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#portrait d'une by marie-guilhelmine benoist
diioonysus · 8 months
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black women + art
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deartotheheart · 5 years
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Portrait D'une Femme Noire (Portrait of a Black Lady)
Benoist Marie-Guillemine (1768 - 1826)
“On the eve of the French Revolution, Marie-Guilhelmine Benoist, otherwise known as Marie-Guilhelmine Leroux-Delaville (1768-1826), was part of a small elite group of young women painters who managed to follow the teaching of masters without belonging to a family of artists. Pupil of Elisabeth Vigée-Lebrun, she also frequented, from 1786-1791, Jacques-Louis David’s studio and exhibited her first paintings following the neoclassical style under his direction. Married in 1793 to Pierre Vincent Benoist, the family was suspected of royalist conspiracy and was subject to home visits. She survived the Terror while caring for her first child while her husband remained in hiding, selling small pastel portraits and moralizing genre scenes. Under the Consulate, having found a less difficult life, she sought to make her true talent known. Her portrait of MP Belley, presented in 1797 and 1798, fascinated the public. However, to represent a black was not then considered a noble subject, and seemed even more incongruous on the part of a woman from whom charming, family, or intimate subjects were expected. By presenting this portrait of an unknown black woman from the West Indies, Madame Benoist revives the neoclassical style at the Salon of 1800 and demonstrates her abilities while simultaneously triumphing over conventions expected from women artists.”
Photo © RMN-Grand Palais - G. Blot
Luce-Marie ALBIGÈS, “Portrait d'une Femme Noire,” Histoire par l'image[en ligne], consulté le 05 mai 2019. http://www.histoire-image.org/fr/etudes/portrait-femme-noire.
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thatartblog · 6 years
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Marie-Guilhelmine Benoist, Portrait d'une négresse, 1800, oil on canvas, Paris, Musée du Louvre.
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"Portrait d'une Négresse" by Marie-Guilhelmine Benoist, now on display at the #Louvre. Six years after the (first) abolition of slavery in France, “Portrait d'une Négresse” was set on display in the Salon de Paris. 18 years later it was acquired by Louis XVIII. Almost 200 years after that, I had the pleasure of spending time with her. Smartly, the Louvre has placed a bench right before her, though not nearly close enough to take her in in the detail she deserves. If your favor is as good as mine was that day, you can pass the hoards crowded around the Mona Lisa and find her there, waiting for you, to have all to yourself. #blackradicalmuseumenthusiasm #BlackRadicalME #marieguillhelminebenoist #artselfie #BRMEParis #StayWokeLoveArt (at Musée du Louvre)
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