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#michaelhaneke
hororia · 1 year
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Benny's Video (1992)
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🐈‍⬛🐈‍⬛
I've been curious to watch this movie just by seeing its poster. As my first encounter with Haneke is from Funny Games (1997), I'm curious on how far he'd go with this kid Benny. It went well at first, but beginning to stale right after Benny and his mother went for a trip to Egypt. I guess this was meant for us to be involved emotionally with this strange situation.
It's getting weird when I recognized Benny's face, turns out he was the cast in Funny Games (1997). So creepy how I was drawn to this movie from there.
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donnemoilemonde · 18 days
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film-book · 10 months
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Film Review: Funny Games (1997) https://tinyurl.com/2alvgzcu
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heredownbelow · 10 months
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Das Weiße Band (2010)
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criticfilm · 1 year
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10 Signature Elements of Michael Haneke’s Filmmaking Style
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cinefast · 1 year
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#leseptièmecontinent tout le talent glacial de #michaelhaneke dès son premier film https://www.instagram.com/p/CmPkzxkL4uu/?igshid=NGJjMDIxMWI=
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drakk · 4 years
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The Seventh Continent, Michael Haneke (1989)
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sabatinocersosimo · 3 years
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“Love, Love, Love (III)” (2018) - oil, oxidation and engraving on welded steel plates, 75x65 cm. This was the third and last painting of a series inspired by Erika/#IsabelleHuppert in "La Pianiste" by #ElfriedeJelinek (book) and #MichaelHaneke (film) and the need of love, any kind it can be, any shades it can have: tender, raw, physical, platonic, ordinary, obsessive, sick... 🔥 In the following fragments you can see something of the work in progress, included the collection of the rust which I removed before starting painting, and collected in little test tubes. The painting is at @accessogalleria in Pietrasanta, and hopefully it will be possible to show it again this coming summer! 😉 The tubes are and will always be with me. 🌟🌟🌟 Again, my beautiful, sensitive friend and super talented artist @elisaseitzinger posed for me, and I can’t wait from painting her again soon for my first painting of 2021! 😍😉🙏 • • • #oilpainting #contemporaryart #figurativepainting #realisticpainting #sabatinocersosimo #paintedwoman #femalemodel #oxidation #experimentalart #instaart #lovelovelove (presso Accesso Galleria Pietrasanta) https://www.instagram.com/p/CKMczA9ntco/?igshid=xs39rf8bjnmp
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chandrillera-frames · 4 years
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Benny’s Video (Michael Haneke 1992)
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niandco · 4 years
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La pianiste - Michael Haneke (2001)
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disimulando · 4 years
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La Pianiste (The Piano Teacher) (2001), dir. Michael Haneke _______________ #lapianiste#thepianoteacher#michaelhaneke#isabellehuppert#dramamovie#benoitmagimel#dramamovie#basedonnovel#disorder#moviescene#filmstills#indiemovies#cinephiles#filmaesthetic#movieclips#cinefilos#cinephilecommunity#movielover#greatmovie#filmbuff#filmlover#moviefan#movieoftheday#cinemalovers#moviegeek#bestmovies#movieworld#instafilm#instacinema#moviepic (en Vienna, Austria) https://www.instagram.com/p/B7RIljyobPX/?igshid=i64yu8wk9c8j
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ferretfyre · 5 years
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Do ever just... get all the #bestforeignlanguagefilm winners of the 2010s as a flex? #film #criterioncollection #inabetterworld #amour #ida #thegreatbeauty #thesalesman #aseparation #michaelhaneke #pawelpawlikowski #asgharfarhadi #susannebier #paolosorrentino @criterioncollection https://www.instagram.com/p/By1mP01hIZ3/?igshid=s061211w6r8q
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film-book · 1 year
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The Criterion Collection - December 2022 DVD, Blu-ray, & 4K Ultra Releases: COOLEY HIGH, MICHAEL HANEKE: TRILOGY, THE VELVET UNDERGROUND, & More https://film-book.com/the-criterion-collection-december-2022-dvd-blu-ray-4k-ultra-releases-cooley-high-michael-haneke-trilogy-the-velvet-underground-more/?feed_id=114104&_unique_id=6388a61542009
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lady----m · 5 years
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criticfilm · 1 year
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Caché (2005) Review: Buried Memories Resurface! ✨
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greatestnorthern · 5 years
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entry #5: Funny Games (1997) + Funny Games US (2007) directed by Michael Haneke Michael Haneke directed the original German film “Funny Games” in 1997. 10 years later, he decided to make a shot by shot English remake of the film entitled “Funny Games US”. The reason for this is that he wanted the film to reach American audiences, as it has a lot to do with violence in film, and reality. The violence in this film is never shown on screen which allows the audience to bring their own imagination into play. By filling in the gaps of what we don’t see, the audience is able visualise the situation and react to them based on what is presented. On another note, “breaking the 4th wall” is a concept that has been severely overused in the film industry. I’ve always believed that it can go two ways: either the director loses the audience by reminding them that they are only watching a film, or the audience is invited to become more involved & intrigued in the situation the film sets up. Funny Games is an example of a film that uses this method effectively, and for a purpose. By doing this, Haneke guides the audience’s attention to the realization that what we are watching is not going to go the way we hope. In an era so filled with genre-cliches, predictability is a factor that audience members tend to critique very quickly. In ignoring these cliches, Haneke manages to portray a world that might feel absurd at first, but is indeed a reflection of the brutal reality we live in. This makes both versions of Funny Games a truly unsettling experience. Nothing can express my love for these two gems directed by Michael Haneke. #michaelhaneke #funnygames #funnygamesus #cinema #german #naomiwatts #timroth #michaelpitt https://www.instagram.com/p/BsiLw7fFtfS/?utm_source=ig_tumblr_share&igshid=ima8mx5n4z8j
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