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zukkaoru · 3 years

Text

Fic Writer Review

tagged by @bisexualpercabeth tysm for the tag!! <3

1. how many works do you have on AO3? 85 lol

2. what’s your total AO3 word count? 489,407.. don't ask how much of that is just from the past year lol

3. how many fandoms have you written for and what are they? i have posted fics for 20 different fandoms on ao3 and i am not going going to list them all out but my top five are atla, 0uat, tlok, h$mtmt$, and tales of arcadia

4. what are your top 5 fics by kudos?

1. plum blossom 2. you clutched my brain and eased my ailing 3. my calamitous love & insurmountable grief 4. five times ryan came out (and one time he couldn't) 5. feels like love

5. do you respond to comments, why or why not? i usually try to but sometimes i simply do not know what to say. or i let too many comments build up in my inbox and end up just not responding bc i'm overwhelmed oops

6. what’s the fic you’ve written with the angstiest ending? uh. it's gotta be one of my old 0uat fics bc i don't usually like to write angsty endings anymore skdgfdj i'm not sure i want to link to any specific oneshot but if you're curious you can look back through my ao3 ig there's also looked me in the eye and told me you would never go away but that's part of a series so the entire coherent story doesn't end angstily lol

(continued under the cut)

7. do you write crossovers? if so what is the craziest one you’ve written? i don't really anymore but oh boy. the craziest one i've ever written? one of my friends and i started writing a fic back when we were like ten and we literally called it The Megacrossover (the mega for short) bc we just. shoved as many fandoms as we could in that thing. it started out just being a pjo / hp / thg crossover where the characters got reaped for a hunger games based on their cabin at camp half-blood but then we ended up including doctor who and 0uat in the plot to get everyone out of the arena, and then we brought in olaf for some reason (?) and we also had plans to bring in characters from divergent and the maze runner but unfortunately we never finished. anyway. long live the mega. it's still in a binder on my bedroom floor at home

8. have you ever received hate on a fic? yeah but not recently. my favorite was someone hate commenting on chapter eleven of a doctor who fic i posted on ff.net that i wrote when i was like 13-14. and when i called them out in the author's note of the next chapter, saying "if you don't like you don't have to read" they commented again and said something like "well obviously you don't know if you don't like it until you start reading, stupid" like yeah bro but. eleven chapters? if it took you that long to realize you didn't like it, that's sounds like a you problem

9. do you write smut? if so what kind? nope lol

10. have you ever had a fic stolen? not that i know of lol

11. have you ever had a fic translated? nope

12. have you ever co-written a fic before? not besides The Mega. but corey and i create (mostly cursed) AUs together which is close enough <3

13. what’s your all time favorite ship? i am morally obligated to answer outlaw queen for this. but currently matchablossom is occupying all my thoughts

14. what’s a WIP that you want to finish but don’t think you ever will? oh there are so many atla fic ideas i have that i'm not sure i'll ever have time to flesh out and write. there's one i came up with based very loosely on the song snow by ricky montgomery that's sokka-centric but it's very complex and elaborate and i could definitely see it being upwards of 200k words and i just. don't have time for it which is very sad to me bc it would be so good if i did

15. what are your writing strengths? i'm so bad at questions like this. i don't know?? sometimes i write and i like everything about what i'm writing and sometimes i write and i hate it all. i guess dialogue ? sure

16. what are your writing weaknesses? action scenes. describing the physical details of the setting. sometimes (see: a lot of times) i write sentences so long and convoluted that they make sense to no one other than me.

17. what are your thoughts on writing dialogue in other languages in a fic? gonna be honest i really haven't seen that much of this? like i think it's cool when it comes up bc i love other languages! but i also always worry i'm going to be mistranslating something whenever i do it skdhjgfd also if you're going to be doing a lot of it, i feel like you should probably include a translation somewhere so people know what's going on without having to like. switch back and forth between the fic and google translate or smth

18. what was the first fandom you wrote for? percy jackson

19. what’s your favorite fic you’ve written? it's probably gotta be this ultraviolet morning light (which is now on the second page of my fics what the heck???) tuvml is my baby and the longest fic i've finished to date and i still think about how rising sun verse zuko and sokka are doing quite often. i've also still got a couple half-finished fics for that universe and a longer sequel i'd love to publish someday but i've been. distracted by other fics

tagging (with no obligation): @that-was-anticlimactic @smilehoneyy @bisexuallsokka @beachytablecloth and anyone else who wants to!!

#tag game #i wrote some pretty angsty fics after robin's death so #technically my fic with the angstiest ending probaby comes from that time #but i wasn't super active on ao3 and i will not be providing a link to any of my old fics that are not on ao3

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thegeminisage · 4 years

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hey liz i've been thinking a lot about story structure lately and i wanted your take on how you decide what structure your stories will have? i know there's that "you have to do what your story needs and tells you to do" thing but these bitches dont ever tell me anything they just multiply so. thoughts? - bma

(as an aside, i don't know whether involving medium would change many things but it may be worth considering. mainly i think medium is just a matter of arrangement and that the story would be for most intents and purposes the same no matter how you choose to tell it. i guess you could argue that structure is arrangement in itself and intrinsically tied to medium but i sort of feel like it is secondary arrangement, if at all? like if you consider time as an element to outline -- the time IN the story (how things happen to your characters) is not necessarily the time you’re telling the story IN (how you are telling your reader that things are happening) aka internal chronology doesnt equal your work’s pacing? or should it??? does this make sense? i dont think so. i am sorry.) - bma :|

NOOO dont be sorry ur making total sense

i think there’s 3 thots to unpack here (medium, structure, & chronology) & i’m gonna start with medium bc it’s easier. im also putting it behind a cut bc it’s gonna get just stupidly long and rambly. i’m sorry in advance if it’s not helpful to you, i have a lot to say for someone who has never taken even one single class on writing and as a result doesn’t know jack shit (there’s a tl;dr at the end dont worry)

about MEDIUM:

so like ok i’m just some goof-off with a HS degree who writes fanfiction but In My Very Super Qualified Personal Opinion, i don’t think that most of the time medium is intrinsically tied to STRUCTURE of the main storytelling arc...i think the art of storytelling itself is distinct from the medium you choose to tell the story IN. this post puts it better than i ever could but basically for me, i feel like the story itself is sort of the raw, malleable concept, and the medium you choose to tell it in is how you convey the information??

like in a book, you can say “she forgot her keys” and in a film you have to show her smacking her forehead, heading back into the house, and swiping her keeps off the counter. you can’t TELL in film, you have to show. similarly i regret every day i cannot perfectly describe a facial expression with words when i see it so clearly in my head. for audio-only podcasts that are dialogue heavy out of necessity you have different limitations than you would for, say, animated music videos with no dialogue at all. games allow for more interactivity and exploration while sacrificing accessibility, tv shows allow for more length while sacrificing, uh, a big hollywood budget...medium affects the kind of story you can reasonably tell which is why some stories are better suited to one medium than another. i think trying things in other mediums is a good way to stretch your storytelling muscles but with enough skill nearly any story could be told in any medium. i think when trying to decide on a medium you just gotta weigh the pros & cons and what you feel comfortable with/what you think would be most effective/what would evoke the strongest reaction

re: structure:

firstly “do what the story tells u to do” is a little silly like...the story isn’t sentient. come on. that’s like “i can only write when the writing gods inspire me” there are no writing gods! inspire yourself! it’s all in our weird messed up brains! ok anyway.

this is, again, just how i do things, and i am 700% self-taught so take it with a grain of salt, but when i sit down and start blocking out a story from scratch i don’t...actually consider the big structure at all! sorry if that’s not helpful to you. i like to make a list of everything i want to happen, and then put it together in a few different orders to see what looks best. and when i’m finished, whatever i have just like...IS the structure i go with, with perhaps minor tinkering to make it flow more smoothly. (i think this might be in the same spirit as “do what the story tells you” with less bullshit and more Agency Of The Writer.)

for long and more complex projects, i actually usually have several lists - one list of stuff that is, for example, the Action Plot (the kingdom has been cursed, i’m tracking down my serial killer sister to bring her to justice, i’m running from djinn who wanna kill my dad, i’m trying to bring my dead not-boyfriend back to life). then i have another list for Character A & Character B’s romance or whatever. and maybe a even another one for solo character development (magicphobic prince learns to love magic, former werewolf hunter figures out his family is a cult, half-demon learns to embrace his own nature). and as many lists as we need for however many Main Characters and or Plots/Sideplots

how i order the lists: individually first. don’t mix them together to start with. when deciding the order of an individual list i like to, for example in a romance arc, use escalating intimacy. “A and B have dinner together” is naturally gonna go way sooner than “A and B kiss” or “A and B talk about A’s angsty backstory” because that’s more satisfying. draw it out, good/important stuff last, dangle that carrot so we have a reason to keep reading! for singular character development, it’s basically a straightforward point A to point B...if i want my guy to start hating magic with everything he is and end up being very comfortable with it, i have to put “reluctantly uses magic to save his own life” WAYYY before “casually using magic to light torches and reheat his cold stew.”

the tricky part for me is when i’m done with these lists and then i need to mix them together To Pace My Whole Story. (this is usually why i wind up with a rainbow colored spreadsheet.) i don’t like to put too many things too close together because then the pace feels uneven. even if my Action Plot is only a thinly veiled excuse for romance and character development, i still don’t want to focus on a romance for 30,000 words and then go “and oh yeah in case you forgot Serial Killing Sister is still coming for your asses.” the more sideplots and major character arcs you’re juggling the harder it is to get an even distribution, which is my main concern always

and like, generally, whatever i have when i’m finished...is my structure. (sorry.)

i don’t know much about the classic 3-act or anything like that, but i usually can divide them up into 3-5 big arcs based on story turning points. sometimes i take a scene out of one arc and put it in another because it fits better and i like for my shit to be organized, but usually by the time i’m finished with all that, that’s what the final story is mostly gonna look like. (there have been a few exceptions when i realized i needed extra scenes/changes while i was MID-DRAFT and let me tell you that murders me EVERY time. it happened on the merlin fic i’m currently posting and that was like my own personal hell.)

this is also where thots about chronology come in:

i think time CAN be an element of this if you WANT it to be, but it doesn’t HAVE to be. if you want it to be, i would consider it just another “list” like character development or the romance arc.

i usually plot without considering Time very much...to me, it’s all down to the events you want to show, and however much time it takes is the byproduct. if you want to show something from a character’s chilhood but then tell the bulk of it when they’re adults, that’s one thing. if you want to show a scene from their childhood, teenhood, young adulthood, etc, that’s a different kind of pacing?? i usually do it this way so i can regard time like wordcount: it takes as long as it takes. 3 days or 3 years, a 1.5k drabble or a 100k epic...overall, my LARGEST CONCERN is that even distribution. in the same way that i don’t want one chapter to be 30,000 words when the rest are 10,000 words, i personally am not a fan of huge timeskips offscreen

(because this where i think someone’s own internal chronology DOES matter...this is just a personal preference, as a reader i have a hard time really comprehending, say, a year timeskip or a 10yr timeskip when all i did was turn one page. like, a year is such a long time. i can’t even begin to describe how different i am now to how i was a year ago. it’s the same for character development. time IS development and as a writer i’m not really comfortable having that take place offscreen - for main characters, at least. it’s just too jarring. a little prologue with something happening 10 or 20 years ago is usually fine, but for the most part, i’m not a fan. ...i can do one chapter per year a lot easier than i can do two chapters in childhood and the other 8 in adulthood. of course you can play with this a LOT with nonlinear storytelling, which is a whole other very cool thing, and someone skilled in their work can keep me sucked in no matter what, but imo if you don’t want to risk throwing your reader out of your work it’s better to keep things steady)

HOWEVER sometimes time IS an element u wanna consider outside of just making sure your shit is evenly distributed...if your heart is moved to tell a story in a specific timeframe, over a year, or from solstice to solstice (this was almost the timeline for my merlin fic and then i changed it), for the first six months of a friendship, or even a huge journey in the span of a single day (toby fox had a lot of success with this one lol).

i think it can help to choose a start and end point for your chronology the same way you do for character development (prince goes from hating magic to being ok with it, story takes place from ages 8 to 25, or from new year’s eve 2038 to 2039, whatever) - that way you can keep your distribution even, if that’s a thing you want to do...even if you have a lot of skips you can still note what happens offscreen to make it work better in your head? like, if you just make it another List, another column on your spreadsheet, when you’re in the early stages of organizing you can be conscious of it and make sure it’s playing into the story the way you want it to

anyway these r my thots im SOOOO SORRY this is so long lmao. brain machine broke today which is why i had to ramble more to explain myself. the tl;dr in case ur brain is melting out of ur ears & u didn’t sign up for an essay:

imo medium is totally distinct from storytelling tho ofc some stories are better suited to some mediums

structure? i don’t know her. i plot w/o regard to structure and then if it looks funny i mush it into a more structurally sound shape

my main concern when structuring anything, including time, is an even distribution of Events and a steady rate of escalation

structure to me is just what i have when i’m finished plotting. i’m sorry one day i’m gonna take a writing class

internal chronology matters to me personally because i have a little bit of time blindness but maybe not to everyone, i know many very successful stories where they disregarded that entirely to no ill effect

writer’s block isn’t real! everyone just needs more rainbow spreadsheets

thank u for asking I HOPE i didn’t make you regret it too badly lmao and that at least a little of it was helpful!!

#personal #liz loves writing #liz answers asks #brit marling anon #i couldn't figure out how to answer u without walking u thru my entire process #so that's what i did and that's why it's so long. very sorry.#im gonna set this up to reblog itself at the time u sent ur ask so that ur sure to see it!!#edit: there was SUPPOSED to be a cut on this but tumblr put it in the ASK?? i can't seem to fix it. rip

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steve0discusses · 5 years

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Yugioh S4 E3: So Many Dragons in This One

Y’all so I’m like getting over a pretty nasty cold that’s pretty much wiped me clean like a hard reset and this episode coinciding with it is something else because this episode is essentially a fever dream start to finish.

First off:

If your mind didn’t immediately start playing ska-like alt rock and go through every lyric from “Escape From the City” then I can’t help you. Because that’s where my mind directly went and stayed for the entirety of this episode.

Back in the museum, Yugi learns about some more crypto-history.

Because Y’all, Yugioh just LOVES to screw with history. I mean we’ve already seen what they did to Seto Kaiba’s timeline, but get a load of what they’re about to do with world history.

(Arthur now has the USA gradient because I was at a loss of how else to describe Arthur. If Bandit Keith comes back then I’ll be mixing fonts, yet again.)

This was done mostly to recap the last 3 seasons, but also to drop in some brand new lore that came out of freakin nowhere.

Atlantis.

Yes, he said Atlantis.

(read more under the cut)

In the actual dialogue of the show, Tea mentions she read a single book about Atlantis once in her life, and then Joey and Tristan go “Tea, you nerd!” and it’s like wow the standards are low in this group. One single book, boys? That’s all it takes to be a nerd? When you have any of the KAIBAS right over there? One single book is the requirement?

Starting to think no one in this universe knows what a nerd is.

So the underwater cave dwelling from a few episodes back is none other than the Atlantis ruins. I feel like this should be a way bigger deal in terms of like all of history, since in this universe, Atlantis is time wise at the dawn of (checks wikipedia)...proto-writing...and yet they seem to really have their math and large construction science down.

The arch wasn’t really utilized (I hesitate to say “discovered” as it is an arch) until about 2000 BC or so. Good on the Atlanteans, I guess?

Don’t know why we’re getting so sidetracked by cards when a civilization 10000 years ago could make immense underwater 60 ft castles that don’t immediately collapse under the pressure, but this is the Yugioh universe and everyone’s card addiction runs strong and true.

It just seems funny to me that Hawkins, who devoted I want to say like 60 years of his life toward becoming a walking encyclopedia about Egypt, got super sidetracked and ended up 10000 leagues under the sea in Atlantis. He just threw all that Egypt work completely to the wind and basically changed his career at age I dunno 70 or so. Or maybe this guy is only 50 but he just seems super way old to me.

(And raising his granddaughter for some reason? Hell knows what happened to Rebecca’s parents, but knowing Yugioh, it will probably be really, really tragic.)

So then, although Atlantis is in our world and under the sea, Hawkins decides to throw another fast one on us.

(I just chose a random number, but Buzzfeed decided Washington was 34th. Which is wild.)

Bro took this moment to explain to me in great and excruciating detail that the Atlanteans in Aquaman did in fact invent tanks. Aquaman is his favorite. Ya, I know.

So I thought “ah, this is the Shadow Realm” (since we have seen Bakura just make a monster a real boy before) but then it became kind of unclear if the Shadow Realm is a different realm than this other realm which is just where the nice monsters live. So um...I’m still not sure about that one, I’ll get back to you when it’s made clear (I may never get back to you on that one)

Then Rebecca decides to drop this lore about the ghost that lives in Yugi Muto’s head that we’ve been *pretty Sure* up to this point was strictly Egyptian dealing with strictly Egyptian things.

I am not entirely sure how we’re going to take a guy who lived 5000 years ago and explain why he’s living now in AD 2002 Yugi Muto’s head because of some guy 10000 years ago. But they’re going to try.

Like I’ve heard this referred to as a filler season, because it uh did not happen in the Manga. So, legally, they can’t really touch the manga at all (and I assume they were probably waiting for the manga to finish at this point), and so we’re just gonna...pull Atlantis out of nowhere because the nice thing about Atlantis is that it is so freakin old that it is well outside of copyright. Completely fair use. But it’s still kinda wild.

Also, Yugi made sure to off-handedly tell us that most of the monsters who’ve invaded their world have been very, very, nice, and that’s why everyone has been so chill.

I mean. OK?

You still have literal dragons flying around but apparently only some of the dragons are mean and attack, the rest just chill and float around like a fish or something. Personally, I wouldn’t be thrilled by this.

Hawkins notices Yugi’s enchanted dead guy necklace, and without asking “so...does this belong to a dead guy? Did you get this from the dead guy’s corpse? Yugi? Yugi, look at me. Yugi, young man, is this another dead guy necklace you’ve been carrying around in your pocket because I feel like I see a problem here, buster.”

Hawkins suggests, instead:

Oh OK...that’s a lot to take in.

Didn’t expect giant possessed lady statues but it’s a nice spooky touch. Can’t have enough giant possessed lady statues in your anime, honestly.

Also, I’m really glad they gave this skinny lady statue a double chin.

And after all that, Hawkins decides he’s done with his one single afternoon in Japan, and he’s going to go and travel 16 hours back to the US stuck in a plane within hearing distance of Rebecca. Worth that 32 hour round trip for that one afternoon in Japan (or actually one way is 4 hours longer than the other way or something? I forget the details.)

And like the show had him blush and then Tea got mad, but like Yugi also blushed when Mai gave him a note once that said “thanks for the help!” so I feel like Yugi just shuts down completely whenever he has to deal with girls.

Maybe this is just the face Yugi makes when he quickly enters the pyramid zone and is like “Pharaoh, it’s getting mad weird out there!” And Pharaoh’s just sitting on his throne eating cheese whiz straight out of a can in star pj’s with matching bootspants and he’s like “My Gods, Yugi! If I’m here, and you’re here, who’s driving the plane!?” and then they just start shrugging at eachother about who has to go on the date this time until Yugi snaps out of it.

ah, a disembodied voice.

Literally thought it was my own voice.

It keeps Yugi up for a while, but when has Yugi ever fallen asleep right away on this show?

After Yugi calms down enough to go the hell to bed, we zoom back to our Xtreme sports boys who have finally decided to stop Tony Hawking all over this island long enough to deliver the sober news that Gurimo is freakin dead.

Which they barely brought up at all because who freakin cares about Gurimo? This guy sure didn’t.

Cool. Good plan.

Hard to rebuild civilization without people. Just throwing that out there.

But ya. Lets go end mankind on Episode 3. Thought it would take a little bit longer for him to get enough soul juice but apparently he’s good on the soul juice from these three juicy cards that have no souls (I thought).

3 God Cards + 1 Gurimo - 1 Rex - 1 Weevil = Destroy Humanity

First, a dream sequence.

This is one bizarre ass dream sequence and like...I don’t even know if I have much to say because it’s like...so out of left field and both out of the lore of this show and just barely inside the lore enough for it to work.

Still feels hella out of nowhere though.

That may be just the Dayquil talking.

Either way, we get to have Yugi run around in pjs again, but unfortunately they have no stars so I just don’t freakin care when see it. I get that stars are hard to animate and he’s a year older and maybe grew out of the star pj’s but c’mon. We had a good thing going, show.

But they hear a voice within the pyramid, and I’m using Tea’s font color here but it’s not Tea, it’s another girl who is...a lot like Tea honestly.

So up to this point we’ve accepted that the puzzle is all of Pharaoh’s mysteries and also mixed with the memories of Yugi as well. We have a room of short term memory (that pharaoh never uses) full of little clones of Yugi’s friends. We have a room full of all the lego pieces that Yugi lost over his young life (and 2 very cursed tamagachis.) We have a room that has a gigantic guardian Dark Magician who almost killed Shadi once. We also have several rooms that are just traps that can basically kill you, or if you are Shadi, just totally set you on fire, because screw Shadi.

Also it has this room:

But we find a new room that is like an entire fantasy realm and it’s like...so what memory is this?

Somewhat confusing if you’re me and you’ve assumed up to this point that everything in the puzzle has something to do with Pharaoh’s past. Apparently there’s just a door to another world in here they just never knew was here.

Just this entire time Yugi and Pharaoh were completely unaware that they had a DOOR TO ANOTHER WORLD in their necklace. Which, as I mentioned before, is where all the duel monsters live, but looks nothing like the Shadow Realm, which we’ve seen before.

And like honestly I kinda just figured at first that the giant eye was supposed to be there eating dragons, as if this was some sort of cycle of life for the duel monsters, to be a dragon, grow old, and then get devoured by the eyeball in the sky to start over again as nutrients to feed the baby dragons.

But in fact the eye is Not Normal and we should be alarmed by it.

Very hard to know what should and should not be normal when I’ve never seen this place before, also it has three crystal dragons that I guess the other monsters MUST be worshiping or something because check out the purple tile palace they made just for these crystal dragons.

Like this made me ask a LOT of questions about the civilization of duel monsters. Like who made this? Did a bunch of Kuriboh make this? Hell does this civilization works and is it a monarchy and are there castes?

Do they do taxes?

And then we meet her, the voice asking for our help, it’s this girl. Dark Magician girl. Nice to finally meet you. Wish it had a little more build up and made more sense.

We’ve talked to this chick before. She was digital at the time, but she kind of pretends that she already knows Pharaoh and Yugi and they kinda just...take this as it comes. I mean there wasn’t much time to deliver this dialogue so they were like, if the lady in the cornucopia hat says so, I guess we have to do the thing.

It is nice that we do finally get an explanation for why Pegasus could make all these cards but could not resurrect his dead wife--being that she is...not from this world.

But like now the puzzle not only dives into Pharaoh’s past but is also just a straight up a dimension portal. You can just...visit these people whenever? I guess?

I was getting used to the puzzle being a very large metaphor, and I wasn’t actually prepared for it to have a utilitarian use like a Stargate. This asks a lot of questions, but put those questions aside because we have to adopt this dragon by pulling a huge ass sword out of it’s right eyeball.

This show is SO mean to eyeballs.

She explains that there was some lore that lead to this sword being plunged into this buddy’s eye over here but I forgot it already. It was like half a sentence and then it was gone and I’m on Dayquil and I’m sure it’ll come back. At some point they’ll bring it all full circle, I’m sure.

Like if this happened in a dream then does this place even exist on a mortal plane at all? Can it only be accessed through dreams and being dead? It’s kind of a fascinating concept since these duel monsters have to be summoned through paper, which has all sorts of relevant meaning in a lot of Eastern mythologies.

Stuff I’ll never know because say goodbye to the Duel Monster Land that Apparently-Exists-Now-And-Absolutely-Always-Existed,-Stop-Thinking-About-Who-Invented-Tanks,-It-Was-Obviously-The-Atlanteans-10000-Years-Ago, we’re gonna go and take this huge ass dragon we have no business inheriting but are anyway because the dumbass ghost in our brain has this grand reputation that he banished some sort of evil 5000 years ago but has absolutely no memory of how the hell he did that or what even occurred, and because of his completely wiped bean, this makes him a complete idiot at best and a complete psychopath at his absolute worst.

But yeah, lets take this dragon and see what happens.

You gotta bring furniture, but the dragon is free. 2 bedrooms, no rugs, it’s free.

I just realized we got a dragon and not the sword. Only in this anime.

And then he wakes up to the last thing I expected.

It was nice of Yugi to take the time it took for him to get entirely dressed and ready, but I guess if the world has to end you gotta go out in style. Which for him means his school uniform because, although Yugi absolutely hates this school for some reason, he has a lot of pride for it. Just a crazy amount of school pride for how rarely he attends school and for the lengths he went to get out of soccer practice that one time. But will Yugi be caught dead in anything but his school colors? No.

HOW IS THIS CITY STILL STANDING.

Also Kaiba must be having a wild time on the top of Kaiba Tower but maybe he took a helicopter a while back to go on a world dragon tour because we didn’t hear a peep out of him this entire very Very VERY dragon-centric episode.

Really weird how many dragons there are with so few Kaibas. It’s like the moment they turned around, every dragon on Earth came out of hiding to throw a huge ass dragon party.

PS get a load of this dragon.

Why would you ever give a dragon an ass?

I don’t even know how this is possible because it doesn’t have a butt crack, but it’s got serious ass going on. It’s the Lizzo of dragons, when you set it to defense mode, it probs just twerks to intimidate the other side.

(Yugi’s friends are so freakin patient OMG)

Also how the hell can Yugi play this card on his duel disk if neither Kaiba or Pegasus have any idea this card exists? Magic, I guess? The duel disk is part magic?

Not like it matters much, we know from Bakura that you don’t need a duel disk to make real boy cards if you have a millennium item anyway.

So at this point I’m like...I think I watched the last episode of the season, I think it’s...out of order and bro was like “nope...it’s Episode 3. We’re still on Episode 3.”

And so after that it closed the...dimension joining portal, which was a Golden Compass style aurora borealis, then Dark Magician Girl returned to her home planet.

...Which is also dangling around Yugi’s neck.

This was a lot.

I have a lot of questions.

Everyone in domino SHOULD have a lot of questions but I think they all went back to bed.

A tornado with a GLOWING EYE tried to destroy their city, and they just rolled over and went back to bed.

This season sure takes off really quickly holy crap.

Now fair warning, because I’ve been hella sick the next recap is uhh...a huge mess so it will probably be a week or so before I post it/even get to it. At some point I started numbering them completely wrong and I either saved 10 caps to a different folder or I never made them in the first place and I honestly am not entirely sure. Last week is kind of a blur and it’s a mess on my desktop right now, so my pacing is gonna reflect that because I am...behind...on everything.

Oh dude and actually now that I look at what date it freakin is, I have to go to one of my best friends weddings real soon so can we just say...it might be a few weeks before I can steadily update again? I have to learn a whole dance routine for this giant wedding and y’all, I am not a dancer. And, while my friends have had dance classes since they were like 5, I’m like...low key extremely certain I will fall completely on my ass. Anyway, there is no way out of this situation I thought would never actually happen, and thought was just a funny idea they invented when they got drunk at the bachelorette, but nah, they remembered, and this is really happening but the bride will think it’s funny so here we go.

PS this dance is to the only existing mashup of Bollywood and N*syncs Bye Bye Bye (which, yes, it is a breakup song) I hope you feel the second hand embarrassment through your computer, I am dancing for 300+ people. Directly following the groom’s parent’s dance, which is 10 minutes long, and for which they hired a professional choreographer. We are the only dance out of four epically spectacular dances that is from the bride’s side, and our dance is...2 minutes and the equivalent of a high school lipsync.

TBH I'm low key excited to do it because potentially it could be a really great story depending on the reaction of what happens.

Anyway, so if I disappear for a while only to post fanart I’ve drawn out of stress, that is what I’ve been doing in the background. I’ve just been trying to remember how to do the Bye Bye Bye dance correctly for 2 straight weeks while feverishly trying to catch up with all my other work.

Also, because I mentioned George Washington, I had to go and find the horny grandma clip from Gilmore Girls and I’m so glad that two people on the internet managed to clip it, and I can’t believe the only two people who’ve clipped this did it with their phones. In fact, kudos to this youtuber for videoing a Tablet with his phone, because there’s no better way to watch a show from the 00′s than to make you feel really illegal about it.

youtube

#Yugioh #ygo #photo recap #episode recap #Yugi Muto #dragons #Joey Wheeler #Tea Gardner #Tristan Taylor #Arthur Hawkins #Rebecca Hawkins #Grandpa Muto #The Eye of Sauran or something #Again this episode is kind of a blur and I'm amazed I managed to cap anything this week #Oh yeah #The lost city of atlantis #s4 ep3

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eddycurrents · 6 years

Photo

Seed of Destruction: Chapter Two

Plot & Art: Mike Mignola | Script: John Byrne | Colours: Mark Chiarello | Letters: uncredited - though comics.org lists them as Mike Mignola for word balloons & sound effects / John Byrne for typeset

Originally published by Dark Horse in Hellboy: Seed of Destruction #2 | April 1994

Collected in Hellboy - Volume 1: Seed of Destruction | Hellboy Library Edition - Volume 1 | Hellboy Omnibus - Volume 1: Seed of Destruction

Additional Notes: There was also a “Monkeyman & O’Brien” back-up in the original mini-series from Art Adams, Matt Hollingsworth & Lois Buhalis

Plot Summary:

Hellboy and his team of Liz Sherman and Abe Sapien from the BPRD investigate the death of Professor Bruttenholm, following the mysterious end to the Cavendish Expedition, starting with Emma Cavendish. Things get froggy.

Reading Notes:

(Note: As before pagination is for the chapter itself and is not indicative of any page numbers within the issue or the collections.)

pg. 1 - Love the narration, the conversational tone of Hellboy is much more apparent here than I found in the first issue. John Byrne and Mike Mignola are developing that voice much more. Love the incorporation of specific American mythology and beliefs here, giving a reason for why a cursed house would be cursed.

This is one of the points where film and comic merge for me as I can hear Ron Perlman’s voice when reading this, even though this sequence never made the movie. I wonder how or if that will change on future re-reads when the David Harbour-led Hellboy reboot comes out.

Also, just marvel at that image and the play between Mike Mignola and Mark Chiarello, and how it works with the narration. You start open, airy, even with the dusk and night-time colours. The descend down the house as things progressively get darker, until the narration is discussing the curse and it’s situation in solid black.

pg. 2 - First appearances of Liz Sherman and Ape Sapien. It’s funny how Mignola approaches Abe here, keeping him in shadow and...well, you’ll find out. Love, love, love these three characters and would be happy reading more of their adventures for the rest of my life.

pg. 3 - Interesting meta-textual bit. They keep referencing the top of the world here and “Bull Harbor”. If we’re to believe that this is referencing the Arctic, it would stand to reason the place is Bull Harbour, BC. The settlement itself is on Hope Island, therefore an expedition setting out from there would literally be “leaving hope”.

pg. 4-6 - The sense of loss and futility of the Cavendish quest for something in the Arctic is an interesting story. The echoes of Moby Dick are present as the family’s riches were apparently on the backs of whaling.

pg. 7 - The use of colour here is impressive for the tone of the page. Everything is hues of blue and purple, save for Emma Cavendish’s hair and skin, and the couch and leaves. It feels like the pall of death surrounding her.

pg. 8 - I think it’s interesting that even in Hellboy discussing Liz, he chooses to quote something that describes her, cold and clinically. It’s short and sticks to facts, mostly, reading from her dossier.

pg. 9-11 - There’s something fishy about Abe.

pg. 12 - I love sequences like the bottom tier. Mike Mignola is a phenomenal visual storyteller and his silent, or near silent, scenes often show him at his best. It reminds me a lot of the storytelling style of Kevin Nowlan and P. Craig Russell. This approach to layout and panel sizes become even more prevalent as the series progresses.

pg. 13-17 - Another fun fight scene against a froggy minion. Telling large portions in silhouette nicely accentuates the fluidity of the action.

pg. 20-24 - The confrontation between Hellboy and the “old wizard”, complete with standard villainous dialogue and ego-based flappery is unintentionally hilarious, though it makes for a very compelling cliffhanger.

pg. 22 - Hellboy does hentai.

pg. 24 - This is probably one of my favourite images from Seed of Destruction.

Final Thoughts:

I love the expansion here with more members of the BPRD, and, as I say, Liz Sherman and Abe Sapien are two of my favourite characters in the franchise. They only really have a brief glance at their backstories and character quirks, but it was more than enough to hook me.

I think it’s also interesting that the format of the story itself comes more into view. Where the first part was a flashback of Hellboy arriving on Earth, and hints at a larger conspiracy with the plague of frogs, this issue’s tale takes on more of the succinct styles of Gothic and antiquarian ghost stories. There’s Lovecraft influences, yes, but the structure here feels much more influenced by authors like MR James, and it’s nice to see these horror influences shine through.

d. emerson eddy is fairly certain that he’s not an eldritch abomination. Though, now that it’s mentioned...

#Give 'em Hellboy #Hellboy #Seed of Destruction #Mike Mignola #John Byrne #RaisingHellboy #2

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