Josef Istler (1919-2000) — Chexbres [mixed media; oil, glass, stone, canvas, 1964]
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Helen Frankenthaler (American, 1928-2011) • Blue Dance • 1963
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Emilio Scanavino, "Nascosto è sempre chi nasce e chi muore", 1956
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Brice Marden
Elements (Hydra)
1999-2001
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Exposition Art Blog Sam Gilliam - American Contemporary Art
"Sam Gilliam is one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an African-American artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam has subsequently pursued a pioneering course in which experimentation has been the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions continue to take on an increasing variety of forms, moods, and materials."
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Pierre Alechinsky, Arrondissement no.7, 1983.
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Hans Hartung - Black Crescent on Yellow Background (1956)
https://desmoinesartcenter.org
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Matthew Marx - Chlamys, 2022. Ink on paper, 16 x 11 cm.
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"The Blue Phantom" by Wols (Wolfgang Schulz). 1951.
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Alekos Kontopoulos (1904-1975) The Moon Boat [oil, canvas, 1960]
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Women's History Month
Helen Frankenthaler (American, 1928-2011)
A visitor looks at Helen Frankenthaler's Off White Square (1973) at a gallery in Southampton, N.Y.
Kena Betancur/AFP via Getty
Helen Frankenthaler in her East Eighty-third Street studio working on Rapunzel, New York, April 1974
© 2023 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York, Photo: Edward Youkilis. Helen Frankenthaler Foundation Archives, New York.
Mountains and Sea • 1952 • National Gallery of Art, Washington, D.C.
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December 18, 2022 - 1st Return Appearance Since Spring : My Most Viewed Image this Past Week @FineArtAmerica, Blue with Gold Twilight - #Panorama
Ocean waves of blue fill our skies and seas, cascading sighs and whispers of inspiration with each breath.
Blue with Gold Twilight ©Felipe Adan Lerma 10×20 acrylic on canvas https://felipeadan-lerma.pixels.com/featured/blue-with-gold-twilight-felipe-adan-lerma.html*My related blog posts –https://felipeadanlerma.com/?s=Blue+with+gold+twilight
Blue with Gold Twilight — my small 10×20 lyrically abstract, has has returned for a 6th week featured as my most viewed image on my Fine Art America site, it’s…
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Brice Marden, Grove Group II, 1972-73
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I've been longing for
Daisies to push through the floor
And I wish plant life would grow all around me
So I won't feel dead anymore
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Exposition Art Blog Sam Gilliam - American Contemporary Art
"Sam Gilliam is one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an African-American artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam has subsequently pursued a pioneering course in which experimentation has been the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions continue to take on an increasing variety of forms, moods, and materials."
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