Do you know if the CW feels any impact from the audience of their shows in countries where they're not a channel? For example in Brazil there's no CW, but some of their shows are on the Warner Channel as well as stuff from other networks.

This one is a little more complicated, I'll start at "nyes".

Here's the thing: at the end of the day, the CW is an empty vessel. It has less than 400 employees, and technically even qualifies as a "small business" resultingly. It is an LLC, meaning it has no stocks, and can not be held accountable on the stock market and the executives there have a series of protections designed to keep them from taking personal hits.

Boycotting the CW is a method to plink the armor of its much larger parents. At the end of the day, the CW--shitty as its ethics, choices and influences are--are mostly beholden to its parent companies.

Does anyone remember when I told people, the second that Wayward was cancelled, that CBS was responsible, despite Wayward being a WB IP? I explicitly mentioned Moonves, and quoted his methodology on properties, ratings, streaming and more? Then dipshits like You Know Who tried to claim they knew better, and that I was crazy/stupid, and then like a month later one of the wayward women said at a M&G that the contractual breakdown was from CBS, and This Guy Named Moonves, and then there was radio silence and the You Know Whos emitted crickets, buried the conversation, and pretended it never happened?

That's because these things are related. They all influence each other, as per my last ask (x).

At the end of the day, the things that happened on, say, Supernatural are you actually being pissed at the WB. You can see the WB's historically failing Studio Responsibility Index on things like LGBT representation here at the GLAAD website. (x)

Just like a lot of the supreme BS attempted-but-massively-failing woke content tends to spew out of CBS trying to appeal to The Young Gays while segregating The Gay Stuff off their prime network that is historically way behind the others. They have no idea how to actually make or handle that content, but slap pride flags and a few Hashtag Fact phrases on content and plug it up the CW's ass to market it to you with more rainbows and a big impressive tally list of gay characters, that the You Know Whos of fandom insist make it a great representation channel, and bury the conversation that most of those are one-off or very minor characters, dead, or worse. They're there to hit a target that's a good talking point. Nothing else. They put a gay in the background of a poster somewhere so That Counts(tm) and look how progressive they are, make sure to attend his funeral next episode.

This may all seem like a huge aside to the initial ask but it's necessary framework to present, in association with the above-linked previous ask, on why holding the CW accountable is important. Because at the end of the day, be it the Nadria Tucker issues with WB/DC and their firing her for racist/sexist reasons; or the erasure of gays on Supernatural to the point there's clearly an order to their related syndication networks where they won't even air 15.09 or 15.18 again much less the finale; or the bullshit attempts at being woke on Walker where they think making ICE prisoners a talking point to launch a white man cop's story as relatable to an ICE officer's struggles is good marketing; to things outside of it, like--as posted by POLOL member Rebarn in the server,

-- these are people actually being mad at choices made by the CBS and WB. The CW is just a vessel to deliver it with minimal accountability and a PR mask people eat up like the gay candy they're trying to sell you even if it's just sugar free beaver anus flavoring.

But because of the size of these giant merged companies, like--trying to tackle WB head on for example is a fools' errand unless everyone pulled their heads out of their asses and ended this "I DO WHAT I WANT" personality and started heavily networking with say, DC fandoms and adjacent to do substantial damage to their franchises far larger. But, again, deferring to the above linked previous ask, if you knock out the CW as a content vehicle, even if it's smaller, you suddenly dent 6, 7, 8, 9 zeroes out of WB/CBS profits because you CAN knock down the CW, and change how they have to peddle their product.

To round full circle to your ask: just because the CW isn't in your country doesn't mean it does no good to boycott the content. Because the profit still goes to the IP holders (CBS, WB), and it's still part of the joint statement, as well as lowers the digital franchiseability of the products they're trying to resell on the market, internationally.

For example you know how internationally Netflix shows a lot of "Netflix originals" that are very obviously not originals, but are instead shows from other sources? That's part of The Rights Game. Initially CW and Netflix had a brokered deal of bulk packaging for a very large, very pretty price to them that helped bankroll them for years. This is also why CBS started shoveling absolute fodder content down the CW's throat that could run on just about negative ratings -- again, I point to the Moonves interview I cited as implication to why Wayward was bumped off the line -- so CBS could run away with the digital profits 100% licensing things in dozens or hundreds of companies. But CBS threw a goddamn hissyfit about merchandising rights when Netflix was like hey if we're gonna source all these shitty shows can we get like 10% of the merch value and CBS threw themselves on the mcdonalds playplace floor kicking and screaming, and then CW lost its legendary netflix deal which made them have to start peddling their content individually.

So if you cut off viewership of this content internationally, its franchiseability tanks, and CW continues to lose a huge part of its bankrolling value both with digital and to its parent companies using it as a vehicle to deliver content to shove into digital venues. The lack of the Netflix deal is why CBS is also wandering around like a pauper to platforms trying to find a home for its content--like convincing WB to host Walker on HBO Max, where I promise it's not going to do well. Most of its audience is beyond streaming age, and I promise no young 20 something is gonna open HBO Max and be like YOU KNOW WHAT I WANT TO WATCH, THIS YEEHAW COP REBOOT WITH JARED PADALECKI SPITTING IN A POT AND PULLING UP HIS PANTS. They're gonna fuckin' turn on Game of Thrones or something. Netflix, hulu, amazon don't fuckin' want it because they see that on the horizon. They're not gonna pay the money CBS wants for it. CBS All Access is for old people and they're too noncommittally fake woke just enough to piss off the Trumpers (points back to point about CBS content/representation way up there). So CBS DOESN'T EVEN WANT IT ON ITS OWN STREAMING PLATFORM.

Walker's housing arrangement on HBO Max is actually an early symptom of CW death throes, and CBS trying to figure out what the hell it's going to do once the CW goes under. It burned its netflix bridge, and soon won't have CW to try to float/sell/farm its content. Streaming apps don't want their content anymore. Their content underperforms.

So yes, absolutely boycott these products internationally. It adds to the weight of what's going on and continues to make CW less and less valuable on the front, continues to damage the actual IP holder parent companies and take their products to their knees, and continues to expediate the decline of it all in one network of fuckery. The same way the CW was a strength for its parents by webbing between them is now a way to drag them into a collective undertow and force bad business results on them all around, essentially inverting its value, expediting the rate at which they decide the CW is a money sink, and making them watch the 0s fly out of their bank account in a way that--say--trying to tackle the WB directly wouldn't accomplish.

CW no longer owns the rights to SPN, hence deleting its YT content. WB does. But WB has been feeling the crunch enough that brand new unopened S14 complete season blurays with specials are being sold under 10 dollars at walmart with 2$ off other movie tickets on the front and still not going off the shelves. That's them even trying to recover costs on releasing them to begin with. The WB tried to put out a mega 15 season uber collectors set giveaway enter by RT and got like, 300 RTs total. They need traction, they're not getting sales, and we're seeing the active results.

Continue to put heat on products that came by way of the CW as a result of their communal meddling being bad for business in any way possible, even after CW is no longer airing it and once the money is going straight into the IP holder parent company pockets. Not only are you then making The Correct People(tm) hurt, you're further devaluing the CW itself and accelerating its heat death which STILL will end up massively dinging the WB/CBS for reasons explained above in ways that kicking the titans in the shins itself wouldn't accomplish.

Hopefully that clarifies.