Fashionable Selby
Todd Selby, Forewords Simon Doonan
Abrams, New York 2014, 348 pages, 20.32 x 27.94 cm, ISBN 978-1419708619
euro 40,00
The next installment in the bestselling “Selby” series, Fashionable Selby explores the kaleidoscopic world of fashion, featuring profiles of today’s most interesting designers, stylists, haberdashers, models, shoemakers, and more. The subjects include a mix of the avant-garde, the traditional, the must-haves, and the totally unexpected. Chapters on individual artists bring readers inside their studios, workshops, and homes, and include Selby’s signature photographs and watercolors of not only the artists and their environments, but also the things that inspire them, the materials they use, their creative process, the people who work alongside them, and the final pieces. From the showroom of one of the Antwerp Six to the studios of Central St. Martins in London to a punk knitter in Brooklyn, Selby captures some of fashion’s biggest names, rising stars, and best-kept secrets.
23/01/23
twitter: @fashionbooksmi
instagram: fashionbooksmilano, designbooksmilano tumblr: fashionbooksmilano, designbooksmilano
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“Saludos afectuosos al pueblo español, mi pueblo, que pronto tendré el inmenso placer de visitar. Estoy tan contenta de trabajar en España! María Montez”
“Affectionate greetings to the Spanish people, my people, who I will soon have the immense pleasure of visiting. I am so happy to work in Spain! María Montez”
This is a postcard announcing that María would come to Spain to film “La Maja de Goya”, a film produced by Cesáreo González. He contacted her with the contract and the script and she agreed to take part on the film. The film was about to start by September 1951 but since 1949 the Spanish producer wanted to work with the Dominican Star.
Cesareo González was the one who promoted Mexican actress and singer María Félix and launched her career in European films. She first worked with him in "La Corona Negra" in 1951. This was a Spanish film co-produced by France and Italy.
[Mexican actress and singer María Félix pictured in 1947]
This photo was first printed in Spanish magazine Primer Plano number 560 from July 1951.
[Left: the magazine cover, featuring Ava Gardner, right the photo printed from the magazine]
Antonio Pérez Arnay had the magazine and was interested in getting the photo for his book "María Montez La Reina del Tecnicolor", and finally, he had a copy from the original one (believed to be in the Spanish Filmotheque) and could publish it in his great and unique book for María Montez.
Very special thanks to @74paris for the information given and the pics provided here.
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¡Barbie se viste de María Félix!
¡Se agotó en tiendas digitales en cuestión de minutos! 😱
Para cautivar al público mexicano.
Así como hace años nuestra amada “Doña” del cine mexicano, María Félix, se ganó el cariño y el respeto del público internacional por su trabajo en filmes como “Doña Bárbara” (1943) y “La Diosa Arrodillada” (1947), ahora vuelve a ser ícono mundial gracias a la muñeca que este año acaparó la atención de chicos y grandes: Barbie.
Y eso se debe a que este miércoles…
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Propaganda
María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.
Julie Andrews (The Sound of Music, Mary Poppins)—Oh where to start .... I'm not sure I even know how. She's just perfection. And it's not fair I can't bring post 70s work into this, because she just gets better and better, and her drag performance in to die for. But in the era I CAN talk about, she shows she has THE RANGE. Beautiful, feisty, funny, holding her own against Christopher Plummer, Paul Newman, Rock Hudson. Oh she's luminous.
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
María Félix:
She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.
"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz
María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.
Julie Andrews propaganda:
"She has such a simple but amazing beauty to her. Not to mention her amazing and melodic singing voice!"
"Roles like nannies and governesses can make us forget how attractive she was! A perfect combination of elegant and adorable, with the most incredible vocal range to boot!"
"Besides having one of the most amazing singing voices ever to grace the silver screen, Julie always had an understated beauty to her that wasn't always shown off on screen. But it's there nonetheless because her characters managed to pull some of the hottest men ever to grace the screen."
"The juxtaposition between carefree Maria and stern but fun Mary Poppins shows the power of the acting of this HOT VINTAGE MOVIE WOMAN"
"Charming, genteel, incredibly charismatic, beautiful, and has an angelic singing voice to boot. Her screen roles as Maria in The Sound of Music and Mary Poppins are absolutely iconic for a reason and she originated several well-known Broadway roles before those."
"the most beautiful woman 12 year old me had ever seen possibly"
"OMG OMG OMG she’s definitely been submitted before how could she NOT but!!!! I loveeee her so muchhhh rahhhh prebby!!!! cool!!!! mary poppins the beloved <33333 some people dislike it but I love jolly holiday so much because it IS a jolly holiday with Mary!!! no wonder that it’s Mary that we love!!!!!"
"I know many people who were taught in singing lessons "when in doubt, pronounce words how julie andrews would pronounce them." THATS CALLED INFLUENCE. THATS CALLED MOTHERING THOUSANDS."
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Alabaix Big Band (A Jazz de Mar, Porto Colom, Mallorca. 2022-07-03) Por José Luis Luna Rocafort [INSTANTZZ AKA Galería fotográfica AKA Fotoblog de jazz, impro… y algo más]
Alabaix Big Band (A Jazz de Mar, Porto Colom, Mallorca. 2022-07-03) Por José Luis Luna Rocafort [INSTANTZZ AKA Galería fotográfica AKA Fotoblog de jazz, impro… y algo más]
A Jazz de Mar
Fecha: Domingo, 03 de Julio de 2022. 22:00h.
A Jazz de Mar.
Lugar: Porto Colom. Mallorca.
Grupo:
Alabaix Big Band
Toni Vaquer: dirección, arreglos
Pep Garau, Maria Antònia Gili: trompeta, fliscorno
Jaume Blàzquez, Gabriel Saitto, Félix Rossy: trompeta
Tomeu Garcías, Miquel Amengual: trombones
Miquel Gayà: trombón bajo
Joan Garcías: bombardino, contrabajo
Cristina Miguel, Carles…
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