Tumgik
#miu fucking iruma
the-ultimate-puppteer · 10 months
Note
HCs for Toko, Ibuki, Kaede, and Miu getting caught making out with GN Reader in a closet or empty classroom?
Toko, Ibuki, Kaede, and Miu getting caught making out with their S/O
Miu Iruma
Tumblr media
•This is rather obvious but this girl has no shame
•Instead of being flustered or embarrassed she brags about being caught
•And she's taunts the people who walked in on you
•Hey its not her fault that she's so hot that you couldn't keep you're hands off her
•Which is a lie, she was the one who wanted to makeout
•Not that she'll admit that
Ibuki mioda
Tumblr media
•Yeah she doesn't care like at all
•She actually would probably continue making out with you in front of your new audience
•I mean did you expect anything different ibuki is a rather open person
• So don't expect her to embarrassed about being caught
•If anything she's glad she's gets to show off
Toko fukawa
Tumblr media
•Yeah she's embarrassed
•Like super embarrassed and that leads to her berating the so called voyeur that just caught you
•Oh you're not a voyeur?
•Well to bad because now that's all you are to Toko at the moment
•You're just a dirty perverted who's jealous that she's got a hot S/O and couldn't help but wanna peak in on them
•You're gonna have apologize and calm her down
Kaede akamatsu
Tumblr media
•As confidant and self assured as kaede is she can't help but be a bit flustered at being caught making out with you
•She's not ashamed, she could never be ashamed of spending time with you
•She just doesn't like being caught while you two were having a private moment
•She doesn't berate the person who walked in on you
•Nor does she try to make excuses
•She just drags you off to another location where you can be alone together
214 notes · View notes
rubberduckyrye · 1 day
Text
Okay in all seriousness. There's something that I REALLY want to talk about as an open discussion with the fandom, but. This is not going to be a very nice thing to hear/talk about.
It's about how Gonta is treated by the fandom.
As a fan of all the V3 characters now, and as someone who has always been a fan of Gonta, and as someone who has many mental disabilities and two diagnosed neurodivergancies... I'm tired of playing nice about it.
You all need to stop being ableist towards Gonta.
I've mentioned in the past that I don't like shitting on personal interpretations. I don't like saying something is or is not canon because narration is just a big web of text that you try to decipher with your own personal biases, experiences, and thoughts. That's why two literary analysts analyzing the same text with the same literary criticism rules can come to wildly different conclusions--why people develop different headcanons from the same canonical information.
But one of the things that challenged my integrity is just how many people view Gonta as this innocent, naive, ignorant, baby boy who can do no harm/never has a complicated/dirty/violent/sexual thought in his life ever.
This incredibly ableist interpretation of the character bothered me for, well, obvious reasons (See: It's fucking ableist, need I say more?) but I never challenged it as harshly as I am now because to be frank, it's not my place to tell people how to HC a character. It still isn't. But I've pretty much given up on my integrity on the subject and have decided to go all in on discussing why this interpretation of Gonta is just. Really bad.
First of all, not to promote my own analyses here or anything, but I think this analysis I did of Gonta explains a LOT in regards to the ableism the cast gives him in canon. I also think that this subtle ableism is why the fandom is so bad with Gonta's characterization in headcanons and fanfic--because they've seen how the cast treats him, and they think it's normal. They don't see the microaggressions, they don't see the subtle ableism in the cast--they just see this big giant idiot who speaks like Tarzan in the English version (which... I don't actually know why people assume Tarzan (Thinking of Disney's version) is stupid. Like as a boy he had to reinvent the spear with no one to guide him on how to do it. He was able to strategize and outsmart "civilized" men in the final showdown. Still I digress) and don't see the literal genius behind his social awkwardness.
There is also another very important point I'm going to make in addition to this, and it's going to be very uncomfortable to Gonta fans who insist he's nothing but a sweet baby who only has pure thoughts. Especially to the fans who insist he "can't be sexual" or think it's weird to ship him with his peers.
Sorry to burst your bubble, but... Gonta blatantly has sexual desire and gets horny right in canon.
Tumblr media Tumblr media Tumblr media
This is further clarified here:
Tumblr media Tumblr media
It wasn't a matter of Gonta didn't want to touch her because touching someone in their underwear was inappropriate, or being flustered because she was in her underwear which is inappropriate...
It was literally a "weird feeling" that made him unable to approach her or touch her. A "weird feeling" that Miu makes pretty obvious as to what it was--sexual arousal.
He literally was sexually attracted to and felt sexual arousal from looking at Miu in her underwear. He had sexual feelings and thoughts about Miu. Why?
Because Gonta is a young man.
Gonta is a brilliant, talented young man who has normal human thoughts for someone his age--sexual desires, upsetting thoughts, complicated thoughts, ectect. He is not a child, he is not mentally stunted (I've been informed that people have literally said this on Ao3 for the NSFW Gonta fics, please for the love of god stop that)
I think the reason why Gonta fans typically want to keep him as a "pure baby child who can do no wrong" is because treating him like the young adult that he is makes it harder for them to justify Chapter 4. Every time I've seen a Gonta fan that hates Kokichi, it's always followed by the sentiment of "Kokichi manipulated and abused Gonta into killing Miu, so it's all Kokichi's fault." They're afraid of nuance and liking a character with the grey morality of genuinely thinking Mercy Killing the cast is a viable option, because it challenges their own morals about the character they adore.
To those people who read this and are upset: You can and should like Gonta! Gonta is a magnificent character who showcases the subtle way microaggressions can manifest and hurt people, he's a good-hearted person and a literal genius, he cares deeply for his friends and loves everyone with upmost sincerity.
But.
You need to re-evaluate your stance on Gonta if you think he's a stupid, naive fool who Kokichi manipulated. You need to re-evaluate why you think those thoughts, why you think Gonta being shipped with anyone is "Kinda weird" or "has weird consent problems" or "give you the ick." You have to challenge yourself and ask yourself uncomfortable questions in regards to why you treat Gonta like a child when canon has proven otherwise, why you think he cannot have violent or sexual thoughts, why he can't think mercy killing his class is the only way to save them.
This isn't an attack on you--but understand that these specific takes on Gonta? They are ableist in nature. They belittle and dismiss him, they treat him like a child, an idiot who can't think for himself--and you have to come to terms with the fact that Gonta is a far more complex character with complicated thoughts and feelings who is a young adult. Not a child. A young adult.
So again, ask yourself this: Why are you treating this young adult like he's a toddler?
138 notes · View notes
capybaraclassic · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
I have nothing to say for myself
492 notes · View notes
ultimateplaylistmaker · 6 months
Text
People: kokichi called miu a bitch and a whore! misogyny!
Miu's reaction when she is called a bitch or whore:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
like ah yeah this sure looks like someone not having fun, she sure is flushed and sweaty and moaning out of sheer hatred
Like if you don't like Kokichi just say it, but at least be fucking accurate in your reasonings, Miu has a degradation kink, and he doesn't act like this to ANY OTHER GIRL in the game. He's playing off of her, not against her.
While we're here, lets look at how Miu talks when she's actually distressed and about to kill Kokichi
Tumblr media Tumblr media Tumblr media
The difference is night and day, Miu is a very perverted character with multiple kinks on display, one of those kinks is degradation, she gets off on being insulted, something seen multiple times. Kokichi's attitude towards her reflects Miu's own attitude, it's not misogyny to call someone a whore if they like being called a whore and want to be called a whore. She never tells him to stop, she never gets upset at him, and when she does snap back its in something JUST as perverted like when she tells him to play with himself in the corner.
Kokichi being a misogynist makes no goddamn sense 3-4 of the people in his organization are female, he has moments of intense kindness towards Himiko, he gets along with Kaede, the ONLY character he acts like this towards is MIU because it's what MIU likes. He actively relies on Miu's inventions! They worked together! If Kokichi did not think Miu was capable because she was a woman, why would he have her use her talent for him? It makes no sense! I don't know how people don't hear the goddamn moaning! It's not misogyny its kink!
97 notes · View notes
drawbauchery · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
More!!!!!! (elaboratejellyfish)
SOO CUUUUUUTTTTEEE!!!!!! ( º///Δ///º )
114 notes · View notes
frootbyethefoot · 10 days
Text
Tumblr media Tumblr media
they're never bringing out the worst in us
[ID: two digital drawings of miu iruma and kokichi ouma from danganronpa v3: killing harmony. miu is crossing her arms and looking to the side with a blank, skeptical expression on her face. behind her is a silhouette of herself, drawn in all black, holding a hammer with a nervous expression. miu is colored in monochrome, and the background is bright red.
ouma is smiling, with a happy expression on his face. behind him is a silhouette of gonta gokuhara, drawn in all red, with a sad expression on his face, wrapping toilet paper around oumas neck. ouma is colored in a heavy red hue, while the background is pitch black. END ID/]
Tumblr media Tumblr media Tumblr media Tumblr media
some silly doodles too! i draw so much stuff that makes me insane that i often forget the value of doodling A Silly Little Guy. ids in the alt text!
28 notes · View notes
Note
Which danganronpa couple would have the messiest break up?
WELLLL...
Probably any dramatic danganronpa character in a relationship-
Tumblr media Tumblr media Tumblr media Tumblr media
But I think Junko takes the cake. Or Miu having a public meltdown about it. Or Ibuki posting on her socials about it and writing Taylor swift songs too
177 notes · View notes
okthatsgreat · 11 months
Text
Tumblr media
sssshhhhhh the assholes. they're communicating
based off this fic!
87 notes · View notes
etchif · 2 years
Photo
Tumblr media Tumblr media
I found my pen. have some ronpas
641 notes · View notes
sappy-detective · 4 months
Text
random danganronpa AU but miu and ouma both enter those illegal battle robots competitions for money
24 notes · View notes
junkosblunt · 11 months
Text
multi-chapter despair sisters // junko enoshima fanfiction concept
so basically i’m working on writing the most fucked up elaborately angsty sister fix it fic you can possibly imagine about my girls junko and mukuro. it’s a continuation of danganronpa IF but with a little flare of reality, so the concept is that after the failed mutual killing game, junko is tried and found guilty of attempted murder and a few other crimes, but the world still thinks izuru kamukura is responsible for the tragedy, the apocalypse, the terrorism, etc. to the world, junko enoshima is just another one of izuru’s remnants of despair, just another high school girl who was manipulated and swept away by the big bad man and the current of despair.
at the start of the story, junko has been in prison for like three or five or seven years (i haven’t decided yet lmao.) mukuro calls her every day even though junko never picks up, writes her letters even though junko never responds, comes to visit once a week even though junko always refuses to see her. she hates her. she hates mukuro—really, genuinely hates her. the whole betraying their cause to help makoto naegi thing left junko with a sour taste in her mouth—it was boring and predictable and staggeringly disappointing, even for mukuro—and so her previously fluid, fluctuating hatred hardened into something vicious and unmoving, something stagnant and boring. these days, as far as junko is concerned, she’s an only child.
life in prison is nothing short of dull and degrading, but her new medications, especially the xanax, and the two goons (or friends or whatever) she’s collected during her sentence thus far—her former classmate and current cellmate celestia ludenberg, who was arrested about a year after junko’s verdict for running an underground illegal poker ring and the former undercover officer who arrested celestia ludenberg for running said underground illegal poker ring, miu iruma—make it almost tolerable. the only intolerable thing junko has ever encountered in prison, the only intolerable thing junko has ever encountered period, is the Hole. but she behaves now, so the only time she spends locked in that 3.6ft x 4ft torture chamber enduring a merciless suffering so inconceivably awful even her despair deserted her in there these days is in the relentless waking nightmare she’s come to call her memory.
but aside from the transformation of her once glorious mind into the jumbled, abstract clusterfuck it is now (a parting gift from the Hole. ptsd—the gift that keeps on giving.) and the hallucination of her prettier, skinnier, saner high school self who she calls Ego and speaks to regularly, things are totally fine. boring, but fine.
then one morning a prison guard tells junko she has a visitor. junko, assuming it’s mukuro, waves the guard off, says, “tell her i was stabbed in a prison riot and my dying wish was for her to take a fucking shower.” but it turns out her visitor isn’t stinky, smelly mukuro after all—it’s the lieutenant of homicide at the tmpd, kyoko kirigiri !! kirigiri is waiting for her in the staff lounge of the prison and greets her with a photo of a young woman floating lifelessly in a bathtub surrounded by a halo of flowers. junko immediately recognizes the corpse as sonia nevermind, a remnant of despair, but what truly catches her eye are the monokuma hair ties holding her pale blonde pigtails in place. kirigiri tells junko she’d like her to take a look at the crime scene, and junko, who loves crime scenes and dead bodies and violence and the sorrow of lives taken too soon or whatever, is eager to see the rest of the sad photos, only for kirigiri to say, “i think it’d be best if you saw the scene in person.” and so kirigiri sneaks her out of prison for a field trip to a crime scene.
on the drive there, kirigiri explains that sonia nevermind is the newest victim of the most prolific serial killer in japanese history known as the ophelia killer. the name comes from the fact that all of his victims are found in water with ophelia’s famous bouquet, displayed to resemble the millais painting of ophelia. this fucker has been killing bitches for years (claiming the life of one victim per month) without ever leaving a trace: no dna, no witnesses, no security footage, no motive, literally nothing. the police know that the victims’ cause of death is always drowning, but these girls, these ophelias, are never found with any sort of defensive wounds. the tmpd has no idea how the ophelia killer even abducts his victims—one moment they’re there and the next they’ve vanished into thin air, only to reappear a month later floating languidly in a pool of pansies, poppies, violets, and roses, immortalized as yet another tragically beautiful ophelia. the victims are always young girls between the ages of 16-20 who come from respectable, wealthy families. it’s the same story every time: well behaved, bright futures, excellent grades, tons of friends, home by curfew, no history of running away, behavioral problems, or substance abuse. they’re always good girls from good families, so there’s an immense pressure on the tmpd from the public to catch this killer.
while junko is analyzing sonia’s crime scene, she immediately pieces together why she’s been brought here: the ophelia killer, whoever they are, is attempting to communicate with her through subtle clues scattered throughout a crime scene he designed just for her, like a little tap on her shoulder that says, “hey, wanna play?” (and indeed, junko wants to play.)
kirigiri’s theory is that there’s only one person in the entire world capable of committing such heinous, despairing, and yet utterly artistic murders for years without ever leaving a trace: izuru kamukura. the ophelia killer’s interest in junko is the only lead kirigiri has, so she makes a deal with junko that she’ll be released from prison under the condition that she agrees to work with the tmpd to catch the killer. junko agrees to the terms, more than thrilled to indulge in her sudden, utter fascination with her new friend and the cat and mouse killing game he so eagerly wants to play with her. also, it’ll feel nice to be free.
for the first time since her arrest, junko’s mind is alive, ablaze with possibilities, with predictions, with patterns, with questions: why, after all these years, has izuru kamukura decided to reach out? what does he want with her? is he seeking her friendship? her companionship? her mentorship?her despair? or is she just another one of his pretty ophelias, fragile and ethereal and doomed to sink beneath the surface and leave this world behind?
junko signs off on the offer, but she soon finds that kirigiri purposely neglected to mention a potentially deal breaking condition of her parole: her mandated place of residence.
upon her release, junko, who was under the impression that she’d be boozing it up in miu iruma’s bachelorette pad, finds mukuro waiting to pick her up from prison to drive her to an apartment she idiotically calls, “home.” the terms of her parole dictate that she’s required to live with mukuro, the sister she fucking loathes, the sister she once loved even more dearly than despair, the sister she refuses to let in no matter how frantic the pounds sound on the other side of the door. despair is a path best walked alone, and that’s that. and so junko is determined to navigate the painfully reality of her ptsd on her own, concealing the fact that she even has it in the first place from everyone she knows, but especially from mukuro. she buries the truth of what really happened to her in the Hole six feet under, the grave unmarked, never to be spoken of aloud. however, she slowly starts to realize that no matter how abysmal the pool, how deep the grave, how tiny the hole, some bones just refuse to rest peacefully.
mukuro and junko eventually begin to find their way back to each other through the cobwebs and clutter of their many crowded years apart, but as the gap between them continues to shrink, junko can’t help but feel illogically lost. when she looks at her reflection in the mirror, on the water, she wonders if she’s missing something, maybe even everything. if they’re truly making their way back to shore, why does she still feel like she’s underwater?
while mukuro fights to keep her afloat, junko chases after the ophelia killer and the promise of despair that awaits her, plunging full fathom five into the deepest, darkest depths she’s ever known, trying desperately to avoid the mirrors that seem to appear at every turn along with the holes they’re meant to conceal.
MAIN CHARACTERS: junko enoshima, mukuro ikusaba, miu iruma, kyoko kirigiri, celestia ludenberg, izuru kamukura, maybe kotoko utsugi
MINOR CHARACTERS: the 78th class, the 77th class, kaede akamatsu, suichi saihara, korekiyo shinguji, probably more from dv3 as needed
(junko’s relationship with despair is a super prevalent aspect of the plot too lol not sure why i didn’t mention that but yeah.)
73 notes · View notes
Text
2 notes · View notes
gh0str3c0rd3r · 5 months
Text
entering a character tag and the first thing i see is a list of reasons NOT to like them.. wadda hail
19 notes · View notes
Note
Oh hey natsumi does yasahiro still owe yah money?
Tumblr media
Natsumi:Of course that fucker does, I'm not letting him forget it.
Tumblr media
Makoto:Don't worry, I'm not letting him forget either.
Tumblr media
Junko:Like any good friend, I remind him in the most despairful way possible, he won't forget it even after he pays.
Tumblr media
Shuichi:Did I miss something?
Tumblr media
Hajime:Yasuhiro owes Natsumi money.
Tumblr media
Miu:But why those two look so annoyed by it? Isn't he your classmate?
Tumblr media
Makoto:He tried to convince me to sell my organs or identity to pay his debt for him.
Tumblr media
Miu:And you said no?
Tumblr media
Makoto:...why would I say yes? I'm a friend, not a doormat.
Tumblr media
Shuichi:Then why do you keep reminding him?
Tumblr media
Makoto:Because bad things are gonna happen to him if he doesn't pay, we can't convince Natsumi to hold off in demanding her debt forever.
Tumblr media
Natsumi:Fucking right you are, imagine what the others will think of me, they see it as a weakness.
Tumblr media
Hajime:And believe me, that isn't a good thing when you're part of the Yakuza.
Tumblr media
Shuichi:When you put it like that, it makes sense.
Tumblr media
Miu:Then why does Despair Bitch do it? I doubt she gives enough of a shit of anyone that isn't Makoto to do it.
Tumblr media
Junko:Of course I care about him, what other way I can show I care that by giving him Despair?...and also maybe he should of thought twice before trying to sell my boyfriend out that way.
Tumblr media
Natsumi:...I'm really glad we aren't close enough friends.
Tumblr media
Though if someone tried to sell Hajime I be pissed too.
Tumblr media
Miu:Yeah, me too, if someone tried to sell Shuichi I be fucking angry. I'm also really glad we aren't friends.
Tumblr media
Makoto:(Junko, didn't you told me you consider them friends and that you wouldn't do anything to them because you weren't into that anymore?)
Tumblr media
Junko:(Shut the fuck up, you promised that you wouldn't tell)
Tumblr media
Hajime:What are you two whispering about?
Makoto & Junko:Nothing!
5 notes · View notes
laylas-dr-sideblog · 1 year
Text
Tumblr media Tumblr media
Memes that popped into my head while I was at Panera.
79 notes · View notes
drawbauchery · 7 months
Note
I drew more kitties
Tumblr media
MORE KITTIESSS!?!?
54 notes · View notes