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usagichibamamorutsukino · 4 years

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To all of the Mamoru/Tuxedo Mask Haters

This is my post on the Sailor Moon subreddit! I am very proud of the arguments I made and am extremely thankful for the amazing response I got! I got Reddit Gold for the first time in my life! I’m sharing it today here on my Tumblr, the place where I have found a wonderful niche of Tuxedo Mask and Usamamo lovers like me! Here is the link: https://www.reddit.com/r/sailormoon/comments/d0zm4c/to_all_of_the_mamorutuxedo_mask_haters/

Here is my post:

Hi everyone! I wanted to share my comment on a video interview of the Viz dub voices for the Sailor Moon and Sailor Moon Crystal anime, Stephanie Sheh (Usagi), and Robbie Daymond (Mamoru). The interviewer talked about why she believes it's justified to hate Tuxedo Mask and why he isn't right for Usagi. The topics I covered in my initial comment are included here in greater detail. I am basing my response below on: the manga, the original 90's anime and its 3 movies, Sailor Moon Crystal, Pretty Guardian Sailor Moon, interviews with Naoko Takeuchi, articles that analyze the storylines and utilize fact-checking references, as well as my interpretation and analysis that bases itself on the cannon and overall understanding of the portrayal of the human characters and interactions in the story.

Obligatory note: You are entitled to your own opinion as I am entitled to my own. However, I feel obligated to voice my opinion and defense for Tuxedo Mask as he gets so much hate in the fandom, and there is so much misinformation about him. There are so many posts and articles trying to prove that Tuxedo Mask/Mamoru is definitively a horrible character, that he sucks, he is useless, etc. It is one thing to have your opinion. It is another to be so vocal about your hatred for a character basing your hatred on misinformation and superficial arguments.

In my lengthy post, I will discuss specific topics and arguments that people bring up to defend their hatred of Tuxedo Mask/Mamoru and his relationship to Sailor Moon/Usagi. I hope you enjoy reading and gain some perspective.

In the original anime, Usagi and Mamoru didn't have any feelings or love for one another UNTIL they remembered their past lives

I rewatched Season 1 of the original anime this past week and took notes of each encounter between Usagi and Mamoru until they remember their past lives. I analyzed their dialogue, how the animators portrayed their body language around each other, as well as how they talk about one another to other characters. Let’s begin our study by reading this quote from the manga in Act 10 when Usagi recounts that in her encounters with Mamoru: “I would get defensive, and we would get into a fight. We actually never had a real conversation. But the truth is… I was always so excited and happy to see him. That’s why we ran to each other… isn’t it? The two of us were drawn to each other.”

In the 90s anime, Usagi and Mamoru have an initially confrontational relationship. Mamoru’s first impression of Usagi was of a girl who hit him on the head with a crumbled-up test with a horrifying grade. Usagi’s first impression of Mamoru was a guy who told her she should study more; she was mortified and embarrassed by this, so she stuck her tongue out at him and walked away, disregarding him as a “weirdo”. The second time they bump into each other, Usagi throws a shoe at his head by accident, and she doesn’t apologize. The third time they meet, they bump into one another when Usagi is dreaming about “her future boyfriend.” She mistakenly apologizes to a pole, and Mamoru finds this funny and says that she should watch where she is going. Naru asks Usagi if she knows who that guy is, as he is “totally gorgeous” and Usagi responds “Wrong! There is nothing gorgeous about him!” By the 5th and 7th episodes, when Mamoru sees Usagi, he goes up to her and says, “Hey!” like they were friends. At the end of their conversation in Ep. 7, when Usagi walks away annoyed, we pan back to Mamoru, who is smiling at her genuinely. Through all of these interactions, Mamoru and Usagi go from strangers who are annoyed by each other’s existence to people who run into each other so often that Mamoru can find some humor in it.

You have to consider that Mamoru is acerbic since he is becoming Tuxedo Mask without his knowledge, is sleep deprived, has retrograde amnesia, and barely has anyone in his life who truly cares about him. He meets this girl who has hit him on the head, has bumped into him and has been rude to him on multiple accounts, of course, he’s going to return Usagi’s comments. But as he spends more time around her group, the teasing becomes well-meaning. Usagi shows that she values his advice, such as in Ep. 17 and when she is deciding if telling Naru about Nephrite's evil doings is a good idea or not. Usagi was visibly jealous of Rei’s crush on Mamoru and her three outings with him. Mamoru brought up "Bunhead" when Rei stopped him on the street to ask him out. He mentioned "Usagi" when talking to Motoki when the conversation wasn't about her but rather about Makoto. She's on his mind from early on.

There is a fantastic post that also discusses some of the points of evidence that Usagi and Mamoru had crushes on one another before they remembered their past lives, https://aminoapps.com/c/sailor-moon/page/blog/my-thoughts-on-mamoru-and-usagi/eYX5_MMdI3udVa3xwNvqExdKarRMM0xGlrm . One of my favorite observations is this: "Mamoru mostly teased her about her love life. When we look at what a person mostly tease someone about, it can give us an idea about their true intentions behind it. Mamoru teased her about romance-related things quite a few times, saying she wouldn’t get a boyfriend if she weren’t more lady-like, teasing her about Motoki twice, and her 'not-so-date' with Umino (it really wasn’t though). Not to mention when Motoki asked Mamoru why he always treated Usagi like that, Mamoru says, 'I guess we weren’t meant for each other.' " Also, in reply to this post, u/Rockabore1 made a fantastic analysis regarding the deeper meaning behind Usagi and Mamoru's teasing in the beginning:

"I love that you point out all the nuance in the way Mamoru and Usagi's relationship grew from roasting each other to realizing they care about each other and actually love being around each other. When they met, neither were really emotionally mature enough at that point to figure out an excuse to spend time together, and they kept using teasing each other as a reliable way to do it. I talked to another redditor about a scene that strikes me as a very multilayered in that regard. In episode 17, since when Mamoru talked about qualities, make a girl beautiful after Usagi feels discouraged to meet with the photographer. He describes 'someone with a kind-heart and bravery to do the right thing even when it's hard to do.' He says it with a directness like he means it as 'I see these qualities in you.' Yet he plays it off by saying, 'Obviously, you lack those qualities,' in a challenging way. I read it as him giving her the determination to try and prove him wrong because he knows she's not a quitter. Usagi went to the arcade to get Motoki to boost her ego, which she knew he would since he's always supportive, and Motoki's platitudes made her happy but didn't inspire her, whereas, Mamoru challenging her was what pushed her to actually go out and prove it. When she leaves, Motoki notes how the two always bicker, and Mamoru seems to half-heartedly lament that things always turn into an argument when they see each other and that 'I guess we're not meant to be.' It seems like he's admitting that he doesn't know how to give her a compliment without feeling silly or embarrassed to act like a softie, and he doesn't know how they could change (which obviously they do, but at the time both were really stubborn)."

In Ep. 28, they already demonstrate to the viewer that they have crushes on each other. Usagi, sitting next to him, thinks to herself, “but hey, he does look pretty handsome," then out loud, she says, "Oh geez, what am I thinking stop it Usagi, Tuxedo Mask is the only one I love!” He looks at her, and when she looks away embarrassed, he smiles at her. At the end of the episode, when Usagi says that their painting came out beautiful, Mamoru says, “I’d say it looks pretty good considering who the model was…” and his eyes immediately shot at USAGI! But she thinks he’s talking about himself, so she reacts annoyed. And in the last episode of the first season, when everyone gets their memory erased, Mamoru smiles genuinely after meeting Usagi. This encounter was just like the first one they had at the beginning of the series and similar to their third encounter as well. His reaction could very well have been the reaction he had after meeting her for the first time, but we, the viewers, didn’t get to see it. They had an attraction to each other from the start. Usagi felt that she made two horrible first impressions on Mamoru and even though she obviously found him attractive (as she later states on countless occasions), she felt that “this is an attractive guy I would’ve had a crush on now thinks I’m a ditz, so I’m going to treat him like I don’t care about him.”

Mamoru is someone who came from an upbringing with little attachment and has been pursued for his looks and wealth for presumably a long time. Think about how many characters and villains have hit on him. How Motoki told Rei that he lives in an expensive apartment all alone because of his inheritance, and her eyes lit up. Usagi probably is the only girl who isn’t fawning over him when they meet and instead is capable of sparing jokes at each other’s expense. His way of showing his attraction is not the best, but Usagi isn’t perfect either. I also noticed how, when Rei bumped into Mamoru in a ploy to ask him out, he acted concerned for her falling down for a moment, asked if she was alright and went on his way. Rei stopped him again, and he reluctantly stuck around for coffee. Meanwhile, every time Usagi bumps into him, he sticks around for a bit to tease her and get teased back. Why did Mamoru go out of his way to spend more time with "the annoying Bunhead” than he needed to? He even goes up to her to spar and teases her, and she reciprocates too.

At the end of Rei's first "date" with Mamoru, she tells Usagi that Mamoru is probably Tuxedo Mask, Usagi says that there's no way that he could be. Mamoru asks, "huh, who is Tuxedo Mask?" like he’s genuinely curious after Usagi noted the comment about Tuxedo Mask. Umino interrupts and asks Usagi to continue their own “date,” Mamoru says, “uuu, so that’s your type, huh?” in a flirty manner. This implies, "oh, so that's why you act like you don't like me. I'm not your type." Usagi is embarrassed and blushing during this whole encounter. Later, in Ep. 30, when Yuichiro and Rei are hitting it off, Usagi is ecstatic about getting them together. Rei tells her, "you know Mamoru is my guy, so what are you trying to pull here?" Usagi blushes embarrassed, her crush on Mamoru is obvious, her jealousy of Rei is evident. Even Ami starts to see this in Ep. 31 where Rei excuses herself from a Sunday outing with the girls for a "date," Ami tells this to Usagi while nervous, knowing Usagi will react annoyed at the thought of Rei going on a date with Mamoru. However, on Mamoru's part, he never took the outings with Rei seriously. He saw her as more of a friend while she was the one pursuing him to go with her on “dates.” Also, when talking with Motoki about the girls, he seemingly got really nervous at the thought of Rei “liking” him as more than a friend. After he realizes that he is Tuxedo Mask and realizes his strong connection with Sailor Moon and the princess to who appears to him in his recurring dream, he basically stops interacting with her altogether. In fact, in this same episode I just mentioned, Rei calls Mamoru to ask him out on a date but is met with his voice mail. We pan to Mamoru in the balcony of his apartment, ignoring Rei's voice message and instead of thinking about how he is determined to get the last rainbow crystal to find the legendary silver crystal and recover his lost memories.

Who can forget episode 34, where Usagi and Mamoru discovered each other's secret identities. Usagi recognizes Mamoru walking along the Juban Shopping District; she playfully hits him on the back, “Hey there, how you doing guy?” He grunts in pain. She genuinely asks him, "What’s wrong?" He responds, “Oh, hey Bunhead, you're sure cheerful today.” Usagi: “Well, excuse me then, it just so happens that I am a cheerful person all of the time!” and sticks her tongue out, as she does. He responds with a smile, “I hope you’ll always be that way. Take care, okay?” and walks away, holding his shoulder. Usagi reacts, confused, “What’s with him? He isn’t acting like himself.”, and notices his shoulder is hurt, “Could he be hurt in some way?” Mamoru probably thought he was going to die in the battle with Zoisite; he was also depressed about not being able to protect Sailor Moon, in what Mamoru thought was his last time seeing Usagi, he was kind and told her that she should always remain her cheerful self. Worried, she follows him. When he discovers this, he is genuinely surprised that she was worried about him. Mamoru didn't have anyone in his life who worried about him. In the iconic elevator ride, he genuinely opens up to her. He tells her about his past, his recurring dream, why he is looking for the silver crystal, things he hasn't told anyone else before. When she tells him, “You know what? Before, I thought you were the worst person in the whole wide world. But not anymore, now you’re the second worst.” The way Mamoru looked at her as she blushed saying that, the way he prioritized Usagi’s safety over the rainbow crystals, the way he pushed her out of the way from falling icicles, the way he looked at her when he saw his Bunhead transform into THE Sailor Moon, the way he looked at her when he pulled out that rose and turned into Tuxedo Mask. Mamoru and Usagi fell for each other long before they discovered they were Serenity and Endymion. Sure, it's not as explicit and cinematic as how it is portrayed in the manga and Sailor Moon Crystal. But their attraction is there. They are on each other's minds from early on.

The way the writers developed their relationship is actually genius. By the moonlight, Tuxedo Mask and Sailor Moon flirt, and he calls her smart and beautiful, and he believes in her leadership and talent as a superhero. Meanwhile, by daylight, Mamoru and Usagi bicker like a married couple. It's like Lois Lane falling in love with Super Man but dismissing Clark Kent. The dialogue they share, their body language, how others notice their connection goes a little further than they realize; I recommend that you rewatch Sailor Moon Season 1 and the first arc of Sailor Moon R (Makaiju) and notice how Usagi and Mamoru act around each other and how their feelings for one another develop. It's there as clear as day, and honestly, it's one of the reasons I love Sailor Moon. It's the best story ever told. Heck, even the intro song is from Usagi's perspective, singing about her miracle romance with Mamoru.

I think the most notable difference between Usagi and Mamoru’s relationship in Season 1 and Season 2 is that Usagi is much nicer to him in Season 2. As a result, Mamoru is much friendlier to Usagi. This, in turn, provides heartwarming moments between them, such as when they took care of a baby, their first “date” at the arcade, Mamoru’s sigh of relief when Usagi shows up to interrupt Natsuki’s incessant flirting, his blushing when Usagi called herself cute and when he thought Usagi was on a date with Seijuro, as well as many more moments between them. The reason Usagi treats him much nicer is because, at the beginning of Season 2, Usagi remembered her previous lives, she remembered who Mamoru is, his personality, what they went through, how he puts himself in danger to protect her, how he died for her, and most of all, she remembered why she fell in love with him. It becomes her mission to get Mamoru to remember who she is, what they’ve endured together, and how they fell in love. The Makaijju arc serves as a retelling of their love story, as Mamoru falls in love with Usagi all over again. This happens gradually; he starts to see how this Bunhead girl went from someone who is rude to him to someone who enjoys his company, cares about others, brave, fun to be around, and is a kind friend. When they are both captured by the Makaiju tree, Mamoru asks Usagi if she is alright and reaches out to hold her hand. When he and Sailor Moon are being thrown and flung around the room, he holds on to Usagi/Sailor Moon’s hand even though this aggravates their antagonists more, causing them to inflict more pain on them. He jumps in front of Sailor Moon to protect her near-fatal blows, as she did for him, because in Usagi’s words: “I’m willing to risk my life in order to protect anyone I truly love.” At this moment, Mamoru had already fallen in love with Usagi again. It wasn’t until he felt the same love he had felt in his past lives that his consciousness, the Moonlight Knight, returned his memories. Therefore, he fell for Usagi before he remembered their past lives. His undying need to protect her literally took physical form as the Moonlight Knight. This proves that Mamoru doesn’t love Usagi because she is Serenity and because of destiny, but because he genuinely loves Usagi. The cutest part of this moment was Mamoru waking Usagi up after the battle, and calling her his little Bunhead Usagi Tsukino.

Many people argue that he fell for Sailor Moon and settled for Usagi once he found out they were the same person. It is undeniable that Tuxedo Mask felt strong feelings for Sailor Moon since he could sense when she was in danger and felt this urge to protect her. However, Tuxedo Mask made an enemy of Sailor Moon and the Sailor Senshi when it came to finding the rainbow crystals. In The Shining Silver Crystal, Mamoru and Usagi are confronted by Zoisite, who demands that Mamoru surrender his own rainbow crystals so that they can fight, and the winner takes all. Mamoru tells Zoisite that he will do so only if he promises not to harm Usagi and let her go. This was BEFORE he knew that she was Sailor Moon. He prioritized Usagi’s safety over his unwavering personal mission of finding the silver crystal. He didn’t do this for Sailor Moon; he did this for Usagi.

One of the most important arguments, if not, the most crucial evidence for the validity of Usagi and Mamoru’s love for one another is why they fell in love and if it is merely because of destiny, as many skeptics online cite this as the only reason Usagi and Mamoru are together because they feel obligated to stay together due to past in the Silver Millennium and “destiny.” I found a fantastic essay series by Sailor Moon and Me, all about studying the dynamics of Usagi and Mamoru’s relationship to ultimately answer if they truly love one another in the original 90’s anime. You can find the whole series here; I highly recommend you read it! https://sailormoonandme.tumblr.com/post/93343451085/usagi-and-mamoru-essay-series-contents-page-and

In conclusion, the author writes: “Would Usagi and Mamoru have wound up together if they had not regained their memories from their past lives? If given the right opportunities to get to know each other better, almost certainly yes. And those opportunities would’ve probably presented themselves somehow because their past lives/destiny would’ve been influencing them. Remember, they even met as children. Were they obligated to be together because of their past lives? Not exactly. Their past lives guided them and influenced them, but the personality traits that Serenity and Endymion found attractive in one another were present in Usagi and Mamoru and was likely what they’re modern-day incarnations found attractive too. In particular, these traits were on display as Sailor Moon and Tuxedo Mask and Usagi and Mamoru already effectively loved one another in through those identities anyway.” The author highlights a key aspect, the reason Usagi and Mamoru have fallen in love over and over again: they find each other’s personality traits attractive! Earlier in the essay series, the author brilliantly proves how, in the anime, Mamoru/Tuxedo Mask and Endymion act in the same way, as well as Usagi/Sailor Moon and Serenity. They are the same people, so if they fell in love during the Silver Millennium, they can fall in love again for the same reason, they like each other’s personalities!

Mamoru's breakup with Usagi

In the anime, after they finally get together during Sailor Moon R, he finally feels like he’s not alone. Then he gets these visions prophesizing that the woman he loves will die if he continues to be with her. He struggles with what to do; he just found someone who completes him, who gave him his lost memories and the meaning of his life. Who saw the best in him and believed in him even after him being brainwashed and soul strangled by the evil Metalia. He knows the pain that he’s caused her. He still has memories of being under Metaria's evil magic. He realized how possessed he was, enough to attempt to behead Usagi without question. He just learned that continuing to be a part of her life could put her in grave danger. He doesn’t take this lightly and breaks up with her because he thought he would protect her.

Mamoru thought that HE, HIMSELF, was the danger to Usagi. That's why he tried to get her to hate him. Even I initially judged the breakup arc as a victim of "bad writing" for Mamoru and Usagi's relationship. A few lines littered over a few episodes are unfortunately very negative coming from Mamoru's part. I cannot defend them when taken out of context. I am disappointed that the writers decided to include those few lines since they don't even correlate to Mamoru's character growth and overarching character arc over five seasons.

Furthermore, from his part, these comments are blatant attempts to portray himself as a despicable person, so Usagi would forget about him and move on. He thought that by getting Usagi to hate him, she would distance herself from him and be saved from the horrible fate he kept seeing in his nightmare. Many people use this as "evidence" that Mamoru "didn't love Usagi," and that he is a "horrible person." It is very easy to judge a guy breaking up with a girl as wonderful as Usagi and being so cold towards her. However, when you see Mamoru realize that marrying Usagi will cause her immediate death and that his only way of protecting her from this doom is to break up with her, he already hates himself. To provide more perspective of how this impacted him when he meets King Endymion in the future and realizes he was the one prophesying Usagi's death if Mamoru continues to be with her, Mamoru charges at him with anger.

There is no logical reason that Mamoru would willingly choose to make Usagi suffer. Why would he purposely put the only person he considers his family and his soulmate through so much pain and suffering. The breakup is as hard on him as it is on Usagi. This is clearly seen in Ep. 69, at the end, when he is crying by his motorcycle. He should’ve told Usako the truth about the dream. But she beats him to it in a later episode, and they decide to take control of their lives and be together, instead of believing in the nightmare. She was the one to believe in the strength of their love and do the right thing. Thanks to this arc, they learned that together they are unstoppable. Mamoru learned to trust Usagi wholeheartedly and to trust himself, as he felt that HE was the danger in her life. After the revelation that the messages from King Endymion were to test Mamoru's love for Usagi, even Mamoru realizes he made a horrible decision to lie to Usagi and hurt her the way he did. He realizes how dumb he was and latches on to Usagi and never lets her go again.

Furthermore, to provide a silver lining to the breakup arc, we have further evidence of just how much Mamoru loves Usagi. If he didn't love her, as so many people in the fandom like to claim, the breakup was his way out. But he didn't just up and leave. He hated that he had to be apart from Usagi. He truly loves her with all of his heart. He never once stopped calling her Usako. He never stopped being in awe of Sailor Moon's power, calling her invincible when talking about her to Chibiusa. He continued to help her and the Sailor Senshi in battle. He dreamt about marrying her; he imagined her face reflected on rivers; when he continued to run into her after the breakup, he was solemn realizing that it is fate that keeps making them meet.

This breakup isn’t my favorite part of the season at all, but it provides real character development and allows us to explore Mamoru’s fears and heartache. You see Usagi gets heartbroken, but she doesn't lose faith; she doesn't stop believing in Mamoru and love; she still has her circle of friends and family to fall back on. Mamoru had no one. Usagi was the only one he let in his heart. In the Sailor Moon R movie, he tells Usagi that his years of loneliness were worth it because he found her, and that she is his family. For years, Mamoru had the same dream about a princess who pleaded to him “find the silver crystal, find the silver crystal.” And this princess ended up being a real person! The girl with the weird hair he kept running into, Bunhead, Usagi, Usako! Are we internalizing how insane that is? To have literally no memories before your sixth birthday, to not remember your parents, to be an orphan with no family or close relationships, to have a recurring dream that wakes you in a cold sweat about the same person every time that pleads that you find this mysterious crystal you know nothing about? It’s insane. Of course, Mamoru has trouble with interpersonal relationships in the beginning. It’s thanks to Usagi’s constant love towards him and their growth as a couple that he becomes a kinder and more trusting person as the series goes on. Mamoru's connection to Usagi is so much deeper than the anime lets on at surface level. Mamoru went from someone who has had his memory stolen already three times, to someone who has finally found the love of his life, who was no longer alone, to someone who was forced to break his soulmate's heart and be pushed back to loneliness.

I recommend this great article that talks more about the breakup and Mamoru's perspective! http://starlight.csmalecki.com/reads/breakup.php

Mamoru's relationship with Chibiusa

On that note, of course, Mamoru felt a connection to Chibiusa. He was an orphan with no family, he finds this little kid all alone, of course, he is going to feel an urge to help her feel less alone. He connects with Chibiusa because he sees Usako in her; because he no longer has anyone else to fill the void of loneliness. Mamoru and Chibiusa are some of the characters that carry the underlying theme of loneliness in the Sailor Moon story. Chibiusa saw Mamo as someone who reminded her of her dad, and for a little girl who feels helpless and is separated from her parents, utterly alone in this strange world where she doesn't know who to trust, it is reasonable for her to latch onto him. She sees these people who look like her parents and Sailor Senshi back home but behave nothing like them. Mamoru is one of the few characters who is continuously nice to her and there for her; logically, she would want to be around him. There is an excellent article that talks about Chibiusa's "Electra Complex," I highly recommend you read it: https://shojopower.com/beautiful-like-you-black-ladys-uncomfortable-electra-complex/. Basically, it concludes that Chibiusa's "Electra Complex" is NOT sexual desire for her father but instead not being able to relate to her mother, "The Electra Complex is less about a daughter’s sexual desire for her father, but much more about the relationship between daughter and mother; the female child and her best friend." Once Chibiusa becomes Black Lady, her innocent feelings of love and attachment towards Mamoru get exploited and tainted and manifest as "sexual" attraction. But in reality, once Chibiusa can relate to Usagi, her "Electra Complex" is resolved, and Black Lady is defeated.

Tuxedo Mask is "useless."

What a double standard. Just because he is a man, he has to be the Batman or Spider-Man of the story? It’s called Sailor Moon. She is Wonder Woman; he is Steve Trevor. Tuxedo Mask exists to help Sailor Moon and support her, but Sailor Moon is the protector of the universe. The story is all about her and her fellow Sailor Senshi. It’s a female empowerment story; if you think that a male character is “useless” because he isn’t the one saving the day, you are missing the point. Tuxedo Mask has physically aided the Senshi in combat on countless occasions.

Furthermore, during numerous battles, if Tuxedo Mask had not shown up to shoot a single rose, Sailor Moon and the Senshi would have been goners. He utilizes his knowledge of physics and math during battles and is capable in hand to hand combat, as well as a formidable swordsman. In the manga and Sailor Moon Crystal, he has his own super-powered attack, Tuxedo La Smoking Bomber. Even cooler, he has a combined attack with his daughter, Pink Sugar Tuxedo Attack. He takes the place of Sailor Earth and Sailor Sun, as he possesses the golden sailor crystal. Concerning Earth, he recognizes it as his guardian planet and can "see" what the Earth feels. Concerning the sun, Takeuchi made him a Leo, a constellation related to the sun, also, when he dies, Nehellenia states that he is "The Prince of Earth, protected by the Sun."

He buys the Senshi time to power up for their Sailor Planet attack; he's freed them from traps from where they can't escape alone, he distracts villains and disables them with supernaturally strong rose darts, allowing the Senshi to give the finishing blow. I have to note; his aim is deadly. His rose darts took down Queen Beryl and Fiore, as well as others. He doesn't leave the scene until he sees the situation is under control and that the girls can handle it from there. In his dying words during the Stars arc, he proclaims that the Senshi will stop Galaxia, that she doesn't stand a chance. He believes in each of the Senshi's strengths and gives them useful advice that they apply to the situation and helps them succeed. In the story, his character supports female heroes and helps them do their best. As a female, I feel completely empowered and inspired by Sailor Moon/Usagi, by each of the Senshi and the story in general. It is rare to see female superheroes kicking butt, in a world of countless Iron Man, Captain America, Batman, Superman, and Spider-Man movies and a less than a handful of Wonder Woman and Captain Marvel movies. A male superhero in a female superhero driven story is not "useless," they simply aren't the star of the battle, and there is nothing wrong with that.

The consensus is that Usagi's kidnapping by Prince Demande is straight-up assault and absolutely repulsive from Demade's part. And rightfully so, Usagi, in tears being grabbed and forced to kiss him is horrible and uncomfortable to watch. Compare this moment to Mamoru's kidnappings. He has been objectified and kidnapped by countless villains in the story. How is this different from Usagi's kidnapping? He is forced to kiss his own daughter possessed by evil, pinned against a wall by Fish's Eye trying to get a kiss from him while he is explicitly rejecting this and saying no, was submitted to bodily possession by Metaria's dark magic on two occasions with Queen Beryl (who is obsessed and infatuated with him) doing who knows what to his unconscious body. I could go on and on, Fiore, An, Mio Kuroki; there are many occasions where Mamoru has been objectified, kidnapped, and assaulted. It is disturbing that so many people interpret this as "weakness" from Mamoru's part. These assaults and objectification are against his will. A man who has been through these horrible experiences is NOT weak. Please don't contribute to this harmful double standard. A person being assaulted is a victim, regardless of their gender.

Finally, in the first episode, when Sailor Moon is crying because she doesn't know how to fight the monster terrorizing her best friend, Tuxedo Mask appears to her and tells her "Sailor Moon, crying won't solve anything." Taken at face value, this comment is bewildering since, in that scenario (and another battle scenario in Sailor Moon SuperS), her crying became ultrasonic and incapacitated her enemies. But this comment goes further, this comment sets the tone for Usagi's series-long journey into maturing and getting over her crying habit; this is part of Sailor Moon’s character development. This personal growth is highlighted in Ep. 74 when Usagi decides to face Rubeus alone to save her friends. She reflects on how, before she would've been a total crybaby if she had to go by herself to defeat a villain, she is amazed at how far she has come emotionally. She realizes that truthfully, "crying won't solve anything." As the seasons go on, her being a self-proclaimed crybaby is still used as a point of comedy, but in the moments of real desperation, she handles herself with maturity and bravery. So, ultimately, she valued what Tuxedo Mask said to her the first time they met.

Usagi and Mamoru's age gap

One of the biggest points of misinformation in Sailor Moon is Mamoru and Usagi's age difference and the legality of their relationship. Mamoru Chiba is 17. At the start of the manga, Takeuchi intended for Mamoru to be as young as 16. Usagi Tsukino starts the story as 14, but she actually isn’t 14 for very long. The Japan school semester begins in April, and her birthday is in June. This means that Seasons 1-3 happen pretty quickly. Therefore the age difference between Mamoru and Usagi isn’t that drastic at all. Furthermore, the fact of the matter is, Mamoru behaves older than he is. Why? He has had to mature very early on in his life. He has had to take care of himself for presumably a long time. Usagi has the perfect nuclear family and at the start of the series and is rather immature. She matures as the series goes on because of her responsibilities as a guardian and protector of the galaxy. At face value, it's easy to judge Mamoru and Usagi's relationship as one with a significant age gap. However, this isn't the case. 2-3 years of age difference is not outstanding at all and in Japan even less so. They are both above the age of consent of 13 and are still both teenagers. Even in the original anime, many scripts list Mamoru as a 17-18-year-old college student, and Usagi becomes 15 early on in the series timeline. He is shown to be extremely intelligent, so being a 17 year old in college is absolutely plausible. An important point to address, he is shown driving a car when the minimum driving age in Japan is 18. However, Haruka is 16 and drives a car and even a helicopter. I’m not losing any sleep over the fact that Mamoru could be driving a car before he is 18.

People argue that if Mamoru were precisely the same age as Usagi, the "problems" would be "fixed." But like I stated earlier, Mamoru behaves more mature because he was forced to be independent and self-sufficient from a very early point in his life. Even at 14, Mamoru would appear and behave much more mature than Usagi does. He is still obviously immature in how he deals with his crush on Usagi. When Takeuchi wrote the story about Serenity and Endymion, she was basing herself on medieval romance stories where the lovers are many years apart in age. Hence, the age gap was intentional in that aspect. Again, as I stated previously, 2-3 years of age difference is hardly noteworthy, especially as the series goes on, and they mature together.

Here is an excellent post that further discusses and debunks the age gap legality rumors: https://tiny012.tumblr.com/post/184025521241/in-the-defense-of-mamoru-chiba-because-bitch-im

Final thoughts and conclusions about Usagi and Mamoru's relationship and Tuxedo Mask

In the end, Usagi and Mamoru mature and grow together; they are each other’s rock. Mamoru becomes a more laid back person around Usagi, like when he takes her to see the cats at the abandoned house to cheer her up in Ep. 91. Usagi asks him, “but are we allowed to go in there?” and he responds, “I don’t know! Who cares!” and hands her a little kitten. I love Diana’s comment in Ep. 146 about how both Neo Queen Serenity and King Endymion fake being sick together to get out of meetings and commitments.

Mamoru loves Usagi for who she is; in some ways, she is everything he's not, and he loves her for that - they complete each other; he keeps her grounded while she lifts him up into craziness. And he adores it. Mamoru has told Usagi: "Never apologize for being yourself.”, "Your strong will is what I love about you most.” and “Just being with you makes my life complete.” When Fish’s Eye questioned Mamoru on why he doesn’t want to be with anyone else but Usagi, he responds, "She’s full of dreams. That’s why.” In Stars, as Chibiusa is fading from existence due to Nehellenia’s curse on Mamoru, she pleads that he remembers that both him and Usagi have always shared the same dreams. Mamoru and Usagi are pretty different, sure, but in reality, they have the same visions for the future; they share the same values, and they have the same dreams. They complement each other beautifully, and that is why their love is as strong as it is. Usagi may be a bit clumsy and a crybaby, but in Mamoru's eyes, she's perfect.

People also bring up Mamoru's avoidance of public displays of affection with Usagi as evidence that "he doesn't really love her." In Japan, public displays of affection are seen as rude and inappropriate. When Mamo is alone with Usako, they share countless cute moments. Kisses, hugs, affection.. they love each other. Let's not forget when Mamoru gave Usagi a promise ring at the airport and kissed her like they were the only two people on Earth. His last words were "Usako." He has taken countless blows and stabs in Usagi's place, and she has for him too.

We saw them fall in love over and over, as Serenity and Endymion, and as Bunhead and Jerkface. Even when brainwashed initially in Season 1, Mamoru couldn’t bring himself to hurt her and kept unconsciously helping her succeed. You can brainwash him, kill him, erase his memory, separate him from her, but there is nothing you can do to make Mamoru’s love for Usagi fade. In the words of Toru Furuya, the voice of Mamoru: "He loves Sailor Moon and Tsukino Usagi with his whole heart. I think he’s a very great person."

Finally, Tuxedo Mask gives Sailor Moon strength; he supports her to become the best superhero he knows she can be. He does his best to help the Senshi in battle, but it’s a story about girls protecting the world. Takeuchi wrote this character to fit that narrative; he is one of the characters she holds dearest in her heart. Few people can really understand the beauty of Usako and Mamo together and how Sailor Moon is breaking the stereotypes of gender roles. If you can’t understand that, it’s your loss.

Tuxedo Mask is the hero Tuxedo Mask haters deserve, but not the one they need right now, so they’ll hunt him. Because he can take it, because he’s not a hero. He’s a silent guardian, a watchful protector, a Moonlight Knight.

Thank you for coming to my TED talk.

#sailor moon #tuxedo mask #usagi #usagi tsukino #usamamo #mamoru x usagi #usagi x mamoru #pgsm #sailor moon aesthetic #sailor moon crystal #anime #90s anime #mamoru chiba #mamoru #pretty guardian sailor moon

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afinepricklypear · 4 years

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I’m writing this largely in response to angel-rhetenor’s replies on my recent reblog with comments of the post “Why is the BSD fandom so terrible about leaving comments?” The replies I received from this person and the OP were understandably emotional responses but also problematic because they made claims of there being some hidden meaning behind my statements that wasn’t there and accused me of attacking OP, which I didn’t. I’m not posting to defend my statements or place blame, I stand by what I wrote and encourage people to read it, rather than the replies it was given, to decide for themselves. Unfortunately, I know that most people won’t. It is long and it’s easier to see the responses, and because those individual’s posed arguments that are easy to agree with (yes, it is wrong to call someone stupid or to say that their work is low quality when you haven’t read it, and, yes, it’s equally wrong to suggest that writing shorter stories, shorter chapters, one-shots, and/or rare-pairs makes your writing bad – btw, a ludicrous assertion to claim I said, not least of all, because I do and have written all of these things).

As well there were issues that these individuals claim I either ignored or did not speak to, which was simply because the primary intent behind my comments was to discuss analytics, how they work, how to interpret them, and how to use them to improve your own work.

Quick side note, I also briefly want to acknowledge remarks made about my comments being “well-researched” – I deleted the credentials from my original comment, I didn’t think it lent anything to it, but I’ll add them here: I have a BA in Anthropology, I’m two semesters from a BS in Computer Science, and I work as an Analyst for a public utility company. Data, data analysis, and interpreting data as it relates to population behavior, not to mention, research is all, kind of, my thing.

There were a number of issues that were raised by these individuals, and some points made in their replies that I’d love to address, but there is one I really need to talk about that was brought up in angel-rhetenor’s reply: reposting fanwork. This is a big issue in regards to any kind of intellectual property, and angel-rhetenor posed it as being analogous of the issues regarding feedback and whether people “owe” fanfiction writers or, really, any content creators compensation (in the form of likes, feedback, comments, etc.) for enjoying their work when it is provided free of access. This person concluded their statements with the bold, and yes, true assertion that artists and writers deserve recognition for their work.

So, if this conclusion is true, what can I have to say about it, right? This person must’ve really proved me wrong.

Well, the biggest problem I have with this argument is that, as presented, it is a false equivalency. Meaning, the issues behind reposting and giving feedback are not the same. In fact, the issues behind reposting and giving recognition, as this person indicated, are not even the same.

To be clear: The issues behind reposting are not about feedback, not about showing appreciation/gratitude to content creators, and not about recognition.

Now, before you run to your keyboard to react to this statement, let me explain.

These may seem on the surface to be the same thing, they may even feel related to one another, they certainly feel like they derive from the same place in the audience, but it’s important to understand the distinctions between them if you are posting your work online especially because reposting someone’s work, unlike the other issues discussed, can be a legal matter. If find yourself in the situation where your work has been stolen, you need to understand the difference between these issues and why. Although some of the concepts behind these other issues do inform legal problems in the real world, it is not in the way that you may think.

Feedback

One of the things that really set me off about the post that started all of this was OP’s comments to another individual reply on this post that Kudos/Likes are not showing gratitude, that she doesn’t even look at them, and they aren’t real feedback. To an extent, she isn’t wrong. Feedback/Comments and Kudos are not exactly the same. Kudos/Likes are a form of positive feedback only, they do show gratitude for the work, they do indicate that the work was liked and appreciated – that is their entire meaning exactly. An author may decide that they want more than kudos from the readers, but it is up to the author to determine what they are looking for in return from posting their work online and then finding the appropriate forum to get that return – in which case, if you don’t want Kudos, AO3 is probably not the place for your work.

If all you want is praise for your work, that’s what Kudos are, but feedback in general isn’t always given because someone liked your work. In fact, feedback in an open forum is often given by people who just felt strongly about your work one way or another. That is unless you’ve directly asked someone to read and give you feedback – in which case, these kinds of obligatory transactions need to be arranged with the individual up front rather than after the fact, otherwise you are getting into ethical issues of scamming, conning, and manipulation ß this is actually the basis behind “Unordered Merchandise” complaints, which you can read about more on the FTC website. There are ways to encourage people to give feedback that don’t include any of these sticky problems, such as, starting the conversation for them (via the notes section of your story) by asking questions or making your own comments about the work, or simply being clear about what kind of feedback you’re looking for from the readers. Some good examples might be:

· Making speculations about the plotline, “I wonder what this character is really up to…”

· Highlighting parts of your writing you really want people to notice, “Feeling proud of that dialogue, really hope you guys agree…”

· Or calling attention to areas of the writing you feel shaky on, “Not really happy with how that action scene went, felt clunky…let me know what you guys think?”

Additionally, if what you are looking for is feedback to improve as a writer, I might mention that the fanfiction community is probably not the best place to go for it. I love the readers, I’ve been highly impressed by the quality of comments I’ve received on AO3 over the comments I’ve gotten on FF.net, but many of the readers are younger, not writer’s themselves, and, while they can tell whether something is “good” or “bad”, they can’t necessarily tell you why or give you the constructive criticism necessary to develop better writing skills. Additionally, readers tend to be more generous in their feedback because they have received the content for free, in which case, you’re not getting the most honest feedback. Feedback is better received by joining/starting a writing group, teaming up with beta-readers, or hiring an editor. But I don’t want to turn this into a discussion about how to get feedback or use it to improve, that’s not the point of this post.

Given this definition, I hope you can better see how feedback and reposting are not the same thing. While reposting poses the issue of diverting feedback from the creator, there is a vast ethical difference between whether I should be required to give you my opinion on your work or not and me posting your work elsewhere.

Appreciation/Gratitude

Many arguments presented by the OP of the “Why is the BSD fandom so awful at leaving comments” post and angel-rhetenor are predicated on the idea that everyone who read or looked at your work liked it, they were entertained by it, and, thus, should show appreciation or gratitude to you for it. Of course, this is the understood socially accepted behavior, isn’t it? I’ve given you this ‘gift’, and now you tell me “thank you”. As I’ve already argued, this is what Kudos are designed to do. However, beyond gratitude and appreciation, Likes/Kudos also serve as forms of endorsement. It means, I’ve read this and I approve of it. Now, this type of endorsement is stronger in social media systems like Instagram, Twitter, and Tumblr, where the newsfeed algorithm is going to push to me those posts that people I follow (read as: opinions I trust) are liking and, therefore, helping to grow that person’s audience. In AO3, public bookmarks are actually a better form of an endorsement in this sense. That said, if I’m trying to decide if something is worth my time to read, I might jump to the Kudos to see who else liked it, furthermore, if a story has a large number of Kudos, that means that a larger number of people endorsed it and stamped it with their seal of approval. You might feel that Kudos is meaningless to you, but that is someone giving you a show of support that serves as a visual indicator to other potential readers that your work is worth reading.

Of course, this also touches on the concern raised by angel-rhetenor of audience entitlement. The issue as stated was that audience members feel entitled to a creator’s time and that they are allowed to demand that a creator makes work or delivers new works for free.

The thing is, they are allowed to make those kinds of demands of a creator, at least, until that creator blocks them on social media. In the same vein, you are perfectly allowed to demand people leave comments on your fanwork that you’ve posted to AO3. But just as readers are not obligated to leave you feedback, creators are not obligated to provide free content. You can scream into the wind as loud as you want: GIVE ME FEEDBACK! GIVE ME CONTENT! No one has to listen to you or deliver on it. There’s nothing obligating them to do so. That said, if they like your work and want to see more of it, then yes, they should understand that showing support is going to be the way to ensure new work appears without shaming or guilting or emotionally blackmailing them into it. As I said in my last post, if I have one reader that likes my work, I’m going to write for them. If I don’t have any readers liking my work, I’m less likely to continue that story, I’ll probably just keep writing and posting until I lose interest. But that’s fine. Yes, once again, I get that it can be frustrating especially when you see other works that you, maybe feel aren’t as good as your own, getting more attention because they hit the nail on the head of what their audience was looking for. But you can’t force or obligate the readers to give you that feedback, especially if they, maybe, aren’t interested in supporting your work even if they did enjoy reading it.

As for the comments regarding monetization, and the attitude that “because this is provided free, why should I pay for it from you”…uh…they’re not wrong. This is ECON-101, supply and demand, and, despite popular belief, it is NOT exclusive to fanwork. Every business has to overcome this problem. What are you offering consumers that goes beyond what they can get elsewhere and is worth them spending their money on to get from you?

angel-rhetenor also accused my comments of promoting, rather than discouraging, what they feel is an erroneous and harmful thought process, that “Everyone can make fanwork”. Here’s the thing, everyone can make fanwork. Everyone out there in the fandom is capable of it, that’s what makes it great and accessible to people that want to create. You have to figure out how to set your fanwork apart and how to effectively sell that. It might help to pose this in real world terms: Microsoft Office is a relatively expensive word processing software. Microsoft Wordpad is also a word processing software that comes free with your Windows operating system. So why do people spend money on Office, when Wordpad accomplishes the same thing without additional expense?

You set the value of your own work, you determine how much your time is worth, but the harsh reality is that just because you’ve decided that this is how much you want for your work, that doesn’t mean everyone, or anyone for that matter, is going to agree to pay that much for it, especially not if they can go to someone else and get what they’re asking free. Does that mean that those people are right and you need to start giving your work away for free? No. It means you need to figure out what it is that you’re selling that they should want to pay for, market yourself. Is it higher quality, is it a cleaner more polished work, do you have a better vision or take on the characters, is it a better display of skill. Are you selling them Microsoft Office or are you charging them for Wordpad when it’s a free software? You’ll still have people that are willing to settle for less, Wordpad is still around for a reason, but there are those who will pay you for your work because they want your work.

However, if no one wants your work for the price you’re asking, you need to revisit your business model, and that might mean that you need to improve what you are trying to sell. In terms of artists, there are decidedly better artists out there than others who are posting and sharing their work. Now I may hit the ‘Like’ buttons for a beginner artists’ shared artwork to show them support and encourage them to keep trying, but I’m not going to buy their artwork until they have developed their skill. A slightly better artist, I might pay for their work, but I’m not going to pay as much as I would for artwork from a master artist. This isn’t to say that the beginning artist sucks and didn’t work hard on their artwork, but to claim that they should receive the same return on their product than a more experienced artist who has spent many more years developing their skill is unfair to those artists that have put in the hours to develop their craft, and actually does more to harm people who are trying to monetize their work than helps by belittling and devaluing what it takes to develop a skill and build a following around their work.

Now I know where people are going to go: doesn’t saying it’s okay for people to share their work free with no obligations support the idea that people can also just take your work if they want it? You can go ahead and jump to the Reposting section to get the full answer on this, but in the meantime, consider this example: Imagine you’re shopping for a couch. You go to the store and decide its way more than you’re willing to pay, decide to shop around some. On your way home, you come across someone dragging their couch out to the curb, you go to speak to them, turns out it’s brand new, past return date but too big for their place so they’ getting rid of it and yes, you can take it if you want. Does that mean I can now go back to the store and just take the couch they had on sell there for free? No. The idea that because someone else is giving their work away for free, doesn’t then justify you taking someone else’s work for free.

Posed like this, I hope it’s obvious to see why demanding endorsement (in the form of Likes/Kudos) is, once again, not the same issue as reposting someone’s work, and, a bit of how these concepts relate to monetized works. In fact, many people who are reposting works when confronted with this perspective would easily counterargue that they are showing appreciation/gratitude by reposting someone else’s work. They see it as a sincere form of endorsement and support to that creator. They say “imitation is the highest form of flattery”, right, so outright copying must be the height of love? Which brings us naturally to recognition.

Recognition

It is a true statement that artists should be recognized for their work. Recognition is not feedback nor is it appreciation or gratitude. Recognition is just saying, “This person created that”. This is the most flummoxing part of angel-rhetenor’s argument regarding reposting because in terms of reposting, it is not enough to say that the artist needs to be given credit, and giving credit is not the issue regarding reposting. Someone can repost my story on Wattpad, complete with name on the byline, a link to my AO3 profile or email so that readers can contact me and ensure that feedback comes to me, and then they could even leave a comment praising my work and telling me that they’ve posted it on Wattpad for me, “You’re welcome!”.

So, what’s the problem here, huh? They’ve given me feedback, they’ve given their readers a method to forward me feedback, they even let me know that it was posted there, made sure proper credit was in place, and I can’t think of a higher form of endorsement, or show of gratitude/appreciation, than going to the trouble of reposting my work elsewhere for me in an effort to help give my work attention and grow my audience. Gosh, aren’t they nice? Isn’t this wonderful of them? They seem like they did all the right things.

Except, I don’t want my work on Wattpad. That’s why I don’t post it there.

Reposting

It is easy to get confused on what the real issue is in regards to reposting someone else’s work, especially because there are so many other concerns that get lumped in with regards to it that, reposting may affect, but those issues don’t have any relevance to the ethical reasoning behind reposting. I hope I made it pretty obvious in my last example, that there are ways that reposting work can look, on the surface and, in some instances maybe even truly, be beneficial to the creator. The reposter can seem to do all the right things in terms of addressing those issues, but it’s still wrong. At this point, many of you are probably thinking, “Well they needed permission before doing all of that, duh!”

But permission isn’t the issue either. The issue is ownership.

It is incredibly important for a content creator to understand the concept of ownership in terms of intellectual property, because this is the way it will be argued in terms of the law, and this is the information you need to gather before you post your work online (what are you agreeing to in terms of your ownership of your work when you post to a platform) or make claims of theft. It’s also important not to conflate this issue with things like recognition, showing appreciation/gratitude, or giving comments/feedback, because those are strawman arguments that are easy to counter. They don’t actually support the notion that you shouldn’t repost another’s work even though they may all represent reasons that a creator doesn’t want someone else reposting their work.

When I post my work to AO3, I am only granting people access to read my work for free through AO3, I grant AO3 permissions to distribute my work through its various networks, and while a reader is able to download my work from AO3 for their own individual use, no one else is allowed to distribute it. This is the explicit contractual agreement that authors and readers make when using AO3, and in that sense, exactly as I have stated, no one owes you anything for reading and enjoying your work, because you are giving them that access to it for free. Arguing that they are then obligated to give you feedback after the fact falls into the same realm as ‘Unsolicited Merchandise’.

However, you are not giving anyone ownership of your work just because you have made it available for them to read or view. Retaining ownership of my work means that I get to dictate where and how it is distributed and displayed. For a real-world example, let’s take into consideration holiday decorations. I might decide to decorate my door with a Holiday Wreath, it is free for people to see, they are not required to come to my door and thank me for the decoration, but they also cannot take my wreath and move it to my window or to their own door or to the door of a neighbor down the street. Depending on what they do with my wreath, it can be classified as vandalization or theft.

This is a problem that just about everyone that shares their creative content online is going to run into, and it is difficult – in many instances, impossible – to fight against. This is not a widespread issue, as angel-rhetenor suggests, in the sense that the majority of people are purposely doing it despite knowing the reasons for why they shouldn’t. Most people actually want to do the right thing, they just don’t know what the right thing is, and when you confuse all of these elements and complaints within the fandom, it can be difficult to determine what is right. You will see people reposting artwork asking who the creator is, unintentionally contributing to the problem and if they don’t know who the source is or what the permissions are for sharing that work, they should not be reposting it. You’ll see people remarking to a reposter that they need to give credit to an artwork, when, no, unless they can prove they have permission to post it, they need to take it down. These people are not trying to do wrong in most of these cases; they just may not recognize that this is a problem at all. Some might even misunderstand and argue that “because it was posted in a public place, it is now public property”, but the flaw with that argument is that it was not posted in a public place. It was posted to a private platform for the use and purposes of that private organization that owns that private platform as contractually detailed in that private platform’s Terms of Service, which you agree to when using that private platform’s services. AO3, Tumblr, Twitter, etc., all have written into their ToS that their content providers retain ownership of the content they share via these platforms. When you repost someone’s work from AO3 or Tumblr or Twitter or…so on and so forth, you are not just stealing someone’s property, you are in violation of that platform’s Terms of Service.

Does that mean that there aren’t individuals in the community that do it knowing full well that they shouldn’t, and having been given the reasons why? Absolutely not. Criminals exist. They are a thing. The question is, how many of these people fall into that category? Not as many as you think, most are willing to take it down when they understand why it is wrong, but it is made more difficult that many people don’t understand IP to be property owned by someone, IP Theft is often considered to be a victimless crime, and the fact that when you post something on the internet it becomes difficult to control where it is spread.

Unfortunately, if your work is not monetized, damages are hard to prove over IP Theft and usually take more effort/resources to combat than what you’ll get out of winning the fight, you may not have much in the way of a copyright claim unless someone has commercialized your freely distributed work. In other words, if someone stole a story, I wrote to share with people free on AO3, and posted it to their website which is monetized through advertisement, they are now profiting off my work and I have grounds to sue them. People who do monetize their work have a bit more of a leg to stand on in terms of copyright claims, because they can demonstrate financial damage caused by the theft or plagiarism of their work. But it is still an arduous process that causes more than just emotional distress over “nobody likes my work”.

So here is the bottomline: If you are posting your fanwork on free-to-access platforms, no one is obligated to give you feedback and no one is obligated to Like/Kudos your work. That is endorsement and support that goes above and beyond what you’ve agreed upon by posting on that platform. It is a nice thing to do and does help to ensure that your favorite content creators continue to create work. They will most assuredly stop if you do not give them encouragement. That said, content creators should not be telling their audience that they need to or they are required to give feedback or comments on works they’ve read/enjoyed, or to shame those who do not, on the grounds that they are “not being grateful or appreciative”, because that is emotionally manipulative and, overall, unethical. If you want feedback on your work, that needs to be arranged and agreed upon before sharing it.

Reposting someone’s work without their explicit consent isn’t just morally wrong, it is a crime. Equating it to asking for feedback or showing appreciation trivializes the severity of the issue. These are not equivalent, and while not giving someone feedback on their work may hurt their ego or lead to them feeling discouraged from continuing to create, reposting someone’s work can have real world economic consequences for the creator and cause tangible damages.

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