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#next thing you know i'm drawing parallels between the narrative and hades' own delusions
genericpuff · 11 months
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Mystery solved.
Okay. Okay I gotta figure out where to begin with this- breathes
A fellow ULO community member was going through old S1 panels and pointing out typos that we had all somehow missed (LO typos have a tendency to sneak by like that) and one thing they pointed out that I had never noticed was this one panel from Episode 102:
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Particularly pointing out how the font overlays Hades' fingers which is just hilarious. That was where it was supposed to end.
But have you ever actually read the letter?
Because I did. And it took me on a ride I wasn't expecting to go on at 2:30 in the morning.
This shot of the letter is from the second instance it appears, when Hades scratches out part of it and writes, "I love the way you treat me, and I want to feel that way all the time."
But the first time this letter appears, when he's actively writing it, it's delivered to us through narration, in Episode 47. I actually love this episode, it does a great job at visual storytelling without overuse of active dialogue, and the content of the letter itself shows a great amount of self-awareness from Hades in the moment, even though the dark implications of what he's feeling is falling on his own deaf ears and the scene itself is quickly dashed by the obligatory quip-for-comedy-so-people-don't-get-too-sad of Hades' dismissing his therapist's advice, with the irony of him not realizing his own issues as he's writing this letter mere hours before overstepping his boundaries and having a guy whacked for taking photos of the Goddess of Spring.
But there was one line in particular that's always stood out to me.
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The line "it ends up hurting you" felt random and out-of-context. In the beginning on my first read through back in early-mid 2019, I thought maybe it was just being poetic and I "didn't get it", until I became a critic of the series and had a reality check and realized it was likely just a typo, perhaps it was meant to be "It would end up hurting you" or something of that nature.
But it was looking at that panel of the letter and actually reading the text that was there that I realized - the line feels random and out-of-context, because it is random and out-of-context.
Look back at the letter. Paragraph eight. Rachel didn't write the full line despite it being necessary to the line 'it ends up hurting you'.
The full excerpt reads:
"I WISH I COULD EMPTY A DRAWER IN MY DRESSER FOR YOU, OR BUY YOU A TOOTHBRUSH TO KEEP IN MY BATHROOM. THE TRUTH IS, EVERY TIME WE HAVE SOMETHING TO DO WITH EACH OTHER... IT ENDS UP HURTING YOU."
I can't believe it's not just a typo. I can't believe it took me this long to find this. I don't know how this got missed by Rachel, I'm assuming she wrote the letter out first and then copy and pasted the words into a larger font size which she placed throughout the episode, but how could that one part have been missed when the line "it ends up hurting you" is a dependent clause that can't stand on its own without the line that precedes it?
At the very least, I do finally feel like I've found closure over this one scene, now that I know the full context to the line. And I wouldn't have found it if it weren't for people joking about the letter panel being drawn like shit.
But it's definitely discouraging because it begs the question, what else is being haphazardly left out of the dialogue? What other clunky sentences with next to no context or build-up or reasoning could be better if they were actually finished or if Rachel and her team had spent the extra time to double check the script and ensure that no sentence is being left half-finished?
The irony in this scene as well is that Hades acknowledges he's too old for Persephone, he acknowledges that they aren't good for each other and that he'll only wind up hurting her, he acknowledges that he barely knows her and he shouldn't call what he feels for her 'love', but infatuation, a very accurate and self-aware statement that I feel like the current Hades lacks. It makes it feel all the more distressing when the letter makes a return in Episode 102, and he makes one simple change:
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As impactful as this statement was back in the day, looking back, knowing fully well how far his character has now fallen, this now feels less like a triumphant statement accepting his feelings and more like one of giving in to his selfish desires. This is even more accentuated by the use of the red ink, which splatters across the page alongside messy handwriting, contrary to the meticulous typewriting above.
He's pushing off his baggage as a mere bridge to cross later.
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He's making hopeful assumptions about her feelings and putting her on a pedestal without communicating his actual baggage outside of his own head and with her directly. In fact, he doesn't get around to talking about this baggage until she's in a position to depend on him in Season 2.
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He's fantasizing about their future with next to no foundation yet, and while he's recognizing that she might not be happy with him in the long term, he still tosses all those legitimate concerns aside to "I love the way she treats me", as if all that matters is what she can do for him - and what he can and can't do for her isn't important until it will inevitably rear its ugly head after she's already become his.
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This is the turning point where Hades has become the villain. Where he's shifted from being the responsible adult and leader to an obsessive fanatic whose only goal is to have Persephone. To the point that, despite him saying in the letter that it would be best to limit his presence around her-
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-seems to be upset over the notion of doing that exact thing as soon as she's the one to suggest it. Acting as if he's being rejected when he was the one to originally conceive the idea to limit their presence around one another for her own good.
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Hades being a responsible King and adult went out the window years ago and I feel like this was the moment where it happened, and that red pen was the gavel. Apparently all it took was her admitting she has a crush on him - undoubtedly as shallow as his crush on her, based solely on infatuation but not written on paper as Hades' confession was - for him to toss aside all that work to unpack his feelings and all that responsibility he was willing to take. Never mind the fact that her feelings could undoubtedly use unpacking of their own. Never mind the fact that her liking him back still doesn't change the reality of their situation - that they're fundamentally different people, from different worlds, with vastly different experiences and outlooks and values and goals, living in massively different life stages. Try as it might to be presented as romantic, that "opposites attract", it's more appropriately and commonly known as being incompatible.
If this were any other story, this would be a precautionary tale in so many ways, made especially significant for an audience that's largely coming of age and experiencing feelings of infatuation and attraction for the first time.
But this isn't that story. It's Lore Olympus.
Hades is, through and through, the villain of this story, no matter what the narrative tries to convince us of otherwise. I stood by that statement before and I stand by it even more so now. Unfortunately we're now at the point where Persephone herself has become a villain, corrupt by the same system she used to criticize.
And just like the letter and all its raw text admitting to Hades' faults and baggage and showing he's willing to take accountability, so too does the narrative itself slyly tell the ugly truth in between its lines: that love is not enough, that love is not the same as obsession, that power can corrupt even the purest of hearts - that love is enough, that you should pursue the one you desire until they're yours and only yours, that you should climb higher towards those in power above you until you have that same power in your hands.
Because you love the way it makes you feel and you want to feel that way all the time.
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