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Ohsama Sentai King-Ohger FLT | Pamphlet ft. Main Cast Messages & Takano Minato Interview (pages and translations below, LONG POST)

Publication: mid March 2024

Ohsama Sentai King-Ohger FLT (act.1)

The story of the Royal Sentai ended with the defeat of the Uchu King Dagded Dujardin. That's how it was supposed to go, but…

Soon after, there was alittle incident. Make no mistake, Chikyu is also at risk. But, it's hopelessly stupid and ridiculous, and will definitely cause a big commotion. An inconceivable comedy. We'd be happy if it makes you laugh.

-Synopsis-

The kings have gathered for the "Six Kingdom Summit" to decide who's most suitable for the "face" of the new banknotes, but for some reason, the "story" takes an unexpected turn…..

Hehehehe.

Sakai Taisei (Gira Husty/KuwagataOhger) "I'm going to rule the world!"

The king of Shugoddam, the largest country in Chikyu, and the one where the guardian god resides. He transforms into KuwagataOhger. He grew up in an orphanage in Shugoddam's castle town, but it later turned out that he was the younger brother of the (then) king, Racules. However, his true identity is a life form created by the Uchu King Dagded. His ability to communicate with the Shugods and his immortal body were inherited from Dagded.

"Looking back, say a few words for the character you spent a year playing!" I feel like I've also grown after being moved by Gira's feelings for others!! Thank you Gira Husty!

"Out of all 50 episodes, which one was the most memorable?" It's episode 49! It was cool to see everyone working together to take down Dagded! Don't mess with Racules's little brother! Stuff like that was good!

"Sakai Taisei's "confidential episode" that he can only talk about now!" I was given the OK for a take in episode 48 where my pants zipper was wide open! When I checked, it was well hidden. Thank goodness~💦

"Please show us your enthusiasm for the Final Live Tour!" This will be the culmination of King-Ohger, and it may be the last time we'll be able to meet everyone! Let's enjoy it as much as we can!

"A message to the fans who have supported you over the past year!" Thank you for your support over the past year! The warmth and energy I felt when meeting everyone at these events was truly encouraging! It would make me happy if you continue to love Ohsama Sentai King-Ohger from now on! See you later ^_^

Watanabe Aoto (Yanma Gast/TomboOhger) "I'm on top!"

The king of N'kosopa, the country of technology. He transforms into TomboOhger. N'kosopa's national power, which was once a satellite state of Shugoddam, has been greatly enhanced by technological innovations. Although he himself is a top class engineer, he was originally born in a slum and is considered an "upstart" He's got a bad mouth and says "octomush" and "slack jawed tanuki" on a daily basis.

"Looking back, say a few words for the character you spent a year playing!" Thank you Yanma Gast.

"Out of all 50 episodes, which one was the most memorable?" I have fond memories of episode 2, which was shot on location during the cold season, and was created together with the extras who applied to be in the show.

"Watanabe Aoto's "confidential episode" that he can only talk about now!" Halfway through my nose wouldn't stop running, so I was given multiple "runny nose NG" cuts.

"Please show us your enthusiasm for the Final Live Tour!" With the story that everyone's put together in their minds, we'll beat things down with guts and brains until the very end.

"A message to the fans who have supported you over the past year!" Thank you for your support over the past year. The story ends here, but I'd be happy if you remember us again someday and come visit us here in Chikyu to play. And with that, until we meet again!!

Murakami Erica (Hymeno Ran/KamakiriOhger) "I'll do as I please and follow my own path!"

The queen of Ishabana, the country of fine art and medicine. Having lost her parents in the "Wrath of God," she became king at a young age. She transforms into KamakiriOhger. She loves beautiful and cute things, and will always get what she likes by any means necessary. However, on the other hand, she's also a passionate doctor who has no hesitation in "saving someone's life."

"Looking back, say a few words for the character you spent a year playing!" I'd be happy if many people were "saved" by Hymeno's strength!

"Out of all 50 episodes, which one was the most memorable?" It's episode 28, where the kings swap bodies! In any case, we had fun and I think we saw the depth of each other's roles!

"Murakami Erica's "confidential episode" that she can only talk about now!" I brought my own bento to maintain my health and stay in shape, and yet……the famous tokusatsu "popeye onigiri," I never got to try it!!! (laughs)

"Please show us your enthusiasm for the Final Live Tour!" I'm really looking forward to seeing everyone who supported King-Ohger in all the regions around the country! Let's have lots of fun together 💛

"A message to the fans who have supported you over the past year!" Thank you for your support of King-Ohger over the past year! Even though the broadcast is over, I hope that this production will live on in everyone's hearts. Take care~💛💛💛

Hirakawa Yuzuki (Rita Kaniska/PapillonOhger) "Remain immovable"

The king of Gokkan, the country of ice and snow. They also serve as the Chief Judge of the International Court of Justice, which protects the neutrality of the world. Because of their position, not only do they always keep their facial expressions hidden, they rarely show emotion, but when they're at a loss, they sometimes makes strange noises. They're of few words, and never speak in public about anything unnecessary. The only thing they can make an exception for is their plushie of the animated character "Moffun." They transform into PapillonOhger.

"Looking back, say a few words for the character you spent a year playing!" It was difficult, but it was really fun to perform!

"Out of all 50 episodes, which one was the most memorable?" It's episode 5, "The King of Winter is Coming." It was my first trial scene, and it was a very important part of the story, so I clearly remember being very nervous during filming. It was really embarrassing when I said "death penalty" to Gira in the scene where I should've said "not guilty"……It's a fond memory now (laughs).

"Hirakawa Yuzuki's "confidential episode" that she can only talk about now!" To be honest, I'm not good with early mornings, I'm always in high spirits, but in the morning I'm about 2 beats behind in my reactions…(laughs).

"Please show us your enthusiasm for the Final Live Tour!" I'd like to express my gratitude to everyone who's supported King-Ohger!! Definitely look forward to it :) I'm also looking forward to meeting everyone! I also want to eat lots of tasty food~! (laughs).

"A message to the fans who have supported you over the past year!" To everyone who's supported Ohsama Sentai King-Ohger over the past year, thank you so much. Everyone's messages of support and the power you gave me at these events kept me going until the end. I'd be very happy if this production remains in everyone's hearts even after the broadcast is over. King-Ohger is the best!! Thank you!!!

Kaku So (Kaguragi Dybowski/HachiOhger) "By any means necessary!"

The lord of Toufu, the country of agriculture. He transforms into HachiOhger. He's always humble and polite in tone, but the theatrics of his words and actions tend to stick out, so he's what you'd call a "trickster." He's "two faced" and will lie with ease in order to achieve his goals, but he's also willing to take the initiative to sweat and dirty his hands by "tainting them pitch black" in order to protect the lives of his people.

"Looking back, say a few words for the character you spent a year playing!" You're so cool Kaguragi! Just like you, I'll live big so that I can protect what's important to me!

"Out of all 50 episodes, which one was the most memorable?" It's episode 37!! Interacting with the former lord Iroki was fun to perform, and it was cool as Kaguragi too!!

"Kaku So's "confidential episode" that he can only talk about now!" Around the time the script was being finished, I avoided doing muscle training because I figured Kaguragi would be more of a brainy character, but then I thought a powerful character would be more interesting, and so I enjoyed my muscle training life.

"Please show us your enthusiasm for the Final Live Tour!" At last, the final stage! We'll all do our best to bring out the charm of King-Ohger without fail. Please enjoy it until the very last moment!

"A message to the fans who have supported you over the past year!" Thank you very much for your support so far. Without everyone's warm support, I wouldn't have been able to make it through this past year at full power! There's no doubt, King-Ohger has become an irreplaceable and important work in my life! I hope this production will remain in everyone's hearts for a long time!

Ikeda Masashi (Jeramie Brasieri/Spider Kumonos) "I rule over all and decide the fate of the world."

A man born between his father, the sixth hero that saved mankind 2,000 years ago, and his mother Nephila, a Bugnarak. His real name is Jeramie Idmonarak Ne Brasieri. He transforms into Spider Kumonos. As a "storyteller," he has long passed down the history of Chikyu, but finally realized his purpose when he showed up to stop the war between humans and Bugnarak.

"Looking back, say a few words for the character you spent a year playing!" I'm happy that I encountered Jeramie, and that he was loved and accepted.

"Out of all 50 episodes, which one was the most memorable?" The first six person Royal Arms transformation. It's the best part about Sentai heroes, and I remember getting goosebumps the moment I saw the image of those six.

"Ikeda Masashi's "confidential episode" that he can only talk about now!" I spilled coffee on my pure white costume.

"Please show us your enthusiasm for the Final Live Tour!" We'll do our best to make it enjoyable for everyone.

"A message to the fans who have supported you over the past year!" King-Ohger wouldn't have been possible without everyone who has supported us. Thank you for all the love! May it continue to remain in everyone's memories. Thank you for the past year!!

Yano Masato (Racules Husty/OhkuwagataOhger) "May the blessings of the Shugod's be upon these warriors!"

The former king of Shugoddam. He inherited the throne from his father, Causus Husty. He believed that it wouldn't be easy to protect Chikyu from the threat of the Uchu King Dagded, and while acting like a selfish and reckless tyrant himself, his intent was to earn Dagded's trust and patiently wait for his chance to prevail. He transforms into OhkuwagataOhger. He joins forces with the Royal Sentai in the final battle.

"Looking back, say a few words for the character you spent a year playing!" I'm happy that I was able to play Racules!

"Out of all 50 episodes, which one was the most memorable?" For me, I have memories from every episode, including the ones I didn't appear in, but I'll never forget (the performance of) Sakai-kun fighting during filming of the first episode.

"Yano Masato's "confidential episode" that he can only talk about now!" Starting from the second chapter, my body had gotten so big that my costume became abit too tight (laughs).

"Please show us your enthusiasm for the Final Live Tour!" We'll do our very best to entertain everyone!

"A message to the fans who have supported you over the past year!" King-Ohger was really deep, huh? ^_^ I was very happy to be involved in this production! I think I made it through this past year due to everyone's support. From now on, it would make me happy if it continues to live on in everyone's hearts forever!

Friends of the King-Ohgers

Shugoddam Douga: He was the retainer and right hand man for Racules, and was in charge of Shugoddam's "military" affairs. Although he tried to find employment in the other countries, he eventually returned to Shugoddam and became the retainer to the new king, Gira. His personality is always serious. Kogane & Boone: A young girl and boy who love Gira, and who lived with Gira in an orphanage in Shugoddam's castle town. Goroge: In a way, he's a prominent figure, who for better or for worse, is someone who expresses his honest thoughts through words and actions when a major incident occurs.

N'kosopa Shiokara: Yanma's retainer who has deep respect for him. Originally a criminal in an organization that circulated counterfeit money in N'kosopa, he was reformed after meeting Yanma. He took on a supportive position for Yanma, who believes that technology can change the future. Akka, Usuba & Mayuta: These three are citizens of N'kosopa, who along with Shiokara, were once involved in the circulation of counterfeit money. After meeting Yanma, they were reformed like Shiokara. Their relationship with Shiokara hasn't changed since then.

Ishabana Sebastian: Hymeno's retainer. He's actually 25 years old, but when he became Hymeno's butler, he was given special makeup to give him an older appearance, and his name was changed from his real name, Romane Dearborn. Originally, he was the heir to a ducal family that has existed in Ishabana for 1,000 years. Elegance Moun: The chief physician of Ishabana. As her name suggests, she has an elegant appearance, but shows no compromise in her work (medical care), and acts with a strong will and sound judgment. Hymeno also places deep trust in her. Cleo Urbanus: The head maid who serves Hymeno…..which she is, but she has great physical strength and is also good at martial arts. In order to save Hymeno and the others, she once confronted a group of Sanagim and fought them off. In the final battle, she fought bravely alongside Kuroda and the others.

Gokkan Morphonia: Rita's retainer. She's a lazy person, and would rather not work if she can help it, but she does her job well. She's also the person who best understands the pain of loneliness that Rita carries. As a "child of criminals," she has mixed feelings about her position as a candidate to succeed Rita.

Toufu Kuroda: Kaguragi's retainer. Because of his position, he's usually quiet, but when he speaks, he has a smooth voice. His appearance is that of a so called "Kuroko," but the cloth that covers his face has a smile drawn on it. There are other Kuroko's who work at Takitate Castle, but Kuroda is thought to be their leader. Suzume Dybowski: Kaguragi's younger sister whom he dotes on. She calls him "big brother." She was in poor health as a child. She lived in Shugoddam as a "hostage" for the reconstruction of Toufu, but when she realized Racules's "objective," she chose to live as his willing accomplice.

Earth Empire Bugnarak An evil kingdom ruled by Desnarak VIII. After the overthrow of Desnarak VIII, it was reborn as the "Inbetween Land Bugnarak." Although it was once destroyed by the Uchu King Dagded, efforts to rebuild were continued in secret with Jeramie at the forefront.

Desnarak VIII: Ruler of the Bugnarak. Possessing the characteristics of an earthworm, he obtains nutrients from the soil and transforms them into his own energy. He met his end after being betrayed by Prime Minister Kamejim, but emerged from the Land of Death in the final battle. He worked together with the Royal Sentai and sent Kamejim to the Land of the Dead. Kamejim: Although he was the Prime Minister who served Desnarak VIII, he was actually the mastermind behind the battle between humans and Bugnarak, and was "Kamejim of Vanity" of the Uchu Five Jesters, who infiltrated Chikyu under the orders of Dagded. After that, he resumed his activities as Kamejim Unka. Daigorg: General of the Bugnarak who possesses the characteristics of a horned dung beetle. A hero to the Bugnarak, he contributed greatly to the unification of the underground world. He was revived through the technology of Shugoddam, but was defeated in a fierce battle with King Caucasuskabuto. Gerojim: A monster possessing the characteristics of a mayfly. By applying light refraction, he can mimic the appearance of a human. After being saved by Jeramie, he became loyal to him, and soon after was active as Jeramie's retainer, who had become the king of the "Inbetween Land Bugnarak."

Uchu Five Jesters A group of aliens led by the Uchu King Dagded. Up until now, they've led different species on numerous planets to conflict and destruction. With their sights set on Chikyu as their next target, they first attacked the Inbetween Land Bugnarak, and then launched a full scale attack to destroy all living beings on Chikyu.

Dagded Dujardin: The creator of all insect life forms. He has an invulnerable body that's immune to all attacks, and because of this, he always has time to speak and act in a way that belittles his opponents. For him, the destruction of other life forms is merely a form of "tidying up." Goma Rosalia: One of the Uchu Five Jesters known as "Goma of Suspicion." He possesses the characteristics of a longhorn beetle. He has the ability to swap any concept, from human minds to matter, and has swapped the bodies of the kings of six kingdoms. He unexpectedly died in battle after being brainwashed by Hilbill. Hilbil Leech: One of the Uchu Five Jesters known as "Hilbill of Enticement." She brainwashed the king's retainers and citizens, turning the human race on Chikyu into mobs. Finally, she brainwashed (it's implied) herself to become a giant in order to corner the King-Ohgers, but was ultimately defeated. Minongan Moth: One of the Uchu Five Jesters known as "Minongan of Concealment." Just as he looks, he's a "power fighter," with high offensive and defensive power. Angered by the defeat of Hilbil, he challenged the Royal Sentai to a battle in order to give him what he craved, but was defeated by the combined power of Kaguragi and Rita's "King's Proof." Grodie Leucodium: One of the Uchu Five Jesters known as "Grodie of Tranquility" He's the one responsible for causing the "Wrath of God." In order to defeat this "living corpse," the Royal Sentai implemented a strategy to bring him back to life. Grodie tried to bring upon the "Wrath of God" again, but was dealt the final blow.

"Thank you for your support over the past year"

Main Screenwriter Takano Minato Interview

"By the time this article is published, Ohsama Sentai King-Ohger's broadcast will have already finished airing. At this point (at the time of this interview), the writing process of the script may still be fresh in your mind, but how do you feel after writing a year long drama series?"

Takano: I'm clumsy by nature, so all I've been thinking about for the past year was "King-Ohger." I was just concentrating on the production. It's not an exaggeration to say that I was risking my life. That's why I feel so much attachment to it. In reality, I had to immediately start working on "King-Ohger VS Donbrothers" right after I finished the script for the final episode, so I didn't feel a sense of freedom (laughs), but I did feel a sense of accomplishment that I had made it to the end.

"So far, you've participated in the Kamen Rider series as one offs, but King-Ohger was the first time you participated in the Super Sentai series. Furthermore, it was the position of Main Writer……"

Takano: Toei's Producer Omori Takahito, who I worked with on "Kamen Rider Ex-Aid" and "Kamen Rider Zero-One," called me through his office, where I remember immediately saying, "I'll do it!" (laughs). For me, the most significant thing I had done before King-Ohger was the hour long drama "Shinhannin Flag," which ran for two quarters (half a year). That production was an original project for TV, it wasn't an adaptation, and one hour a month for half a year is about the same as 30 minutes a month over one year, right? I think I was lucky in terms of timing, as I was able to build such a track record.

"There were many challenging factors to the production of King-Ohger."

Takano: The first thing Omori-san told me was the concept of the project, "Everyone is part of the Royal Sentai. Furthermore, all of them are the strongest." Then, a switch was flipped and I thought, "Interesting!" We decided to have a brainstorming session, and on that day, I had created and submitted a complete set of ideas for the worldview of King-Ohger, the image for each country, character settings, and the overall series structure. At that point, I had already included the story surrounding the Uchu King and Racules. Looking back, it was like I had put everything I liked and had accumulated since childhood into it. For the main characters, with the exception of Gira, everything I wrote at the time went almost unchanged.

"What do you mean when you say accumulated?"

Takano: In the household I grew up in, TV and video games were prohibited when I was young, but because of my parents work, I was surrounded by children's literature, picture books, and the shonen manga that my father loved. I grew up devouring a variety of stories, so I was lucky to come across a project that allowed me to make use of that. I think that's why I was able to make it through the past year even though it was my first challenge in the Super Sentai series.

"You've created a magnificent worldview, but how did you feel when you first saw the completed footage?"

Takano: I was surprised. This was the first time for Toei to introduce virtual production in full, so I started writing the script early on, but then Omori-san told me, "You've written so much, but it may be impossible (to visualize it as imagined)." Here too I was like, "Well, you may be right……" And to be honest, I was also worried about how it would turn out. Over time, I wondered if he would eventually say something like, "We can't do this anymore, so let's stop." But, then I saw the footage, and those worries were blown away. Rather, I thought this would allow me to further expand my image. The CG assets (background materials) from each country were also excellent, which further increased my motivation.

"We were told by Director Kamihoriuchi Kazuya, who was the Main Director of the show, that the more Takano-san pushes himself, the better the script gets."

Takano: (laughs). He'd say things like……"Takamina, you only start scratching your head when you're getting serious." When I'm worried, I seem to scratch unconsciously. I think the first time I became numb to that person (Director Kamihoriuchi) was when we were finalizing the script for episodes 1 and 2, and there was a moment when the meeting stalled. At such times, because of my position, the Screenwriter often plays the role of communicator or someone who summarizes everyone's opinions, but when I tried to do so, he firmly said, "No, let's just think about making it interesting right now." That attitude had remained constant throughout. He's very particular about "creating interesting productions." When it comes to scripts, I stick to every last line until the very last minute before the submission deadline. Instead of motivating me, he just lets me write it until the end. It wasn't an easy task, but I could feel that it had become more interesting as I was revising it, and the Director was able to add the finishing touches to make it even better. I think that his uncompromising attitude had a great impact on the production. Just once, I'd like to see the Director make a movie with a budget of atleast 10 billion. I think he could make something amazing.

"Takano-san also visited the filming set as much as possible."

Takano: I myself used to have a theater company, and I just love the current state of creative production. I would look at the set with a feeling of respect, but it was also beyond my imagination. No one ever really talks about it, but everyone's passionate about it, they're all passionate about making something as "interesting as possible." Everything was so ingenious down to the finest detail, that it makes you think, "They'd really go this far?" So, no matter which episode you watch, it's already multiple times more interesting than the draft of the script. It was truly a rewarding job as a Screenwriter. It's not exactly Jeramie, but I included some "between the lines" in the script to think about. There was never a time when I thought, "This is wrong!" when looking at the footage created by those on set. It was more like, "Eh? You picked up on this here too?" I thought they were an amazing team, and I was again reminded of the beauty of "working together to create a work of art." I'll never forget the many warm words of encouragement I received from the staff on site.

"What do you think of the cast? Despite the large number of characters that appeared, we think that all of them became very lovable."

Takano: They were wonderful. What can be said in general is that everyone loved and nurtured their roles above all else. This is true not only for the main six, but also for Racules's Yano-san, and for everyone else who played a part as the retainers……It's all thanks to the cast that the roles expanded beyond what I originally had in mind. I used to do theater, so by getting to know them, I wanted to write scripts that brought out the best in the people performing them. So, when I went to the set, I actively talked to the cast. To give an example, when I asked Watanabe Aoto-kun, who plays Yanma, "Do you have any stories you want to do?," he said, "I've got alot" and he offered lots of ideas. Among them was a story about Yanma giving up everything for Shiokara, and I thought, "That might be good!" I expanded on it and wrote episode 35, "Don't Cry Slack Jawed Tanuki." Another thing was Rita's Hirakawa Yuzuki-chan, who said she wanted to "show her face," so I thought I'd write something with that.

"The enemy was changed from the Earth Empire Bugnarak in the first half, to the Uchu Five Jesters in the second half."

Takano: I also love villains, and even when I watch "Batman," I get emotionally invested with the Joker, so I was very particular about the evil setting. As for the Uchu King Dagded, I wanted him to be absolutely evil, so I decided not to explore any positive aspects of him. The Bugnarak arc was calculated backward from the Uchu Five Jesters arc, but I didn't want it to be a predictable development, so I put alot of thought into the order in which the monsters (Kaijim) would appear. It makes sense that Iragajim (episode 22) and Zarigajim (episode 24) appear at the end of the Bugnarak arc. Since Iragajim can steal Shugod Souls from the Shugods, which Bugnarak need to become gigantic, it was necessary to have him. And since Zarigajim was sent for the plan to destroy Chikyu, his appearance was timed that way. After that, there's the Uchu Five Jesters arc, and once again, all my favorite voice actors were cast (laughs), so I didn't want them to say anything meaningless, even if it was just one line of dialogue…..I was really happy because my favorite elements were included here as well (laughs).

"Please tell us how the final episode was created."

Takano: One climax was the story of Racules (episodes 42 and 43). There has always been some debate about how to conclude Racules, and one possible direction was to have him die, but if he died, he would become a hero. I felt that Racules, as a criminal, needed to pay for his past crimes, which is why it took the form you've all seen. In the following episodes, I again thought, "I'm not sure what I should write," but I decided to work on what I hadn't written yet by that point, and carefully complete them one by one. And so, episode 45 was about Kaguragi and Rita. I originally conceived Kaguragi and Rita as paired characters, but I wanted to rework that part of the story and include the issue of successors, which is inevitable in a story about kings. Then, episode 46 was about Hymeno and Jeramie. While also telling the story of their parents, I dealt with the issue of "life," as it's something those two have in common. Then, episode 47 is the reckoning of the "Wrath of God." The remaining three scripts were episode 48 to the final episode, which of course will be the story of defeating Dagded, but when it came time to decide what to do after that, Director Kamihoriuchi said, "Let's bring out everyone."

"Especially around episodes 49 and 50 (the final episode), the "Characters" section of the script was amazing."

Takano: The last three scripts were written as a way of "giving back" to various people. Even if it was just one word, I tried to write dialogue that would make all the cast members think, "I'm really glad to have been apart of this production." I felt the same way about the viewers, and I wanted to make them feel happy and enjoy watching King-Ohger all the way through to the end. It felt like I was writing a letter of gratitude to all of them.

"Being in charge of a one year drama series for the first time, especially a Sunday morning children's program, was there anything that you were careful about or anything you noticed?"

Takano: Since I don't have a family yet, I did some research with family members I know, but it seems that in reality, it's not easy to have the whole family sitting calmly in front of the TV the whole time during Sunday mornings. However, on the other hand, Toei's Super Sentai series and Kamen Rider series are among the few programs today that are mainly for children, but are also watched by their parents, so the idea was to create something that would be "interesting" to all audiences. So, of course I worked really hard on the aspect of it being a serial drama, but I also tried to include elements that could be enjoyed even if you watch only that episode during the weekly broadcasts. It was difficult to find a balance between it being worth watching as a serial drama and being interesting as a stand alone drama. The range of what I want to show is infinite, but that doesn't mean I should settle for the greatest common denominator, and I wanted to deliver something that was by no means mediocre. That's something I've always been aware of.

"Especially in the second half, we feel that this goal became more apparent. Dagded and the Five Jesters are so unique……(laughs). Normally, when a strong enemy appears, the story tends to go in a more serious and dark direction, but because the main enemy is a guy like that, the visuals of the strategies that are carried out can become funny. We're sure it would be easier to adjust the overall "taste" though."

Takano: I thought it was important to make a topic of conversation in that way, such as "the episode where the characters swap bodies" or, "the episode when the kings become children." No matter how exciting the main story may be, it's difficult to attract new viewers if it becomes contained, right? In recent years, I often see headlines like, "XX and XX have finally teamed up, and XX has been activated!" in online news articles, but for those who haven't seen it yet, It's just a bunch of words they don't understand (laughs). Instead, for example, using words like "trial by combat" or chosing a generic expression such as "sibling confrontation"……I was also particular about that. Then, as I mentioned earlier, there's the awareness of the target audience, which is family. Depending on their age, some children will enjoy different parts from their parents, so I was hoping that they would atleast find a character that they liked or that they could empathize with. If such a character exists, it's a reason to continue watching the show. I thought about this too, but I don't think it would have worked without the efforts of each of the cast members. For example, Douga-san was in a position where it was difficult to make him seem human, but I was inspired by Morioka Yutaka-san's performance, and later ended up writing the story about him looking for a job (laughs). Really, if I talk about each of these things one by one there is no end to it, and I feel that King-Ohger was a production that everyone worked on with a positive and pure passion.

"And finally, the story that'll be performed at the Final Live Tour is also written by Takano-san. We heard that the actual writing is still in the works….."

Takano: Since it's a stage play, It feels abit like I've returned home (laughs). However, since then, I've had the opportunity to write many scripts for movies and TV dramas and gained alot of experience, so I'd like to write what I can write because of who I am now, and what I write is because I'm in the world of King-Ohger. One thing I intentionally avoided in the TV series is that because they're kings, I basically didn't let them make choices like doing something in exchange for their lives. However, now that the kings have bonded with each other, I wonder if such a story is possible. Also, since it's a special stage performance, I'm thinking of ways to involve the audience as well. I hope that visitors who come to the venue will also become residents of "Chikyu" and participate in the story……Some completely different ideas are being thrown around, so I don't know what will happen yet (laughs), but I'll do my best to make sure you enjoy the stage version of King-Ohger as well!

Staff Comments on episodes Main Writer Takano, Producer Kuji Producer Omori, Assistant Producer Takahashi Main Director Kamihoriuchi

Episode 1 Racules's favorite Takano-san's comment: Gira's a character who uses villainous language. I was really worried at whether he'd be liked or not. And then, what Director Kamihoriuchi and Sakai-kun created was that 30 seconds of silence. I was sure that it would be an impactful moment. I could feel the care and passion of all the people involved from every corner of the picture, and I was shaking with happiness knowing that I was going to work with such wonderful people on this production for a year.

Episode 2 Yanma's favorite

Episode 3 Takano-san's comment: A beautiful and glittering princess, and a strong and noble queen. Cute and cool coexisting. There was no need to give up on either. She won't flatter anyone. Still, she wants to protect and be protected, love and be loved. She'll make it all happen. Living selfishly. The character of Hymeno-sama was also the "prayer" for the girls who watched the show.

Episode 5 Rita's favorite Takano-san's comment: It was an unexpected challenge to put judgment in a children's program, but I remember how relieved I felt when we received the positive response. It was also a pleasant miscalculation to find that Rita-sama stuck with adults who have gone through the hardships of society.

Episode 10 Takano-san's comment: I really wrote this with the intention of it being the final episode. I wrote the opening remarks for Legend King-Ohgers descent first, and then wrote everything backwards from there. Thankfully, the response I received was good, but at the same time, I was cursed to go all out on writing opening remarks each time.

Episode 12 Takano-san's comment: It was reeeeeeally tough! Jeramie was difficult! We were all trying to figure out what to and what not to do, but Director Kamihoriuchi turned it all around in the end, and we ended up with the best Jeramie and story! We had to revise the entire script, which I had written up to about 20 episodes at that point, but it was alright!

Kuji-san's comment: The composition, dialogue, action and music…it's a good feeling to feel the bold yet subtle professionalism in every scene. Even reading between the lines was enjoyable, and I become excited no matter how many times I watch it.

Episode 14 Jeramie's favorite

Episode 19 Takano-san's comment: When the relentless and coldhearted Producer Omori said to me, "I want the words Ohsama Sentai to have significance," a "Huh?" flew out of my lips. It took me a whole day to get to the point where I could read "kotozama" (strange) as "kotosama." As a result, I'm really glad I went through all that trouble.

Episode 26 Takano-san's comment: I've loved villains since I was a kid. The true value of a villain is at the end of their life. I loved Desnarak-sama so much that I cried while writing it. It made me really happy when Producer Omori, who shows almost no emotion said, "I cried when I read your script."

Episode 27 Takano-san's comment: Even though it had been decided from the beginning that Dagded would appear, to the viewers, it was the sudden appearance of an unknown character. Furthermore, I had been begging with "Ishida Akira-san will work best," so when it really happened, I wrote the story as if I was put my life on the line. Thanks to the overwhelming visuals and great work done by Director Kamihoriuchi and the CG team, this was an appropriate opening for the new chapter.

Episode 29 Omori-san's comment: With the start of the second chapter, I think the arrangement of this episode, after the completely serious episode 27, and episode 28, which ignored everything and was comical, was actually key for the second half of the series. The unique coolness of Jeramie and his bond with the other kings was shown through a perfect balance of script and direction.

Episode 30 Hymeno's favorite

Episode 32-33 Omori-san's comment: I won't hide it, Ryusei-san was the first one to be given the OK for his appearance. These episodes were made possible because he was already scheduled to appear in the V-Cinext, so I think that's why everyone else also appeared.

Episode 33 Kuji-san's comment: The power of the Great and Mighty Lizards (Kyoryugers), whose bravery has increased over the past 10 years was amazing, but I realized that the charm of the kings is brought out even more when there are strong characters next to them. In any case, it was an extravagant episode.

Episode 35 Takano-san's comment: Aoto-kun said to me, "I want to do a story where I have to give up everything to protect just one person, Shiokara!" This episode was made possible thanks to Chiwata-kun's efforts to develop his character of Shiokara on set and his increasing popularity. I thought this was the best part of working together to create a long story. The last scene made me cry so much that it took me a while to write it.

Episode 37 Kaguragi's favorite Takano-san's comment: It's under the pretense of…a surprise performance by a married couple, but it was a profound human drama, and a dialogue heavy one. Honestly speaking, I thought it is insane to attempt through acting. It wouldn't have been possible if Kaku-san wasn't Kaguragi. I think this is one of those episodes that pushed the limits of morning tokusatsu programs for children.

Episode 38 Takano-san's comment: "I want to do something silly" is what I used to say when writing King-Ohger. It was also a phrase to keep my sanity in check, because if I was too serious, I'd lose sight of its essence as a children's show. This was the culmination of that. The argument of, "Why idols?" was one of the most serious topics that Producer Omori and Director Kamihoriuchi had ever had. Being silly must be taken seriously.

Episode 39 Takahashi-san's comment: The high level action was something that only King-Ohger can create. I think the action scene against Goma was an unprecedented challenge for a Japanese live action drama. I rewatched the 1 minute and 10 seconds of action countless times.

Episode 40 Omori-san's comment: This is the episode where we find out that Gira was born from the Uchu King. You may not have noticed it much, but even when depicting heavier themes, I made it a rule to "always end with a victory or them standing." Even if there's a wall, kings are the ones who always stand up.

Episode 41 Takahashi-san's comment: This is the episode where Racules shows his "real face" for the first time. The line from Racules became the subtitle of the episode. It's not an exaggeration to say that 40 episodes had been accumulated for this single line, so it was the ultimate "catharsis" for me when I heard it. Yano-san's performance was also wonderful.

Episode 42 Takano-san's comment: Although the truth about Racules had been decided before I wrote the first episode, the most important thing I kept thinking about was how to reveal it. I was on a walk while I was thinking about episode 8, when it came to me and I cried. I was absolutely determined that I would not die until I wrote this episode.

Episode 49 Gira's favorite Kamihoriuchi's comment: This is the "culmination" episode of King-Ohger, where the staff and cast were giving it their all.

Episode 50 Takano-san's comment: Episodes 48-50, those three episodes were written as a long final episode. It's a conclusion that couldn't have been written without a buildup, so I wrote this as a gift of gratitude to the cast, staff and viewers. I worked on the manuscript with Producer Omori and Director Kamihoriuchi until morning, and the selfie I took with the big smile on my face while shouting, "I did it!" is my treasure.

Ohsama Sentai King-Ohger: Ancient Alphabetical Reference Table

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