Helloween’s debut EP was an inadvertent rallying cry for a new movement that, while running in parallel with the rapid development of thrash in America and including many of the same influences, soon became its own thing and has arguably persisted longer than any other subgenre in metal history. But “Warrior” didn’t necessarily signal the birth of power metal: Kai Hansen’s frenzied yelping had little of the precision and soaring glory of Michael Kiske, and the music was just too fast and frantic for anyone to really process what was going on. But Helloween (after a couple years of woodshedding in earlier groups like Iron Fist and Powerfool) was clearly on to something, because “Warrior” was super-fast, ultra-heavy and incredibly catchy in equal measure, and even Metallica wasn’t operating at quite this level (though to be fair they were really on their own level). Most of all, the band’s joy at playing this kind of music was always palpable, as was their hunger, and that made even their most unhinged early material such fun.
happy bday #michaelweikath I said this 'is the funniest guy on Helloween, me and my sister used to laugh a lot about this, still 'it's funny to me😂💯
🎼🎶🎃🖤🎤💀🎸🎶⚡📷🎃
Even more than Master of the Rings, The Time of the Oath was a loud and purposeful assertion of Helloween’s right to exist, and opening single “We Burn” was a cornerstone of their mid ‘90s resurgence, even though it has been strangely forgotten by the band since it hasn’t been played in at least 25 years. The track accomplished several things at once: it was easily the most aggressive and squarely metallic Helloween anthem since “Eagle Fly Free”, it solidified the chemistry and vitality of this lineup (Uli Kusch’s drumming was the band’s secret weapon), and it reflected the evolving power dynamics in the band as it was solely written by Andi Deris, who would over time become the group’s primary composer. And Deris was really the key to it all: he didn’t have Michael Kiske’s range, but he was a more enthusiastic performer and a much more natural frontman, and most of all he had the commitment and drive to keep Helloween moving forward, and the propulsion of “We Burn” illustrated that they were truly playing for keeps.