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#jee hyun noh
operafantomet · 3 years
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Solo photos of Meg Giry in Hannibal
Unidentified, Nagoya 2010
Fernanda Muniz, Sao Paulo
Jee Hyun Noh, World Tour
Fernanda Muniz, Sao Paulo
Annabel Knight, Essen
Nadia Komazec, World Tour
Tehilla Blad, Stockholm revival
Georgia Ware, West End
Mio Ogawa, Yokohoma
Heather McFadden Kate Wray, US Tour
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roadtophantom · 4 years
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All swings are on tonight at the World Tour!
(Front to Back L-R)
Oliver Druce, Emma Breton, Lungelwa Mdezaki, Megan Ort Jee Hyun Noh, Michael Gillis
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marleneoftheopera · 4 years
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“jeejee73 All the swings are on for the weekend
Go swing!”
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Meghan Picerno & Jee Hyun Noh (as Christine double) from Phantom World Tour.
Picture from Meghan Picerno Instagram story
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Another Hundred People: Asian’s in The Phantom of the Opera (Asian and Pacific Islander Heritage Month)
PS: This is English language only productions. I have nothing against the amazing people in the Japan and Korean productions, but otherwise this would be a super long post. I know I’m definitly forgetting people.
*=Current
1. Ali Ewoldt as Christine Daaé (Broadway) 2. Xiaoxiao Cao as Corps de Ballet (Broadway)* 3. Austin Sora as Corps de Ballet (4th US Tour)* 4. Ramin Karimloo as The Phantom (West End, 25th Anniversary Concert) and Raoul (West End) 5. Kevin Gray as The Phantom (Broadway, 2nd US Tour) and Raoul (Broadway) 6. Paul Matsumoto as Ensemble, Raoul u/s (Germany) 7. Erica Wong as Corps de Ballet  (Broadway)* 8. Irene Cho as Corps de Ballet (Broadway) 9. Satomi Hofmann as Ensemble, Carlotta Giudicelli u/s, Madame Giry u/s (Broadway, 3rd US Tour) and Madame Giry (Broadway)* [Currently Ensemble and cover Carlotta and Madame Giry] 10. Courtney Kristen Liu as Corps de Ballet, Meg Giry u/s (Broadway) 11. Jolina Javier as Corps de Ballet (Broadway)* 12. Christian Šebek as Ubaldo Piangi (Broadway) 13. Margaret Ann Gates as Christine Daaé alt (Canada) 14. Noh Jee-Hyun as Swing, Meg Giry u/s (West End, World Tour)
Unconfirmed: Karen Culliver Sophie Cottrill
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exodusmusing · 4 years
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below the cut you will find 140 korean surnames!! all of these names are taken from kdramas and a list of surnames i have found on internet!! please like or reblog if you find this helpful!!
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Ahn
An
Bae
Bak
Baek
Bang
Byun
Cha
Chai
Chang
Chay
Cheon
Cheong
Chwe
Chi
Chin
Cho
Choi
Chong
Chu
Chun
Dae
Dan
Dang
Do
Don
Dong
Gae
Gang
Gim
Go
Goe
Ha
Hahm
Han
Ham
Heo
Ho
Hong
Hwang
Hyun
Im
In
Jang
Jee
Jeong
Ji
Jin
Jo
Joh
Ju
Jue
Jun
Jung
Kal
Kang
Keng
Ki
Kil
Kim
Ko
Kong
Ku
Kuk
Kwack
Kwak
Kwan
Kwock
Kwon
Lee
Lin
Ma
Min
Mok
Mong
Moo
Moon
Mun
Myung
Na
Nahm
Nam
No
Noh
Oh
Ok
Ong
Pae
Paek
Pai
Pak
Pan
Park
Pyo
Pyun
Pu
Quon
Ra
Reeh
Ri
Rim
Roh
Ryu
Sa
Sang
Seo
Seol
Shin
Shim
Sim
Sin
So
Son
Song
Suh
Suk
Sun
Sung
Tae
Tak
Tan
Tang
To
Toh
Uhm
Wang
Whang
Won
Woo
Yang
Ye
Yee
Yeo
Yeon
Yoo
Yook
Yoon
You
Yu
Yun
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solplparty · 3 years
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BTS (방탄소년단) 'Permission to Dance' @ Global Citizen Live https://youtu.be/DYvrG_X5l8k Credits: Artists: RM, Jin, SUGA, j-hope, Jimin, V, Jung Kook ARFILM Director: O Jun Kwon AD: Yun Hyungsik, Jeong Jiwon PA: Mok jihwan, Oh Joonseok, Park Seongho, Yoo Hyeonwoo, Kim Doyeoun DOP: Lee Hangyeol B cam: Kim Hyungyun 1st AC: Ha Jooyoung, Han Yeonghyeon, Lee seongwon, Park seunghyun 2nd AC: Jang byeoungho, Kim Seunghui, Shin Jaehyeop DIT: Yu byeongyong 3rd AC: Lee Suyoung, Park Sangwook Gaffer: Jeong Junhyuk 1st Assistant: Yang Junmin, Kim Taeyoung 2nd Assistant: Kim Hyunggyun, Kim Daehong 3rd Assistant: Choi Jihyun, Park Chiwan, Kim Byungjong 4th Assistant: kim Byungjong, Lee Yegun 5th Assistant: Heo Unjae Jimmy Jib A: Kim Youngjung 1st Assistant: Kim Hyunin 2nd Assistant: Kim Sunghoon Jimmy Jib B: Ji Seunghyeon 1st Assistant: Bing Jeonghyeon 2nd Assistant: Kim Junhui ART: Jang Zezeen Assistant: Noh Jisu, Kim Yejin Show Light: JSHOW COMPANY, Jun Sungkang Choi Minseok, Bang Yebum, Jeong Junho, Han Jiwoong, Kwon Yerim, Kang Haeyoung, Lee Junsoo, Jung Yena, Lee Myeongjun Special Effect: Maximum, Park Yoseop Assistant: Chae Hogeun, Kim Gwangsu, Jee Huiyeong, Lee Cheonhui, An Chiseop, Kwon Yongtae 2D remove: Kim Minjun DI: Lucid Colour Colorist: Ko Wonseok Color Grade: Ko Wonseok, Lee Seonyoung DI Crew: Jeon Hwadong, Kim Minjeong, Baek Jaeyeon, Na Somi, Kim Dain, Park Sujeong, Kim Daseul, Hong Serae, Oh Jeongmin DI Producer: Hyun Sooyun Global Communications: Jinho Jeong, Rachel Um, Mina Kang, Jennie Lee, Daniella Kim, Jieun Lee, Judy Jang Performance Directing: Son Sung Deuk, Lee Byung Eun, Yoon Seong Eun, Woo Hyun Woo, Hyewon Park A&R: Nicole Kim, Gia Lim, Daye Shin, Joongsup Um SoundLab: Yang Ga, Jeong Woo Yeong, Jeon Bu Yeon, Son Yu Jeong Visual Creative: Lee Sun Kyoung, Kim Ga Eun Makeup Artist: Kim Da Reum, Seo Yuri, Kim Seon Min Hair Stylist: Mujin Choi, Han Som, Lee Da Eun, Lim Lee Young Stylist: Kim Young Jin, Kim Ye Song, Kim Bong Kyu, Shin Sang Cheol, Kim Min Ji Artist Management: Jang Jin Gu, Kim Su Bin, Lee Jung Min, An Da Sol, Park Jun Tae, Lee Seung Byung, Jeong Dae Seong, Jeong Tae Jin Connect with BTS: https://ibighit.com/bts http://twitter.com/BTS_bighit http://twitter.com/BTS_twt http://www.facebook.com/bangtan.official https://www.youtube.com/user/BANGTANTV http://instagram.com/BTS.bighitofficial https://channels.vlive.tv/FE619 https://www.tiktok.com/@bts_official_bighit https://weverse.onelink.me/qt3S/94808190 https://www.weibo.com/BTSbighit https://www.weibo.com/BTSmembers http://i.youku.com/btsofficial http://btsblog.ibighit.com BANGTANTV
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andrewlloydwebber · 5 years
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meghanpicerno:🔮It is a little known phact that the page boy and trinas enjoy conjuring up the moon’s magical powers pre il muto ;) 🌝😂🥰
Meghan Picerno with Järvi Raudsepp, Skye Weiss, Hillary Reiter, Ayaka Kamei, Rachel Thalman, Jee-Hyun Noh, and Saverio Pescucci. 
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johnnymundano · 5 years
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The Age of Shadows (2016)
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Directed by Kim Jee-woon
Screenplay by Kim Jee-woon
Music by Mowg
Country: South Korea
Running Time: 140 minutes
CAST
Song Kang-ho as Lee Jung-chool
Gong Yoo as Kim Woo-jin
Han Ji-min as Yeon Gye-soon
Uhm Tae-goo as Hashimoto
Shin Sung-rok as Jo Hwe-ryung
Heo Sung-tae as Ha Il-soo
Lee Seol-goo as Oh Nam-won
Shingo Tsurumi as Higashi
Kim Dong-young as Ha Chul-joo
Jung Yoo-ahn as Hwang Ui-seo
Go Joon as Shim Sang-do
Seo Young-joo as Joo Dong-sung
Kwon Soo-hyun as Sun-gil
Lee Hwan as Park Dae-yi
Kwak Ja-hyung as Seo Jin-dol
Yoo Sang-jae as Hunter Park
Jo Young-gyu as Kim Hak-jin
Choi Yu-hwa as Kim Sa-hee
Han Soo-yeon as Mae-hyang
Nam Moon-chul as Kim Hwang-sub
Kim Soo-woong as Saito
Choi Jang-won as Noh Duk-soo
Heo Hyung-gyu as Jung Woo-sik
Baek In-kwon as Park Woong
Jung Do-won as Woo Ma-e
Lee Soo-kwang as Hideo
Hiromitsu Takeda as Takeda
Shin Sung-il as Park Ga
Kim Ui-gun as Heo Jung-goo
Foster Burden as Ludvik
Izo Oikawa as Umano
Kazuhiko Ikebe as Nakada
Lee Byung-hun as Jung Chae-san (cameo)
Park Hee-soon as Kim Jang-ok (cameo)
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The Age of Shadows is a handsomely mounted, lightly melodramatic South Korean period spy thriller, punctuated by superbly staged action set pieces. The Age of Shadows also has a chunky runtime, and is thus able to play the long game; its initial sparkily lightweight approach shifts around the midpoint into a murkier, weightier tone, building towards an emotionally rewarding finale. It’s good watching, is what I’m getting at. But you have to stick with it to get the full effect. The Age of Shadows manages to be both entertaining and also be about the upsetting business of terrorism, while successfully evading the bear trap of tastelessness. I say “terrorism” but it should always be acknowledged that the name for people using violence for political ends always depends which side you’re on; for a South Korean audience these terrorists would be Freedom Fighters.
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The Age of Shadows is set in Korea in the 1920s when it laboured under Japanese colonial rule (1910 – 1945). Over here in the UK there is a howling void in the heads of the hoi polloi like I, where the history of the East should be; we spend hours being taught about The Corn Laws but we only find out that Korea was once under Japanese rule by watching The Tiger (2015; awesome, watch it) or The Age of Shadows. Or it might just be me who is an idiot; either way don’t knock the educational content of movies about giant tigers or people in sharp threads planning to bomb an embassy. Anyway, after a few seconds research it looks like Japan, successfully eschewing military confrontation, slowly eroded Korea’s independence with some underhand shenanigans and a bunch of treaties from 1876 onward, tying the two closer and closer together, culminating in the Japan-Korea Treaty of 1910. This completed the annexation of Korea by Japan. Why would Korea sign such a thing, you may be understandably wondering. The ridiculous answer is they, or the then Korean regent Gojong, didn’t. Japan annexed Korea anyway. South Koreans have since dubbed this the Japanese Forced Occupation and The Dark Japanese Imperial Period. Korea was well miffed is the message I’m getting here. Hence the freedom fighters.
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Since The Age of Shadows is a South Korean movie it is understandably very much not on the side of the Japanese overseers. It is very much on the side of the Korean freedom fighters, who are all plucky, photogenic and brave. You could easily come away from The Age of Shadows believing that they are so awesome that, like The Punisher©®™, no innocents ever get caught in their bomb blasts or crossfire. It’s a measure of the movie’s subtlety that this isn’t true. It wants you to root for the freedom fighters so it does somewhat soft soap the collateral cost; but it can’t bring itself to lie, the bodies of the innocent are there if you watch closely. Innocent isn’t a term the movie extends to the Japanese, who are the bad guys here (and to be honest, Japan of the 1920’s, I’m thinking Korea has a point here).
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Surprisingly for an occupying force the Japanese are few in number. They seem to be operating on the Roman Empire model - where you go in, take a place over, and use the locals to police themselves; with the subjugating force occupying the upper echelons and running the martial apparatus. It’s a good model; you can cover a lot of ground with limited resources. But because you are outnumbered on the ground, you have to brutally dissuade any insurgents. Brutally, I stress. Hence all the Japanese characters are nasty pieces of work. There is a range of evil on offer though; the cartoony psychosis of number one goon Hashimoto (Uhm Tae-goo; cartoony, psychotic, good fun) or the quietly vile police chief Higashi (Shingo Tsurumi; supremely reptilian). Now, I wouldn’t take this as an indictment of the Japanese race as a whole, it’s more a reflection of the kinds of people who gravitate to the suppressive end of the police state. Basically, if they weren’t in uniform they’d be in prison. Every country has a rich crop of these sweethearts, not just Japan.
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That’s the backdrop against which the epic sweep of The Age of Shadows unfolds. It is a big movie; Korea vs Japan! Freedom versus vassalage! Authenticity vs Inauthenticity! Love vs Duty! But it is also simultaneously a small movie; it’s all about Lee Jung-chool (Song Kang-ho; fantastically sympathetic), a Korean and also a cop working under the Japanese. It’s about how he grows some self-respect, I guess. How he learns that everyone picks a side, even if they don’t realise it; so it’s best to make it a conscious decision. The Age of Shadows opens with a crucial confrontation between Lee Jung-chool and Kim Jang-ok (Park Hee-soon; athletically defiant), a resistance fighter and ex-classmate of lee Jung-chool. This is a  ferociously entertaining thrill of a night-time firefight with much rooftop running, and even a nifty bit of business with a severed toe; the kind of tossed off quirk Korean cinema does so well. Something is stirred within the laissez-faire breast of Lee Jung-chool, something which is positively agitated by his investigation into antique shop owner Kim Woo-jin (Gong Yoo; disarmingly pleasant), and a plot involving the transport of explosives by train. Kim-Woo Jin attempts to turn the copper, while Lee Jung Chool seeks to infiltrate the ambitious cell before their plans bear explosive fruit. But who is fooling who, and, ultimately, is someone fooling themselves?
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What follows is a cloak and dagger game of cat and mouse which reaches a climax mid-movie, with a tense and expertly staged train journey/traitor hunt with a hectically violent conclusion. After that the games being played extend beyond the cast to envelop the audience as the The Age of Shadows keeps its cards close to its chest, dealing out revelations at a steady pace throughout this darker, harder half of the movie. It’s discreetly smart film making, so high fives and bear hugs to Kim Jee-woon. But I think most credit is due for segueing so smoothly from the initial Boy’s Own escapades to the quite harrowing consequences of defiance. The Age of Shadows pulls its punches, no doubt, but it still admits the ugly cost of defiance to a quite remarkably unpleasant extent. Ultimately The Age of Shadows is a beautiful, finely acted, whip-smart movie which secretes within its enthralling entertainment a soupçon of brutal truth.
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bodashiri · 7 years
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2017 Baeksang Arts Awards (Result)
Date : May 3rd, 2017
Place : KOEX D Hall (Seoul, South Korea)
Broadcaster : JTBC
TV Drama Category
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▲ Grand Prize / 대상 Writer Kim Eun-Sook 김은숙 (GOBLIN : The Lonely and Great God 쓸쓸하고 찬란하神 도깨비)
▲ Best TV Drama / TV 작품상 (드라마 부문) Dear My Friends 디어 마이 프렌즈 (tvN)
▲ Best TV Drama Director / TV 연출상 Yu In-Sik 유인식 (Romantic Doctor, Teacher Kim 낭만닥터 김사부)
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▲ Best TV Drama Actor / TV 남자 최우수 연기상 Gong Yoo 공유 (GOBLIN : The Lonely and Great God 쓸쓸하고 찬란하神 도깨비)
▲ Best TV Drama Actress / TV 여자 최우수 연기상 Seo Hyun-Jin 서현진 (Another Miss Oh 또 오해영)
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▲ Best New TV Drama Actor / TV 남자 신인 연기상 Kim Min-Seok 김민석 (Doctor Crush 닥터스)
▲ Best New TV Drama Actress / TV 여자 신인 연기상 Lee Se-Young 이세영 (The Gentlemen Of Wolgyesu Tailor Shop 월계수 양복점 신사들)
▲ Best TV Drama Writer / TV 극본상 Noh Hee-Kyung 노희경 (Dear My Friends 디어 마이 프렌즈)
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▲ Most Popular TV Actor / TV 남자 인기상 Park Bo-Gum 박보검 (Love in the Moonlight 구르미 그린 달빛)
▲ Most popular TV Actress TV 여자인기상 Kim Yu-Jung 김유정 (Love in the Moonlight 구르미 그린 달빛)
Movie Category
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▲ Grand Prize / 대상 Director Park Chan-Wook 박찬욱 (The Handmaiden 아가씨)
▲ Best Film / 영화 작품상 The Wailing 哭聲 곡성
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▲ Best Film Director / 영화 감독상 Kim Jee-Woon 김지운 (The Age of Shadows 密偵 밀정)
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▲ Best Leading Actor / 영화 남자 최우수 연기상 Song Gang-Ho 송강호 (The Age of Shadows 密偵 밀정)
▲ Best Leading Actress / 영화 여자 최우수 연기상 Son Ye-Jin 손예진 (The Last Princess 德惠翁主 덕혜옹주)
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▲ Best Supporting Actor / 영화 남자 조연상 Kim Ui-Seong 김의성 (Train to Busan 釜山行 부산행)
▲ Best Supporting Actress / 영화 여자 조연상 Kim So-Jin 김소진 (The King 더 킹)  
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▲ Best New Actor / 영화 남자 신인 연기상 Ryu Jun-Yeol 류준열 (The King 더 킹)
▲ Best New Actress / 영화 여자 신인 연기상 Lee Sang-Hee 이상희 (Our Love Story 戀愛談 연애담)
▲ Best New Director / 영화 신인감독상 Yeon Sang-Ho 연상호 (Train to Busan 釜山行 부산행)
▲ Best Scenario Writer / 영화 시나리오상 Yoon Ga-Eun 윤가은 (The World of Us 우리들)
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▲ Most Popular Movie Actor / 영화 남자인기상 Do Kyung-Soo 도경수 aka. D.O. 디오 (My Annoying Brother 형)
▲ Most Popular Movie Actress / 영화 여자인기상 Im Yoon-Ah 윤아 (Confidential Assignment 共助 공조)
Others
▲ Best TV Variety Show / TV 작품상 (예능) Mom’s Diary - My Ugly Duckling 미운 우리 새끼 (SBS)
▲ Best TV Variety Show Actors / TV 남자 예능상 Yang Se-Hyung 양세형 (Yang Se-Hyung’s shoterview 양세형의 숏터뷰)
▲ Best TV Variety Show Actress / TV 여자 예능상 Park Na-Rae 박나래 (I Live Alone 나 혼자 산다, MBC)
▲ Best TV documentary & education program / TV 작품상 (교양) Ssulzun : The War of Mouths 썰전 (JTBC)
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▲ Lifetime achievement award 공로상 Actress Kim Young-Ae 김영애
▲ InStyle Best Syle Award (Sponsor related) Actress Kim Ha-Neul 김하늘
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pelihomppaa · 5 years
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FS: Jaksot 5 - 7
Minipelit vissiin auttaa kun TP tuntuu kertyvän nykyään sellaista vauhtia että pelaan nopeammin mitä ehdin tänne kirjoittaa. .-D Siksi tällä kertaa tulee yhteisraportti kolmesta jaksosta.
Kuvien metsästyksessä viides jakso meni osaltani pieleen. Missasin jostain syystä Alexyn ja Morganin yhteiskuvan, ja kahvilakuvankin kanssa oli säätöä. Toivoin seuralaisekseni Hyunia, mutta sitten katsoinkin lunteista että kahvilaan saapuva auttaja riippuu kiintymyksestä, ja mulla oli Priya korkeinpana. Ei se tietenkään mikään ongelma ollut, sillä Priyan kanssa oli tässä jaksossa kiva viettää aikaa kun hän tuli hahmon seuraksi Yeleenin ämmäillessä, joten mielelläni olisin hänet ottanut kahvilaseuralaisekseni jotta sairaana oleva Hyun saisi levättyä. Noh, eikös kahvilaan saapunutkin sitten Hyun, sillä kiintymys olikin noussut samaan Priyan kanssa ja sit peli ilmeisesti arpoi Hyunin, jonka kuvaa en voinut enää saada kun asu oli väärä. Oishan se kelvannut tietysti myös Rayanin kuvaan, mut ei mulla oo sellaisia huippukiintymyksiä open kanssa että kuva olisi ollut lähelläkään. Noh, sentään sain Nathanielin kuvan, se on tärkeintä. ,-)
Castielin käytös oli yllättävää enkä todellakaan odottanut hänen tarjoutuvan auttamaan hahmoa kahvila-askareissa. Missä välissä Castielista on tullut näin huomaavainen ja avulias, ihanaa! Juttukin luisti nyt paremmin ja Castielin kanssa oli ihan miellyttävää keskustella. En pysty kuitenkaan suhtautumaan Castieliin julkkiksena ja ärsyttikin kun hahmo toi julkisuusasioita koko ajan esille, varsinkin kun Castiel ei tuntunut mielellään puhuvan bändistään. Oli harmillista huomata ettei Nathanielin ja Castielin välitkään olleet yhtään paremmat, sillä lukion lopussa he tuntuivat sietävän sentään sietävän toisiaan, mutta nyt oli lähellä ettei kakkosjakson tappelua käyty uudelleen.
Sääli ettei Nathaniel halua puhua ongelmistaan vaikka ihan selvästi näkee että hän on kovan ulkokuorensa alta rikki. Tietysti haluaisin auttaa, mutta ärsyttää miten hahmo joutuu välillä tyrkyttämään väkisin neuvojaan, en haluaisi olla niin päällekäyvä, varsinkin kun vielä ei tiedetä koko kuviota. Mut älä huoli Nath, en käännä sinulle selkääni vaikka tapahtuisi mitä. <3
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Rayanin seura on hmm, mielenkiintoista. En voisi kuvitellakaan viettäväni opettajani kanssa aikaa luentojen ulkopuolella, ja olenkin aika hyvin saanut välteltyä Rayanin tapaamista, mutta kahvilaan hän sitten tunki väkisin sulkemisajan jälkeen auttamaan ja rannallakin hänen kanssaan oli pakko viettää aikaa... Joku just mainitsi miten on hölmöä ettei negatiivinen lom enää vaikuta siihen onko deitti kiinnostunut hahmosta vai ei, ja täytyy sanoa että koen jotkin Rayanin toiminnot vähän ahdistavina, enkä esim. pahastunut Hyunin huolehtimista aiheesta tältä kannalta, mutta asioiden liioittelu ei ole ok ja siitä tulikin vähän ärähdettyä hänelle.
Oonkohan ihan kamala kun annan Hyunin punastella edessäni ja sit lähden kuitenkin lopulta Nathanielin matkaan? Mut itsepä Hyun tuntuu jatkuvasti tuppautuvan seuraani. Hyunia sanotaan helpoksi, mutta valitsin kuudennessa jaksossa tyyliin kaikki negatiiviset repliikit ja kiintymys laski roimasti. Hyun, vietän mielelläni aikaa kanssasi, mutta perheeseesi en olisi niin innokkaasti tutustumassa... Mennään vaikka mieluummin sille ekassa jaksossa lupaamallesi kaupunkikierrokselle. Mulle ei edelleenkään ole mikään ongelma kun Rosa yrittää parittaa mua ja Hyunia, ehe. ,-)
Rosalian raskausuutinen oli aika OHO, ja yllätyin myös siitä miten positiivisesti he Leighin kanssa suhtautuvat asiaan, Leigh jopa osti pienelle perheelle uuden talon. Kaikki sujui asian tiimoilta jotenkin niin yltiöonnellisesti että odotan jo milloin vaikeudet alkavat - joo, vähän draamaa pitää aina olla. .-D Sit mulla on kamala ikävä Alexya. Haluaisin että me voitaisi joskus jutella kahdestaan eikä paikalla olisi aina Rosaliaa tai Morgania. .-P
Rantapäivä oli ihan jees, maisemat olivat palmupuineen kuin joltakin paratiisisaarelta, ja kaikki tuntuivat olevan hyvällä tuulella. Vähän nääh ettei muilla tyypeillä ollut rantavaatteita, hahmo tuntui niin alipukeutuneelta muihin verratessa. Nathanielin kanssa oli mukava viettää aikaa vaikka Nath ei vieläkään suostunut kertomaan kaikkea - mitä en tosin ihmettele, sillä Nathaniel jos kuka tietää ettei hahmo jää toimettomaksi jos tietää jonkun olevan ongelmissa. Yö rannalla yhdessä Nathanielin kanssa oli kyllä aika ihana. <3
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Toivoisin kyllä että hahmo ja/tai Nathaniel pysähtyisi hetkeksi ennen kuin suhde syvenee kaveritasoa pidemmälle - heidän seurustelunsa johti aiemmin eroon, joten millaisia odotuksia tämä uusi välien lämpeneminen herättää? Jaaa samaan aikaan haluaisin jo romanssin päälle, ota musta nyt sitten selvää. .--D 
Noin, täytyy tää nyt äkkiä julkaista ennen kuin siirryn seuraavan jakson pelaamiseen etten joudu siitäkin raportoimaan kaikkea tähän. .-D
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operafantomet · 3 years
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Meg Giry’s signature pose in Prima Donna
Daisy Hulbert, West End
Lindsey Wise, West End
Martina Langas, Stockholm
Kara Klein, Broadway
Sophie Kiddle, Antwerp
Anna Grönros, Copenhagen
Jee Hyun Noh, World Tour
Annabel Knight, Essen
Fernanda Muniz, Sao Paulo
Kiruna Lind-Devar, World Tour
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roadtophantom · 4 years
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Claire Lyon and Jee Hyun Noh
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marleneoftheopera · 4 years
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they really are the cutest
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lacbuocgiuasaigon · 7 years
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Biên kịch “Hậu duệ mặt trời” nhận giải thưởng cao quý nhất tại Baeksang 2017
Kim Eun Sook – người từng chấp bút kịch bản bom tấn truyền hình “Hậu duệ mặt trời" – đã được vinh danh lên nhận giải thưởng cao quý nhất của lễ trao giải nghệ thuật Baeksang 2017.
Đến hẹn lại lên, sao Hàn lại nô nức có mặt tại Trung tâm hội nghị & triển lãm COEX để tham dự lễ trao giải cao quý bậc nhất xứ kim chi – Baeksang Arts Award. Các tác phẩm truyền hình, điện ảnh và tạp kỹ ra mắt trên màn ảnh nhỏ từ ngày 14/4/2016 đến 31/3/2017 đều đạt điều kiện để tranh giải tại các hạng mục của giải thưởng này.
Năm nay, vị trí cao quý nhất tại Baeksang 2017 – giải Daesang – đã có chủ. Người đoạt giải thưởng này không ai khác ngoài Kim Eun Sook – biên kịch tài ba đã chấp bút kịch bản cho Hậu Duệ Mặt Trời, Người Thừa Kế và mới đây nhất là phim truyền hình Goblin.
Mẹ đẻ của “Hậu duệ mặt trời” cười tít mắt khi nhận giải thưởng cao quý Daesang tại Baeksang Arts Awards lần thứ 53
Tuy nhiên, giải Daesang không chỉ có một. Đạo diễn Park Chan Wook – người thực hiện phim điện ảnh gây tranh cãi The Handmaiden (Người hầu gái) – là cái tên thứ hai được xướng lên nhận giải thưởng cao quý này ở hạng mục dành cho phim điện ảnh. Trong khi đó, biên kịch Kim Eun Sook nhận giải Daesang ở hạng mục phim truyền hình.
Kim Yoo Jung ngơ ngác khi biết mình được nhận giải “Ngôi sao được yêu thích nhất”
Bên cạnh đó, Baeksang cũng có những hạng mục chiều lòng khán giả trẻ như giải Ngôi sao được yêu thích nhất. Kim Yoo Jung và Park Bo Gum là chủ nhân của giải thưởng này bên hạng mục truyền hình. Hai ngôi sao trẻ đã được phút ngớ người vì không biết mình nhận được cúp vàng Baeksang do người xướng tên họ là một khách mời nước ngoài.
Tại hạng mục phim điện ảnh, giải thưởng Ngôi sao được yêu thích nhất được trao cho Yoona – thành viên nhóm SNSD và Do Kyung So. Việc trao giải cho Yoona khiến một số khán giả bất bình. Lý do chính là vì diễn xuất “chẳng ra sao” của cô nàng trên màn ảnh.
Đạo diễn của “Romantic Doctor” nhận giải Baeksang trong sự ngỡ ngàng của khán giả
Ở hạng mục Đạo diễn truyền hình xuất sắc nhất, rất nhiều người hy vọng Lee Eung Bok – người thực hiện tác phẩm Goblin – sẽ làm nên chuyện. Thế nhưng cuối cùng, đạo diễn Lee lại ra về tay trắng còn người được vinh danh là đạo diễn Yoo In Sik của Romantic Doctor, Teacher Kim.
Gong Yoo giành giải “Nam diễn viên truyền hình xuất sắc nhất”
Ê-kíp “Dear My Friends” lên sân khấu nhận giải
Ê-kíp của Goblin cũng tiếp tục giành thêm 1 giải thưởng quan trọng khác tại Daesang. Đó là giải Nam diễn viên truyền hình xuất sắc nhất dành cho Gong Yoo.
Tuy nhiên, đáng chú ý nhất là Dear My Friends – một tác phẩm “từ trên trời rơi xuống” đã gạt hết các đối thủ sừng sỏ như Romantic Doctors hay Teacher Kim để giành giải Phim truyền hình xuất sắc nhất. Không giống như các đối thủ, Dear My Friends tập trung khai thác chủ đề tưởng rằng đã lỗi thời – gia đình. Thế nhưng, con cưng của nhà đài tvN vẫn chứng tỏ được sức hút của mình trước hội đồng nghệ thuật của Baeksang. 
Danh sách giải thưởng nghệ thuật Baeksang 2017
Hạng mục phim truyền hình
Daesang: Biên kịch Kim Eun Sook (Goblin)
Phim truyền hình xuất sắc nhất: Dear My Friends
Đạo diễn xuất sắc nhất: Yoo In Sik (Romantic Doctor, Teacher Kim)
Biên kịch xuất sắc nhất: Noh Hee Kyung (Dear My Friends)
Nam diễn viên chính xuất sắc nhất: Gong Yoo (Goblin)
Nữ diễn viên chính xuất sắc nhất: Seo Hyun Jin (Another Miss Oh)
Nam diễn viên mới xuất sắc nhất: Kim Min Suk (Doctors)
Nữ diễn viên mới xuất sắc nhất: Lee Se Young (Laurel Tree Tailors)
Ngôi sao được yêu thích nhất: Park Bo Gum, Kim Yoo Jung
Hạng mục phim điện ảnh
Daesang: Đạo diễn Park Chan Wook (The Handmaiden)
Phim điện ảnh xuất sắc nhất: The Wailing
Đạo diễn xuất sắc nhất: Kim Jee Woon (The Age of Shadows)
Biên kịch xuất sắc nhất: Yoon Ga Eun (The World of Us)
Nam diễn viên chính xuất sắc nhất: Song Kang Ho (The Age of Shadows)
Nữ diễn viên chính xuất sắc nhất: Son Ye Jin (The Last Princess)
Nam diễn viên phụ xuất sắc nhất: Kim Eui Sung (Train to Busan)
Nữ diễn viên phụ xuất sắc nhất: Kim So Jin (The King)
Đạo diễn mới xuất sắc nhất: Yeon Sang Ho (Train to Busan)
Nam diễn viên mới xuất sắc nhất: Ryu Jun Yeol (The King)
Nữ diễn viên mới xuất sắc nhất: Lee Sang Hee (Our Love Story)
Ngôi sao được yêu thích nhất: Do Kyung Soo, Yoona
Phong cách ấn tượng nhất: Kim Ha Neul
Cống hiến trọn đời: Kim Young Ae
Theo Xia Yi (Khám Phá)
Tham khảo bài nguyên mẫu tại đây : Biên kịch “Hậu duệ mặt trời” nhận giải thưởng cao quý nhất tại Baeksang 2017
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operafantomet · 3 years
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Meg as The Jeweler’s Maid: main pose
Imogen-Lily Ash, Copenhagen
Jee Hyun Noh, World Tour
Patricia Ward, Chicago
Joelle Gates, Oberhausen
Mio Ogawa (?), Kyoto
Georgia Ware, West End
Valeria Migalina, Moscow
Kara Klein, Broadway
Unidentified, Hiroshima
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