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propheteka · 1 year

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Sketchbook and You

If you’ve been following me for a bit (or you take a read through the descriptions over on my Art Blog), you’ve probably noticed the name of a few non-standard art programs. This is about one of them!

Things I want to get out of the way before the break:

No, I’m not here to sell you on the program. I’ll simply tell you what I like/dislike from my years of using it.

Yes, I’ll help you with some stuff that might come in handy if you decide to take the plunge.

And now… Here's a long-time user’s perspective on Sketchbook.

So! Sketchbook… it's been around for a while. I bought my 1st copy way back in the day for my (at the time) brand new 2nd Gen iPod Touch! It was great for doing quick sketches on the go. The thing I liked about it over the other popular paint program – Colors! - was the Pencil brush. Not surprising that a guy who primarily draws on paper would go for the brush most like the main tool he uses but hey? I’m basic like that.

For me, a solid feeling pencil was the difference between me drawing on my iPod or sticking to my physical notepad.

Back then, it was still owned by AutoDesk and went by SketchBook Express, SketchBook Mobile Express and SketchBook Pro. Each had their own quirks with the Express series being their “Free" versions. Over on the desktop side, they had things like the Copic Edition – a free program that allowed you to try use the official Copic marker colors in your pics. That would get walked over to SketchBook Pro later on and remain 'till the Sketchbook crew split off from AutoDesk in June of 2021.

Alrighty… With all of that history out of the way, To the Point!

Yes, I enjoy using Sketchbook. It’s the way I draw on my devices when I'm not using a mouse in Illustrator or doing basic stuff in Fireworks. It's super simple and good for what I need. No triple deep menus of things it can do that you need proper classes to learn to take full advantage of. Since it’s always had a mobile version (maybe that was it’s original platform), the menus are simple and easy to hide. You can import, export and build your own brushes from scratch. In the version that released closest to this writing (the October 2022 release), they even added something close to what was lost during their split from AutoDesk – a really neat color feature. Although it (currently) lacks the Copics from before, it makes up for that in both the ability to select colors and import, export and build whole color books.

Does this mean I’m recommending it? Not really.

I dig it, sure… but those used to neat things like the ability to save out timelapse videos from your desktop files or native 3D models or even just being able to add text will find it lacking. The formats it uses – TIFFs and PSDs - are fine for some. I personally like to work in PNG so I have to be careful to save out my layers individually or the whole thing will be flattened. Same goes with saving things in general. Like with any program, you need to be sure you’re saving things in the right file. I’ve noticed my copies of SB tend to remember the last file name used, auto filling the field. If I’m going too fast, I face a real risk saving over an older project.

The only thing I can recommend is to try before you buy.

How does one do that when the program is a one-time-fee dealie? Well… before the split, AutoDesk made the last version of SBPro free for everyone. I don’t normally do this ‘cause it’s a bit of a dick move and links will change as time goes one but I’ll drop a link to it and the archived page for the Much older Copic Edition in the next bit. Just understand that, for as good as Sketchbook is and for as long as it has been around, it’s kind of starting from scratch again with their newfound independence.

That’s about all I have to say about the subject. All in all, I enjoy using Sketchbook and have found it worth the price over the years. If You want to give the program the best shot it can, here’s some links that might help you along the way:

Sketchbook – The main site. Gets you the latest versions and a little more.

Extras Page – Like the name suggests, this has extras. Stuff like downloadable brush sets and some color books.

SketchBook Pro Free Brush Mega Set – Thanks to the hard work of a redditor, this is the best way to get damn near every free brush set that was offered by AutoDesk over the years.

AutoDesk SketchBook ver 8.7.1 – A link to the last edition they released before the split. It is free and comes with access to all the stuff the old Pro version did (Copics, perspective grids, other non-standard stuff I can’t remember). You can still import/export/build brushes with this.

SketchBook Copic Edition – What it says on the tin. This old version allows you the (at the time) new feature of the official Copic color book… and not much else if I remember right. It predates a lot of improvements. I don’t even remember if you could import brushes. It’s the least sketchy way to try out the basics of Sketchbook before you decide on jumping in completely.

If this helped you make a decision, I’m both shocked and amazed. Personally, I’d give one of the older copies a shot if they’ll run on your gear (That Copic one is OLD). Between the simple interface that knows when to get out of the way to the newer features they Just introduced, I think it’s worth it if only to try it.

#Sketchbook #program #rant

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current-mcr-news · 4 years

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Behind the Scenes: The Umbrella Academy - Episode 1

BRANDON JENKINS: In 1953, a 25 year old director named Phil Tucker had $16,000 and just four days to make his first sci-fi film. The plot? A creature comes to Earth with a death ray and wipes out all of humanity, except for eight people who are immune to the creature’s weapons. He called the film Robot Monster.

Movie clip: With the swiftness of a deadly cosmic ray, the Earth is inundated by indestructible moon monsters. Their ghastly mission? Death for all humans.

B: The film was so low budget, Tucker couldn’t even afford to get alien costumes, so he had the monster in a gorilla suit with a TV for a head.

Movie clip: What astounding technical developments are being made to protect mankind?

B: The release was a disaster. It was widely panned. Its lasting legacy would’ve been that it was one of the worst movies of all time. But in the early 2000s, a kid from New Jersey with a knack for drawing comics saw a picture of the Robot Monster and it stuck with him.

Gerard Way: I’ve never even actually seen the film, but I saw pictures of this creature over the years, and they’ve got a TV set, kind of circular space looking head, and they have a gorilla body, and I was like, “I want a superhero that’s kind of inspired by this.”

B: The kid’s name was Gerard. He’d been writing comics since he was 15 and was on his way to making it as a professional comic book artist.

WAY: I went to art school and I was an illustration and cartooning major, so comics were kind of like my major, and I was like this perpetual intern. I interned at DC, I pitched a cartoon to Cartoon Network, and then I landed a job as a toy designer at this place called FunHaus in Hoboken. But that’s like right when the band took off.

B: That band, Gerard’s side hustle, would become massive alt-punk sensation, My Chemical Romance. Seemingly overnight, My Chemical Romance and Gerard were making some of the most popular music in the world, getting spins on terrestrial radio, dominating music video countdowns, they were even nominated for a Grammy. But while he traveled across the globe leading a rockstar life, Gerard kept up with his first love - drawing.

WAY: So I really missed comics and we were in Japan and we did a signing at a shop, and one of the fans gave me a little marker set and it was Copic markers. They were like the greatest markers that I’d ever used before, and so I started to create Luther.

B: Luther, a superhero with a gorilla body and space helmet who lives on the moon was the very first character Gerard drew in what would become his hit comic The Umbrella Academy. I’m Branden Jenkins and this is Behind the Scenes: The Umbrella Academy. This season, we’re going backstage and inside the making of season 2. The first season of the show, based on Gerard’s comic of the same name, launched in February of last year and quickly became one of the most beloved series on Netflix. Now it’s back for its second season with bigger effects, bigger characters, and bigger drama. We’re going to catch you up on everything that’s gone down in The Umbrella Academy universe so far, and we’ll spend the next five episodes breaking down how the team shot the multi-million dollar superhero production across two countries, and how in the midst of a global pandemic, they managed to finish it from inside their own homes. But first, we wanted to take a look back and dig into the roots of The Umbrella Academy. So today, I’m catching up with the creators of the comic and the guy tasked with making the TV series. We talk about how the graphic novel was adapted for your screens.

B: Alright, so if you haven’t watched season 1, go back and watch season 1 on Netflix. For those of you who just need a quick recap: At 12pm on October 1, 1989, a supernatural event occurred. Forty-three babies across the planet were born to mothers who were not pregnant just seconds before. The world was confused, intrigued, and one eccentric billionaire wanted to find the babies and adopt them. He ended up with seven. Each baby had a superpower, and what do you do when you’re a billionaire with a group of kids with superpowers? You train them to become a crime fighting family.

Reginald: I give you the inaugural class of The Umbrella Academy!

B: When Gerard Way started creating the members of the Academy, he started with the most fundamental material.

WAY: I created a list of all the things that interested me. It could be anything from ouija board, fortune teller, spaceman, gorilla body, just a list of stuff.

B: Then he drew from that list and started creating these characters. All in all, he would draw seven. The first, Luther, the half-man half-gorilla, was the team’s defective leader. He was also the child closest with their father.

Luther: Just at Dad’s favorite spot. Allison: Dad had a favorite spot? Luther: Yeah, you know, under the oak tree. We used to sit out there all the time, none of you ever did that?

B: Next, he created Klaus and Allison, the boy who talks to the dead and the girl who can make people bend to her will with just a few words.

WAY: Klaus, he has some pretty serious addiction and addiction is something that I dealt with in my life. He’s also a little bit spooky and supernatural, and my personality in My Chemical Romance was very similar to that.

Klaus: I can’t just call Dad in the afterlife and be like, “Dad, could you just stop playing tennis with Hitler for a moment and take a quick call?” Luther: Since when? That’s your thing. Klaus: I’m not in the right frame of mind! Allison: You’re high? Klaus: Yeah yeah! I mean, how are you not listening to this nonsense?

WAY: He was kind of my version of Doctor Strange. I find Allison to be the one that is easiest to write and I put the most of myself into Allison.

B: Her superpower is that she can make you do pretty much anything she tells you with a few magic words.

Allison: I heard a rumor you want to be my friend. I heard a rumor that you like Bradley. I heard a rumor that you left me alone. I heard a rumor that you stop crying.

WAY: There’s a bit of a tragic nature that comes with her power.

B: Allison, out of all of her super powered siblings, is the only one grasping for a normal life - career, husband, children. In a way, she’s the most human. The fourth character Gerard created is Diego, a guy with an uncanny ability to throw knives. He’s also stubborn as hell.

WAY: I knew early on he was gonna be the one that was gonna be really difficult with the leader. I figured that.

Diego: You know, you of all people should be on my side here, Number One. Luther: I am warning you. Diego: After everything he did to you, he had to ship you a million miles away. Luther: Diego, stop talking! Diego: That’s how much he couldn’t stand the sight of you!

B: The fifth character, a kid who can travel through time and space, who simply goes by Five. Despite the other character growing up into adults, he has remained a teenager, sort of.

WAY: He was a time traveler who then got stuck in his young body when he traveled back in time because time travel is complicated.

Klaus: Where are you going? Five: To get a decent cup of coffee. Allison: Do you even know how to drive? Five: I know how to do everything.

WAY: So then came The Horror.

B: The Horror, aka Ben, aka the dead sibling who only Klaus can see.

WAY: I imagined this character that had all these monsters living under his skin that came from another dimension. And he was very tortured to me. It actually kind of hurts him and it’s scary to him.

Ben: Do I really have to do this? Klaus: Come on, Ben. There’s more guys in the vault. Ben: I didn’t sign up for this.

B: And then finally, Number Seven, Vanya, who seemingly has no powers besides playing the violin.

WAY: I was at this cafe in Manhattan when I was living in Brooklyn, and it was called The Sidewalk Cafe I believe, and on the wall they had a white violin just as decoration. And I remember looking at that and thinking to myself, “That would be a cool superhero.” And Vanya was always kind of designed to be a character who wasn’t special, that was going to transform into that.

Vanya: Look, if I was special I would’ve been in The Umbrella Academy. I’m so sorry you got stuck with the ordinary one.

B: These seven adopted siblings forced together by supernatural events formed The Umbrella Academy. Both the original comic and season 1 of the show start at the funeral for the Academy’s patriarch, the eccentric Sir Reginald Hargreeves. We learn that while the siblings ventured away from home as teenagers, after years of fighting and a toxic upbringing, they’ve returned home, back together for the first time in years, and all their dysfunctions and old conflicts come bubbling to the surface.

Diego: He was a bad person and a worse father. The world’s better off without him. Allison: Diego! Diego: My name is Number Two.

B: When he started writing the comic, Gerard was focused on his own strained relationships. He saw his band as his own dysfunctional family at the time.

WAY: When you’re a baby band, you’re in this van and it’s like a submarine but it’s smaller. It’s like a closet that you're all living in and sometimes you’re going on seventeen hour drives, and you have very strong personalities. This dynamic starts to develop between all of the members and you really do kind of become a dysfunctional family. Like, there’s times where I felt like I was the mom.

GABRIEL BA: They know each other’s weaknesses.

B: Turns out, family dynamics was a theme with everyone who joined the Umbrella team, including the illustrator and Umbrella’s co-creator, a Brazilian artist named Gabriel Ba.

BA: And sometimes they say it to hurt the other intentionally and they do that a lot in Umbrella because they’re all angry at each other all the time. And even though I have a great relationship with my brother, I have that. We have a younger sister as well, so she’s very opinionated and she’s strong. I wouldn’t say we fight a lot, but sometimes we- I just know how to hurt her if I want to say something.

B: Family is present in Gabriel’s life more than for most people. He works every day with his twin brother, fellow comic book artist, Fabio Moon. But his work made him an unconventional choice for Umbrella.

BA: In the mid 90s, we moved away from superheroes. We, my brother and I, we figured the type of story that we liked to tell and wanted to tell was more real life, day by day life relationship, this kind of stuff.

B: Gabriel grew up in Brazil and now lives in Sao Paulo. His brother had been making experimental comics for well over a decade.

BA: But The Umbrella Academy was a superhero book with this day by day life relationship drama, and that was really interesting for me.

B: What excited Gerard about Gabriel was his style. His characters weren’t macho. They didn’t have big ripped muscles. They’re the kind of comics you could imagine being drawn in the margins of a notebook. There's nothing stereotypically super about them.

BA: It was not a straightforward American superhero artstyle. It was a mix of European and more fluid, but also could handle action and crazy stuff. And also, I can’t deny The Umbrella Academy was my first paid job in the U.S.

B: Wow.

BA: For the first ten years of our career, my brother and I were making comics for free. Just for ourselves, just getting [?], if there were any. So when I got the invitation to get involved with The Umbrella Academy it was this whole package of factors.

WAY: Gabriel climbing on board was a huge thing for us because he’s such a fantastic artist. He brought these characters to life. The interesting thing about Gabriel, he didn’t have to make Umbrella Academy. He was doing really well on his own and making really experimental artistic comics, but he liked the idea so much that he said, “I’m gonna do superheroes.”

BA: The superhero aspect of The Umbrella Academy is really just a layer in the story. I like the development of these characters, their struggles, their relationships, there’s romance, there’s deception.

Vanya: You are unbelievable, you’re trying to dig up dirt on a guy I like? Who does that? Allison: Look, I’ve had my fair share of stalkers and creeps, I don’t trust him! Vanya: You mean you don’t trust me.

BA: And it had the fun explosions and action scenes. So that’s the good mix.

B: The first book of the comic is called Apocalypse Suite. After their father’s death, The Umbrella Academy gets a warning from their time traveling brother that the world is going to end in 10 days. They don’t know how, they just know that it will. And now, back together for the first time, they’ve got to figure out how to save the planet and learn how to look past their differences. Which sounds dope, right? But when it first published back in 2007, it wasn’t immediately clear that people would dig it.

WAY: So one of the things I was dealing with when Umbrella Academy came out was a lot of people in the press before the comic came out saying things like, “Here’s a musician and he’s writing a comic.” They didn’t really know my background, they didn’t know that I’d written at 15, they didn’t know I went to art school. All they knew was that I was the singer in this rock band that a lot of teenagers liked. So, all I really wanted was a fair shake. I didn’t write The Umbrella Academy to become a TV show or a film. I wrote it to be an amazing comic. But we knew that first issue, and we knew it was good, and we knew that if you didn't get it by the first seven pages you just weren’t gonna like it, and I was totally fine with that. But then it came out and then the response started to happen and then reviewers loved it and people loved it.

B: The comic went on to win an Eisner award, which is like the Oscar of comics, and pretty quickly, Gerard gets an offer to turn the comic into a full length movie.

WAY: I got swept up in the Hollywood thing.

B: But it doesn’t pan out.

WAY: That’s actually one of the reasons why there was such a big gap between comics, is because I was really, you know, I was trying- at the end of the day, I was trying to be helpful. If this was gonna be a movie version of what Gabriel and I had made, I wanted it to be great so I put in a lot of time and it kept me away from the comics.

B: But then Netflix hits you up and is interested in making this into a series.

WAY: Right.

B: I guess I'm curious, as someone who just initially wanted to make just a really good comic, what about turning that project into a television show was interesting?

WAY: Straight up, I want to make a great comic and that’s all I’m really interested in. If I can write great comics, you’ll have great material to make TV shows. So let me focus on that.

B: In other words, Gerard wanted to focus on the comics and let someone else adapt it.

WAY: And that’s when Steve came in and he changed things and he ran with it.

STEVE BLACKMAN: I’m Steve Blackman, I’m the showrunner and I’m executive producer.

B: Steve is a master at adapting books, comics, and film into television. Before The Umbrella Academy, he’d worked on shows like Fargo, Legion, and Altered Carbon, all of which originated from other sources. So he knew coming in that adaptation can be tricky work.

BLACKMAN: At first, I think Gerard and Gabriel, who co-did this with him, were very protective of the work like parents of their baby. And I think I had to prove to them initially that I would love and protect this child that they had worked on for so many years, so here I am, an outsider coming in and they were very nice to me, but I could see there was like, “Is this guy gonna totally screw up our baby here?”

B: Is it something that you can come to the table with Gerard and be like, “Hey, here’s my arsenal of adaptations, this is why it will work.”

BLACKMAN: Yeah, I worked on the show Fargo for three years. Fargo was obviously based on the Joel and Ethan Coen movie from 1996. I don’t think Gerard had ever seen my shows, I don’t think he watches a lot of television, so for him, it didn’t matter what I’d done before. It’s just what I was gonna do in the here and now on this show. I wasn’t intimidated by the challenge but I really did sort of have a sense of I know which direction I’m going.

B: What was your first initial reaction? Were you sort of like, “Oh, maybe I’ve never done anything like this, or this does feel familiar to other work that I’ve done.” Or, “I can do this, this is right up my alley.”

BLACKMAN: Well, what I liked about it from the beginning was what I saw in the subject matter and I saw a dysfunctional family. But right away, I was very inspired by Wes Anderson’s work. The Royal Tenenbaums is one of those movies that really was always something I truly loved. So, I saw that in this show.

Five: An entire square block, 42 bedrooms, 19 bathrooms, but not a single drop of coffee. Vanya: Dad hated caffeine. Klaus: Well he hated children too and he had plenty of us.

BLACKMAN: It was a family show, it was a very relatable dysfunctional family show that I wanted to tell.

WAY: Steve’s a great collaborator. Steve Blackman, the showrunner, he had a vision. I respected him and his vision. I realized it was gonna be different from the comic, and I let him run with it because he cared deeply about it.

BLACKMAN: My first conversation with Gerard over the phone, I said to him, I told him one of the words was subversive, we wanted to subvert the expectation of what a superhero show could be because there were many other shows, either on the air or coming down the pipe to be next, and we wanted this to stand out. And that was sort of the first hurdle with me, was to say to Gerard that I could do that and I could definitely make this thing feel special. And right away he said, “Okay, yeah. You get it.”

B: You’ve adapted something like Fargo which is a unique adaptation, right? You’re adapting from a different medium, like a feature film. Does that change the way you understand adaptation?

BLACKMAN: At a story point of view, no, I don’t think they’re that different. I think adapting a story, whether it's a graphic novel or the source material comes from a movie, a book, there’s a lot of care into doing it that the tricky thing is, I need to put my creative spin on it. I had Gerard and Gabriel, who lived with this for ten years, and then I have to come in and say, “Look, I’m going to honor you. At the same time, what is the Steve Blackman part of the show? How can I add my spin to it?”

B: For fans of the comic who’ve seen season 1 of the show, you’ll recognize some of that Steve Blackman spin. For example, the group who governs the laws of time in the comics, the Temps Aeternalis, in the TV show they become the Commission, an entire bureaucratic system running and adjusting linear time. Steve made some other changes too.

WAY: One of the things that I thought was an ingenious idea was making Ben a ghost that Klaus could communicate with. I was most impressed by that change.

Ben: You know what the worst part of being dead is? You’re stuck. Nowhere to go, nowhere to change, that’s the real torture if you gotta know. Watching your brother take for granted everything you lost, and pissing it all away.

B: Perhaps the biggest change from the comic to the show is the diversity of the characters. Diverse in race, diverse in region, diverse in sexual orientation, these characters on screen look a lot more like what the world actually looks like.

WAY: It’s built into it. They’re all from different places, they’re all from different countries, so I think that’s really the biggest improvement on the source material, is how diverse it is.

B: Steve felt the pressure of both fan expectations, and Gerard and Gabriel’s trust in him.

BLACKMAN: There’s nothing worse than having pre-existing source material and having the fans dislike it. You want to make the fans feel honored and respected, at the same time I felt it was incredibly important that Gerard and Gabriel walked out of this thinking, “He did a good job.” If they hated it, I would’ve been crushed. If the fans hated it, I think I’d also be crushed. I knew I couldn’t make everybody happy, but I wasn’t doing a page for page translation. My adaptation wasn’t gonna be that.

B: The adaption worked. Season 1 was a massive success. In the finale of the first season, the Academy thinks they’ve managed to stop the end of the world from happening, but unintentionally, they’ve actually just initiated it. The moon has been destroyed and its remnants are now heading directly for Earth.

Five: We might as well accept our fate because in less than a minute we’re gonna be vaporized. Diego: What’s your idea then? Five: We use my ability to time travel, but this time I’ll take you with me. Luther: You can do that?

B: The family, latching onto their time traveling brother Five, manage to escape the chaos. But we’re left to wonder where and when they’ll turn up, and that’s where season 2 begins.

Five: We brought the end of the world back here with us. Klaus: Oh my god, again?

BLACKMAN: It’s a pretty crazy journey this year and I think people will be hooked. I hope they binge the hell out of it and love every second of it.

B: Coming up in this season of Behind the Scenes, we’ll be taking you on that crazy journey with the people who make it happen.

“We hired meteorologists, we knew that snow was gonna come, but we had planned it. We went away for a day, we came back, and there was four feet of snow on the ground.”

“It’s 60s Dallas. Okay, so that’s a very different story for Allison. We have to talk about this somehow. Her experience is just different from her siblings.”

EMMY LAMPMAN: And a lot of people would come up to me and apologize for doing their job and I was like, “Please stop apologizing.”

“That was a wishlist fight scene that Steve had always wanted to do.”

“So we actually had our guys throwing plates up in the air and taking photos of them to try to get these UFO imageries.”

“You know, we have a new point in our resume: Can produce and deliver a show during a pandemic.”

B: Behind the Scenes of The Umbrella Academy is a Netflix and Pineapple Street Studios Production. I’m your host, Brandon Jenkins. Make sure to subscribe, rate, and review this podcast. It really does help other people find it. Thank you all for listening.

#behind the scenes of the umbrella academy #episode 1 #gerard way #gabriel ba #steve blackman #full transcription

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mysticsparklewings · 4 years

Photo

Sweet Ohuhu Snail

This artwork is now available as a free Coloring Page!

____

Finally, some hints of new supplies I was mentioning a while ago have manifested into a piece of art. :D

This is sort of a follow-up to my Ohuhu Brush Marker Review, as back in October, Ohuhu released a 72 set of the brush markers, and naturally, I was very curious to see the 24 new colors for myself. (And I have a bit of a story about how this set arrived to me that I'll get into momentarily.)

Spoiler alert that my thoughts on the markers themselves as a product haven't changed; they're still really nice alcohol markers for the roughly $1 per marker price tag. I'd still love to see yet more colors and additional consumer features like open-stock markers, refills, replacement nibs, etc. But overall, as I said last time and I will continue to say, I really wish these had been around a few years ago when I was first getting into alcohol markers, despite the few shortcomings they have. Aside from color selection (which I'll address further later), they're an excellent beginner alcohol marker set if you want brush tips.

But before I get into the specifics of this set and the foreseeable future (as Ohuhu just recently announced another brush tip set on the horizon), I shall tell you the (long-ish) story of how I ended up with the 72 set in the first place:

Back in November, Ohuhu put a post up in their "Top Fan Group" on Facebook, which I joined on a whim after being recognized as a Top Fan a few times by that point. This post said the following:

Hi Ohuhu Friends, Ohuhu.com is going to open the SHOP function to several products soon, so you can buy the products directly on www.ohuhu.com then. Before the shopping cart is officially public to the customers, we need 3-5 volunteers to help us test this SHOP function. 🗒️What we need are some inputs regarding How is your experience with our website, and Is the purchase process smooth? What problems have you encountered while shopping on the website etc？(We will have the conversation by DM.) 🚨The tester should be based within the continental USA. As a thank you, we will give you a free set of markers, just let us know which pack do you want via DM.📷 Thank you! Put your hands up if you would like to help us with this in the comment zone! (We will randomly choose 3-5 person within a week.)

[For context, previously you could only purchase Ohuhu's products through Amazon.com] Me, being both the frugally minded and skeptical person that I am, saw the post and immediately latched on to the "free set of markers" mentioned. (My instinct said it was probably a choice from a pre-selected list of some kind.) I was curious and figured, based on what was said, that 1. I might not even get chosen, 2. Even if I did, surely they would explain the process to me and I could then gracefully bow out if it didn't sound right to me. And so I cautiously commented as instructed. Within a few days, I was contacted by a representative and I found out through communication with them that the way this would work is that us volunteers would place orders through the website for any product, let them know of any issues or feedback we had during the process, and then once the order was placed we would provide the representative with our order number and be refunded. Likewise, if all did indeed go according to plan, this sounded like a great way to get my hands on the new 72 brush marker set, which previously I had figured I wouldn't get for a while as my 48 set has been serving me very well since August with no issues. (And it kinda didn't make sense to me to turn around and order a new set that would give me 48 duplicate colors so quickly.) I've seen a LOT of horror stories about shopping online, I watch too many "drama community" videos on Youtube that often talk about sketchy websites and scams, and so throughout this entire process I was nervous, saving "receipts" (screenshots and the like to the uninformed) where I could, and generally expecting something, anything to go horribly wrong at any second. Despite Ohuhu being a fairly reputable company at this point and having only ever heard good things about their customer service. Still, Ohuhu has made enough of a name for themselves that I hoped they'd know better than to intentionally scam their customers. If word got out to the many YouTubers covering their products, they'd have a PR nightmare on their hands. (And I also had to remind myself that the art community as a whole is not the Youtube Makeup Community; generally speaking, the art community isn't as...well, dramatic. At least not when it comes to art supply companies and scamming costumers. I'm not saying it never happens, I'm just saying I don't think it happens nearly as often as when shiz goes down in the YMC.) Naturally, this means I had some questions I wanted to be crystal clear about before making any purchases of any kind. Namely, I specifically asked to make sure I was reading correctly that once the order was placed and I gave my order number that I would be receiving a refund, and if said refund would be just for the purchase price of the product ($69.99 in this case) or if it would include the shipping cost (about $5-$6 dollars) as well. The answers to which were yes and the refund would be for the total cost including shipping. I also wanted to know approximately how long it would take for the refund to go through. The answer was within 5 days. So everything up to this point seemed to check out. I was still skeptical (this is what the internet has done to me) but I was 80% sure it would be okay, and the payment would be through PayPal, so if something went wrong I could file a claim over there and provide my evidence and hopefully at least get the money back if nothing else. I'll also note that I did notice 1-2 minor bugs on the website while in the checkout process, which I informed the representative of as I was supposed to, but I honestly wouldn't have noticed them if I hadn't been trying my best to really test the website and live up to my "job" in this situation. If I had just gone through the checkout process as I normally would have with no hesitation, I wouldn't have seen the bugs at all. I was genuinely surprised by how smooth and polished the website experience was; I was expecting much buggy/glitchier, considering that they were asking for test volunteers. And the two bugs I did notice were pretty minor things that really don't break or ruin the shopping experience. So I went through with the purchase, gave the representative my order number, and hoped for the best. I immediately received an order confirmation email that told me I'd be able to track the shipment within 1-3 business days. The order was placed late on a Thursday night, so I figured I wouldn't be hearing anything else until Monday at the very earliest. (As here in the States, Saturday and Sunday usually don't count as "business days") Much to my surprise though, that Sunday the representative I'd previously spoken with reached out to me asking if I'd been able to check out the tracking feature yet. So I explained that I'd gotten the confirmation email but no tracking email yet, and that I also didn't see a way to enter my order number on the website to track the order if I (as I had) checked out as a guest. (It did appear if I had made an account that the order number would've been saved to my account and I could've potentially tracked it that way.) But again, I hadn't expected anything until Monday, so I wasn't too concerned anyway. Sure enough, the next morning I had my tracking email and everything seemed to be in order; it even baffled me by saying the shipment was expected to arrive the very next day. I thought I was surely reading something wrong or maybe it needed a little while to re-calculate or something, but I kept an eye on and it didn't change its mind. And low and behold, it was a little later in the day, but the markers were indeed delivered that Tuesday! I eagerly got them open and gave them a good once-over just to make sure everything seemed right at first glance, as I knew to swatch them all out and get a more in-depth look was going to take at least a few hours. But I was quite relieved; we'd made it this far with no hiccups, now I just needed the refund to come through and we'd be right as rain. Miraculously, two days later the representative reached out to me yet again to tell me that the refund had been sent. And wouldn't you know it; the official PayPal email was sitting in my inbox waiting to tell me so! So in the end, things turned out pretty great. Ohuhu got their website tested, and I got my markers without a hitch. It did seem a little weird to me, the whole premise, but I assume they budgeted for this in the same way a company might do giveaways or budget for advertising, maybe even like some companies do for PR packages to influencers. And, realistically, it does kind of make sense that the best way to test your online shop (and by extension, in this case, the refund process) would be to have actual customers do it. Either way, it worked out well for me, so I can't really complain.

Once the markers arrived to me, I was very happy to see that Ohuhu is now including a colorless blender in their sets, in addition to the 48 or 72 colors. A colorless blender is one of the things that I said last time would've been nice to have (though not a necessity as you could easily go out and purchase say a Copic, Prismacolor, or another brand of Colorless Blender to compensate) and personally I love that it's 48 + the CB or 72 + CB, instead of counting the colorless blender as one of the colors you get, which is what I've most commonly seen other brands do. It's a small detail, but for some reason, I can't seem to get over it.

One of the things I was most curious about in swatching though was that, I assume as a response to me and many others that mentioned we wanted them, in the marketing for the 72 set Ohuhu seemed to really be trying to push that there were more pastel colors.

After actually having and swatching the markers for myself, I'd say about 7-8 of the colors are what I'd call true pastels. There are some beautiful new colors (R13 Clematis, in particular, might be my favorite Ohuhu color now and I LOVE the Green Grays they added) but there weren't as many pastels as I was hoping for, and personally I was hoping for some more pale pinks/peaches that would work well for lighter skin tones. Maybe some yellows since I felt we were kind of lacking those too.

And originally, I was a little...disappointed isn't totally accurate, but it's the best word I have.

However! I'm inclined to be a little more forgiving as just last week, Ohuhu announced they'd be releasing a 24-color skin tone set, which (although I'm withholding major judgment until I have the markers in-hand just like last time) is looking to hopefully be some of the pale pinks and light skin tone colors, maybe even a few yellows, that I was hoping for. We'll have to wait to see the colors in person, but using their digital swatches as a [very] rough guideline, the new colors look like they could be pretty promising.

The only thing I'm a little disappointed about at this point is that 5 of the skin tone colors will be duplicates, but at the same time, after seeing which colors are duplicates, it kind of makes sense just in case someone wants to buy the skin tones and doesn't have the 48 or 72 set, which I'm sure does happen. Just like I'm sure people buy, for example, the skin tone sets from Copic or Winsor and Newton to supplement other sets.

Still, though, this continues to support the idea to me that Ohuhu is really trying to listen to what fans of the brand are asking for; People asked for brush nibs and took a little while but we got them, we asked for pastel colors and they at least tried to address that, and now we've asked for skin tones and it looks like they're going to address that, too.

Naturally, after all of the above, I had to make some art to give the markers a go beyond swatching and to talk about all of this with you, my lovely Sparklers.

So I ended up drawing this cute little snail inspired by a picture I saw over on Pinterest.

I don't know if he thinks he's going to eat that berry or if he's just smelling it, or maybe he thinks it's just pretty (I used the aforementioned R13 in the shading for the berries), but it makes me happy to look at all the same.

Originally I had planned to try and only use the new colors to really show them off, and I did use a fair amount of them, but I felt just a little too limited so I did open up to the full 72 set. But I did use all only my new markers and not the markers from the 48 set I already had, so...

Maybe it's still fair?

I also tried some texturing on the...mushroom? branch? rock? he's sitting on, and while I don't think it looks the best close-up, from further away I think it worked out pretty well.

Similarly to the crab I drew for the 48 marker set though, I wanted a more interesting background than just plain white. After some consideration, I decided my best option would be to mix my green and yellow PanPastels. So I did.

Unfortunately, I exposed a couple of very noticeable fingerprints doing that and I ended up getting pastel dust all over the drawing so my black lines got greyed out a bit.

I fixed the fingerprints by adding some intentional ones for the sake of balance and in the name of visual texture, and I fixed the lines by going back over most of them and a little post-editing after I scanned the drawing in.

Other than that, my observations about the Ohuhu markers remain the same as last time. They blend and layer really nicely (especially, as I've observed recently is the case with most alcohol markers, with thicker paper) and the colors they do provide are really vibrant and fun.

I do still hope the new skin tone colors live up, that yet even more colors are coming, and I'll repeat that I'd still love to seem them add consumer comforts of being able to buy individual markers, refill inks, and replacement nibs. But all of that may come in time, and even so, I think they're very recommendable for alcohol markers.

I'm also really happy with how my little snail turned out just as an art piece; this whole thing is just really really cute to me.

Now I just have to wait with bated breath for the USA launch (they've already launched in Canada) of those skin tone markers and hope they're not too expensive so I can get them right away :P

____

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elizardc-arts · 5 years

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Drawing Daily in 2018!

Hi, it’s me - Eliza! I decided to draw everyday for 2018 and posted the process in instagram. Each month I did a drawing challenge and each month I tried out a new medium.

January

Creatuary: Mythical Creatures. I was lowkey doing the Creatuanary challenge created by dibujantenocturno, joshuacairos_art, and rafater_official. What’s fun about Creatuanary was that they tell you what the prompt for the day only so you can’t really pre-plan and just have to do things on the spot. I think it’s a really fun exercise. The medium I used for this month was the Zig Brushable Markers. They’re for calligraphy but I like doing art with them, they’re super nice. I highly recommend them to anyone. They’re kind of my go to markers. Though, I haven’t actually experimented with TomBows or the Prismacolors or Copics at all so I’d take what I say with a grain of salt.

February

Faebruary: Fairies! There’s also FaerieFeb hosted by archibald.art and maxineart. This was super fun. This was one of my favourite challenges. I don’t know if it was the medium I used or the subject matter - probably a combination of both! I used watercolours - a Palette of Prang - and I really enjoyed it. I hadn’t used watercolours since I was in high school and I remember not exactly enjoying the experience overall but within three days of painting fairies I’ve gone aboard the watercolour boat and I don’t wanna get down!

March

March of Robots: Robots! Created by chocolatesoop - MoR is super bomb. I used Stabilo Boss Highlighters for this month and my big take is HIGHLIGHTERS DO NOT SCAN WELL. Or at all. Also, I hear they fade. So, it’s not really a medium that has ‘archival quality’. However, it was super fun. I love using bright obnoxious colours. Everything just pops! Also! They give away brand spankin’ new wacom tablets to five lucky participants regardless of skill level! I highly recommend anyone join this!

April

AstroApril: Constellations and planets! I couldn’t really find a monthly drawing challenge I wanted to do this month so I decided to make my own with AstroApril! I love the stars and galaxy art is always great so I figured why not? And - I decided to use coloured pencils - I got a pack of Prismacolors. Two things - one Prismacolors are the best coloured pencils I have ever used ( I’ve only used student quality sets thus far so I might not have the best grasp of the best coloured pencil sets) - they blend well and are so so creamy it’s such a dream! Two - I don’t recommend using coloured pencils when doing galaxy art. It was fun sure - and I have a deep relationship with coloured pencils now that I have never had before but in terms of efficiency, specially with the subject matter - I highly discourage it. It took me a very long time to create each piece. I guess that’s just the way things are with coloured pencil but you can get the galaxy effect very easily with paints.

May

MerMay: Mermaids! Created by tombancroft1 - mermaids were fun! You gotta play with fluidity and it was a fun challenge trying to figure out which pose to do. I also considering it was May - Star Wars Month - enjoyed drawing star wars characters as mermaids. I used gouache for this and wow is gouache great! If you’ve never used gouache before, just imagine what would happen if acrylics and watercolours had a baby. I used a reeves set that was gifted to me. And considering its a student quality kit, it gave me a very nice taste of what could be accomplished with gouache. I’m highly considering investing in a more heftier set of gouache.

June

Journey June: the hero’s journey in art challenge form! This was great because it introduced me to a lot of cool new things like Creative Twitch Streams and the process of conceiving a story. Better yet! It introduced me to cloverkin and galvosaur the pair who created Journey June. They’re super cool hoomans and I recommend you drop by their stream. Also! I made a story! It’s about a hornless unicorn and he goes on an adventure to try and get a horn. I used mechanical pencils with coloured lead to draw my illustrations. They weren’t the greatest to work with considering the lead broke easily. I’d probably use actual pencils for this next time.

July

Julycanthropy: Werewolves! On the high of making a story from Journey June, I thought it would be fun to do another one for Julycanthropy. I used black paper and white charcoal/white coloured pencil for this. White charcoal is more vibrant against the black but white coloured pencil doesn’t smudge. It was a fun challenge to think in reverse and only colour the highlights instead of the shadows.

August

Smaugust - This is probably my least favourite drawing challenge I did this year. I used pentel oil pastels which I liked well enough but I just don’t think dragons are my thing. Also, I wished my country sold oil pastels per piece. My white oil pastel is very very smol.

September

Sketchtember: Sketches all month long! I sketched out hoomans! I’ve always wanted to draw humans but I’ve always been somewhat intimidated. I’m not so sure why anymore, they’re fun! I’m a little bit addicted. I used graphite and this little pilot lead holder - very fun, highly recommend.

October

Inktober: Inks all month long! Does Inktober really need an intro? Made by jakeparker - it’s just all about practicing your inking skills for the month. I drew more humans for inktober - this time with pet familiars! I used faber castell ecco-pigment and I used this fancy bristol paper. This was amazing. A pair made in heaven. I think I’d like to use maybe a brush pen next time to cover up larger areas but all in all no regrets!

November

Huevember: Colours all month long! I used Stabilo Chalk Pastels on Pastel paper! I decided to do the greek gods and goddesses and zodiac women. I’m not sure pastels are my forte to be honest. They’re fun but I guess they’re just not my thing. I really like the pastel paper though. They’re a bit pricy so I shouldn’t really be so surprised at how well they held onto the chalk pastels. However, because the pastel paper I decided to use was multi-coloured it was really difficult to tell the colour gradient between each piece. Kinda ruins the Huevember effect - Still a fun learning experience over all though!

December

Drawcember: Free Draw! There’s no particular prompt list for this monthly challenge it’s just free draw - which is a lot harder is some ways so I decided to make my own list again. I was inspired by the theme of demons and angels. I thought because of the free draw nature of the challenge, to use mixed media. This was very difficult for me. I ended up just doing portions of ink and portions of paint separately but ideally I wanted a more happy marriage of the two. I definitely need more practice in mixing the different mediums. But on the flipside - I was definitely pleased I was painting again. I enjoy painting a lot. Though - skin tones - very difficult to get right. It wasn’t too bad when I was painting demon skin or angel skin - but human skin has a lot going on.

General Thoughts

I honestly can’t believe I managed to do 365+ drawings throughout the whole year. It was both easier and harder than I thought it would be. You have good days and bad. I think for anyone planning to attempt this, take advantage of your good days - pop as much drawings as you can out and go easy on yourself during your bad days - you can always always catch up. Sometimes you just need a little break and that’s okay.

I learned a lot, made a lot of pals, and I’m definitely looking forward to next year.

Woo!

Best, E

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