When I think about MI ’96, I think a lot about the aesthetic and stylistic choices it made (how I’ve been chasing that high ever since) Allow me to enumerate some of those things in another list formatted post:
Sound: The movie’s comfort with total silence. not a beat pause. No a music drop and then a rising crescendo for triumph. The deeply uncomfortable *cough cough* *sniff sniff* silence. You never get the sense that the movie is desperate to fill the space, point in fact it thrives on your discomfort. As a viewer of any cloth, you know its likely that Ethan Hunt is gonna come out of this, but you really ask yourself how far the team pulls before the rubberband snaps. Hearing Luther talk near the sound sensor makes you want to jump out of your skin…. The suspense. The urgency. Donloe is coming. He’s coming but they can’t move at any pace except the one they set. Because if it’s not the decibel monitor, it’s the heat sensor, if it’s not the heat sensor it’s the motion sensor, and if it’s not any of that it’s the fucking knife! The one thing we weren’t even worried about!
Space: The claustrophobic & contained nature of space need to be talked about. An all white room so vast and sleek- yet so small. Max’s car, the diner, the elevator shaft, the train cars, the phone booths. The safe house too. There’s all this space around each, but the amount that the characters are allowed to occupy as is narrow. It’s paramount that they take up as little space as possible to pull off the NOC List heist. The sets themselves do a lot of work, but we have to give ms. camera her dues. which brings me to my next ‘S’;
Style: motherfuckin dutch tilts baybee!!! You get two (2) things out of their use as a technique: (1) a sense of urgency for Ethan and Sarah when they’re under the elevator. One wrong move and they’re crushed, the camera accommodates and gets some foreshadowing in on what happens to Jack from a top down perspective and (2) the sense Ethan’s entire world has been tipped on its axis when Kittredge drops the big bomb in the diner scene. It’s as shocking for him as it is for us that *it was all a trap*.
The first Mission Impossible movie was made with a film style that doesn’t? really exist anymore? I think that’s a bit of a shame, really. Then again, I’m glad the time of grossly framed pat-downs and “Ethan fucked my wife” allegations have passed. Claire might’ve aided and abetted the slaughter of her teammates, but fuck you for treating her like a piece of meat anyway @Director.
In observance of Dr. Martin Luther King, Jr. and Day of Racial Healing in the United States, I want to dedicate some time to exploring anti-racism and recommend some reading.
“What Does it Mean to be Anti-Racist?”
To be anti-racist is not simply being “not racist.”
Racism is structural and systemic. Being “not racist” is a passive response which ignores 400 years of history and how modern…
Lynching victim Rubin Stacy’s story being told by his family in film screening at NSU
Anne Naves knew something bad had happened to her uncle when her male relatives came home from fishing, each wearing a pall of silence. Dad wasn’t cracking jokes like usual. Grandfather looked grave. And her uncle, Rubin Stacy, hadn’t come back. The next day, someone from the funeral home said a body had been dropped off.
Naves, 8 years old at the time, only discovered the full gruesome truth about her uncle years later. On July 19, 1935, acting on an unproven accusation from a white woman, a masked lynch mob strung up Stacy under a Fort Lauderdale tree, hanged him and shot him 17 times as spectators gawked and children laughed.
The brutality and silence of Stacy’s lynching is revisited in the new documentary, “Rubin,” which will screen on Tuesday, Oct. 3, at Nova Southeastern University. In the hourlong film, the farmhand’s death is recounted through the eyes of his surviving descendants, but mainly through Naves, who was the last living eyewitness to the trauma — and to the secrecy — that followed.
The film, the first to be made by relatives of Stacy’s family, also chronicles the history of lynchings in America, used as a tool of punishment and to foster silence.
“I think (my family) knew that, without telling us (kids) what really happened, they would save us a lot of trauma,” Naves says in the documentary. “The neighbors and our church members respected our silence, too, because they knew that if it could happen to our family, it could happen to theirs.”
For “Rubin” director Tenille Brown, who is a cousin of Rubin Stacy, the film has in recent weeks also morphed into something else: a posthumous tribute to Naves. After filming her interviews for the documentary, she died on Sept. 18 at age 96, leaving behind a strong legacy: She was a Broward County educator for 25 years, teaching at Pines Middle and other schools.
“The biggest piece of the film was Anne,” Brown says in an interview with the South Florida Sun Sentinel. “Without her, there’s no story. She’s the driving force. She was ready to talk. She told me to record her. She really pushed me when I didn’t feel confident and said, ‘Record me anyway. Just go.’ ”
The rest of America witnessed the cruelty of Stacy’s lynching long before Naves did. A series of photos immortalize the moment when a white crowd gathered around Stacy’s body hanging from a tree. These images ran in newspapers nationwide, were published by the NAACP, Life magazine and National Geographic, and are now archived in the Library of Congress.
It was a tale of Jim Crow-era racism that Fort Lauderdale would’ve rather forgotten — the brother of a corrupt Broward County sheriff participated in the lynching — but city officials have made strides in recent years to acknowledge the tragedy by placing memorial markers around Fort Lauderdale. One is on Davie Boulevard and Southwest 31st Avenue, also known as Martin Luther King Jr. Avenue, near where Stacy took his last breath. There’s another on the 800 block of Northwest Second Street, where he lived, and a third at Woodlawn Cemetery, his final resting place. In February 2022, a section of Davie Boulevard was renamed Rubin Stacy Memorial Boulevard.
“I’m glad they acknowledged it,” says Brown, of Pompano Beach. “These stories make some people in the state uncomfortable, but if they are based on fact, we need to tell the truth. You can’t turn your head. These are things you can’t ignore.”
For Brown, it was these memorials — and Naves’ willingness to break her silence — that motivated her to reconstruct Stacy’s story. To do so, she also interviewed Ken Cutler, Parkland commissioner and historian, and Tameka Bradley Hobbs, library regional manager of Fort Lauderdale’s African American Research Library and Cultural Center.
“My family didn’t want to talk about it out of fear for years,” Brown says. “There was shame. There’s an element of hurt, and you can hear that emotion in Anne’s voice. Now it feels freeing. This is a story that was suppressed for years and by sharing it, this is how we overcome.”
Michael Anderson, a producer for “Rubin,” says the film also tackles what too many school textbooks don’t stress enough: the history of Black lynchings.
“For Black youth to know their stories, they have to know the history of lynchings,” Anderson says. “They still don’t know how lynchings were used as a weapon to keep a community quiet. That’s exactly what it did to Rubin Stacy’s family.”
IF YOU GO
WHAT: “Rubin”
WHEN: 7 p.m. Tuesday, Oct. 3
WHERE: NSU’s Rose & Alfred Miniaci Performing Arts Center, 3100 Ray Ferrero Jr. Blvd., Davie
COST: Free, but tickets must be presented for entry
- harry potter - ron weasley - hermione granger - draco malfoy - pansy parkinson - blaise zabini - tom riddle - fred and george weasley - sirius black - remus lupin
• Euphoria
- rue bennett - cassie howard - jules vaughn - maddy perez - kat hernandez - fezco - nate jacobs - lexi howard - elliot - chris mckay - ashtray
• Life is Strange 1 2 True Colors & Before the Storm
- max caulfield - chloe price - nathan prescott - victoria chase - rachel amber - warren graham - kate marsh - frank bowers - sean diaz - alex chen - gabe chen - steph gingrich - ryan lucan
• The Umbrella Academy
- luther hargreeves - diego hargreeves - allison hargreeevs - klaus hargreeves - five hargreeves - ben hargeeves - viktor hargeeves - lila pitts
• The Sparrow Academy
- marcus hargreeves - ben hargreeves - fei hargreeves - alphonso hargreeves - sloane hargreeves - jayme hargreeves
• Supernatural
- dean winchester - sam winchester - castiel - crowley - jack kline - rowena macleod - lucifer - gabriel
• Stranger Things
mike wheeler - jane hopper - lucas sinclair - erica sinclair (platonic) - will byers - dustin henderson - max mayfield - billy hargrove - steve harrington - robin buckley - nancy wheeler - jonathan byers - eddie munson - joyce byers - jim hopper
• The Walking Dead
- daryl dixon - rick grimes - maggie greene - negan - michonne grimes - carl grimes - glenn rhee - rosita espinosa - king ezekiel - jesus - abraham ford - shane walsh
• Outer Banks
- jj maybank - john b routledge - sarah cameron - pope heyward - kiara carrera - rafe cameron
• 13 Reasons Why
- clay jensen - hannah baker - jessica davis - justin foley - tony padilla - zach dempsey - alex standall - tyler down - skye miller
•Slashers/horror
- stu macher - billy loomis - jennifer check - colin gray [will be adding more i just dont know how to write for some other movies cause i dont know all the lore for them 😭]
•Jackass/Viva La Bam
- bam margera - johnny knoxville - ryan dunn - chris pontius - chris raab - brandon dicamillo
• Pitch Perfect 1 and 2 (i don't like 3 i apologize)
sagittarius sun aquarius moon: britney spears , billie eilish
sagittarius sun pisces moon: ben stiller, chadwick boseman , rita ora
capricorn sun aries moon: nicholas sparks , meghan trainor
capricorn sun gemini moon: jim carey
capricorn sun cancer moon: janis joplin , kate middleton , ll cool j
capricorn sun leo moon: diane sawyer
capricorn sun libra moon: humphrey bogart , bradley cooper , jude law , chet baker
capricorn sun scorpio moon: kate moss , kit harrington , alex turner
capricorn sun sagittarius moon: dave grohl
capricorn sun capricorn moon: craig robinson
capricorn sun aquarius moon: carey grant , holly madison
capricorn sun pisces moon: martin luther king , michelle obama , taye diggs , j.r.r. tolkien
aquarius sun aries moon: anton chekhov, chris rock
aquarius sun taurus moon: christian bale , j. cole
aquarius sun gemini moon: james spader
aquarius sun cancer moon: django reinherdt , zhang ziyi , wilmer valderrama
aquarius sun leo moon: megan thee stallion , maluma
aquarius sun virgo moon: john travolta
aquarius sun libra moon: harry styles , preity zinta , evan peters
aquarius sun scorpio moon: the weekend
aquarius sun sagittarius moon: jennifer aniston , justin timberlake
aquarius sun capricorn moon: emma roberts
aquarius sun aquarius moon: ed helms
aquarius sun pisces moon: sam cooke , isla fisher
pisces sun aries moon: rihanna , sophie turner
pisces sun taurus moon: rob lowe , kelly bishop
pisces sun cancer moon: liza menelli , drew barrymore
pisces sun gemini moon: lauren graham , olivia wilde , simone biles
pisces sun leo moon: queen latifah , dakota fanning , chris martin ,lily collins
pisces sun virgo moon: jenna fischer , steve irwin , chelsea handler
pisces sun libra moon: lupita nyongo , justin bieber
pisces sun scorpio moon: quincy jones , tyler the creator , laura prepon , elizabeth taylor
pisces sun sagittarius moon: sharon stone , vanessa williams , kristin davis , camila cabello
pisces sun capricorn moon: timbaland , rashida jones , jennifer love hewitt
pisces sun aquarius moon: glenn close , john frusciante , carrie underwood , millie bobby brown
Mission: Impossible Görevimiz Tehlike Tom Cruise Rhythm Karaoke Original... Aykut ilter Ritim Karaoke Kanalıma Abone Olun Beğenip Paylaşın Aboneler İstek Şarkı İsteyebilirler. Şarkının Orijinal Versiyonunu Linkten Dinleyip Ritim Karaokesiyle Çalışabilirsiniz. https://www.youtube.com/watch?v=zfsZpTbc_7w Lise Üniversite Koroları Müzisyenler Solistler Vokalistler Yorumlara isteklerini Yazabilirler. Görevimiz Tehlike Mission: Impossible Görevimiz Tehlike Tom Cruise Rhythm Karaoke Original Traffic (Film Track) Madde Tartışma Oku Değiştir Kaynağı değiştir Geçmişi gör Araçlar Vikipedi, özgür ansiklopedi Görevimiz Tehlike Mission: Impossible Yönetmen Brian De Palma Yapımcı Paul Hitchcock Tom Cruise Elias Badra Paula Wagner Senarist Hikâye: David Koepp ve Steven Zaillian Senaryo: David Koepp ve Robert Towne Oyuncular Tom Cruise Emmanuelle Béart Kristin Scott Thomas Jon Voight Jean Reno Ving Rhames Vanessa Redgrave ve Emilio Estevez Müzik Danny Elfman Dağıtıcı Paramount Pictures Çıkış tarih(ler)i 22 Mayıs 1996 (ABD) 20 Eylül 1996 (Türkiye) Süre 110 dakika Dil İngilizce Bütçe 70 milyon $ Hasılat 457.696.359 $ Devam filmi Görevimiz Tehlike 2 Görevimiz Tehlike (Mission: Impossible), 1996 ABD yapımı aksiyon-casusluk filmi. Aynı adı taşıyan televizyon dizisinin devamı niteliğindeki film, aynı zamanda Görevimiz Tehlike film serisinin ilk filmidir. Filmin başrolünde Tom Cruise oynamaktadır. Yardımcı rollerde Emmanuelle Béart, Kristin Scott Thomas, Jon Voight, Jean Reno, Ving Rhames, Vanessa Redgrave ve ayrıca Tom Cruise'nin yakın arkadaşı olan ve filmde ismi geçmeyen Emilio Estevez yardımcı rolleri canlandırmaktadır. Filmin gişede yakaladığı başarının ardından serinin devam filmleri yapılmasına karar verilmiştir. Konusu Ethan Hunt (Tom Cruise) Jim Phelpsin (Jon Voight) Impossible Mission Force'daki takımının kilit adamıdır. Gizli çalışan Sarah Davis (Kristin Scott Tomas), her türlü güvenliği çözme uzmanı Jack Harmon (Emilio Estevez), gizlice izleme uzmanı Joan Williams, ulaşımı halledecek olan Claire Phelps ve Ethan Hunt her zamanki gibi kilit adamdır. Prag'daki bir hainin suçunu ispatlamak için görevlendirilmiş ekip her zamanki gibi gizli görevlerine başlarlar fakat işler tamamen ters gider. İlk önce Jack Harmon'ın ölümünün ardından tüm ekip hayatını kaybetmeye başlar. Sadece Ethan Hunt bu olaydan sağ kurtulmayı başarır. Hemen CIA'de IMF yöneticisi Eugene Kittridge (Henry Czerny) yanına gelir,fakat yönetici bu işte suçlunun Ethan Hunt olduğunu gösterir ve Ethan kendisini temize çıkarmak için büyük bir maceraya atılır. Yaş sınırı Film şiddet ve küfürler içerdiğinden 13 yaş ve üzeri yaş grubuna hitap etmektedir. Kadro ve karakterler Tom Cruise — Ethan Hunt Jon Voight — James Jim Phelps Emmanuelle Béart — Claire Phelps Ving Rhames — Luther Stickell Jean Reno — Franz Krieger Henry Czerny — Eugene Kittridge Vanessa Redgrave — Max Emilio Estevez — Jack Harmon (ismi geçmiyor) Kristin Scott Thomas — Sarah Davies Marek Vašut Ekip Yönetmen: Brian De Palma Senaryo: David Koepp, Robert Towne; story by Steven Zaillian Yapımcı: Paul Hitchcock, Tom Cruise, Paula Wagner, Cruise/Wagner Productions Film müziği: Danny Elfman Müzik Filmin ünlü müziğini 1995 yılında New York City'de zaman geçiren Larry Mullen Jr. ve Adam Clayton stüdyoda zaman geçirirken hazırlamışlardır. Müziğin iki farklı türü mevcuttur ve bu sebepden biri remix olan iki tane single piyasaya sürülmüştür. Filmin müziği Grammy Ödülü'ne de aday olmuştur. Dış bağlantılar IMDb'de Görevimiz Tehlike Otorite kontrolü Bunu Vikiveri'de düzenleyin BNF: cb14414337r (data)SUDOC: 178300640VIAF: 188301022 Kategori: Görevimiz: Tehlike1996 çıkışlı filmler1990'larda gerilim filmleri1990'larda macera filmleri1990'larda aksiyon filmleriAmerika Birleşik Devletleri macera filmleriCinayet filmleriBrian de Palma'nın yönettiği filmlerDanny Elfman'ın müziğini yaptığı filmlerParamount Pictures filmleriTom Cruise'un yapımcısı olduğu filmlerRobert Towne'ın senaryosunu yazdığı filmlerAmerika Birleşik Devletleri takip filmleriAmerika Birleşik Devletleri casus filmleriAmerika Birleşik Devletleri soygun filmleriAmerika Birleşik Devletleri devam filmleri1990'larda casus filmleriKonusu Londra'da geçen filmlerKonusu Prag'da geçen filmler1990'larda İngilizce filmler
Raphael Warnock’s Win Is One for the History Books
A Baptist preacher born and raised in Georgia, he will become his state’s first Black senator, breaking a barrier with distinct meaning in American politics.
GARDEN CITY, Ga. — There have been so few Black Democrats elected to the Senate that when Vice President-elect Kamala Harris campaigned for the Rev. Raphael Warnock in Savannah this week the pairing spoke volumes, even if unintentionally, about racial representation in statewide office.
In purely partisan terms, a leader of the Democratic Party was seeking to rally voters in an important Senate runoff election, the results of which will determine whether Democrats or Republicans control the chamber. But it was also a rare chance for one Senate barrier breaker to pass the torch to another. Ms. Harris was the first Black woman and woman of color to serve as a senator from California. Mr. Warnock will become the first Black senator from Georgia.
During his speech at the event with Ms. Harris, Mr. Warnock described being arrested by police officers at the U.S. Capitol during protests and political action over the years.
“I wasn’t mad at them. They were doing their job and I was doing my job,” Mr. Warnock said. “But in a few days I’m going to meet those Capitol Hill police officers again and this time they will not be taking me to central booking. They can help me find my new office.”
Mr. Warnock’s victory over Senator Kelly Loeffler early Wednesday is a fitting culmination to an election cycle in which, hours after Joseph R. Biden Jr. was declared the president-elect, he told Black voters, “You’ve always had my back, and I’ll have yours.”
It is also a generational breakthrough for Southern Black Democrats.
Mr. Warnock, 51, the pastor who took the pulpit at Ebenezer Baptist Church, where the Rev. Dr. Martin Luther King Jr. once preached, spoke on the campaign trail about his life experiences as a Black man born and raised in the South. He ran for office in a state where people in predominantly Black neighborhoods waited in disproportionately long lines to vote last year, and where one study found that more than 80 percent of the residents hospitalized for coronavirus in the state were Black — vestiges of systemic racism in the democratic and health care systems.
Political power in the former Jim Crow South, where few Black Americans have been elected to statewide office, is inextricably linked to race. And Mr. Warnock’s place in the political universe is distinct from the election of Ms. Harris, or Northerners like former President Barack Obama, previously a senator from Illinois, and Senator Cory Booker of New Jersey.
Together, Mr. Warnock and Jon Ossoff, the other Democratic candidate, have the chance to expand the legislative agenda of Mr. Biden. But Mr. Warnock alone was seeking to overcome a barrier reinforced in the South over and over again, crystallized in a saying that became popular during the civil rights movement: “The South doesn’t care how close a Negro gets, just so he doesn’t get too high.”
On Tuesday, Black Democrats in Georgia said such history was not lost on them. Neither was how long it took the party to seriously pursue the possibility of success in Georgia.
“It took Democrats forever to invest in Georgia,” said Frazier Lively, a 71-year-old who lives in Macon and attended a recent rally. “Now you would hope what’s happening here is a message to what’s possible going forward.”
Felicia Davis, an organizer who has worked for years in Clayton County, said it was important to think about the coalition that is supporting Democrats as the next iteration of organizers who worked in the civil rights movement. She drew a direct line from their work to the current push to register and turn out Black voters for a Black candidate.
“You have to know the names: Joseph Lowery, Reverend James Orange, Rita Samuels, everybody knows these names,” Ms. Davis said. “All of them are dead now. But people have come together to continue that work. We register. We travel around the state, and we’ve gotten our voices heard.”
Throughout the presidential primary and general election, Democrats have had to wrestle with questions of racial representation, electability and how to balance a rising multicultural coalition with those who are more focused on transformational policy. In the primary, older Black voters balked at Black candidates like Mr. Booker and Ms. Harris in favor of Mr. Biden, on the belief that he was best suited to defeat Mr. Trump. Progressives — and particularly younger voters — supported more liberal candidates like Senator Bernie Sanders of Vermont.
The Rev. William J. Barber II, co-chair of the Poor People’s Campaign, said all politicians, including Black ones, are in the end judged on policy even if they are barrier-breaking figures.
“Policy, Policy, Policy, that’s the only reason you elect people in the office is to push policy,” he said, repeating the word to emphasize the point. “A Black person is not elected just to hold the position. And the truth of the matter is Black politicians, from the state, to the Congress, to the Senate, they have to ask themselves the question, have we put these issues at the center?”
One urgent issue for all candidates in 2020, especially Democrats, was the summer of racial reckoning. In Georgia, the killing of Ahmaud Arbery in February 2020 ignited protests, isolated instances of property damage, and put intense pressure on public officials — including Black ones.
Mr. Warnock, then in the early stages of his Senate race, navigated the social justice movement for the first time as a candidate for public office rather than solely from behind the pulpit. The words were more measured, the indictments of White America less stinging, as he and other Democrats tried to channel the anger of the community into an electoral purpose.Supporters of Mr. Warnock at an event in Hephzibah, Ga., on Monday.Chang W. Lee/The New York Times
This week, during a campaign stop in Brunswick, Ga., Mr. Warnock spoke with Mr. Arbery’s father.
He did not mention the killing in his speech, but talked about his own family’s history as sharecroppers and victims of racial injustice.
“That’s why I love America because you always have a path to make a great country even greater,” Mr. Warnock said.
But no amount of careful word choice — or television advertisements with hopeful slogans and puppies — could stop his candidacy from becoming a lightning rod in an era defined by race, racial grievance and those who seek to capitalize on its backlash. After the general election was over, and it was clear there would be a runoff against Ms. Loeffler, Mr. Warnock became the subject of an all-out conservative assault, which sought to define him as an out-of-touch radical who was against Georgia’s values. Ms. Loeffler, a Republican, seized on snippets from his sermons from his pulpit at Ebenezer Baptist Church, presenting out-of-context statements on the military and Israel as ammunition.
While Republicans largely ignored Mr. Ossoff’s candidacy at their rallies, they took aim at Mr. Warnock repeatedly.
“Warnock is the most radical and dangerous left-wing candidate ever to seek this office, and certainly in the state of Georgia, and he does not have your values,” Mr. Trump said at his rally in Dalton, Ga., on Monday.
Mr. Trump does not get to define Georgia’s values, however. Voters made that clear in November, when Mr. Biden won the state — a result the president is baselessly continuing to question. Georgia’s population, and with it, perhaps, its values, is changing. The state’s Latino and Asian-American populations are growing, and the suburbs are drawing younger voters and college-educated moderates as well.
That is perhaps why Mr. Warnock the candidate sounded less like Mr. Warnock the preacher and more like Stacey Abrams, the Georgia Democrat whose strategy of voter turnout specifically emphasizes multiculturalism rather than Blackness.
Ms. Abrams, in a recent interview, said she tries not to focus on one group over another when talking about how Georgia became a Democratic bright spot.
“I want us to be really clear that this requires the investment and support of multiple communities,” Ms. Abrams said. “This is a multiracial, multiethnic, multigenerational coalition. And the extent to which we give primacy to one group at the exclusion of the other, I become nervous.”
Nevertheless, Mr. Warnock’s journey from Black pastor to Black senator is an exercise of a different type of faith: It’s a belief that American politics can change from the inside, that the Democratic Party’s most loyal voters can see themselves represented in Congress. That there is room to push the country forward within its institutions, rather than diagnosing its problems from outside.
The latter is something Black pastors, who by tradition often tell uncomfortable truths, have done for centuries. The Black senator is a singular road, occupied by few people in American history, and none from Georgia at all.
“I wanted to be an actor because today I can be an airline pilot, tomorrow I can be a bum, the day after I can be president, the day after that I can be an ambassador, the day after that I can be a plumber. That’s what excites me. It’s exploring life.” – Hawthorne James.
Dr. Hawthorne James's passion for education has been a driving force in his life. He graduated high school at age 16 and entered Notre Dame with the "goal of becoming an attorney." Hawthorne planned to be a lawyer, but during his junior year of college, he decided to study theater instead. When asked if he regrets choosing theater over law school, Hawthorne stated in a YouTube interview, “I knew I didn’t want to teach. That was way too political for me in the theater department.” He is a literary icon and a living legend; an advocate encouraging young people to read and learn. As he travels, he visits YTS and jails to inspire those serving time carrying the wisdom that "I will not be free until you are free." Hawthorne took against the motion film studios to celebrate Dr. Martin Luther King Day and emerged victorious.
He adds that after seeing the world outside of the south side of Chicago on a "Hamlet" tour with his high school, he was ready to take his acting career in a new direction. Here is more of what he said in that interview on coming to terms with his desire to become a professional actor: - "It opened my eyes because, you know, I’m a kid from the south side of Chicago, so I very rarely got to see White people. When we went on tour, we stayed at White people’s houses, and you know, being a kid, you think white beans and cornbread are normal. Man! I got to their folks’ houses- they were eating steaks and chicken, and (laughs) it opened my eyes, and I was like, ‘Well, wait a minute! Woah! People live like this?!!”
“Then the straw that broke the camel’s back…was when I was doing a play in high school in Michigan. Right before I went on stage, a girl kissed me… Man, I went out on stage and probably forgot all my lines; I was hooked then, boy! I get kissed for going out on stage?!! I’m done! This is it, buddy! (laughs) And you know what’s funny? I never let another girl kiss me before I went out on stage for a long time. That became a big superstition of mine.”
Upon arriving in Hollywood, Hawthorne went directly to ICCC, where he gave a free performance for the pure pleasure of performing after that his 9–5 employment has ranged from mailroom clerk at ITC to post-production driver at the up-and-coming TriStar Pictures. Within a quarter of a year, Hawthorne had risen through the ranks to become an executive in the Post-Production Department. His workstation was the hub of TriStar activity. There, under the instruction of Jim Potter, he was schooled in motion picture production. He acquired his editing skills while working on No Mercy and Rambo II.
When Teriq Alexander was making his debut feature picture, The Stick-Up Kids, he appointed Hawthorne, who had previously directed a few MasterCard commercials, to helm the project. Hawthorne's Remember Me and the film he co-wrote and -directed, Lisa Trotter, are very dear to him. The actor has appeared on screen in over 50 films and television shows. He is best known for his role as Big Red Davis in the 1991 film The Five Heartbeats and Sam, the bus driver, in Speed. One of the most incredible roles that Hawthorne has portrayed is Victor Romero, along with Badja Djola and Alec Baldwin in Heaven's Prisoners.
Both Disco Godfather and Penitentiary II, directed by Cliff Roquemore, are credited as their first appearances in the movies. His previous roles include "One-Eyed Sam" in I'm Gonna Git You Sucka, "The Doors," "Cheers," "Amazing Stories," and "Stir Crazy," among others. Hawthorne's acting career includes roles in Seven, NYPD Blue, and The Frasier pilot, where he portrayed Bill.
Hawthorne James’s first role on television was on the show “The Wire.” He played a character called “Bubbles” who is a drug addict with a heart of gold and lives in Baltimore with his dog. In addition to being on television shows like “The Wire” and “Prison Break,” Hawthorne James has also appeared in several movies such as “Law Abiding Citizen,” “The Expendables 2,” and most recently “Rush Hour 4. Hawthorne got his big break when he landed the “Hawthorne James” role on “Prison Break.” In 2009. The show ran for four seasons & continued to air on Netflix until 2012 and landed a role on CBS’s “Hawaii Five-O” around 2011 as Senior FBI Agent Steve McGarrett. -The show ran for seven seasons until 2016; however, Hawthorne found success again when he booked the lead role on ABC's "The Rookie." & the list goes on, as his international fame continues to rise to this day.
On May 13, 2023, Connor held "Intimate Evening with Hawthorne James" at the Willie Agee Playhouse in Inglewood, California. That night, Hawthorne was praised for being such a renowned actor during an interview and subsequent Q&A session with the audience. In July of the same year, after he fulfilled all the criteria, the Sacramento Theological Seminary awarded him an Honorary Doctorate. Multiple local and state governments in the United States have recognized Mr. James for his contributions to the community. Mr. James's dedication to his community is honored by these resolutions.
Definitely, Dr. Hawthorne James has developed an impressive presence, demonstrating a strong dedication to his art. Hailing from Chicago's South Side, the seasoned actor got it to Hollywood because of his natural humbleness. Anyhow! Don't zone out; now is the time to back his new venture. Big Red has applied all his years of experience to a new product line. This collection features Big Red's most outstanding merchant goods and will transport you to another era. Now is the time to visit hawthornejames.com if you're looking for even more amazing deals. The clock is ticking. The working hours of Big Red are Monday through Friday, 9 am to 5 pm.
The Black America Deck features the fifty-two greatest African American leaders, innovators, entertainers & athletes in American history. From the earliest struggles to the fulfillment of a dream, these cards are truly inspiring. Black America Deck includes: Aretha Franklin Arthur Ashe Barack Obama Benjamin O. Davis Jr. Berry Gordy Jr. Bill Cosby Bill Russell Bob Johnson Booker T Washington Carter G. Woodson Charles Houston Chuck Berry Colin Powell Dr. Ralph Bunche Duke Ellington Frederick Douglass George Washington Carver Hank Aaron Harriet Tubman Jack Johnson Jackie Robinson James Brown Jesse Owens Jim Brown Joe Louis Langston Hughes Lena Horne Louis Armstrong Madam C. J. Walker Malcolm X Mary McLeod Bethune Maya Angelou Michael Jordan Miles Davis Muhammad Ali Nat King Cole Oprah Winfrey Percy Lavon Julian Quincy Jones Rev. Martin Luther King Jr. Rosa Parks Russell Simmons Sammy Davis Jr. Shirley Chisholm Sidney Poitier Thurgood Marshall Tiger Woods Toni Morrison W.E.B. Du Bois Will Smith Willie Mays Wilma Rudolph
Tanacharison: The filterless cigarette, a Lucky Strike, enjoyed with a gin martini. Two shots of gin, fill with seltzer, and enjoy a Lucky Strike on a brass lighter, a zippo. For VC nai poon. That's the lady. He always knew where the next war would be.
John Wilkes Booth: Take the Snake, a prison rapist, and the Loser, a bisexual informant, and switch them, with a peanut butter sandwich, Skippy, no jelly, bleached bread, Wonderbread, in high sun, with a Marlboro Red at the same time; remark, "flavor country", to the Snake, your mind's eye of the Loser. The club goes all the way back home, and there's a witch trial, on slavery.
Albert Whisker: Use a three pointer, a 3.5 shot glass, the Cantonese shot, to take a half shotter of vodka, cheap stuff, and a half shotter of orange juice, expensive, campus variety, and hammer a shot, before you snort amphetamines. That's the stuff, to get you going, to understand Chinese history. It doesn't go away, unless you've seen Disturbed in concert. Back in that day, we called him Bojangles; or maybe Scott Joplin, or Sammy Davis Junior.
Lee Harvey Oswald: Get a Marlboro Red, some nitrate car battery stomped coca (cocaine powder on cut, "pure", a CIA blend, nitrate phosphate, for the erection, or the transgender juices, if you prefer the ladies, for the ladies), and take a Bazooka Joe pellet. Demonstrate the technique, to the target, "the head crab", someone stealing a drug dealer's job to lay you, as a Freemasonic Ring (Mister President), to dab the powder from the gum, on the cigarette, then smoke it backwards, on the filter (I'm just a paddy, a poor Irish sailor). They'll need crack rock to get out, but only if they trust Jack "Hardy" Ruby, Charlie Manson (old Mister Lincoln, "he stinks", then you're shut down, the entire campus; you wrote 'nigger' in the bathroom, Lincoln was a drug dealer this time, 'again').
Martin Luther King Jr.: Order a beef tarte, the cheeseburger empanada, from anything labeled 'King', and if they have the tres luches, you've alerted them that "James Earl Ray", is in the area. A personal delivery, will be made to a black Senator's house, to see if you've received a coin, from the Nordic Lodge, the rival to the Lounge, the old athlete's singing joint. If it's Joe Frazier's Lounge, you win; you've just caught the last show to Delaware, Joe Biden is President. Like the King family wanted, a French President, since 1935 (improved traffic resistance, the last place besides the bus they can't get you; the King family, is the cops, they run the restaurant).
Sirhan Sirhan: If you have a charcoal grill, strike up a conversation, with a man with your feet. If he's a propane man, that doesn't know how to cook, he'll have your exact stumble, having studied you, to build a healthy intestine. Your mother, will retain cooking recipes, for his family's secrets, on cartoon anti-Semitism, a fat man, for the proper distribution of diet on a budget; for all involved, including you, the stock of frozen foods non-necessary to eat, to get you "off the bucket", and into proper ordering, fifteen dollars on a two dollar "squib", the fees and tip, on a twenty dollar meal, with an extra meal left over, for a three day "spree".
George Jung: "Boston" George Jung, wants you to know, that it is inappropriate, to drink whiskey, without Worcestershire sauce, hiding the steak's sauce, with a Bloody Mary. To beat AA protocols, mix the Worcestershire, in your home "furnace", the cabinet, with Jim Beam, the preferred whiskey of the CIA range division, the overweight cop. If you know a cop, who has ever been overweight, and he doesn't know he's a cop, give him a flask of Jim Beam (not a "fifth", the jeopardy round, you've just qualified as airman, you get free LSD). He'll figure everything out. But he's watching you, very closely, because your girlfriend, likes them big; you're listening to Boston George.
OJ Simpson: The bowels can be purged, through a heart seizure, a rare term of logic, invented by Jake Charlebois, at Minnesota State University, on the professional college team. The posture as Hitler, as an American quarterback aside, a bowl of whole milk, a full box of Cheerios, and a Friendly's Sundae, in the tin (now a plastic or paper cup, since the advance by OJ), can be used; eating the entire box and all the milk, then the peanut butter Friendly's Sundae, to seize the heart clamps, before the pain and agony passes, and a Marlboro Red is enjoyed, OJ's choice to retire from football to get his Wheaties Box (the first of its kind). The bowel chlonic, will unblock the hemorrhages in the liver, unless you die; you were eating too much mayonnaise (you worked food services, and are in danger of colon surgery; sorry, kid, not for the big leagues, bagging groceries).
David Charlebois: A Chinese sausage, can be enjoyed on a George Foreman grill; normally lethal, "red sausage", unless on charcoal, an easy cause of trichinosis, unless rigid cooking times are observed; impossible for the mentally ill. The press grill, however, guarantees a succulent taste, and a slow purge of the insides, the sweatest black meat you can afford. Any sausage, is delicious on a Foreman, but not like red sausage, the Chinese sausage; a boneless spare rib, lethal to Jews out of paranoia, but just delicate enough to please a Hebrew man's stomach if char broiled in a press machine. Be aware, if your room mate has the Foreman, and won't eat it, he's a traitor. Take his story of his background, and recommend it to a writer claiming Lutheran, as marked '88', Millard Fillmore; a history teacher, in politics.
Gary Revel is known as the rarest of living individuals who knows the secret details of the assassination of Martin Luther King Jr.. This feature film tells his story. From humble beginnings, growing up in Alabama to Hollywood, NYC, Memphis, Nashville and his special investigation of MLK's killing.
New 2023 remix-edit of the docu/music film/video They Slew the Dreamer on IMDB Pro.
They Slew The Dreamer - This song is written about the assassination of Martin Luther King Jr. on April 4th, 1968, and Special Investigator/Recording Artist Gary Revel's findings of that killing.
On April 4, 1968, Nobel Peace Prize Winner and Civil Rights Leader, Martin Luther King Jr. was shot and killed in Memphis, Tennessee. Gary Revel sings his song that uncovers the shooting of MLK. He describes the assassination in this 2023 re-mix of THEY SLEW THE DREAMER with the pictures of Martin and those who were most responsible for the murder; Lyndon Baines Johnson, J. Edgar Hoover, Vito Genovese, Santo Trafficante Jr., Sam Giancana, Meyer Lansky, Joseph Colombo, Frank Costello, Don Carlo Gambino, Joseph Bonnano, Paul Castellano, Carlos Marcello, Dealy Plaza Tramps, and the CIA's E. Howard Hunt. (Vito Genovese is pictured twice). The spell-binding story of Gary's investigation is coming to film, look for it at a theater near you. MLK: The Gary Revel Story, Producer: Jeff Olm, Director Carmeron Arnett.
Final Report on the special investigation of the assassinations of MLK and JFK … Link - https://garyrevel.com/final_report.html
Gary's investigation of the MLK assassination led him to ties with the assassination of President John F. Kenned and Presidential Candidate Robert F. Kennedy, John Lennon as well as the attempted assassination of President Ronald Reagan. His investigations have been the fact bearing pillars of several screenplays including; MLK (Screenplay by William Sachs), JFK: The Real Story (Screenplay by Ambyr Davis, Robert Burns, and Gary Revel), One Day in November (Screenplay by Frank Burmaster and Gary Revel), Red Polka Dot Dress (Screenplay by Frank Burmaster and Gary Revel), Dead of December(Screenplay by Frank Burmaster, Jim Edwards, Pat Becker, and Gary Revel), King of the Little People (Screenplay by Frank Burmaster and Gary Revel),, To Jodie with Love (Screenplay by Frank Burmaster and Gary Revel), Assassination Inc.(Screenplay by Frank Burmaster and Gary Revel), Khashoggi (Screenplay by Frank Burmaster and Gary Revel), … and more. Learn more about them at http://garyrevel.com …
The Gary Revel Pro IMDB page…
https://pro.imdb.com/name/nm5836026/
The New York Times: Viewing the Civil Rights Movement Through Children’s Books.
“Picture the Dream,” on display at the New-York Historical Society, shows that children, far from being mere witnesses to the civil rights movement, have played central roles in it.
In a verdant rural setting, a weathered gray fence separates two girls, one Black, one white. The Black child extends her hand as the white girl, already straddling the fence’s top rail, reaches down. Although they barely grasp each other’s fingers, a viewer can sense their curiosity, their anticipation, their desire to surmount this barrier.
The scene, a watercolor by E.B. Lewis, is among the first works visitors encounter in “Picture the Dream: The Story of the Civil Rights Movement Through Children’s Books,” on view through July 24 at the New-York Historical Society. Created for Jacqueline Woodson’s book “The Other Side,” from 2001, the painting reflects two of this exhibition’s major themes: that progress stems from everyday, individual action as much as from collective effort; and that children, far from being mere witnesses to the civil rights movement, have played central roles in it.
“It was kids themselves who are on the sidewalks and streets, going to jail, getting bitten by dogs, taking the attack of billy clubs,” Andrea Davis Pinkney, the exhibition’s curator, said in an interview at the museum. “And that is happening right now. This minute.”
The show, which traces the civil rights movement from segregation to the present, captures those terrible moments, along with interludes of joy. Organized by the Eric Carle Museum of Picture Book Art in Amherst, Mass., and the High Museum of Art in Atlanta, “Picture the Dream” is the first exhibition to chronicle this history through children’s literature, Pinkney said. When the show debuted at the High Museum in August 2020, she added, some visitors thought George Floyd’s killing and the following protests had inspired it. But while “Picture the Dream” had been planned much earlier, subsequent events, including the racist massacre in Buffalo last month, have only sharpened its relevance.
“A picture book can never heal a tragedy,” Pinkney said, but “it can help us,” she added. Books allow families “to come together — an adult and a child — and say, ‘Let’s talk about this.’”
The potential to provoke such conversations was key to selecting the exhibition’s art, which comes from 60 books, nonfiction and fiction. Pinkney, an editor at Scholastic and an award-winning writer — she frequently collaborates with her husband, the illustrator Brian Pinkney — knew the show would commemorate milestones, including the Montgomery, Ala., bus boycott in 1955 and 1956 and the Selma-to-Montgomery marches in 1965. But in addition to honoring events, she wanted to feature a range of mediums and artists, including young illustrators like Vashti Harrison, as well as renowned figures like Faith Ringgold and Jerry Pinkney (her father-in-law).
The artworks, combined with explanatory text, constitute a kind of picture book themselves. Pinkney wrote the words as if she were creating a story, exhorting young museumgoers to get ready to walk: “Look down at your shoes. Are they sturdy?”
Pinkney and her collaborators also divided the show into chapters: “A Backward Path” explores the Jim Crow era; “The Rocks Are the Road” focuses on the movement itself; and “Today’s Journey, Tomorrow’s Promise” celebrates its rewards, while stressing that there is still much to be done. Along with famous faces like Rosa Parks and the Rev. Dr. Martin Luther King Jr., each segment features surprises, not the least of which is seeing the illustrations at full scale.
“The original artwork speaks with a different resonance,” the illustrator Bryan Collier, who has four works in the show, said in a phone interview. Because, he added, “it tells you a little bit more, it expands the idea of what a picture book is.”
The collage-and-watercolor illustration that Collier created for a picture book of Langston Hughes’s poem “I, Too,” depicts a Black Pullman porter in a striking close-up, staring resolutely through the translucent stars and stripes of an American flag. What visitors learn is that African American railway porters circulated news to Black communities around the country.
“When you say, ‘Pullman porter,’ you’re talking about a community organizer and a leader,” Collier said. Such a figure, he added, was “a driving force to tell that poem.”
The exhibition pairs Collier’s illustration with a 1959 copy of “The Negro Travelers’ Green Book” — a guide to places that were safe for Black motorists — as well as a digitized version visitors can read. The historical society supplemented the show with these objects and others, including segregation-era “White” and “Colored” signs and a photograph by Stephen Somerstein of children in a Selma-to-Montgomery march. The photo complements P.J. Loughran’s illustration of a marching crowd for Lynda Blackmon Lowery’s vivid memoir, “Turning 15 on the Road to Freedom: My Story of the 1965 Selma Voting Rights March.”
“I think kids and adults sometimes go to a museum, and they see illustrations or pictures of things, and they think: ‘Well, was this real? Did this really happen?’” Alice Stevenson, the vice president and director of the historical society’s DiMenna Children’s History Museum, said in a phone interview. “And we wanted to be able to give some touch points throughout the exhibition to really ground people in the reality of what these illustrations are representing.” (Visitors can also see historical footage in a short film, “Picture the Dream,” on the Bloomberg Connects app.)
The added objects heighten the impact of searing portrayals like Eric Velasquez’s charcoal drawing of white adults and children heckling Black girls marching, from Angela Johnson’s book “A Sweet Smell of Roses.”
“History itself did not see fit to sugarcoat itself for me,” Velasquez said in a phone conversation. As a Black man, he added, “I portray it the way I remember it.”
The exhibition is unflinching in acknowledging that not all Black children survived the struggle. Philippe Lardy’s image for Marilyn Nelson’s poetry book “A Wreath for Emmett Till” features the face of Till, a 14-year-old murdered by white racists in 1955, encircled by thorns and chains. Tim Ladwig’s illustration from Carole Boston Weatherford’s book “The Beatitudes: From Slavery to Civil Rights” is less stylized. It shows Till’s portrait and his coffin, but uses the raised lid — the boy’s mother insisted on a public viewing — to hide the brutalized body.
In choosing such images, “we were going to lean right into the truth,” said Pinkney, who added that the educational organization Embrace Race had evaluated the accuracy and the tone of the exhibition’s content.
The show’s final section strikes a more optimistic note, with illustrations like Velasquez’s portrayal of Barack Obama at a jubilant campaign rally, from Michelle Cook’s “Our Children Can Soar: A Celebration of Rosa, Barack and the Pioneers of Change.” The historical society, however, has also interspersed three works that children created in 2020 — not for picture books but about Black Lives Matter protests.
“We want kids to be able to respond to the past in their own lives,” Stevenson said.
Perhaps the best call to action is the books themselves, all shelved within a reading nook in the show’s concluding segment. Here, too, an outstretched hand appears, part of a joyful blown-up illustration that Collier painted for Useni Eugene Perkins’s book “Hey Black Child.”
“That’s always the goal — to read books, to embrace them, to love them,” Pinkney said. “And to know that a picture book can be your North Star.”
Top Singer RS+
Elvis Presley (17), Frank Sinatra (19), Louis Armstong (39), James Brown (44), Johnny Cash (85), Emmylou Harris (79), Bob Marley (98), Karen Carpenter (123), Streisand (147)
Aretha Franklin, Whitney Houston, Sam Cooke, Billie Holiday, Mariah Carey, Ray Charles, Stevie Wonder, Beyonce, Otis Redding, Al Green
John Lennon, Patsy Cline, Bob Dylan, Marvin Gaye, Adele, Smokey Robinson, George Jones, Dolly Parton, Mahalia Jackson, Hank Williams (30), Luther Vandross, David Bowie, Kurt Cobain (36), Curtis Mayfield, Teddy Pendergrass, Ella Fitz, Mick Jagger
Barry White, Brian Wilson, Rob Plant, Muddy Waters, Wilson Pickett, Springsteen (77), Selena, Chuck Berry, Merle Haggard (138), Bono, Bryan Ferry (150), Mike Stipe, Dion DiMucci, George Strait (156), Francoise Hardy, Morrissey (166), Buddy Holly, Lana Del Rey (175), Bob Seger, Billie Eilish (198)
________
Doris Day, Mel Torme, Nat Cole, Sarah Vaughan, Tom Hall, Jerry Jeff Walker, Hank Jr, Peggy Lee, Dean Martin, Sammy Davis, Kristofferson, Ernest Tubb, Roy Acuff, Andy Griffith, Andy Williams, Perry Como, Bing Crosby, Randy Travis, Marty Robbins
Charley Pride, Garth Brooks, Alan Jackson, Gram Parsons, Jamey Johnson, Jimmy Dickens, Bob Bare, Don Williams, Jim Reeves, Gene Autry, Billy Shaver
A Potent Doc About A Town In The Heart Of Jim Crow Alabama [Review]
A Potent Doc About A Town In The Heart Of Jim Crow Alabama [Review]
The Civil Rights movement is composed of singular heroes: Martin Luther King Jr, Malcolm X, Fred Hampton, Angela Davis, and so forth. Their iconoclastic memory has come to define the entire collective effort during the 1950s, 60s, and 1970s by many organizations. They, of course, do not tell the whole history of the coordinated action that occurred during the era. Geeta Gandbhir and Sam Pollard’s…