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#martine beswick
hotvintagepoll · 2 months
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Propaganda
Martine Beswick (A Bullet for the General, Prehistoric Women, Thunderball)—She plays Adelita in the 1966 Italian zapata western “A Bullet for the General” (aka “Quién Sabe?”) a gunslinging revolutionary and she’s so wonderfully playful and scary and hot in the role. She also looks incredible in the absolutely absurd “Prehistoric Women.” Jamaican-born, Portuguese-Jamaican and British, she worked to help support her family from a young age.
Vanessa Redgrave (Camelot)—Partially submitted as justice for her father, and you should all know her birth was announced to a theatre audience by Laurence Olivier. But for herself, she is a wild untameable beauty who was in some of the best avant garde cinema of the period.
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Vanessa Redgrave propaganda:
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emeraldexplorer2 · 6 days
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Thunderball. 1965. Sean Connery and Martine Beswick
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istitutofemminile · 8 months
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Il bacio 1974
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weirdlookindog · 5 months
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Martine Beswick in Dr Jekyll & Sister Hyde (1971).
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gatutor · 3 months
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Martine Beswick
Here comes the sun
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Martine Beswick, 1960s
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mudwerks · 1 year
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(via Pulp International - Promo image image of the women of Thunderball)
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rptv-jamesbond · 1 year
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From Russia with Love
Fight scene between the gypsy girls Zora & Vida (played by Martine Beswick and Aliza Gur, respectively).
The picture is signed by Aliza Gur, “Vida”
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swdefcult · 7 months
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esqueletosgays · 1 month
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DR. JEKYLL AND SISTER HYDE (1971)
Director: Roy Ward Baker Cinematography: Norman Warwick
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cardigancyn · 26 days
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Thunderball - 1965
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gifsfrommydvds · 2 months
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istitutofemminile · 9 months
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Il bacio 1974
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weirdlookindog · 27 days
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Dr Jekyll & Sister Hyde (1971)
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crumbargento · 1 year
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The Happy Hooker Goes Hollywood - Alan Roberts - 1980 - USA
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gatutor · 2 months
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Lou Castel-Martine Beswick "Yo soy la revolución" (El Chuncho, quién sabe?) 1966, de Damiano Damiani.
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