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#isshiki makoto
hilacopter · 7 months
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Aaaand we're back! Things have been pretty rough lately where I live but I managed to scrounge together some delicious textposts for y'all, come eat :)))
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samasmith23 · 2 months
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Futaba Sakura from Persona 5 Royal and Autistic Coding
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I recently encountered a really phenomenal article analyzing how Futaba Sakura’s character from Persona 5 Royal effectively functions as autistic representation, even if the game’s developers didn’t intend for her to be so:
Speaking as an individual on the spectrum myself, I very quickly picked up on the autistic coding of Futaba given her strong special interests in computers & anime, as well as her difficulty in socializing with others. Plus, Futaba’s arc of voluntarily requesting a change of heart from the Phantom Thieves to overcome her suicidal depression & self-loathing shut-in status following her mother Wakaba’s alleged suicide had me on the edge of my seat. Witnessing Futaba enter the mindscape of her own palace in the cognitive world and not only realizing the truth that Wakaba actually did love her daughter and that the alleged suicide note uncharacteristically blaming Futaba for her death was just a cruel forgery (fabricated by the corrupt politician Masayoshi Shido’s henchmen who stole Wakaba’s cognitive psience research on the Meta-Verse before murdering her via mental-shutdown), but also seeing Futaba merge with her Shadow-self to awaken her own Persona and actively assist the Phantom Thieves in defeating the distorted false memories of her mother born from her own self-loathing was legitimately powerful! I related so hard to Futaba’s mental struggles and efforts to overcome her anxiety during the boss fight with Cognitive Wakaba here!
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And even after defeating Cognitive Wakaba and clearing Futaba's palace, Futaba herself still maintains a lot of her autistic-coded traits despite no-longer isolating herself in her room 24/7 and being more socially interactive with her fellow Phantom Thieves (although she still does struggle with being out in public). It expertly avoids the ableist trap that's sadly commonplace in other media wherein a character is "cured" of their neurodivergence. Here however, Futaba not only willingly requested the Phantom Thieves to change the distortions in her heart, but all they did was help Futaba to find the stregnth and courage to overcome her feelings of self-loathing, depression and suicidality on her own. She's still the same socially awkward & tech-savy girl that she was prior to the "change of heart," but she's now chosen to embrace the best aspects of herself (which are a part of her neurodivergence) rather than imprisoning herself in a tomb of self-loathing (which was symbolized by her Meta-Verse palace being an Ancient Egyptian pyramid isolated in the desert that Futaba's Shadow was the Pharaoh of).
Also, Futaba may not be the only autistic-coded character in P5 Royal considering that my personal favorite cast member, Makoto Niijima, also struggles heavily with socially interacting with her peers despite her status as a highly committed Student Council President devoted to her studies (initially studying solely because it’s what society and the adults in her life expected from her, before deciding to utilize her passion for academic knowledge to help the oppressed out of her own personal sense of justice).
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While Makoto is still my favorite P5 Royal character overall, Futaba Sakura is easily in the Top 3! And I choose to headcanon both characters as autistic!
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crimescrimson · 4 months
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The Phantoms V The Pharoah in Persona 5 Royal (2019)
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shockersalvage · 1 year
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Salvage Showcase: Isshiki Madarai
An attempt by yours truly in trying to be active once again here! And what better way than by talking about the characters in Danganronpa that don’t get as much love from the fandom, mostly due to appearing in media that weren’t officially translated or just aren’t that well known. I’ll be giving my analysis on their role in their respective material and my thoughts on them!
So whose up first?
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Oh.
Summary
Well, let’s start with a brief explanation. Isshiki Madarai is from Danganronpa Zero and is the Ultimate Bodyguard and is a member of the Hope’s Peak Student Council. On-paper at least. In actuality, despite officially being on the council, no one considers him a true member, instead regulating him to just being a bodyguard. Something they’re painfully aware of.
‘They’re’? Yeah, Madarai is actually one of eight octuplets with the collective talent of ‘Multiple Birth Siblings’ (henceforth will be known as MBS because that full title can take a hike). They all act under the ‘Isshiki Madarai’ name and are reoccurring antagonists for the events of Zero. Their main goal is to gain vengeance for the Student Council’s demise, with their intuition leading them to believe Ryoko had something to do with the incident and relentlessly hunting her. In the end, all eight end up being murdered by either Mukuro or Junko, with their deaths being covered up by the school as them being expelled.
Personality wise, the Madarai are all fairly similar to each other: merciless, stubborn, prideful, and ego’s easily wounded. They’re also detrimentally violent, which leads to their downfall on multiple occasions. Overall, they’re a clan that feels insulted over the Tragedy of Hope’s Peak and will stop at nothing to find the perpetrator of the incident. They also hold keen intuition and can be cautious, but they're opt to use brute force like torture or murder in order to get their way.
The Rundown
Now, the good I will say about the Madarai is how they fit in with Danganronpa Zero’s theme of identity. Or rather, lack of identity. Not to mention a theme of irrelevance (I’m not making of fun of them, being serious). As well as being contrasts to both Yuto Kamishiro and the Despair Sisters. The first thing that comes to mind is Madarai’s sibling gimmick, where eight individuals are acting as one person, effectively suppressing their own individuality for the sake of a lie for intimidation purposes.
However, in doing so they had also effectively stunted themselves. In exchange for uniformity, they had become utterly predictable to the point that Ryoko herself, a scared amnesiac, was able to knock one out after being exposed to their fighting style for long enough and Mukuro even chided that being the reason she can kick their asses so easily. In a series where Ultimates praised over their own unique individual talents, their choice to be the same effectively doomed them. This uniformity also goes against the Despair Sisters. While they may be twins, both are extremely different in terms of personality and skills - you can’t approach one like you do the other and trying for anything conventional against them is bound to get you hurt.  They’re existence pretty much slaps the Madarai’s methods in the face and given their major feat of ENDING THE WORLD you have to admit their way worked best.
As for Yuto? In general, both of their desire was to figure out the truth to the Tragedy of Hope’s Peak, albeit for different motivations. For the Madarai it was for the sake of their own wounded pride and vengeance. For Yuto? A way to increase his own fame. While the Madarai’s methods are flashy and brutal, with the culprit in their sights given their intuition- its largely ineffective and doesn’t gain much in the way of practical information and only results in them being taken out knowing nothing useful. In Yuto’s case, befitting his nature as a spy (though not his personality), he gains credible evidence and extremely useful knowledge into stuff regarding details like Izuru Kamukura. However, he is physically weak, so when he gets in way too deep, he ends up killed for his efforts. It’s one of the case where, if both had known about the other’s intentions and opted to work together, they probably could have covered way more ground and be able to make up for the others weaknesses.
What’s interesting about both is how they relate to the identity theme of Zero - or the lack of it. Yuto is the Madarai’s polar opposite. Yuto design and purpose is to be fairly simple and forgettable, much to his chagrin. But its in this lack of identity where he finds strength to get things done and showcase his information gathering skills  and become fairly close to the truth. In contrast, the Madarai’s design is supposed to stand out (for better or for worse) with his  elaborate snake-like monster design and serves as a plot roadblock. Yet, his effects on the plot when you look back is rather paper thin. At best, their attempts are good for highlighting Ryoko’s competence and Mukuro’s power. At worst, which to me they hit that way often, they are aforementioned roadblocks. Any interaction one would want to see further or plot details you want to see developed end up getting derailed with their whole invincible shtick and their own story of revenge concerning the Council’s demise. They’re purposefully made to be intrusive in the story, yet its also on purpose that their storyline never successfully goes anywhere. It ties back into their secondary theme of ‘irrelevance’.
The Madarai, technically, would have been ‘16th student’ of the Student Council killing game, but weren’t there because Junko never considered them one. She wasn’t the only one to consider this. The Headmaster, Steering Committee, Soshun Murasame, hell not even themselves if Mishiki bitterly remembering it is to go by. No one considers them a true councilman beyond just being a guardian and they had no use in-story beyond that. Mukuro even points this out that she actually doesn’t want  to fight the Madarai since it just creates more victims and it was better for the remaining Madarai to go away since the story had nothing to do with them (I’ll talk about DR0!Mukuro at a later date). To put it simply, they aren’t wanted in-story since they have no relevance to the bad guys’ plans and for, well Hope’s Peak aren’t really good guys, the administration side the Madarai’s worth as people aren’t considered beyond their talent. Once they failed no one even bats an eye at them. Even DR3 shows that, even in spite of that guardian role, no one in the Student Council bothered to alert the Madarai they received threatening messages or bring one along. It’s one of those things that retroactively gives the impression Madarai’s presence was quite the afterthought in-universe and adds a layer of a bitter tragedy to it. They stand out and have utility, but no one sees their potential and layers beyond that. Their gimmick would be interested in a more action oriented series, but in Danganronpa (a murder mystery fiction) brute strength takes a back seat for brainpower. And given DR’s nature, where Ultimates who excel in combat more than them exist (like the Ultimate Soldier) or excelling in intelligence, like the Despair Sisters the only thing awaiting a character like the Madarai is cruel defeat and to be swept under the rug just as fast.
Personal Thoughts
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Now I’ll be blunt: I don’t like these guys. In fact I think they just might be my most hated Danganronpa characters of all time. Remember the whole ‘they’re intrustive’ bit I went into earlier? Yeah, them showing up again and again with the strategy of ‘we’ll beat you up until you fess up’ quickly wore thin. I know they’re supposed to be bitter hotheads and I know them acting the same is intentional, but God did it not make their antics bearable. “Yes, let’s threaten this guy’s life! Yes, let’s attack the principal’s daughter! Surely this won’t backfire on us, assuming we don’t die ourselves”. Ugh.
Side note: Also hate their designs. You want to make a snake like student? Sure designers go ahead! But you need to make sure they look decent.
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Making them ridiculously buff isn’t making them decent!! It clashes with the motif and just makes them look jarring to look at it! You can have a character be strong, but this goes way overboard.
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His concept art is a major improvement that I wish the other illustrations stick to.
This ends the first showcase, next time I post I’ll be going on about a character from the Danganronpa Kirigiri side of things!
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knightscanfeeltoo · 1 year
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Madarai Brothers: *About to kill poor Makoto Naegi*
Mukuro Ikusaba:
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(still don't know if mukuro saves makoto because junko wants all the class 78 students alive or if muki does care for mako because i never read danganronpa zero...)
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For Makoto: I hope you had fun on your birthday! Did you have a favorite present?
Makoto flushes.
Makoto: Don't tell anyone, but I appreciated the time I got to spend with Akira and Futaba more than the gifts themselves...
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kon-kon-kon-kon · 2 years
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CFS保護 2013年9月号 Vol.160
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anipast · 1 year
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What a cold thing to say.
You think I’m cold?
Oh yes, extremely.
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persona-brainrot-real · 4 months
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Actually I think that what we see of Akechi in the third semester isn’t an entirely honest reflection of who he is. He’s not a ruthless bloodthirsty finds-power-arousing (pre-showtime dialogue) nor in most other aspects of the game does he mention how openly and explicitly fascinated by Joker he is, the way he does in the third semester. Yes he is fascinated by Joker yes he finds him attractive yes whether you ship them or not there is undeniable homoerotic subtext in their relationship and akechi is queercoded.
This might not be too coherent bcs it’s like 2;30am rn BUT I think one of the most important things to consider is that the Akechi that gets brought back isn’t the same level of Brought Back that Wakaba Isshiki was, or Haru’s father. You can bring back Wakaba because she had all of these connections, all of these people who knew her and loved her. She had a job, a reputation, a social life, and even if Futaba hadn’t wanted her back, Sojiro would have. Her other coworkers, her friends. The point I’m making is that Wakaba, much like Okumura, and on a smaller scale Madarame with the way his personality changed, were social people. To be brought back, Maruki could have used these different understandings of them to bring them back as they were perceived and understood. Wakaba is crafted out of Sojiro’s memories of her as a person, out of Futaba’s memories of her as a mother. Okumura by how he was to Haru as a father, turned into a polished version based on what she wanted him to be.
Those who were alive were changed by the people around them, too. Sae by Makoto, Madarame by Yusuke, Shiho by Ann, even the rude teacher whose name I can’t remember is likely changed because of the wishes of the students, who Maruki heard complain about how cruel or mean or rude he was.
And that brings me back to Akechi. The only person who got close to him for who he actually was, is Joker. The only person who got to peek past the walls he put up, even in a controlled way, is Joker. The only person he was honest with, chose to surround himself with, and opened up about his life with, is Joker. As such, it’s Joker who wants him back when he’s gone (shown by Joker staring wistfully at his ceiling after their fight in Shido’s palace and finding it hard to believe he’s gone) and it’s Jokers wish that brings him back.
And with Joker’s last experience with Akechi being this sudden reveal for what his capacity for violence is, with little time to process, probably spends the next while of his quiet grief trying to wrap his head around this sudden change and it warps his perception of Akechi. It’s not that he’s ruthless, unwaveringly bloodythirsty and takes sexual pleasure from killing people/shadows necessarily, but that as Maruki was pulling from people’s memories and experiences for this, he pulled a warped and slightly inaccurate version of Akechi from Joker’s mind.
And that’s how we end up with a version of Akechi who is attached to Joker at the hip, who is unwaveringly allied with him, who constantly says things like “jokers mad. I kind of like it, but it’s not you” or only gets the ability to throw himself in front of a fatal attack to protect joker/to endure a fatal hit because of his closeness to Joker AFTER he’s brought back in 3rd semester. He isn’t incapable of putting himself at risk for someone if he wanted to, but he has too much to do. He has his plans, his goals to become more powerful than Shido, and for that reason he can’t afford to risk dying.
But when Joker needs him to come back, to be his friend rather than his enemy, to use this tenacity and determination he has to aid the Phantom Thieves, he gets what he wanted and what he needed, and in doing so pulls out and exaggerates a worse side of Akechi because of how his own infallible memory has warped his memory of him.
So he gets the Akechi he wanted (passionate, dangerously loyal, allied to Joker and Joker alone, therefore connecting him with the Phantom Thieves too) while also getting the Akechi he never saw and never wanted to see (ruthless, bloodthirsty, capable of immense violence and capable of enjoying said violence) but being just submerged enough in Maruki’s reality not to properly question how or why he’s back, but indulging in his own feelings and choosing ignorance so he doesn’t have to doubt the one person who listens to, believes, and trusts him, when everyone else (even without knowing better)turns their back on him. That’s what I find so captivating about the third semester and their dynamic within it. I don’t think it’s accurate to Akechi, not even his own deepest and darkest desires, but those aspects of a personality are forced onto him as a result of Joker’s grief.
And that’s something I wish Atlus had been able to delve into in a little more detail.
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crescentmoonteas · 1 year
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IF YOU REGRET / RESET THE GAME
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art by Lyn @jazlyn_jin!
hi! want to experience all the highs and lows of IYR/RTG (IF YOU REGRET / RESET THE GAME) but have no idea where to start or what Lyn and I are even going on about? no problem! here's a starter pack/summary post that'll get you up to speed in no time 💫
the tldr is that it's a roleswap AU where Haru is the protag and Ann is the traitor. the "not long enough; need more context" (doesn't roll off the tongue quite like tldr though) is below the read more!!
NOTE: this AU contains spoilers for both vanilla Persona 5 and Persona 5 Royal. you've been warned!
most of the information for the AU is very neatly summed up (and comes with extremely good art by Lyn) in this thread on Lyn's twitter. below is more of a neat recap containing some plot points and stuff that you can use for reference or whatever.
what does IYR/RTG mean?
it means "if you regret, reset the game" and is a lyric from the song Axe to Grind from Persona 5 Strikers! it's a reference to how the roleswap is essentially a 'reset' of the canon game.
how did the AU come about?
two years ago I (Ash) posted a silly tweet about a roleswap AU "but it's just the Thieves put in a randomiser" and Lyn saw traitor!Ann and went wild. anyway two years passed and we're now back working together to make the AU a reality! sort of! we're not Maruki! maybe!
new roles!
🍀 Haru: Fool/Wild Card
🪶 Goro: Magician
⚡️ Sumi: Chariot
🦚 Yusuke: Lovers
👾 Futaba: Emperor
🌀 Morgana: Priestess
👑 Makoto: Hermit
♟️ Akira: Empress
🐈 Ann: Justice
💎 Ryuji: Faith
new personas!
🍀 Haru: Eurydice + Tyche + Atropos
🪶 Goro: The Mórrígan + Crowley + Hereward
⚡️ Sumi: Raijū + Cerberus + Anubis
🦚 Yusuke: Oshichi + Kikuri-Himei + Suzaku
👾 Futaba: MYDOOM + Sputnik 1 + ELIZA
🌀 Morgana: Babel + Seraph + Adam
👑 Makoto: Ophelia + Rapunzel + Vivian
♟️ Akira: Le Horla + d'Artagnan + Raoul
🐈 Ann: Daphne + Medusa + Persephone
💎 Ryuji: [SPOILER] + [SPOILER] + [SPOILER]
new confidants!
Wakaba Isshiki is now the Judgment Arcana
Jin Akechi is now the Devil Arcana
Nozomi Akechi is now the Tower Arcana
Kasumi Yoshizawa is now the Moon Arcana
new palaces! (and some returning ones!)
Madarame (Greed)
Shun Nanami (Wrath)
Kobayakawa (Boasting)
Makoto Niijima (Acedia)
Fumiko and Atsuto Kurusu (Pride)
Wakaba Isshiki (Envy)
Kamoshida (Lust)
Holy Grail (Sloth)
Yaldabaoth (every single sin at once)
Maruki (Sorrow)
new all out attack screens! (screens to be drawn, here's the phrases they have!)
🍀 Haru: Lucky Strike
🪶 Goro: Any Way The Wind Blows
⚡️ Sumi: Danger! High Voltage
🦚 Yusuke: Après Moi, Le Déluge
👾 Futaba: GG NO RE
🌀 Morgana: I Said No Running
👑 Makoto: Lifeguard On Duty
♟️ Akira: Checkmate
🐈 Ann: That's All Folks!
💎 Ryuji: [SPOILER]
new plot changes!
Kawakami now works at Crossroads part-time rather than the maid service. there is no maid service in IYR/RTG.
Crossroads is also the place where Haru winds up spending most of her time due to the high number of confidants there and their lax rules about having birds in the bar
there's also a new waitress at Crossroads called Ren!
Shido is a complete nobody in the AU and is not relevant to the plot at all
the confidants that have been swapped out are either dead (sorry Sae) or they no longer need their confidant chain doing due to the lack of Shido in the AU
Ohya is now having a great time with her reporting partner and probably drinks a somewhat reasonable amount now maybe
Haru's dad is alive and well and still a complete asshole
Ryuji is fine :) stop asking questions about him :)
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vashtijoy · 1 year
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thank you for such a comprehensive answer! does make me wonder though — the game clearly has no qualms with saying that akechi did kill people directly and did cause deaths indirectly (e.g. the bus incident explicitly stated to have caused fatalities). so why on earth does p5 say the subway train derailment caused no deaths?? this is probably a very weird detail to zero in, but i feel like a heavier train in an enclosed space carrying more people than a bus is much more dangerous. ngl it broke my immersion on my first playthrough a little lol
I know what you mean, lol. Tbh, Akechi is obviously intended to be sympathetic—to be the worst case example of what happens when a kid is exploited by rotten adults and has nobody to help them.
This is why there are so many parallels between his tragic backstory and the stories of a lot of the PTs—he has Futaba's abusive family background, Ryuji's single mom, Yusuke's orphanhood and exploitative father figure, Haru's terrible father, and I'm sure there's something there for Makoto as well.
This is why, at the end of the engine room, he's met not with condemnation but with grace and understanding. This is why, though he does feel sorry for himself at the end and mourn what he's lost, he doesn't squirm and beg and justify himself like the earlier palace bosses—with the exception of Sae. This is why he gets a dramatic self-sacrifice and gets to come back as an antihero, who goes all-out to save the world at the cost of his life in passing, because it's in his personal interests to do so. Akechi is intended to have been sinned against as much, or more, than he has sinned.
At the end of the day, Akechi is a Phantom Thief, even though he's not really on the team, doesn't align with their motives, and almost nobody really likes him—just like them, he's a kid who was placed in an impossible situation, and they all get that. Even while they understand the reality of who he is and what he's done.
This raises the complicated "is he a victim" question again, of course, and the reality is that he's both a victim and perpetrator—like, of course, most criminals. Akechi isn't special. His backstory lets us understand what he's done; it doesn't undo it—and he knows that.
So what's going on, if I can go all Doylian for a second, is that there's an attempt to soft-soap the reality of what Akechi does—to keep him sympathetic. He doesn't shoot people in real life, for instance (with two notable attempted exceptions)—he gives them "mental shutdowns", giving him a layer of insulation from not only the physical reality of murder, but the moral reality of it.
Like the moment he sees Futaba unexpectedly in Leblanc, and ends up chattering oh shit, you're Wakaba Isshiki's— Like the moment on 10/11 that he walks up to Sae to see what she has on her laptop, and it's the Okumura death video, and he nearly vomits; he claps a hand over his eyes, and only then moves it to cover his mouth.
This is the reason he's so visibly unsettled a lot of the time in the interrogation room, why he stares at that dead guard wide-eyed for so long, and stares at dead "Joker" for so long during that cutaway to Sojiro that the gun stops smoking. He is—and we are—almost always insulated from the reality of his acts. tl;dr: you aren't meant to have to think too much about what it means that the pretty boy is a murderer and terrorist, if you don't want to. And that's fine! There is no wrong way to understand the game, no wrong way to play. A huge part of interpreting a work of fiction is what we bring to it ourselves.
But if you want to dig into that reality, it is there to be found. The fact that psychotic breakdowns obviously can be fatal, that Akechi performs them for Shido from the start, from two years before canon. That he performs so many of them that he becomes a detective, to make sure they're properly "cleaned up" himself. The fact that he makes two of the Phantom Thieves orphans. That Shido considers "proper use of the Metaverse" to be eliminating those in his way. That he sells Akechi's services to anyone suitably wealthy and controllable he can find. That, at the start of the game, all of Tokyo is terrified of this plague of accidents, of psychotic breakdowns, and that, per Sae, the incidents have been going on at least since Wakaba Isshiki died—two years before canon.
You also have things like the fact that he clearly negotiates what he does, as you can see in the post-interrogation room conversations with Shido—he can talk his way out of kill orders, or postpone them, as long as he doesn't push it, and he does this. There's no reason to think this isn't part of their dynamic all along. Shido manipulates Akechi with praise, sure, but Akechi also manipulates Shido as much as he can get away with.
There's also the SIU Director, on 7/10, complaining about how "he" (Akechi) is insufficiently brutal and doesn't come up with usably brutal plans. On the other hand, Akechi will, later, come up with the vicious detail of the plan to murder Joker in the interrogation room; that's his plan. He's told what to do (we join that incriminating phone call conveniently halfway), but he comes up with the details himself. He's on an arc, albeit one that isn't always obvious, and a large part of it is that Joker is slowly driving him out of his mind.
I just think Akechi is way more interesting, and that his manner and behaviour make far more sense, if he has done a lot of these things. The main thing that draws my eye is the visible lack of response he has to the atrocities he causes. Going back to that nice conversation you both have on 7/11, you know what he's almost certainly just done there? He's triggered the Goodness Foods car crash, which the evening news will report takes place at 8am on 7/11.
(and writing about this clarified so many things that it, again, became its own post oops.)
The crash kills four people. By the time you're on the train to school, the news is reporting this. Akechi seems completely fine with it all, better than fine—except there are tiny suggestions of something else, if you squint, something far below the numbness to what he does and what he's become; far below the bright surface. Something that will later be riveted in disbelief to the dead guard on the floor of the interrogation room.
That's interesting.
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monochromaticblue · 6 months
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Now feels like a better time than ever to officially introduce my Persona 5 Arcana Swap
Everyone’s roles were entirely randomized except for Morgana (I could not work with him *anywhere*.)
Fool - Ann Takamaki (Codename WIP) - Medea
Chariot - Makoto Niijima (Codename WIP) - (Persona WIP)
Lovers - Goro Akechi “Reaper” - Moriarty
Emperor - Sumire Yoshizawa “Rouge”- (WIP)
High Priestess - Yusuke Kitagawa “Viper” - (WIP)
Hermit - Akira Sakura “Ghost” - Pollux
Empress - Futaba Isshiki (WIP) - (WIP)
Justice - Haru Okumura (WIP) - Circe
Faith - Ryuji Sakamoto (WIP) - (WIP)
As you can see, it is clearly still in development but I thought I would officially post about it just to get the idea out there!!
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maochira · 9 months
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Blue Lock and Ao Ashi characters that have the same VAs (Japanese and English)
I expected this to be a lot less LMAO but anyways!!! Here we go (all information is from Anilist)
Japanese VAs
Rin Itoshi and Yoichi Kiriki (Kouki Uchiyama)
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Kenyu Yukimiya and Akinori Kaneda (Takuya Eguchi)
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Zantetsu Tsurugi and Kenta Yoshitsune (Kazuyuki Okitsu)
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Tabito Karasu and Eita Takasugi (Makoto Furukawa)
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Rensuke Kunigami and Chiaki Mutou (Yuuki Ono)
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English VAs
Ikki Niko and Kenta Yoshitsune (David Matranga)
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Yoichi Isagi and Yuma Motoki (Ricco Fajardo)
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Tabito Karasu and Souichiro Tachibana (Clifford Chapin)
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Adam Blake and Taira Nakamura (Jason Liebrecht)
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Julian Loki and Jonnusuke Nakano (Kevin D. Thelwell)
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Kenyu Yukimiya and Isshiki Katsuyori (Jim Foronda)
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Wataru Kuon and Mikami (Mark Allen Jr.)
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Sprite Resources
//This is where I will have link to sprites and even credits for fangans
Characters from;
Danganronpa: Trigger Happy Havoc
Super Danganronpa 2
Danganronpa Another Episode: Ultra Despair Girls
Danganronpa 3: The End of Hope’s Peak Academy
Danganronpa Gaiden: Killer Killer
Danganronpa Another and Super Danganronpa Another 2 -  LINUJ
Sprites from;
Chisa Yukizome | Danganronpa 3 and Sato | Miaya Gekkogahara | Natsumi Kuzuryu | Student Council, Older DRA girls and Older Setsuka | Yasuke Matsuda | Yuto Kamishiro | Ryoko Otonashi | Isshiki Madarai | Santa Shikiba | Izuru Kamukura and Sayaka’s little sister | Fashionista!Junko | Mukuro 1 and 2 | Various character expressions | Adult!Yuri, Hibiki and Kanade |  | Heterochromia! Hajime | Slash Eye!Fuyuhiko | Older!Hiyoko | FF!Makoto 1 2 3 and 4 | DR3 Kyoko | Maskless Jataro | Ted Chikatilo | Takaaki Ishimaru | Sayaka’s idol group | Takemichi Yukimaru | Kanon Nakajima 1 2 and 3 | Cure!Nagito | Teruteru’s mom | Voidswap | Diaya Oowada | Mekuru Katsuragi | Rei Shimizu | Older Komaru | DRA + SDRA2 sprite edits | Older!Komaru, Toko, Masaru and Jataro | Remnants of Despairs| HPA!Peko| Taichi Fujisaki
Otherwise any sprites that you do see that aren’t credited here were made by me.
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hopeymchope · 4 months
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If we had a Danganronpa version of “A Christmas Carol”, which character do you think would be a good stand in for Scrooge? And which characters would fit the three ghosts?
Probably the best parallel I could make for Scrooge is Tokuichi Towa, but that's a lousy pick given that he's 99% an off-screen character that we only HEAR about. So I'm going to limit myself to the main casts (i.e., just characters who get focal "screen time" at some point in the series) instead.
Ebenezer Scrooge — I'd argue Byakuya Togami is our best option, though he's certainly not a perfect parallel. Sure, he's wealthy and regularly cruel, but he's definitely not greedy and miserly like Scrooge; Togami pays those under his direct employ *very* well, actually. Even so, it's easy to picture him dismissing Christmas as a stupid waste and narrowly focusing his life on the pursuit of ever-increasing power and renown. For that reason, I think he works well enough as our Scrooge. (You can also naturally expand this to suit the rest of the cast: The way he treats Naegi during his FTEs in DR1 makes Makoto a great Bob Crachit. Jacob Marley? Pennyworth! Fred the Barely Noteworthy Nephew? A cameo role for Shinobu! And so on.)
Ghost of Christmas Past — I had to look into the base description of these ghosts to really dig into this question, particularly in regards to this first ghost. They're definitely the most varied in how adaptions visually portray them. So let's take it back to the source: In the book, Christmas Past is said to look youthful yet simultaneously old; in a lot of adaptions, this is taken to mean their face looks young but their clothing ages them up. They also possess wisdom their youthful appearance would not initially suggest, and they're the smallest of the three — usually child-sized. Perhaps V3's Ryoma Hoshi is a good proxy? He's smaller than most DR characters, plus he can seem both younger than the rest yet simultaneously older in other ways. ... I could make a case for Yuto Kamishiro as a decent alternative. But seeing as he's relegated to a light novel and a DR3 cameo, he's probably not noteworthy enough.
Ghost of Christmas Present — Boisterous, friendly, large, surrounded by food — that's Chrismas Present. Their large size is most often interpreted as being a muscular figure, but some adaptions portray him as being more rotund. It's not hard to see his personality filled quite well by a number of DR characters, but I feel like Nekomaru Nidai is probably the closest and best choice. He's got that positive energy that can still carry a tone of warning/threat, he's big and imposing, he's kind, he's pretty damn hungry... you get the idea. After him, I'd say Akane Owari and possibly Ultimate Imposter are the nearest runners-up... and there's defintely something particularly delightful about the idea of Togami being "haunted" by the Imposter. :)
Ghost of Christmas Future/Yet to Come — This one is the most visually consistent in adaptions. It's basically "Death" — a shadowy, silent figure who just points at shit ominously. And if you want a visually threatening character who doesn't talk much? Isshiki Madarai is the obvious pick. But he's also a very obscure pick, so uh... how about we take a page from the few adaptions where this ghost is allowed to speak and instead find ourselves someone who can act threatening and/or haughty while still cutting a grim, imposing figure? I think if you put Gundham Tanaka, Kokichi Ouma, or Celestia Ludenberg into this cloak and let them turn their Attempted Menace level all the way up to 11, you'd have something REALLY entertaining and interesting. Or if you really want to torment Togami specifically? Make this ghost take the form of Syo/Jack. That might make it harder for the Ghost to coherently convey useful information, but it'd certainly be funny. :D
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Kinda of a random question but what do you imagine the characters voices sounding like?
Hi! Thanks for the question. I actually worked out most of the voice claims of the characters, and I plan to make a video of it someday when I've updated all their character art! (Mainly for the main cast.)
For now, I'll just list them down with links:
Main 8 + Luna
Sun - Neuvillette (EN CV: Ray Chase)
Mercury - Firion (EN CV: Johnny Yong Bosch)
Venus - Tigress (EN CV: Angelina Jolie)
Earth - Thoma (EN CV: Christian Banas) | Makoto Tachibana (JP CV: Tatsuhiza Suzuki)
Mars - Yuri Lowell (EN CV: Troy Baker)
Jupiter - Kokushibo (EN/JP, EN: Jonah Scott, JP: Okiayu Ryotaro) [MAY CONTAIN DEMON SLAYER SPOILERS!]
Saturn - Marth (EN CV: Yuri Lowenthal)
Uranus - Douma (EN/JP, EN: Stephen Fu, JP: Mamoru Miyano) [CLIP CONTAINS SOME GORE! And out of context KNY spoilers.Watch at your own risk.]
Neptune - Giorno Giovanna (EN/JP, EN: Phillip Reich, JP: Kensho Ono)
Luna - Aerith Gainsborough (EN CV: Briana White)
Dwarf Planets:
Pluto - Scaramouche / Wanderer (EN CV: Patrick Pedraza)
Ceres - Amber (EN CV: Kelly Baskin)
Moons:
[URANUS V] Miranda - Terra Branford (EN CV: Natalie Lander) | Mipha (JP CV: Mayu Isshiki)
[NEPTUNE I] Triton - Diluc (EN CV: Sean Chiplock)
[PLUTO IV] Kerberos - Cyno (EN CV: Alejandro Saab)
Comets and Asteroids:
Halley - Talking Tom (EN CV: Colin Hanks)
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