Its all notes to me under here! Ignore them ?
anyway, Genuinely pushed these thru making-wise (3days?) bc i realised that if i did another shirt i could probs make an okay end of year insta post about them lol
Despite the usual registration issues these were SO much easier & cleaner than any of prev (bar printing aint easy) honestly. Finally mostly got my emulsion coating p consistent! The inks were flowing well! They (mostly) stopped bleeding the whole time! And it all just took most of the year!! god, lol
The image was 1/2 done w a forgiveness towards inaccurate registration in mind, but i still wouldve liked a bit more lining up. I had Z Merrill in mind when i actually bothered to put in reg marks this go, but i think working w the acetate as a reg sheet is an issue - at least w fabric. Not sure how to fix that just yet tho ://
I was gonna say that i think i should do smth w just 2 layers, but requiring a closer reg, then remembered i still wanna do that bosch thing, so idk!!
Suite au débarquement des alliés en Italie, les 12 et 13 septembre, les Allemands ont monté leur contre-attaque la plus puissante, divisant les forces alliées et les forçant presque à évacuer complètement. Des hommes du 9e Bataillon des Royal Fusiliers sont en observation à la fenêtre d'une maison en ruine – Opération Avalanche – Campagne d'Italie – Salerne – 12-13 septembre 1943
Photographe : Sergent Oldham - No. 2 Army Film and Photo Section, Army Film and Photographic Unit
matt johnson is one of the most underrated, unique, exciting and inspiring filmmakers and artists working right now. this film, structurally, is a lot like his previous movie, 'the dirties', but everything about it is improved with an equally fantastic premise and some of the most stylish production and efficient storytelling of the 2010s, hands down. watching a film like this is such a joy, and getting lost in its world of tension, shock and humour is an experience that can't be provided by many other filmmakers.