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#nothing much to say on this one. they're here! their groovin'!
nighty-night-nh · 23 days
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De-stress doodle I forgor to post 🐰
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choccyhearts · 1 year
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NSFW Eddie Headcanons (18+)
Note: Happy Valentine's Day! Apologies that this may be all I upload today, I tried really hard to write more but I am very burnt out at the moment and am dealing with a lot right now </3 buuut, I hope you all have an amazing day!!!
CW: 18+!! G/N! reader, talk of oral sex, genitals not mentioned, little talk of insecurites, smutty obvs but not too graphic, lowkey fluffy/romantic, aftercare
Eddie "they let me hit cause i'm goofy" Munson:
Has stopped you while you're going down on him to release random thoughts from his brain:
"Why is it called a "building" if it's already "built?"" "Would a watermelon actually grow in my stomach if I ate a seed wrapped in a wet paper towel?" "If they really built this city on rock and roll...would it not just collapse immediately? Wouldn't they need some...heavy metal for support??"
Has gotten so deep into roleplaying before that he forgot it was supposed to lead up to sex:
"Wait...how is a blow job supposed to fix my headache? Like, logically?"
Will try to say the dumbest things when he cums:
"Ah! I've sprung a leak!"
Sometimes during sex, weird noises happen, and it's completely natural...but Eddie will giggle:
"Was that squeak you or me?" "Babe, all of your bones just cracked, are you alright?" "I swear to Christ that was the bed frame, not me! I didn't eat any beans today!"
He has tried to see if he can multi-task during sex, just to see if he can:
"Okay, you just stay down there, I'll hold on to my other sweetheart and move my hips. Let's see if I can play while we do this" "Okay, so that is a firm no. I cannot eat cereal and make love to you...I'm really sorry baby"
After proposing the idea of shower sex...
"So...do we get clean first and then get dirty...or like just get dirty?" "Babe, what if I go down on you while you wash your hair...oh yeah, I guess soap suds do travel down..." "It...is...so...slippery........more than usual..."
During movie night:
(In the background are a character's screaming) "Okay, please don't misinterpret this, but I am really horny right now, but I swear nothing on the screen has made me like this"    "I bet I could cum faster than Jason Voorhees can get a kill...let's see"
Shuffles over to you after turning on some music:
"Alright, let's get groovin'!"
Eddie "a giant teddy bear on the inside" Munson:
Holds your hand and gives it kisses
Delivers forehead kisses regularly
When you're starting to slow down from exhaustion:
"You're doing so good, such a good job" "Getting tired? Lemme take care of you, baby. Hold on to me, I'll move you"
Will softly cradle your face and let his finger run along your jaw
Will trace your stretch marks and kiss along them
Holds on to your love handles and massages them
If you're feeling a bit insecure about stretch marks or love handles:
"I don't know why you hate these so much, they're so useful in a time like this" "Christ, you're so amazing, every mark, everything, it's all beautiful"
Attends to your every need:
"Are you cramping? Here, let's switch it up a bit" "Do you need any water? Your mouth is a little dry...don't be embarrassed, baby. It's okay, this is technically physical activity" "Do you need more kisses? Where?"
Loves holding you close to him, feeling connected as one:
"Come here, let me hold you...wanna feel you right against me...keep you safe" "I don't care about the sweat, let me love you" "I'm all yours, all of me"
Eddie "aftercare is top priority" Munson:
Tries to read your body language to guess what you need, but will ask just to be sure:
"Here, sugar, drink up. Need you hydrated" "Do you need me to carry you to the bathroom?" "I'll be right back, I'm gonna go start the shower"
If you need to be held he's right there:
"Lemme snuggle you...you did such a good job, sweetheart" "Breathe for me, just focus on breathing. For me..." "You fit against my body so well, I just wanna be here forever"
Wil hum songs while you both calm down -- he does take requests!
Laces your fingers together and rubs his thumb against yours
Kisses galore! Anywhere and everywhere, an endless supply!
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mowu-moment · 3 years
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i feel controversial & i care too much, so here's my des rocs complete tierlist
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ranked list & reasoning (ish) under the cut
1. WAYNE: hoholy shit wayne. can hardly put into words how explosive this one is to me. the intro sets a Whole Mood before swiftly (& cleanly) smacking it down into an Absolute Banger and i don't use the term lightly. very hard not to scream along with it. only detriment is that wayne the person is kinda an ass in the mmc video but that's no qualm
2. POS: basically the same thing as wayne (oh both have great lyrics btw, this one more so), only gets points knocked for being 2 minutes long and having 30 seconds of that being intro & outro. go danny give us nothing
3. WHY WHY WHY: there's a theme among my top picks--they're all hard-hitting w/ killer guitar. the lyrics are absolute batshit in a good way, but the chorus is a lil flat & i feel like in general it just needed a touch more spice to score the top spot. or maybe it's just seniority & it'll have a coup a few months out idk
4. DEAD RINGER: similar killer guitar & lyrics but this one is Groovy as Hell. don't particularly like his singing in this one & it's too repetitive if i'm feeling grumpy but there's something so magic about after the bridge. top 10 songs to twirl a flag to
5. NOTHING PERSONAL: the minute long outro irks me & it's a little bit empty but plays into that well. groovy, great lyrics, the Sexiest Guitar Solo of the lot, the screaming's a minus but it does have an emotion there. not entirely sure what one but it's there.
6. LET ME LIVE / LET ME DIE: his first time being all over the goddamn place, history was made. amazing guitar, a little worse lyrics than 1-4 i'll admit, the intro Slays me both in a good and bad way. must be a joy to play live where he can just drag out that intro & bridge as long as feels right. at least i liked it in the digital concert like that. would actually kill me in a physical concert, imagine how much stomping gets going to that beat. bonus points for presumable cowbell
7. PIECES: for once not this high for the guitar & lyrics, they're both kinda basic. idk what's about this one but it just takes me to a separate dimension & i love it so much for that. really fills those earholes. also a bit of personal meaning, heard it for the first time on the day we moved into the house i'm currently split-custody-living in (is that tmi?) & the first music video of his i saw. man i love some spaghetti on the wall
8. SLO: basically the same as dead ringer, but knocked points for a kinda lame outro & the subject matter being a little less interesting to me. still lovely.
9. HANGING BY A THREAD: not my normal fare really & the way that the ends of the verses don't really fit in the pacing of them is bleh, but it's just so reminiscent of the songs my brother puts on whenever we hang out together that it just makes me all warm & fuzzy. it's also nicely put together which is something i'll have to start saying for. the later list.
10. SUICIDE ROMANTICS: this is where i start griping about head voice & higher pitches in general. don't like em so the pre-chorus is a lil annoying. also not my normal fare but it's tender & the ending is awe-striking. imo better live where he's loud on that last line before the final chorus. not enough to bump it up though. shoutouts to love and a smoking gun, i still am dying to hear that one
11. THE PAST HAS PASSED AWAY: my favorite lyrics out of the first 2 ep's. only thing wrong with it really is the bridge getting kinda repetitive. love that last chorus heehoo. same schpeel as the Banger Category
12. MMC: this one's lower than the rest of the Bangers for being pop punk which is something the radio has made me dislike, i guess. that trope with the guitar in the second half of the chorus just kills me so much. improves greatly during & after the bridge, love that lil ragtime piano. generally the same bit as before but i do love him doing something un-romance-related. yeah fuck the establishment!
13. THE DEVIL INSIDE: reminds me A Lot of the electronic-ish cassettes i've got from the early 90's but that's just me. this one will probably move up as i get more used to it, but only a little bit. the first part of the second verse makes me like. genuinely uncomfy? but the second part of it's fantastic. ending's ass though what happened to the instrumence. bonus points for using 'reverie' that's an SAT word (maybe). good singing but returning to the gripe at higher pitches, just a little bit though
14. THIS IS OUR LIFE: feels shockingly generic for a des rocs song tbh but there's nothing really wrong with that. adore the bridge. singing's alright. kinda miffed that he doesn't pronounce the 'f' in the second 'life' in the chorus, but it makes sense here. that sort of thing won't later so i'm bringing it up now. guitar's nothing spectacular but fits nicely into the song, probably one of the most cohesive of his (especially in recent history).
15. OUTTA MY MIND: really lives in the same space as slo and dead ringer do in my head (most likely the 'songs to twirl a flag to' zone), but this is by far the worst of the three for when i'm grumpy. just. Very repetitive. back to great lyrics here but it's kinda hard to pick them out (i've heard the song at least 100 times by now & i'm still missing a few lines). still groovin'
16. RUBY WITH THE SHARPEST LIES: what the fuck actually goes on in this song by the way? not the premise or whatever it's just. so all over the place. the verses are incredible but bringing in another vocalist just for one line kills me. bridge is really cool but that one part i don't remember where it is, the one that alternates basically nothing & an Electronic Piano Chord blaring at ya? ruins it. partially anyhow. also can someone tell the people on genius that it's 'carved it in my skin' not 'crawled down in my skin'
17. GIVE ME THE NIGHT: same repetitive issue as outta my mind but it's not groovy enough to save it, shame. feels like a trial run of all the wackshit stuff he's been doing recently, with the additional vocal bits at the end & the kinda weird lyrics. it still has a place in my heart don't get me wrong but it's just fallen in favor of stuff that Commits to banger or batshit (or actually pulls off both strongly, yyy). oh yeah nice guitar alright singing etc etc
18. USED TO THE DARKNESS: similar story to give me the night. i love it i do, but it's just lackluster nowadays. also remember that under-pronunciation thing i brought up in this is our life? this is where that comes back. rampant i tell you! that second verse he just doesn't finish the words & i hate it!
19. DON'T HURT ME: i honestly don't know why this one isn't in D. the chorus bit where he just cuts it short is irksome. the lyrics aren't anything special. i don't know what i like about it. but i can tell it does exactly what it set out to do if that makes sense. respect, respect. and using missile in an analogy, he's getting creative with the vocab
20. LIVING PROOF: kinda got a vendetta against this one i think? i don't know why i hate this one but i do. it's just kinda, blah. like the perfect sort of thing to nightcore up. sentiment's lovely & i do love the lyrics even if they aren't impressive but like. it bores me to an extent
21. TICK (LIVE): separating the version i heard in the digital concert just to give it some credit, this one was actually kinda nice. another one with a nice sentiment & what he was going for is great. no clue what the second part of the second verse has to do with any of this though. and it also begins our final group, the songs that just feel empty. like there's not nearly enough going on. this one's alright though i was just hoping the studio version would add some flair. you can see where that one is though.
22. IMAGINARY FRIENDS: also got a vendetta against pop. kinda hate the sentiment here (contrast!), the chorus just falls short of what the verses prime me for, head voice is rampant, and yet i still swing along to it. it's infectious props to him. love the outro though, monkey laugh and all.
23. MAYBE, I: another empty one, like it's a four-note progression what is that. love his singing in it, and the chorus parts do round it out, but like. eh? it doesn't even give me much to say.
24. BORN TO LOSE: another flop on the chorus! too smooth i say! and i absolutely Despise the pitch-shifting thing going on. not something i was expecting him to express so points there, lyrics are nothing fancy to my Literary Mind though. initially good singing but the chorus he's just sloppy over it. the instrumental is lovely but the vocals just throw it so hard into the bin which is a right shame. fuck that outro too i hate that gimmick
25. I KNOW: here's where the bad batshit comes in. singing is some of his worst imo, does the other-vocalist thing for that bridge, genre i'm not fond of, just a soup of Stuff I Don't Like. not one i'd kill someone over putting as #1 like i can see where it comes from but. mmmmmhhhh bad. cover does NOT help his case.
26. HVY MTL DRMR: empirically i should put this one higher. but the chorus flops so goddamn hard it deserves to be in the bottom of the barrel. the verses are lovely for what he was doing back then! but then just... nothing!
27. RABBIT HOLE: i was so excited for this name but it's just sad boi hours playlist curated by some corporation you hate. probably the most nothing of them all, genuinely where are the instruments. what happened. was this one just shoehorned in as the final track just to pump numbers up. and i swear he had some autotune or something which only makes his voice worse it's fantastic naturally. also that's not what a rabbit hole is! that's not the idiom! a rabbit hole is when you go on a wikipedia spiral from jennifer lopez to group theory! not when you just have a shitty night's sleep or whatever this is! i'm not just miffed i'm downright annoyed
28. TICK (STUDIO): what the fuck happened des. how did you release this. it sounds like a 3rd grader singing for the school talent show it's so out of rhythm. singing's honestly kinda bad & the instrumental has the same problems i talked about in the live version. the last chorus is fine, i guess, but no i don't forgive him for what he did to tick.
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