#oli de sat | Explore Tumblr Posts and Blogs

dreamings-free · 4 months

Text

‘A dirty nightclub in an arena’ – behind Louis Tomlinson’s Faith In The Future World Tour

Louis Tomlinson and his tight-knit touring crew traverse the world in close to 80 shows, fulfilling a ‘dirty nightclub in an arena’ brief with a dynamic live campaign.

Production Profiles 5 January 2024

Following the success of his record-breaking Live From London livestream, which reportedly raised over £1m for touring and live events personnel and charitable organisations, Louis Tomlinson and his tight-knit crew have toured the world twice over. This time, visiting sold-out arenas in Europe and the UK with a cleverly networked live production with abstract video and lighting and a ‘no frills’ approach to sound, which guaranteed that every ticket holder experienced the same show, regardless of where they stood, sat, or screamed (more on that later). With close to 80 shows under their belt, TPi visited London’s O2 arena ahead of the production’s penultimate date of 2023.

Words: Jacob Waite Photos: Justin De Souza and Oli Crump

------

“A team effort is required to get this show off the ground,” explained Technical Manager, Sam ‘Kenny’ Kenyon, who has been a fixture of Louis Tomlinson’s live output since joining as Lighting Crew Chief in 2019. “This has been a complete redesign, and the production has expanded and gotten more complex, which requires different solutions to make it happen.”

Kenny and the team oversaw the deployment of an A and B rig. “We’ve been fortunate for the European stint that the venues we’ve toured have, mostly, been arenas. The main difference between the A and B rig is the addition of IMAG and further lighting header trusses. Aside from that, the A rig fits everywhere. If anything, we’ve run into weight issues, which we can overcome swiftly by removing overhead trusses.”

For the first few shows, Riggers, Ian Bracewell, and Alex Walker incorporated load cells on trusses to get an accurate rate and account of the weight of the load of each truss. In the UK, The Brighton Centre had a particularly low-rate roof with weight limitations. Production Manager, Craig Sherwood and Tour Manager, Tom Allen’s vendors of choice included: Altour (travel), Beat the Street, BPM SFX, CSE Crosscom, Colour Sound Experiment (lighting, rigging, and video), Hangman UK, Boxcat Studio and Two Suns Creative (video content), LED Creative, Ox Event House (custom light housings), Sarah’s Kitchen, Seven 7 Management (artist management), Solotech (audio), Stardes Trucking, and TANCK (production design and video content).

There was no video director, as the show’s visuals were programmed and interspersed with live footage and triggered by a lighting console at FOH, thanks in part to an intricate network setup. “There’s a lot going on in racks that people never see, but it has been stable thanks to the quality of kit supplied by our vendors, who have invested heavily, and the team taking the time to programme the show,” Kenny noted.

Key to the success of the operation was the incorporation of Central Control software, which takes a signal from a lighting console, be it ACN or Art-Net, and translates it to talk to various products – in this case, video. “There is a giant brain that nobody knows exists other than those that have programmed it,” he added.

Additional crew members joined the tour in Europe to aid the video deployment and lead to far more efficient load-in an -outs. “We are close to 80 shows in and on days where we have access to multiple trucks, it comes out very quickly, which for a show of this scale is impressive and credit goes to the team,” enthused Kenny. “The biggest hurdle is when you’ve only got a two-truck dock.”

Prior to the tour, the team had five days of production rehearsals spent in Connecticut’s Mohegan Sun. “When we came to Europe a week later, we had a week of re-prepping with a day of rehearsals at Hamburg’s Barclays Arena, the day before a show,” he described. “It’s been a fun and long run,” added Stage Manager, Torin Arnold. “We’ve visited a good range of venues and countries – especially the Eastern European legs, visiting places you wouldn’t ordinarily tour and experiencing how they operate. This show is designed so it can be accomplished in any part of the world.” Carpenter, Harry Reeves was also on hand to support the build.

The routing, however, was sometimes challenging with some late arrivals and difficult border crossings. “There were a few times in Eastern Europe where we were doing a ferry back-to-back to arrive at 11am, sitting at a difficult border crossing. We usually start with a 7am mark out, so knocking hours off your load-in is tough but everyone pulled together to overcome it,” Arnold explained, noting that touring without staging, and instead, using venue stages (particularly rolling stages), was a blessing during those late arrivals. “As with any tour, as dates progress you build a rhythm while maintaining the safety of the build,” he noted.

Arnold also highlighted the benefit of Lead Truck Driver, Neil Thornton and Truck Drivers, Matt Marlow, Ben Woods, Sarah Goldsmith, Bob Miles, Alam Minshall, Franco DeRosa, and Ollie Thornton who “speed up the process” and maintained a level of consistency.

The transitions between support acts before Louis hit the stage was equally seamless, with ample downstage space for the singer-songwriter to traverse during his performance. “Having a clean frontline means we have space to get the bands on and off,” he added. “Our vendors have also provided everything from an audio package standpoint for support acts, which also speeds up the load-in and -out.”

Highlighting a ‘bucket list’ show at Hollywood Bowl, working closely with US union officials as a “fun” and “interesting” experience, Arnold reflected on the entire tour with crewmembers he now considers close friends. “This is a close team and I’ve made some great memories and stories. It’s been a fun year!”

A DIRTY NIGHTCLUB IN AN ARENA Production Designer, Programmer and Director, Tom Taylor, and Francis Clegg of TANCK have worked with Louis Tomlinson ever since he made the leap to solo artist. “The production design has evolved into an angular, grungy, asymmetrical setup, borne out of the ‘dirty nightclub in an arena setting’ creative brief I was given,” Taylor said, citing the creative influence of Matt Vines and Seven 7 Management. “Louis is a phenomenal performer, and the crowd is captivated the entire time. We started knocking ideas around, speaking to Louis about his inspirations and influences, which we then developed into a creative deck, which I sketched in Blender, and imported into WYSIWYG for visuals, to create stills and pre-visualise.”

Taylor spent 10 days programming the visuals at Colour Sound Experiment, a firm he shares a “longstanding” relationship with. “They are always a call away regardless of the day or time. Their team is easy to get along with and I like their whole ‘production sphere’ – sometimes it’s nice to split lighting and video, but for a show like this, aligning those departments with one line of communication is ideal,” he said, underlining the support of Colour Sound Experiment Account Handler, Haydn Cruickshank.

With production rehearsals under their belt and recordings from Louis Tomlinson World Tour (2020–22), where TANCK piloted Central Control software, the creatives understood how the singer and his band moved on stage, developing a rhythm and consistency of when to implement visual cues and which camera angle fit best. This allowed the team to pre-programme the visual content to timecode.

Video content was made by a combination of TANCK, Two Suns Creative, and Boxcat Studio, with the latter creating 3D models and rendered content, all of which was broadcast across a unique set of video surfaces. “Having the abstract video columns on stage makes it much more interesting than your standard slab of LED at the back of the stage,” Taylor noted.

On stage boxes created by Ox Event House housed GLP JDC Line 1000 strobes with reflective panelling and fabric that were printed to look like heavy concrete slabs, ladened with custom LED Creative solutions. These boxes then moved up and down using Wahlberg Motion Design winches to provide a “low-level, clubby feel” to the set.

“The winches can only carry 50kg and the lights alone are 35kg, so we had to be careful not to overload them, but the result was cool. We also have one single lightbulb on a winch which comes up and down above Louis to create a classic lighting moment,” Taylor said, further highlighting Ayrton Huracán’s prismatic colour wheel as a ‘fan favourite’.

The lighting design saw a wall of GLP impression X4 Bar 20s at the rear of the stage in 12 columns. Further lighting trusses over the stage carried the Wahlberg winches for several automated looks. The DMX winches were utilised for three or four songs, either statically or moving up and down, while JDC Line 1000s provided colour and strobe effects, to achieve varied looks, with a relatively minimal overhead lighting package.

Taylor elaborated: “There are some shutters for one specific track which go directly in-front of some of the GLP X4 Bars to get the aura of the lights, instead of the lenses, which I really like the look of. Lighting and video complement each other during this show – there’s also a section with flickering fluorescent tubes on the video content with the X4 Bar 20s behind the LED screens flickering in a similar way.

Taylor was delighted with the performance of the crew. “Overall, it has been a great run, executed flawlessly,” he commented, citing the support of Lighting Crew Chief, James Box; Dimmer Technician, Rick Carr, and Lighting Technicians, Amy Barnett, and Kieran Hancox.

The wider lighting rig comprised Ayrton Eurus, CHAUVET Professional Strike Array 4, Claypaky Mini-B eLumen8 Endura 1Q120, and Robe BMFL fixtures with robo cameras, all fixed on various HOF MLT3, Litec QH40 and Thomas James Thomas Engineering Superstruss. The lighting riser featured Ayrton Huracan LT and GLP JDC1 fixtures.

Robe Spiider fixtures were situated on the up and downstage video trusses, with the floor package boasting the deployment of further Ayrton Eurus, LEDJ Spectra Flood Q15 and Chroma-Q Color Force 72 units, the latter chosen for key light. Atmospherics came in the shape of Smoke Factory Tour Hazer 2, Martin Professional JEM ZR45 and MDG Atmosphere ATMe hazers with TMB ProFans. “We had some challenging shows, implementing an arena-scale design into sheds in the US, but it’s been good to return to Europe and witness the fans enjoying the show,” added Lighting Crew Chief, James Box, who pinpointed the use of the multicoloured glass gobo in Hurricanes as among his favourite looks.

“There is a lot of effort put in by TANCK to ensure we get the utmost from every fixture on the rig, which is great to see, when the team has gone to the effort of assembling the show each morning. Seeing the looks they achieve from the rig and the extra details, with each advanced cue within the show, is a pleasure.

Almost every pixel on the JDC Line 1000 and X4 impression Bars are being used.”

Video Crew Chief, Dave Mallandain, formerly of Colour Sound Experiment, supervised the video build and the team of Video Technicians, Ed Driver, Frank Wlliams and Tim Curwen.

“Working with Colour Sound Experiment again, in a freelance capacity, certainly has its benefits,” he stated. “You get to know the workflows and personalities of the company. There is an element of trust there and our relationship is stronger because of that.” The 2.5m by 2.5m video screen, made up of Leyard CLM6 LED panels with Colorlight Z6 processing on the back end, was built in an abstract configuration – hung from varying size steel structures fixed on to lighting truss, spanning the entire stage, as opposed to a traditional backwall. “This setup requires us to build it quicker, so the backline can start building their world, but it’s very lightweight and easy to use, so once the local crew are up to speed, it flies up in no time,” he reported.

During the show, there was a lot of camera angles fed into a Blackmagic ATEM switcher, with content then fed into Resolume media servers which was processed and treated with video effects and filters to manipulate the content, monitored by the video team, and pre-programmed by Taylor via an MA Lighting grandMA3 console, operating in MA2 mode.

“The fan camera, which was one of Tom’s ideas, has evolved to the point where Frank and I are on stage during Out Of My System, pointing these cameras fabricated in an old VHS-style shell at Louis’ face in reference to the fisheye-lens inspired music video.”

A mixture of Marshall Electronics and Panasonic PTZ cameras ensured the wider on-stage action was captured. “While the visual content is the same, the shots differ based on the energy of the crowd from night to night,” he explained. “We have an overhead shot for the drums, and another behind Louis, which shoots over his shoulder to the crowd. We also have a PTZ camera on the ground in front of Louis which can rotate to capture crowd scans along with a little ‘bullet camera’ for each musician. It’s been a fantastic tour; everyone on this team has been phenomenal.”

The special effects and pyrotechnics package supplied by BPM SFX included Galaxis PFC 10-way receivers running Galaxis, with a main and a backup controller, which ran through an MA Lighting grandMA2 console, to trigger MagicFX Stadium Shot IIs and a single shot of red streamers. The latter, a “signature of Louis Tomlinson live shows”, according to BPM SFX Technician, Jack Webber – who toured with a new custom control rack, with much of the hardware integrated in one rack.

BPM SFX Account Handler, Matt Heap and SFX Technicians, Blake Harward and Phillip Mathew also provided Webber with support. “The one major change on this tour was putting the Stadium Shot IIs at the downstage edge, and adding lasers for the O2 arena show,” said Webber, who has been involved in past touring campaigns with the camp. “This is the first touring camp to take me to the US, so I feel incredibly privileged.”

Safety was paramount for the BPM SFX team, who implemented the safeguard of warning notices on-stage to ensure the band knew exactly when an effect was triggered. In closing, Webber referenced the ‘rainbow-inspired’ track, She Is Beauty We Are World Class, which demonstrated the strength of the special effects package. “There are about 22 rapid fire chase Comets all going off at the same time with a big lift, which differs in comparison to the other looks with eight units.”

MIXING IN A SEA OF SCREAMS FOH Engineer, John Delf mixed on an Avid S6L 32D console with onboard plug-ins. “I use the onboard plug-ins as much as possible because I want to keep it as simple as possible and know I’ve got a show out of the box without any added extras, which is particularly useful during fly-in gigs, where I have to use a house console or have limited time to set up,” he noted. Delf also toured with some choice pieces of outboard gear including a Rupert Neve Designs 5045 primary source enhancer for vocals, an Empirical Labs Fatso two-channel compressor for drums, and further Distressors for the bass guitar group and vocals.

“The bulk of my mixing is riding the DCA control groups and the vocals, balancing between them, and when there is a lead guitar solo, I’ll jump to that. Most of the mix should stay where it is, and I shouldn’t have to think about it, but every day you make major tweaks and refinements based on how the musicians are performing. Most of the gig is turning the band up and down without affecting the vocals because I have DCAs for drums, bass, guitars, keyboards, main vocal, backing vocals, and an ‘all’ DCA that includes everything but vocals,” he said, explaining his mixing wizardry modestly. “I also run snapshots in which I am changing the sub send amount for different songs, as well as reverb and delay times. If the band changes the set last minute, I have the desk synced to the timecode and that will trigger the snapshots.”

At the beginning of the set, the noise of the crowd can be between 112 to 116dB. “We have a little bit of headroom. When they are loud, I can push the mix, and when they are quieter, I can pull it back for the more introspective moments of the show,” he explained.

“My favourite section to mix is the transition from a cover of Arctic Monkeys’ 505 into Back to You. When that kicks in, I push the “All” DCA up to +10. We’ve built the set up to that point, where I’m able to throw it to the top before the end of the set. The three songs in the encore are also fun songs to mix,” he enthused, accenting the support of Solotech Account Handler, David Shepherd.

“I’ve worked with Dave for years, while he was at BCS Audio (now part of Solotech). He’s been my go-to account handler for a very long time, and Solotech has inherited this gig from them, so there was a natural transition.”

System Engineer and Head of Audio, Oli Crump walked TPi through the PA system: “We’ve been using L-Acoustics, which is our preference, since the start of last year’s tour. The main hang has been K1 with K2 downfill for both tours, however, we are touring with a much larger system this year with K2 on the sides instead of KARA-II. We’re flying subwoofers and carrying delays with us, which is also our preference in big arenas, like the O2 – it provides an even level of coverage across the audience,” the TPi Breakthrough Talent Award alumni said, explaining the thought process behind a larger sound system.

“The PA system is naturally bigger this year because we’re touring larger venues. The crowd is very loud, and we need to be able to compete with that at points of the show. The window of dynamic range we have without it being too loud is compressed because the background level from the crowd is so high, so we need to be able to get our level as consistent as possible from front to back. This setup really helps overcome that.”

Out of ear shot from Crump, Delf extolled the virtues of his partner at FOH: “Oli and I work well together. Every day, regardless of the venue, I know the system is going to sound consistent. We deal with different venue acoustics each day but as soon as I run up my virtual soundcheck, I’ve got the mix back to where I want it because the PA is at the same level every day. I used to walk the room a lot during sound check, but it always sounded consistent, so I’ve stopped doing that because I trust him explicitly.”

The PA generally sat in a standard location for an arena PA, 10.5m off centre and no wider than that, using the same basic system design as Louis Tomlinson’s past touring campaign, which Crump worked on with Kenny to ensure it didn’t impede the production design. “The number of boxes we deploy varies from show to show, based on the venue. The worst-case scenario [visually] is that the PA needs to be a little lower than usual and gets in the way of the IMAG screens slightly,” Crump detailed.

He designed the system using Soundvision, then imported his file into Network Manager, with a DirectOut Technologies PRODIGY.MP chosen for system processing. “I have visited many of the European arenas before so I’ve got fairly accurate plots, however, sometimes you will stumble across an error someone has made in building the models,” he continued. “Madrid’s WiZink Center had different CAD drawings for each layer of the venue and one of the layers was accidentally scaled wrong, so the bottom floors were fine but as you went up everything was out. You get curveballs like that occasionally but that’s why it’s important to verify drawings.”

An audience also changes the acoustics of a room, generally for the better, but sometimes not, so Crump was on hand at FOH to make tweaks when required. “As rooms get larger, they generally get more difficult, reverb time will go up purely as a factor of the room size, regardless of how you treat it. The O2 is quite tall seating-wise, so you end up having to angle the PA up into the roof a lot,” Crump noted.

Over by the stage, Monitor Engineer, Barrie Pitt mixed the five-piece band and frontman using a DiGiCo Quantum 338 console. “Louis and the band are good at verbalising what they want. They’ve been playing a long time, so it’s my job to translate those desires into the mix,” he explained. “DiGiCo has been my ‘go-to’ brand of console for the past 15 years. The 338 is an incredibly powerful console, which can do as much as any other on the market and more in a much less convoluted way. I know it like the back of my hand and how to get the best out of it and do the most complicated things at the push of a button. The Capture features are ridiculously powerful.”

Pitt oversaw 85 channels, 64 directly from stage, with additional channels for shouts, sends, returns, communications, and routing, among others. His outboard rack included a classic Lexicon PCM 91 digital reverberator for vocals. “The way I set up the communications and shout systems are the same across the board. For the layout, a lot of people have instruments on one side and vocal and effects on the other, however, I tend to adjust my banks of faders visually, how you would see it on stage, left to right, as a nod to my analogue mixing days. My second layer is usually tracks and any track content with reverbs next to the vocals, so they’re changed in unison. Sometimes, I’ll do a custom layer of [drum or spill group, two lead guitar channels and vocal] the things I use most, particularly if it’s a busy show input-wise.”

Pitt referred to the basis of his mix as ‘static’ with minor changes. “Louis changes a fair bit between songs I’m running upwards of 60 scenes with a lot of songs having multiple scenes for verse and chorus or specific sections,” he explained. The Monitor Engineer is a big believer in unifying the in-ear monitors, so what he hears is the same as those on stage. “We use Shure PSM1000s, JH Audio Roxanne in-ear monitors for Louis and JH16s for everyone else, except for the drummer, who is using Ultimate Ears IEMs. Louis and the band are solid, and they keep their ears in from start to finish. Louis wants the rock star mix; he likes to feel the weight of the mix. It’s not an overpowering mix but it’s a full mix with his vocal on top with Neve 5045 primary source enhancers on all vocals. Everyone else has a standard band mix at moderate level with their instrument and vocals high. The drummer has the most straightforward mix with his drums and shouts layered on top.”

A further pair of subwoofers stage left, and right were situated under the stage risers, providing the weight of side fills without the top end. “It’s a big rock show with drums and guitars, so the less noise I can have flying about the stage, the better,” he said.

The microphone package included a Shure Axient Digital AD4D two-channel digital wireless receiver, a AD2 vocal microphone with a KSM9 capsule for vocals. Sennheiser MKH 60 and AKG C414 XLS microphones captured the ambient noise of the room. “We track everything, including the two sets of ambient microphones for recording and virtual soundcheck, in case the band decides to do anything with the live content,” he noted.

Having collaborated with Solotech and previously BCS Audio multiple times, Pitt was pleased to see the company on the tour sheet. “They are a solid choice and I know Dave Shepherd well. They fix any problems swiftly, and all their gear is well packaged and maintained,” he said. “The band and crew are lovely. It’s rare to come across a camp so friendly on a show of this size.” Pitt thanked Solotech Monitor and Stage Technician, Matt Coton. “He is fantastic. He takes all the second guessing out of my day and is so meticulous and thorough that I know everything will be as it should be from the get-go. When there are issues, he knows exactly what to do to remedy it. He’s been a joy to work and hang out with.”

Audio Technicians, Matt Coton, Tim Miller, Kim Watson, Elliott Clarke, James Coghlan, Matt Benton; Bassist and Keyboard Technician, Chris Freeman; Guitar Technician, Dan Ely and Playback Technician, Scotty Anderson made up the sound team.

CURATING A HOME AWAY FROM HOME Sarah Nicholas of Sarah’s Kitchen and Caterers, Rebecca Henderson, Helena Robertson, Chris Carter, Matty Pople and Tamsin Manvell provided band and crew catering, ensuring morale stayed high and stomachs were full on the road. Making a name for themselves as One Direction’s caterers, the outfit now cater for each of the band members’ individual tours and private functions, amassing a dedicated online following. “I started catering for Louis and the rest of One Direction during their first theatre gig in Watford and I feel very privileged to have that connection. At dinner time, we perform a plate service, which I think is important – our reputation is not only built on really good food but the entire hospitality package, creating a nourishing environment away from home,” Nicholas said.

Sarah’s Kitchen provided a range of vegan, gluten-free and vegetarian options. “We also provide disposable products and water coolers, and our runner regularly collects fresh, local produce from markets based on where we are in the world,” she explained.

The wider European crew featured Security, Kristian ‘Ches’, Ross Foster, Ben Major, and Gav Kerr; Merchandisers, Jon Ellis and Maddy Stephens; Bus Drivers, Aivaras Arminas, Frederico Antunes, Scott Pickering, Chris Grover; Entourage Bus Driver, Paul Roberts; Merchandise Truck Driver, Warren Dowey; BTS UK Account Handler, Garry Lewis; Stardes Account Handlers, Tyrone Reynolds, and Alam Minshall; CSE Crosscom Account Handler, Hannah Evans and Altour Travel Account Handler, Alexandra Gati.

Having wrapped up the best-selling livestream of 2020 – a lofty achievement given the proliferation of remote productions amid the grounding of live events with in-person crowds – Tomlinson shows no signs of slowing down post-pandemic, making the leap from sold-out theatres to arenas across the globe with his trusty crew in tow. “Live From London was great because the crew and I really needed it,” Delf said. “It gave us some much-needed work amid the lockdown, and all the proceeds went directly to the crew, which was an incredibly honourable thing to do. To come back out on the other side of lockdown was great. It was a dark time back then for everyone, but to be back out on tour surrounded by friends, who feel more like family, it’s special.”

-> read here on Issuu

#louis #fitf tour #fitfwt #lt crew #tpi magazine #05.01.24 #article #touring #thank youu omglarryrabbit ;)#love getting to peek behind the scenes this is great

96 notes · View notes

louisupdates · 4 months

Text

‘A dirty nightclub in an arena’ – behind Louis Tomlinson’s Faith In The Future World Tour

Louis Tomlinson and his tight-knit touring crew traverse the world in close to 80 shows, fulfilling a ‘dirty nightclub in an arena’ brief with a dynamic live campaign.

5 January 2024

Production Manager, Craig Sherwood and Tour Manager, Tom Allen’s vendors of choice included: Altour (travel), Beat the Street, BPM SFX, CSE Crosscom, Colour Sound Experiment (lighting, rigging, and video), Hangman UK, Boxcat Studio and Two Suns Creative (video content), LED Creative, Ox Event House (custom light housings), Sarah’s Kitchen, Seven 7 Management (artist management), Solotech (audio), Stardes Trucking, and TANCK (production design and video content).

Louis Tomlinson’s Faith In The Future World Tour featured in TPI Magazine, 5.1.2023

Words: Jacob Waite

Photos: Justin De Souza and Oli Crump

www.louis-tomlinson.com

www.altour.com

www.beatthestreet.net

www.boxcat.studio

www.bpm-sfx.com

www.csecrosscom.co.uk

www.coloursound.com

www.hangman.co.uk

www.twosuns.agency

www.led-creative.co.uk

www.oxevents.co.uk

www.seven7.management

www.solotech.com

www.stardes.co.uk

www.tanck.co

TEXT

Instagram

Beat The Street video

#tpi magazine #louis tomlinson #fitfwt #5.1.2023

59 notes · View notes

applejuicefruit · 1 year

Note

This might sound weird but can i request Olivier Giroud x teen reader, like where they are neighbours and reader’s parents are like drunk and drugged people so he takes care of her? In a fatherly way❤️❤️

I really love your blog! You writings are my favorites❤️❤️

Okay so you’re telling me there are NONE writings about Olivier Giroud on this app?

THIS MAN NEEDS MORE APPRECIATION

Thank you so much for requesting this! This one actually feels very personal to me.

I hope you like this💓

(Let’s pretends Oli doesn’t have kids and a wife in this story okay🤭)

also tw : domestic abuse, drug and alcohol mention, violence , oliver being the father i actually need since mine went out to buy milk and never came back ☹️

kylian mbappe is in this one too! kinda of kylian x friend reader where they both have a crush on each other 🤭

just look at the way he’s comforting kylian 😭😭😭😭😭

Safe

You grew up in a pretty messed up family.

You’re parents were caring and nice when you were a kid but once you grew up they stopped caring about you. The only reason they didn’t divorce was because they had to decided who would take care of you and since no one wanted to do it they remained married. Also because if they divorced your rich uncles wouldn’t gave them any more money. You called them for help so many times and the only thing they did was giving them money.

What a shitty family.

You can’t recall when everything started to going down you just remembered being alone all of sudden.

You lived in a fancy complex in the middle of Milan. It was a very expensive building, the one who has a gym and a pool inside of it. If it wasn’t for your uncles you all would be living under a bridge now.

Your parents acted normal in public but inside your house everything was crazy. They would constantly fight and throw things at each other. They would scream and hit each other and that made you feel so unsafe.

You tried to escape once and saying that they didn’t even realised you were gone hurt you.

You were 18 so legally you could have left, problem you had no job or degree.

One night the constantly screaming made you feel sick and you decided to sit on the stairs of your complex hoping they would stop.

It was cold and you were only wearing a t-shirt and a pair of jeans but you were so scared of going back inside that you preferred staying cold.

You waited for two hours, sitting there all alone but they wouldn’t stop. You started crying and fidgeting with your hands, your anxiety rising when you heard someone coming out of the elevator.

You pretended you didn’t hear anything so your neighbour wouldn’t ask you.

You knew exactly who he was.

Olivier Giroud, the famous football player. He played for Milan and for the Equipe de France. He won the world cup once. He’s also champion of Italy now.

He was a nice person. Always greeting you when he saw you, asking you if you were good. He was like an angel sent to heart. Everyone loved him for his caring and gentle soul.

In fact he was going home when he saw you sitting on the stairs, shivering from the cold.

“Y/n? Are you okay?” he asked with a concerned voice

“Yes” you said with a shaky voice and in that moment you cursed yourself because you didn’t want to look so weak

“Are you sure?”

“Mh-mh”

“What are you doing outside here? It’s cold,

plus it’s past midnight, you should be sleeping…”

“I’m fine”

“Have you eaten?” he asked and when he mentioned food your stomach rumbled

You were starving.

“Do you want to come inside and eat something?” he asked hoping you would say yes

“I don’t want to bother”

“It’s fine really”

In that moment you turned around to look at him and when he saw your face his heart broke a little. Your eyes red and puffy from crying.

You stood up and followed him inside his home.

His apartment completely different from yours.

It was clean and nice decorated. It felt like home.

“You can sit on the couch if you want to, I’ll get you something to eat” he said while you sat

He came back a few moments later with a very good looking sandwich and you couldn’t help to smile at his kind gesture.

You thanked him and started eating.

Once you’ve finished he gave you something to drink and set everything in the sink.

“Now can you tell me what were you doing outside?” he asked you again

“I didn’t want to stay at home”

“Your parents?” he asked and you looked at him with an interrogative face “I hear them fight sometimes” he said

“Yup, that’s my life”

“Have you called someone?”

“I’ve called so many people and no one would do anything”

“I’m sorry, truly, if you want you can use my guest bedroom and stay here tonight” he said

“I can’t accept, you already did a lot for me”

“I insist, I can’t let you go back knowing they might hurt you”

You thought about it and accepted his offer.

Just for one night.

He showed you the way and the moment you touched the bed you drifted off to sleep.

He woke you up around 8 am

“I’m sorry to wake you up but I have to go to practice, you can stay here a bit more if you want to” he said truthfully

“No it’s fine I’ve got school in one hour…”

“Okay, well, if you need anything just give a call” he gave you his phone number and you thanked him.

After that night days passed and everyday he would make sure you were okay. He texted you and asked if you needed anything. Truth was you wanted to spend the rest of your days in his apartment, away from your parents but you couldn’t take advantage of his kindness like this.

This month things got worse.

Your dad started drinking again because things were going bad at work, your mum started using again and you were on the verge of a crisis.

“Y/n!” your dad called you from the living room.

You were in your bedroom doing your homework so you decided to ignore him.

It was almost 10 pm so he would have probably fell asleep very soon. Your mom was out, probably with some druggies.

“Y/n!” your dad called you again.

You decide to go out and see what he wanted.

When he saw you he smiled a bit.

“Honey can you get me a beer?” he asked.

Was he serious?

“No” you replied back

“Excuse me?”

“I said no. I was doing my homework and you interrupted me. Plus you’re already drunk you don’t need another beer!” you said almost leaving when you saw the bottle of his empty beer crashing straight into the wall in front of you.

“Where do you think you’re going whore! Come back and pay me some respect! I’m your father” he said standing up from the couch.

You started to being scared.

“I’m sorry I didn’t mean to…” you apologised hoping he would calm down.

You were so wrong.

He come towards you with an inhuman speed and slapped you right in face. The impact was so hard you fell to the floor. He never raised his hands to you.

“Dad I said i’m sorry please…”

“What a whore, always begging just like whores do” he said sitting on top of you “I bet you like when I hit you” he said punching your nose making it hard to breathe.

You tried to free yourself and somehow, due to the fact that he was drunk he lost his balance and fell.

In that moment you ran out of your apartment and ran through the corridor trying to find Olivier’s apartment.

“Olivier…” you almost shouted knowing on this door. You really hoped he was home you didn’t have no where to go “Olivier please please open the door” you knocked a bit louder, your eyes full of tears, your face red and you knows bleeding “please please Olivier”

That’s until you saw him opening the door with a very concerned face

When you saw him you hugged him so tight you were scared to leave him.

He was shocked, he didn’t know what was going on so he simply hugged you.

You cried into his shirt but he didn’t mind

He waited a few minutes before you calmed down.

“Sweetie can you look at me?” the moment you looked at him he saw your bleeding nose and your red cheek “What happened? Who did this to you?” he asked in a more serious tone

“My-my father…he was - he was drunk he didn’t mean to”

“I’m calling the police”

“No please no, don’t”

“Sweetheart…”

“I know it’s a bit messed up but they’re the only family I have, please…”

The moment you said this you saw your dad coming straight into Oli’s apartment.

Olivier saw it and he put you behind him in a protective way.

“Leave before I call the police”

“Why? What has done this whore for you? Is she good in bed? The only reason a football player would stay with her I guess”

“I won’t say it again, leave before I call the police”

“Nah, the bitch is coming home with me and she’s going to learn some good manners”

“Not a chance” Olivier said protecting you “now leave my apartment before I call the police”

Your dad left without not even looking at you.

The moment he left you started crying harder and shaking. You were so scared.

“Hey hey it’s fine. You’re okay he’s gone okay? He won’t hurt you ever again I promise you, I swear on my life” he said hugging you.

You simply nodded too tired to even reply.

He medicated your nose and let you sleep in his guest bedroom.

The morning after you woke up with a lot of noise coming from your apartment.

“Olivier?” you called him going into his living room

“Stay here” he simply said

“What’s going on?”

“The police is here…I know I said I wouldn’t call them but…” he didn’t even finish the sentence that you hugged him

“Thank you” you said

He smiled and hugged you back.

From that day on you continued living with him, his guest bedroom became your own bedroom. He helped you with homework and did everything a father should do for his own kids even if you weren’t his. He would bring you his matches and you would cheer for him. Who knew you liked football this much?

Until the moment of the world cup came

You couldn’t go with him in Qatar mostly because of school so you had to stay home alone for a month. You weren’t sure how to react, after your past you hated being alone.

“So…” he said coming through the door and sitting on the sofa watching tv with you “how would you feel coming in Qatar with me?” he asked you

“I-I…you know I would love to but I have school”

“I already talked with your school. Your grades are high and you’re the best of the class…they agreed to let you do online classes for a month, in case you wanted to come”

You were speechless. You said yes without even thinking.

When you got in Qatar you went straight into your room and fell asleep on the huge comfortable bed. The next day Olivier introduced you to the rest of the team, everyone knew your past but they decided to not say anything to make you uncomfortable. They all made you feel safe.

You took a liking in Kylian.

He was the first one to approach you.

He introduced himself and you started talking.

“So how’s my belle today?” he asked when he saw you coming out of your bedroom

“I’m good thank you! How are you?”

“Fine, ready to our first match against Australia” he said knowing it was going to be a great match “in fact…I wanted to ask you if you could wear this” he said giving you his jersey “you know, as a good luck”

“Of course but don’t tell Olivier” you said making you both laugh.

Olivier tho saw everything from a distance and couldn’t be happier that you were making friends. Even if he knew he would have to talk with Kylian.

“Okay…well I better go now, I have practice” he said awkwardly

“Oh yes, sure…I’ll see you tonight”

“Yes…well, bye” he said waving to you.

At the stadium you were in the VIP section, feeling protected with a lot of security. The game went good! France won 4-1 against Australia. Rabiot scored first, Giroud scored twice and Kylian scored too. You couldn’t be happier. You knew they were celebrating in the changing room so you simply texted Olivier you were coming back to the hotel.

Once arrived you changed into your pajamas and laid Kylian’s jersey on your bed.

A few hours later a gentle knock woke you up from your sleep. When you opened you saw a very happy and excited Kylian.

“Did I wake you?” he said apologising

“No” you lied

“Sure…” he said not believing you but smiling “the jersey brought me good luck”

You couldn’t help but blush.

“You’re just good at playing football Kylian, I didn’t do anything”

“You were there, for Olivier, for me, and for the team…and that meant a lot” he said truthfully looking into your eyes. You didn’t know how to feel. You’ve never had a boyfriend, you’ve never had a real crush so you didn’t know how to act. He kinda sensed it your discomfort so he just smiled trying to ease it a bit.

You got lost into his eyes.

“I’ve spoken with Olivier” he said out of nothing “he really cares about you…that’s why he threatened me”

“He did what?” you almost shouted

“He said I have to treat you good and if I dared to hurt you he would kill me” he said now laughing and you couldn’t help to laugh too “but we’re good friends so I would never hurt you…”

Ouch that hurt.

Just friends?

He saw your expression change and he wanted to say a bit more.

“Unless…you don’t want us to be just friends?” he teased a bit and you were completely out of words.

Of course you wanted to be more than friends!

He looked straight into your eyes and saw the way you were looking at his lips so the made first step and gently put his hands on your face and kissed you. Very gently. His lips like feathers on yours. You wrapped your arms around his body and put him closer to you.

You kissed for a while before you separated to catch breathe.

“I want this” he said truthfully “I want to be more than friends”

“I don’t know how to act Kylian…I’ve never dated”

“We’ll take things slow, I won’t pressure you into doing anything you don’t want to but please, just give me a chance”

You didn’t even replied back instead you kissed him.

He smiled into the kiss.

If someone told you a couple of months ago that this was going to be your life you wouldn’t believed it but now this was really your life and you couldn’t be more grateful.

To that angel named Olivier who changed your life in the best way.

#kylian mbappe #kylianmbappe x reader #kylian mbappe imagines #kylian x reader #paris saint germain #psg #kylian mbappe x reader #kylian mbappe angst #kylian mbappe fluff #kylian mbappe imgagine #olivier giroud #olivier giroud x reader #footballers x reader #football fan #football imagine #world cup

303 notes · View notes

glyhndzkr · 5 months

Text

Gwencana Keram Yo Gwencana

Teeeeeet, langsung! pencet tombol record kamera bro! sampe lupa pencet record activity di hape wkwk. Alhasil berhenti dulu, mulai record huawei activity.

Oke, jadi berdasarkan hasil dari Marathon sebelumnya di Jogja, karena udah dapat 4 jam 2-3 menit, target borobudur hari ini ya sub 4 jam lah paling ngga.

Das des das des, dari posisi belakang udah kayak uji SIM motor tapi lebi licin lagi, mencari celah, berlari cepat, mencari celah, berlari cepat, ketemu pacer sub 5 jam, aih cupu bro skip, ketemu pacer sub 4, ehe ehm, ngga dulu. Sat set das des tiba tiba dah ketemunya sama pelari kaos singletan sama kaos komunitasan semua. Kaos merag bormar udah langka, emang beda garis depan vibesnya, anjay wkwk.

Masih km awal, hawanya masih seger, keringetnya masih dikit, wajahnya masi tampan rupawan, senyumnya masih sumringah, fotografernya masih banyak, cocok banget, cuma kurangnya satu, barisannya masi rame, fotonya mo gamau ya siap ketutupan sama yang lain, sial bro. Akhirnya, sengaja lari agak pinggiran kiri sama jaga jarak depan belakang, hehe, tapi tetep aja, karena outfitnya kurang nyentrik, fotografernya mager. Mending gw foto yang eyecatching aja dibanding cuma mas mas bangga.. bangga siapa? yg gajelas itu. wkwkw ilustrasi aja itu.

Wah asli tapi km km awal tu kek waaaaaah, satttt setttt dasss desss, slepet lewat sana lewat sini, sambil sok nyemangatin lagi, ayo mas, mangat mas, anjay emang bole sekeren itu bang aowkwowoo. Buset emang, mana tiap foto gaya lagi, seeet buseeeet wkwkwk emang bole yak wkwk, bole aja si, yang penting ga pake acara keram keram an apalagi jatoh.

Daripada tambah terlihat jumawa, mending bahas race nya aja.

Pertama kali mulai, langsung disuguhi sama pemandangan candi borobudur yang ga sempet liat wkwkwk karena terlalu fokus mengejar baris depan, anjay, baris depan aja ku kejar apalagi masa dep.., ehem lanjut. Muter Borobudur sekitar 1 km an, samsek ngga kerasa. Di luar langsung disambut fotografer yang jejer jejer tiap lampu jalanan ada aja satu wkwk, gatau tuh gimana motonya, padahal barisan masi rame bet. Agak jauhan dikit mulai nih serunya. Warga sekitar plus anak anak sekolahan mau tk sd smp sma, beuh jos asik bat. Walau ga yang kasi penampilan keren keren gitu yak, tapi barengnya mereka buat kasi semangat tuh, beuh, kaya oli bro, top one!

Ayo semangat ayo semangat, ada juga yang dandan sambil tari nyetel musik, main drum dsb, jadi manusia silver, asal rame2an doang, bahkan ada yang mungkin gurunya yak, ikut dandan, buset asik bet ni bapak bapak wkwk perasaan dulu sekolah sd gurunya gitu gituu aja. Selain itu, ada juga yang ikutan kasih buah buahan, duren, semangka, rambutan, melon, pisang, udah dipotong potong semua lah jelas, gamungkin masih bunder ser. Bagi bagi wedangan juga ada wkwk ni lama lama, kalo w nikmatin semua, kaga kelar lari nih fix wkwk. Dan luar biasanya, kaya gitu adaaa terus sampe km km akhir. Salut w sama warga Borobudur dan sekitarnya. Oiya sama jangan lupa ada yang ramah mau kasih pinjem toilet buat BAB, yu da real mvp pak, mbah. Walau tiba tiba w keram si di dalem, pas mau siap siap, aaakh!

Lanjut update kondisi lari Pemuda Sukoharjo.

Intinya tiap 2,5 km di setengah perjalanan awal, bakalan ada water station yang kasih ion sama mineral water, juga ada fruit station sama medic dan mck. Dan kalo lewat, sebenere jangan sampai sok iye ga ngambil, minimal air putih lah ambil, atau ion buat maintenance elektrolit. Seperti saya. Tapi buat bormar ni agak beda sama pas Jogmar, bormar mau coba gonta ganti water-ion-water-ion, pas jogmar ion-ion-ion-ion sampe bosen wkwk. Sampai Half Marathon kelar, masih aman bgt, cuma emang udah mulai pengen ke belakang si, tp ga semua water station ada MCK nya, jadi yah, beberapa kali, oh oke yang di depan aja gapapa, eh yang didepan gaada, sial.

Sampe akhirnya, ah wes ra tahan ki, pak ngapunten boleh pinjam kamar mandinya sebentar? mau buang air, besar. Oh monggo monggo mas pinarak. Matur nuwun sanget pak.

Baru mau nyopot sepatu, mak tenggggg, wets wets wets, tahan dulu brader musculus kempolikus dan telapak kakikus ku yang luar biasa, sabar sabar, take a deep breath, hembuskan, take a deeo breath, hembuskan, yes you can do it brah. Aman. Lanjut ke kamar mandi dan aduh. Ya mau gimana lagi yak, masa mau berdiri biar kakinya ga nekuk. Pelannn pelannn, pelannn tekuk dan turunnn, des, mak tte.., gajadi, fiuh aman. Tapi karena gaada gantungan baju, dan terpaksa menjepit bawaan lain pake pundak (karena kebetulan juga pundaknya sekarang ini masi kosong tida ada yang bersandar), eh lha kok malah nglunjak ni pundak ikutan maaaak, tenggg, wkwkwk sialan. Untung belum sampek keram, sempet obah posisi dulu.

Itu tadi di sekitar km 22 23. Habis kelar mampir rumah warga, awalnya masih bisa lah ni lari lari, tapi gak lama, mak teng lagi, jalan bentar, lari kecil lagi, mak teng di spot kaki yang lain, jalan lagi, dst. Kayak gituuu teruss sampek kelar. Cuma bedanta6pas udah under 10 km terakhir, larinya baru 20 langkah paling, tenggg, kumat lagi, jalan lagi, mau lari eh ketemu tanjakan turunan, gajadi lari. Makin deket akhir onsetnya kumatnya makin cepet wkwk. Akhirnya yang awalnya sekilo 5 menit, jadi 12 menit wkwk. Baru sekali ni ngerasain terlanjur mak teng mak teng sejak km 22an, padahal perjalanan masi 18+ km. Mana cuacanya tambah akhir tambah panas lagi, kena mental sedikit bro wkwk.

Apalagi ditambah, loh kok ketok e mas mbak iki mau neng mburiku adoh saiki kok nyalip :) ayo mas semangat, hehe, ayo mas dikit lagi, hehe, sial wkwk. Fix salah strategi ki, ngebut neng ngarep. Keselip neng mburi, kayak hidup, yang di depan sekarang sekarang bukan berarti tetap di depan pas akhir. Cuma ya emang seringnya yang udah di depan di awal, ya depan juga di akhir, wes terimo wae nek emg kowe salah lyh.

Tapi bak ditengah penderitaan padang pasir, oase akan selalu hadir, menyegarkan sebentar, Leeh, ebuset sopo iki wkwkwk kupet bakno, fatih yf bakno, fikri, gibran, dan fatih ndut, njay, full support broh. Suwunn nann brohhh. tenan.

Tapi tapi tapi lagi sejak onsetnya makin cepet, yamg awlanya kalo ngelewati adek adek, ngerekam, sekarang, udah ga ngerekam lagi, tapi masih coba lari kecil. Gimana ga mau lari kecil, adek adeknya nyemangati terus e wkwk, mana serius lagi, jadi gaenak. Lari kecil kecil, pas udah lewat adeknya, jalan lagi, dan tentu, mak teng lagi. wesssewesss. Baru pas udah akhir banget, mau adek adek, mbak mbak, mas mas, bapak bapak, ibu ibu, sak apik2e semangat e, boooodo amat, capek bro!

Baru, kalau akang footgrafer, "mas mas itu bendera di punggungnya kibarin mas" wah mau bagaimana lagi ya kan? to infiniti and beyy... aw keram.

Sampai pada puncaknya,

Secapek apapun anda, yang namanya di titik darah penghabisan, pasti "ayoo sitik menehh, pushh tu de limit!". Tak terkecuali pemuda Sukoharjo. Ayok lehh, 300 metet akhir poko e kudu mlayu ya, Oke.

Lagek mulai mlayu meneh, garis finish e rung ketok, tapi wong wongane wes rame, ayokk masss dikitt lagii, kae lo finish e wes ketok, sitik ngkas, semangat kaaaak! waah indahnya kata kata toxic positivity ini sodara, sampai tiba tiba,

Eh lohe lohe, kok kaki kanan kaku ngene, heh loheh, tak hentak hentak neng aspal, tak, tak, tak, loheh iseh kaku, tak hentak agak tinggian dikit ah. Pas lagi ngangkat, tiba tiba, yang kiri ikutan, bangke wkwkwk. Tak tertolong, seketika kanan kiri keram broh, jempalik ke belakang, duer wkwk. aaaakh, tulung tulung wkwk. Alhamdulillah e ada yang bisa nolong, di tarik kempol e, tenggg, wak laraaa wkwk tapi mau bagaimana lagi? wkwkwk kanan kiri, agak mendingan, ditanya, mau dibopong pa mau coba sendiri, sendiri dulu aja mas, oke, bisa berdiri? bisa mas. Baru mau berdiri, karena kakinya ketekuk lagi, makkk tengggg! aaaakh ceblok meneh, stretching meneh. Dan akhirnya, dibantu angkat lagi biar ga nekuk, dan lanjut lari kecil pelan pelan.

Ayo kak dikit lagi, sitik meneh mass, kae lo mas wes ketok finish e, isoh mas yo isoh, bisa ayo kakk. Entah kenapa jadi lebih ga toxic aja rasanya habis itu wkwk. Sangat berterima kasih kepada segenap manusia yang menyemangati dan menolong karena akhirnya dalam waktu kurang lebih 5 jam 19 menit, FM Borobudur Marathon, kelar. Dan congrats dokter Aiman dan Pak Nihri virgin FM nya, Gwencana yo gwencana wkwk.

2 notes · View notes

pollonegro666 · 1 year

Text

2023/04/07 El viernes de Pascua fuimos de viaje. Paramos en un lugar rocoso donde había un monumento de la Prehistoria que era un reloj solar completo del que se conserva la estrucuta principal, que se ve en la segunda foto.

On Easter Friday we went on a trip. We stopped at a rocky place where there was a Prehistoric monument that was a complete sundial of which the main structure is preserved, which can be seen in the second photo.

Google Translation into French: Le vendredi de Pâques, nous sommes partis en voyage. Nous nous sommes arrêtés à un endroit rocheux où se trouvait un monument préhistorique qui était un cadran solaire complet dont la structure principale est conservée, visible sur la deuxième photo.

Google translation into Italian: Il venerdì di Pasqua siamo andati in gita. Ci siamo fermati in un punto roccioso dove c'era un monumento preistorico che era una meridiana completa con la struttura principale conservata, visibile nella seconda foto.

Google Translation into Portuguese: Na sexta-feira de Páscoa, fizemos uma viagem. Paramos em um ponto rochoso onde havia um monumento pré-histórico que era um relógio de sol completo com a estrutura principal preservada, visível na segunda foto.

Google Translation into German: Am Osterfreitag haben wir einen Ausflug gemacht. Wir hielten an einer felsigen Stelle an, wo sich ein prähistorisches Denkmal befand, eine vollständige Sonnenuhr mit erhaltener Hauptstruktur, die auf dem zweiten Foto zu sehen ist.

Google Translation into Albanisch: Të premten e Pashkëve shkuam në një udhëtim. U ndalëm në një vend shkëmbor ku ndodhej një monument prehistorik, një orë diellore e plotë me strukturën kryesore të ruajtur, e cila shihet në foton e dytë.

Google Translation into Armenian: Զատիկի ուրբաթ օրը մենք գնացինք ճամփորդության։ Մենք կանգ առանք ժայռոտ տեղանքում, որտեղ կար նախապատմական հուշարձան, ամբողջական արևային ժամացույց՝ պահպանված հիմնական կառուցվածքով, որը երևում է երկրորդ լուսանկարում։

Google Translation into Bulgarian: На Великденския петък тръгнахме на екскурзия. Спряхме на една скалиста площадка, където имаше праисторически паметник, цял слънчев часовник със запазена основна конструкция, която се вижда на втората снимка.

Google Translation into Czech: Na velikonoční pátek jsme vyrazili na výlet. Zastavili jsme se na skalnatém místě, kde se nacházel pravěký pomník, kompletní sluneční hodiny s dochovanou hlavní konstrukcí, která je vidět na druhé fotce.

Google Translation into Croatian: Na Uskrsni petak krenuli smo na izlet. Zaustavili smo se na kamenjaru gdje se nalazio prapovijesni spomenik, kompletan sunčani sat sa očuvanom glavnom konstrukcijom, što se vidi na drugoj fotografiji.

Google Translation into Danish Påskefredag tog vi på tur. Vi stoppede ved et stenet sted, hvor der var et forhistorisk monument, et komplet solur med bevaret hovedstruktur, som kan ses på det andet billede.

Google Translation into Slovak: Na Veľkonočný piatok sme sa vybrali na výlet. Zastavili sme sa na skalnatom mieste, kde bol praveký pamätník, kompletné slnečné hodiny so zachovanou hlavnou konštrukciou, ktorú vidno na druhej fotke.

Google Translation into Slovenian: Na velikonočni petek smo se odpravili na izlet. Ustavili smo se na skalnatem mestu, kjer je bil prazgodovinski spomenik, celotna sončna ura z ohranjeno glavno konstrukcijo, ki je vidna na drugi fotografiji.

Google Translation into Estonian: Lihavõttepühade reedel käisime reisil. Peatusime kivises kohas, kus oli eelajalooline monument, terviklik päikesekell koos põhikonstruktsiooniga säilinud, mis on näha teisel fotol.

Google Translation into Suomi: Pääsiäisenä lähdimme retkelle. Pysähdyimme kivikkoiselle paikalle, jossa oli esihistoriallinen muistomerkki, täydellinen aurinkokello, jonka päärakenne on säilynyt, joka näkyy toisessa kuvassa.

Google Translation into Greek: Την Παρασκευή του Πάσχα πήγαμε εκδρομή. Σταματήσαμε σε μια βραχώδη τοποθεσία όπου υπήρχε ένα προϊστορικό μνημείο, ένα πλήρες ηλιακό ρολόι με σώζεται την κύρια δομή, που φαίνεται στη δεύτερη φωτογραφία.

Google Translation into Dutch: Op tweede paasdag gingen we op reis. We stopten bij een rotsachtige plek waar een prehistorisch monument stond, een complete zonnewijzer waarvan de hoofdstructuur bewaard is gebleven, die te zien is op de tweede foto.

Google Translation into Norwegian: Påskefredag dro vi på tur. Vi stoppet ved et steinete sted hvor det var et forhistorisk monument, et komplett solur med bevart hovedstruktur, som kan sees på det andre bildet.

Google Translation into Polish: W Wielki Piątek wybraliśmy się na wycieczkę. Zatrzymaliśmy się na skalistym miejscu, gdzie znajdował się prehistoryczny pomnik, kompletny zegar słoneczny z zachowaną główną konstrukcją, który widać na drugim zdjęciu.

Google Translation into Romanian: Vinerea Paștelui am plecat într-o excursie. Ne-am oprit la un sit stâncos unde se afla un monument preistoric, un cadran solar complet cu structura principală păstrată, care se vede în a doua fotografie.

Google Translation into Russian: В пасхальную пятницу мы отправились в путешествие. Мы остановились на скалистом участке, где стоял доисторический памятник, полноценные солнечные часы с сохранившейся основной конструкцией, которую видно на втором фото.

Google Translation into Serbian: На Васкршњи петак ишли смо на излет. Зауставили смо се на стеновитом локалитету где је био праисторијски споменик, комплетан сунчани сат са очуваном главном конструкцијом, што се види на другој фотографији.

Google Translation into Swedish: På påskfredagen var vi på en resa. Vi stannade vid en stenig plats där det fanns ett förhistoriskt monument, ett komplett solur med huvudstrukturen bevarad, vilket kan ses på det andra fotot.

Google Translation into Turkish: Paskalya Cuma günü bir geziye çıktık. İkinci fotoğrafta görülebilen, tarih öncesi bir anıtın, ana yapısının korunmuş olduğu eksiksiz bir güneş saatinin olduğu kayalık bir yerde durduk.

Google Translation into Ukrainian: У Великодню п'ятницю ми вирушили в подорож. Ми зупинилися на скелястому місці, де була доісторична пам’ятка, цілий сонячний годинник із збереженою основною конструкцією, яку видно на другому фото.

Google Translation into Arabic: في يوم الجمعة الفصح ذهبنا في رحلة. توقفنا في موقع صخري حيث كان هناك نصب تذكاري لعصور ما قبل التاريخ ، ومزولة شمسية كاملة مع الحفاظ على الهيكل الرئيسي ، والتي يمكن رؤيتها في الصورة الثانية.

Google Translation into Bengali: ইস্টার শুক্রবার আমরা একটি ট্রিপে গিয়েছিলাম. আমরা একটি পাথুরে জায়গায় থামলাম যেখানে একটি প্রাগৈতিহাসিক স্মৃতিস্তম্ভ ছিল, মূল কাঠামো সংরক্ষিত একটি সম্পূর্ণ সূর্যালোক, যা দ্বিতীয় ফটোতে দেখা যায়।

Google Translation into Simplified Chinese: 复活节星期五我们去旅行了。我们在一个岩石遗址前停了下来，那里有一个史前纪念碑，一个完整的日晷，主体结构保存完好，可以在第二张照片中看到。

Google Translation into Korean: 부활절 금요일에 우리는 여행을 갔다. 우리는 두 번째 사진에서 볼 수 있는 주요 구조가 보존된 완전한 해시계인 선사 시대 기념물이 있는 바위가 많은 장소에 들렀습니다.

Google Translation into Hebrew: ביום שישי של חג הפסחא יצאנו לטיול. עצרנו באתר סלעי בו הייתה אנדרטה פרהיסטורית, שעון שמש שלם עם המבנה הראשי שמור, אותו ניתן לראות בתמונה השנייה.

Google Translation into Hindi: ईस्टर शुक्रवार को हम एक यात्रा पर गए। हम एक चट्टानी स्थल पर रुके जहां एक प्रागैतिहासिक स्मारक था, मुख्य संरचना के साथ एक पूर्ण धूपघड़ी संरक्षित थी, जिसे दूसरी तस्वीर में देखा जा सकता है।

Google Translation into Indonesian: Pada Jumat Paskah kami melakukan perjalanan. Kami berhenti di sebuah situs berbatu di mana terdapat sebuah monumen prasejarah, jam matahari lengkap dengan struktur utama yang dipertahankan, yang dapat dilihat di foto kedua.

Google Translation into Japanese: 復活祭の金曜日、私たちは旅行に行きました。私たちは先史時代のモニュメントがあった岩場に立ち寄りました.2枚目の写真で見ることができる主要な構造が保存された完全な日時計です。

Google Translation into Kyrgyz: Пасха жума күнү биз сапарга чыктык. Биз аскалуу жерге токтодук, ал жерде тарыхка чейинки эстелик, экинчи сүрөттө көрүнүп тургандай, негизги структурасы сакталган толук күн сааты бар.

Google Translation into Malay: Pada hari Jumaat Paskah kami pergi melancong. Kami berhenti di tapak berbatu di mana terdapat monumen prasejarah, jam matahari lengkap dengan struktur utama yang dipelihara, yang boleh dilihat dalam foto kedua.

Google Translation into Mongolian: Улаан өндөгний баярын Баасан гарагт бид аялалд гарсан. Бид хоёр дахь зурган дээрээс харж болохуйц үндсэн бүтэц нь хадгалагдан үлдсэн нарны цаг бүхий эртний дурсгалт газар байсан хад чулуутай газарт зогсов.

Google Translation into Nepali: इस्टर फ्राइडेमा हामी यात्रामा गयौं। हामी एक चट्टानी साइटमा रोक्यौं जहाँ एक प्रागैतिहासिक स्मारक थियो, मुख्य संरचना संरक्षित गरिएको एक पूर्ण सनडियल, जुन दोस्रो फोटोमा देख्न सकिन्छ।

Google Translation into Panjabi: ਈਸਟਰ ਸ਼ੁੱਕਰਵਾਰ ਨੂੰ ਅਸੀਂ ਯਾਤਰਾ 'ਤੇ ਗਏ। ਅਸੀਂ ਇੱਕ ਚੱਟਾਨ ਵਾਲੀ ਥਾਂ 'ਤੇ ਰੁਕੇ ਜਿੱਥੇ ਇੱਕ ਪੂਰਵ-ਇਤਿਹਾਸਕ ਸਮਾਰਕ ਸੀ, ਮੁੱਖ ਢਾਂਚੇ ਦੇ ਨਾਲ ਇੱਕ ਸੰਪੂਰਨ ਸੂਰਜੀ ਚਿੱਤਰ, ਜੋ ਕਿ ਦੂਜੀ ਫੋਟੋ ਵਿੱਚ ਦੇਖਿਆ ਜਾ ਸਕਦਾ ਹੈ.

Google Translation into Pashtun: د ایسټر د جمعې په ورځ موږ په سفر لاړو. موږ په یوه ډبرین سایټ کې ودریږو چیرې چې یو پخوانی تاریخي یادګار شتون درلود، د اصلي جوړښت سره یو بشپړ لمر ساتل شوی، چې په دویم عکس کې لیدل کیدی شي.

Google Translation into Persian: جمعه عید پاک رفتیم مسافرت. در یک مکان صخره ای توقف کردیم که در آن یک بنای ماقبل تاریخ وجود داشت، یک ساعت آفتابی کامل با ساختار اصلی حفظ شده که در عکس دوم قابل مشاهده است.

Google Translation into Sundanese: Dina Jumaah Easter urang indit dina lalampahan. Urang dieureunkeun di situs taringgul dimana aya tugu prasejarah, sundial lengkep jeung struktur utama dilestarikan, nu bisa ditempo dina poto kadua.

Google Translation into Tagalog: Noong Biyernes ng Pagkabuhay ay naglakbay kami. Huminto kami sa isang mabato na lugar kung saan mayroong isang prehistoric monument, isang kumpletong sundial na may pangunahing istraktura na napreserba, na makikita sa pangalawang larawan.

Google Translation into Thai: ในวันศุกร์อีสเตอร์เราไปเที่ยว เราหยุดที่ไซต์หินซึ่งมีอนุสาวรีย์ยุคก่อนประวัติศาสตร์ นาฬิกาแดดที่สมบูรณ์โดยยังคงโครงสร้างหลักไว้ ซึ่งสามารถเห็นได้ในภาพที่สอง

Google Translation into Urdu: ایسٹر فرائیڈے کو ہم سفر پر گئے۔ ہم ایک پتھریلی جگہ پر رکے جہاں ایک پراگیتہاسک یادگار تھی، ایک مکمل سنڈیل جس میں مرکزی ڈھانچہ محفوظ تھا، جسے دوسری تصویر میں دیکھا جا سکتا ہے۔

5 notes · View notes