man she loves and eric decides prue’s just not the girl for her. so uh. ouch. blah blah blah prue’s had her fun in the uk but it’s like time to return home piper’s just graduates college or whatever and found a job in the city if prue follows suit they could room together which is when she gets the job at the museum where roger works at. and blah blah blah prue’s like amazing as always and of course she catches roger’s attention bc how could she not and he’s constantly pursuing her and prue keeps turning him down at first bc she’s not really interested and then like he’s her boss and then like it becomes a sort of game but now all her friends from high school are getting married and marcia from homeroom has a baby look and the lil pumpkin on her christmas card and fuck what am i doing so you know what yes roger i’ll be your date to the new years party and here’s the thing roger knows prue is really impressive like she’s amazing at her job and she’s a total babe like he shows her off all the time and prue’s like you know receiving this really high praise and you know roger also has cash to spare so it’s like it’s not bad and she doesn’t well love him but he clearly loves her so she can be satisfied and you know her high school reunion is this year and if there’s one thing she would love it would be to write (nee halliwell) on her nametag, to show she got the job, she got the guy, and she’s living pretty in pac heights. so when roger proposes, she says yes. and piper’s happy for her and phoebe thinks roger’s a sleaze and grams is lukewarm but what does grams know about a long lasting marriage and what does phoebe know about anything so blah blah blah she goes to that high school reunion with a big ol rock on her finger and this that and the other and like to be perfectly frank coming home to roger is not like the highlight of her day there’s not this comforting glow when she falls asleep next to him but it’s like. she’s committed. she’s gonna see this through. besides, they’re already working on the guest list and venue and everything like she’s in it now there’s no turning back now and it’s fine like roger’s fine he’s perfectly palatable and she’s encroaching on 30 so. well whatever prue and roger host an easter party and it’s so cute she’s in a darling floral dress dazzling roger’s stuck up parents and eating finger sandwiches when she hears voices coming from the bedroom and is like gonna pretend to ignore it when she catches piper’s eye and piper has that uncomfortable look on her face and she realizes she can’t find phoebe anywhere and Where Is Roger and she busts in on the two of them looking disheveled and phoebe’s like prue- and prue’s like i don’t want to hear it and roger’s like baby- and prue’s like not now and she turns to phoebe like i think it’s best you go and she looks at roger like we’ll talk about this later your parents are wondering where you are so piper drives phoebe home and phoebe’s telling her about how she went to confront roger on being a whore and also like a spineless sleazebag and she was gonna tell prue when he totally started hitting on her and trying to kiss her and then prue broke in and piper’s like uh huh uh huh bc like. she doesn’t like roger all that much. and she agrees with phoebe. but still this thought sorta lingers at the back of her mind like could phoebe have done something? purely to get back at prue? no she wouldn’t. probably. meanwhile roger’s like your sister was totally hitting on me blah blah blah and prue’s like we can talk about it later right now we’re hosting a very nice party and i’m not going to have you ruin in and roger’s like see that’s what i love about you and prue’s like yeah cool and now whenever she comes home to roger she’s just like 🙄 and she’s like complaining to piper about how like she like doesn’t really want to marry him but it’s like too late now the venue’s booked and the save-the-dates have been sent out and piper’s like it’s not too late until you say i do. do you really want to be married to that sleazebag? and prue’s like :| and piper’s like you can call off the wedding and prue’s like :| and piper’s like i’m just saying and prue’s like does he remind you of dad? and piper’s like what? and prue’s like i think roger’s just like victor. i think i’m about to make the same mistake mom made. god, i always wondered how she could have married such a douchebag and here i am about to do the exact same thing! and piper’s not really commenting bc she doesn’t really remember dad but what she does say is you haven’t made that mistake yet so prue’s like you’re right. and that night she calls of the engagement.
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phoebehalliwell · 4 years
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do u have any thoughts on the whole prue-roger-phoebe debacle from season 1?
i mean God do i wish that we got some more context on this bad boy. i mean, i feel like it’s fairly easy to like assume that you know the whole family was there for the engagement party and roger definitely got drunk and cornered phoebe and was definitely trying to hit on her and phoebe was all like ew no wtf And Then prue walks in and immediately assumes that something was going on (if i had to guess, she said phoebe was the aggressor but in her heart of hearts she knows that not true which would in turn lead to her calling off the engagement) but like my question is: how in god’s name to prue get far enough in a relationship with roger to get a ring on her finger? i mean it’s clear from the ten seconds he’s on screen roger is a complete and utter bitch baby like?? how was that ever a man prue agreed to marry? was it strategic? did she already resign herself to a life without love? or is roger like a really good liar until the facade shatters and genuinely had prue convince in one manner or another? like we are given absolutely no indication whatsoever as to what happened in that relationship and it kills me
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phoebehalliwell · 4 years
Text
y’all seen palm spring yeah phoebe x coop palm springs au
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phoebehalliwell · 3 years
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…….……………………..piper x cole
hi totally plugging my pipercole piece bc like. a year n a half later n it still fucks. imo. but yeah like. yeah like like okay like the crucial the best thing The Thing about pipercole is like. um. like
piper: she's the most desired female in America; what every man wants.
prue: that woman? of course men want her. men are not different from women, we all want what we can't have, which is why we need to stop thinking about what men want and start thinking about what we want in a man.
phoebe: tons of fun, lots of heat, & no strings attached, that's what I want.
piper: i know this may not sound very p.c., but i want romance: long, slow kisses, late-night talks, candle lights. i love love.
like. like we see this from cole!! he's a hopeless romantic against all odds but it's like. like piper is familiar with reality hello absentee father grams's epic parade of divorced whatever the fuck was going on w prue and roger and depending where you are in the timeline no luck in love w leo Or dan!!! like true love keeps getting shit on like there's never any chance for real true love it's a hoax or it's a curse and yet!!! she still wants it!! she still believes it's out there! it's gotta be out there! as a demon who's desperately Not trying to believe in the power of love not supposed to be thrown into a tailspin by that???? like you're just supposed to end up another bruise on her heart another burnt match a reminder that no you don't get true love but how the fuckkkk are you supposed to do that when you kind of feel the same way like brooooo!!!! bro. bro! it's just like. there is genuinely so much to be done there especially with their tendency to hide genuine feeling under a layer of apathy and snarky comments but then at the same time they both have you know veer towards a dramatic love monologue i mean hello piper's vows cole's goodbye letter they could definitely wax poetic to each other for hours make everyone else in the house gag with how sickeningly in fucking love they are!!!!!!!
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