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#is through the artwork. and it takes SO much effing work!
pagesofkenna · 1 year
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trying to explain the connection between Outer Wilds and Disco Elyisum, two mystery-solving video games that have completely f'ed me over, emotionally, in these last two years, and I think it is:
Outer Wilds is a game that does a very BIG thing, with a BIG thing to say, that seems too big to name but i can describe it. i could describe the conclusion i reached, the feelings i had, the path through the mystery, and it wouldn't hit as hard as experiencing it firsthand but i believe you would at least understand what the big thing is and why it if effecting
Disco Elysium is a game that does a very small and very specific thing, with a small but important thing to say, and i could tell you what it is but i couldn't describe it. i couldn't make it sound nearly as weighty as it actually feels. i could tell you the mystery and how we went about solving it, i could tell you what my takeaway was, and at best you'd be like 'ok, cool detective story'. i couldn't do any better
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Dearest, "Recognizing The Voiceless"...
I thank you deeply, for the opportunity to share my work with you and your readers. I'm simply, just another broken soul, who wishes to share what's left of the tattered remnants within me. I am relatively new to tumblr, and've no followers or friends really. I hope I've not in anyway bothered you. I thank you dearly for sharing me, if you of course choose to. Bless you kindly. Very Sincerely.....  
                      ... Jeff Smith
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~~~~~~~~Endless Emotion~~~~~~~~
           Written May 8th, 2022
    #2,079, File# 24-2  Cat# 23-A
              Artwork and Lyrics:
                 Jeff Smith
   **All Rights Reserved (C) 2022**
 
~~~~~~~~ Endless Emotion ~~~~~~~~
How can I stop this pen from bleeding
      when it's all, it seems to know, 
How do I stop my scars from showing
if through my pen their blood so flows,
How can I stop this pain, from hurting
      if there's so much of it to bare,
How can I give, what's left deep in me
if no other souls, whom wish to share,
My words they flow with such an ease
      much like feathers in the wind,
Though every time, they'll always land
deep inside the pain I'm caught within,
It seems that, from when I was a child
       writing was my dearest friend,
It didnt judge me, and always listened
and it helped me ease, the pain within,
Tho' that same pain it's never stopped
       yet my pen, it served me well,
Helped me express my shattered soul
and made some sense of my own hell,
And tho' my words, may flow w/speed
        and w/wisdom from my pain,
Every word I bleed, comes with a cost
In livin' through that pain, yet all again,
My ink's just somethin' that won't stop
         thus, a never ending course,
What some may see as being blessed
is often just a, hurtful, curse like force,
Within these years, and all their tears
        deep and buried in this soul,
To share them bleeding deep and raw
it's really all that's left for me to show,
All these bleeding, bludgeoned words
        bleedin' out upon your page,
Are from all the years living in silence
that all were trapped, deep in my rage,
What should I do to stop my bleeding
        w/a pen, stuck in this heart,
Will it take my death, to be my means
for all the aching pain, and me to part,
Should I just, sever both these hands
        to stop these words of pain,
Because my bleeding, just won't stop
my pen I hold's, my hearts, main vein,
And though I'd made this very choice
        to share my, darkened pain,
So the others know, they aren't alone
within their own cold, blackened rain,
Is it really worth my endless torment
         does anybody, really care,
Or am I seen as just, the circus freak
within his effing pain, alone to share,
Yeah I could write ten million poems
       would it really mean a thing,
If I hadn't tried to touch and love you
deep within your own, unspoken rain,
And as this pen again starts dripping
        within its neverending flow,
There is something that I wish tell ya'
somethin' that I wish for you to know,
That is, these words of, my own pain
       from behind my eyes of blue,
For all you trapped within a darkness
this pain I've bled, bleeds for you too,
Know w/in your pain you're not alone
       tho' your heart I cannot hold,
Still I can touch 'em, as they're beatin'
and I shall move, your precious souls,
And though I've only got these words
      they're bleeding raw devotion,
They are my pain, that just won't stop
within this deep, ...."Endless Emotion"
~~~~~~~~Endless Emotion~~~~~~~~
           Written May 8th, 2022
    #2,079, File# 24-2, Cat# 23-A
              Artwork and Lyrics:
                 Jeff Smith
  **All Rights Reserved (C) 2022**
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cherokeegal1975 · 7 months
Text
Beauty in Black
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It's likely ruined. It was going well as a redraw, I was even fixing a few mistakes I missed in the try in colored pencil and marker. The point of making a digital copy was to create a clearer image and to fix any mistakes I made the first time.
Sigh. Only my mother doesn't see the value in personal time, so I went over a year in not being able to work on this, so I can't remember how I was blending the colors. I may not be able to salvage it and likely I'll have to start over from scratch. I still have the original source material and I can go back and find tutorials on how to do black people's skin colors so I can do them better the next time.
I can't quite let go of my first attempt at making a digital copy of this one just yet. But if I find that I can't salvage the work, I'll likely scrap it and start over again. A lot of work wasted simply because my mother is a stubborn bitch that cares more about her housekeeping chores than my artwork. She ruined it! I'm really mad at her for that and she doesn't even realize what she did and wouldn't care if she did know.
Right now, a small part of me wants to keep drawing, but the rest of me just wants to lie down. I feel so drained. Effing tooth! It's taking so much out of me! I can't wait until Thursday, hopefully I can get it removed on the same day.
One of my main art goals is to create more artworks per year than I've ever done in my whole life. Another thing my mother is ruining for me. She only cares about her personal time and mostly she just sleeps through it. Mine, she doesn't give a shit. I can't stop my work until it's all done and if it takes all day, too bad. Yeah...I'm grumpy today.
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0613magazine · 1 year
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230307 EFE
BTS leader isn’t thinking about future, but would like to work with Rosalía
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RM, the lead singer of K-pop supergroup BTS, would love to one day collaborate with Spanish star Rosalía – his favorite Spanish singer – but with his mandatory military service in South Korea approaching, he will not be taking on any projects in the near future.
During an interview with Efe in Barcelona, the South Korean singer admits that he is going through a “hard time on a human level”, because after 10 years non-stop with BTS, the band members’ looming military service has forced the group into a temporary break.
But Kim Nam-joon, better known by the stage name RM, wants to stay positive, and insists that the situation “can be beneficial to him as an artist,” because “some great work is born in personally chaotic moments.”
“When you are famous, staying on top is very difficult,” he admits, “but I think BTS will make it. It will come together again when we finish our military service, and we will look for new synergies between us to enter a second phase. But, in any case, nothing lasts forever.”
On Rosalía, he says that all the members of BTS “like her very much and respect her a lot” as a very famous and influential star. Asked if he would like to collaborate with her, Kim Nam-joon does not hesitate: “If she wants to, I do too.”
SECOND SOLO ALBUM IN THE PIPELINE
Soon after releasing his most personal album ‘Indigo’ at the end of last year, and in search of inspiration for a second solo album, RM traveled to Spain for the first time this week.
The boy band has yet to perform in the country, as their 2020 world tour, on which they planned to reach the few remaining corners of the world they had not set foot in, was canceled due to the pandemic.
“I chose Spain to travel with my family because I have friends who are not artists who have told me it’s a great place,” he says.
“I wanted to see artworks by (painters) Goya, Velazquez and Picasso for inspiration and I’ve been to the Prado and other museums,” he adds during his visit to Barcelona, where he was impressed by the iconic Sagrada Familia basilica by Spanish architect Gaudi. Before that, he took in the capital Madrid and the northern city of Bilbao.
“I came to Spain because of my love of its art and, if someone learns about my country’s culture through my songs, it is an honor that makes me happy,” he says.
MILITARY SERVICE TRIGGERS PERIOD OF REFLECTION
South Koreans are obligated to sign up for 18 months of military service before they turn 30 – the eldest member of BTS, Jin, has already enlisted, with the rest of the group soon to follow suit.
It has forced a temporary break on the boyband with the group at its peak that RM has taken advantage of to release his first solo album ‘Indigo’, in which he frees himself from the strict rules of combining being the main standard-bearer of K-pop and searching for his own identity.
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“After 10 years as a member of BTS, I didn’t know who I was and I wanted to know,” he says. “I started out as a teenage rapper, then BTS came along and it was all very intense. Now that the group is inactive, I’ve gone back to thinking about the beginnings and the real reasons why I joined BTS.”
It is a process of reflection that has led him to contemplate the meaning of a musical career that has been dictated by trends.
BREAKING FREE FROM FADS
“K-pop and k-drama are in fashion,” he says, “so, ironically, I am at the center of the trend at a time when I feel the need to step away from that and have time to think and create with a more timeless outlook.”
The first result of this new approach is ‘Indigo’, an album full of stellar collaborations that combines elements of hip-hop, neo-soul, R&B, folk, electronic music and urban pop, a work which he insists presents a version of himself that is unrecognizable from the one that social media and worldwide fame have created.
But he has not turned his back on his time with BTS, which he is proud of for allowing millions of people around the world to discover Korean culture through his songs and for having paved the way for others to follow.
Source: EFE
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Company Of Heroes Trainer Download | FLiNG
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💾 ►►► DOWNLOAD FILE 🔥🔥🔥 Login Please enter credentials. Remember me next time. Forgot your password? PAGES 2. New topic New Reply. First of all, do not worry. EF is not going to harm your normal Company of Heroes in any way, you can still play it normally. Also, it does not overwrite any of the exciting factions. It will add the new factions, and you can still play with the old ones as well. Complete with new models, skins, sounds, buildings, tech trees and maps. Take your time and look around, there's many interesting things to find. Incorporating all-new doctrines, units, artwork, and maps, Modern Combat will work in tandem with acclaimed CoH gameplay in order to craft the most comprehensive, immersive and enjoyable strategic representation of 21st-century combat possible on the PC. Our team has adhered wherever possible to the unique and innovative gameplay mechanics that made CoH the fantastic RTS that it is. Players will need to rely upon a variety of traditional tactics in order to succeed, such as directional cover and weapon teams, doctrinal abilities and combined-arms unit formations, whilst at the same time utilizing to full effect the highly-advanced weaponry and equipment employed by the armed forces of today. The modification sees you creating and commanding your very own battalion in which you can customize with any units and upgrades you wish; Company of Heroes strategy has never had so much choice. Not only do you get to build up your battalion, but as you units battle, they will gain and retain all the experience they have earned, carrying over from battle to battle; going from green to elite! Not only do units gain veterancy, but your battalion as a whole increases in effectiveness through doctrine unlocks and other advantages. Each of these unlocks are designed so that the player can tailor their battalion to their own likes and play styles. The combinations choices are endless! Europe in Ruins: Reinforcements adds to the already ground breaking game play of Europe in Ruins by adding in the new version 2 launcher, a bunch of new maps, the new reworked doctrines and with new innovative systems for army purchase and persistence. Taking inspiration from the game of chess, the objective of each game is killing the enemy's command squad while protecting your own from harm. This improves gameplay and requires more tactical assaults and defenses, thus creating a more difficult and interesting Gameplay. The idea behind it is that we wanted to achieve a weapon system that is more lethal, making battles less static while still making it somewhat forgiving for the player to lose squads or vehicles. Cover can make the difference between life and death for Infantry Squads, and obviously Rifles and Semi-automatic weapons are best at medium to long range while Sub Machine Guns excel at fighting in close combat. Heavy and Light Machine Guns serve as all range support weapons. Vehicle Combat is more realistic and less static as well. All in all, Vehicle Combat requires much more attention as damages are quite lethal. Artillery serves the role as long range support weapon which is able to blast through any defensive position. However we changed it that Artillery only damages vehicles on really close to direct hits, it no longer will penetrate Tank armor with splash damage that easily, this is the same against entrenched Infantry. On top of everything, Back to Basics includes one of the smartest AI's out there, being much smarter in purchasing and using units, building defenses, using cover and holding territory. Back to Basics: Battle of the Hedges adds a harder difficulty to Company of Heroes, making it more challenging to play. You do not have to own all 3 products of the Company of Heroes series to play Back to Basics. We put a strong emphasis on balance, community, transparency, and fun. Currently in an open beta, we are constantly improving, adding new OMG features and content. The result is a game with intensity you have never experienced before. This mod will test your skills over and over again. Commanders Mod is great for competitive matches, but also fun to play with friends or against the AI. Though titled after the Allied invasion of mainland Italy, the mod referances combat units that took part in a multitude of operations throughout the Mediterranean theatre of operations, including Operation Husky, the Invasion of Sicily that took place immediately before the mod's namesake, Operation Avalanche; Operation Shingle, the landings on the Anzio beachhead; Operation Slapstick, the British landings at Taranto undertaken by the British 1st Parachute Division; and Operation Baytown, the operational farce that was intended to tie down but failed spectacularly in evoking any action from Albert Kesselring's combat forces in southern Italy. The mod also features pseudo-realism, a halfway point between the arcadey play of vCoH and the ultra super realism of Blitzkrieg mod where you get vaporized by anything with a gun. The speed of armored units relative to other armor has been tweaked, and there is a flat out addition of several units thus far unseen in other mods as well as some well known favorites. New doctrines and maps based on the battlegrounds of Italy are in the works for the near future. Its secondary aim is that of historical accuracy, but without making severe compromises in gameplay. One of the main features of this mod is that it intends to do the above without making major gameplay changes to the original CoH experience, so no one-hit-kill AT shots or huge-range Howitzers. This mod allows the use of all the playable factions on both sides of the barricades, that is, allows you to choose Britain, the U. This mod focuses on the later years of the First World War. Currently the two teams will be the British Expeditionary Force against the German Empire, however with time the team will try and bring some more nations in, such as the France and Austria-Hungary. This mod will focus or realism but keep the game balanced enough to make it enjoyable. Things to look for in the mod are the famous artillery strikes and the infamous gas attacks. Trenches will provide vital cover for infantry while tanks will roll over the battlefield and instill fear into the enemy troops. Weapons with damage more realistic, fighting tank where matter more quality than quantity, bombing on a large scale with tens of Halifax in the air These crazy things can be deactivated in the reward menu and you can plays with the rest of the rich panel of units we have added. You can also play with or against any faction! Failure is always an option. It's a happy massacre?! Caffeine illegal for WiFi's to ingest in 48 states, 2 colonies, and 1 providences. To make most awesome thing in universe combine Bears and Nicholas Cage! Multi Quote Reply. Modification Watch: Nam '67 CoH Afrika Zombie Mod the great war released CoH:TotalWar Pacific Thunder if there are any other unreleased mods for coh that i missed please feel free to tell me i try and keep this updated but im not perfect. Follow AmiPolizeiFunk on Twitter. Operation Europe Mod: [no description available. Jump back to quoted post 18 Jun , PM lietomee. Guys please, sometimes I want to try things on COH2 and I know there is a GOD mod or something like that to create units and test them and so on, does someone know what's the name and how to install it? A friend of mine show me one day but he never connect on steam anymore. Really thanks. Jump back to quoted post 4 Feb , PM tuexnovia. Subscribe to thread. Livestreams duffmanntm. The Angry Dutchman. Lazy Ren. Ladders Top 10 UKF. Data provided by Relic Entertainment. Replay highlight figthing until the end. Crossroads Honor it.
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write-as-rains · 2 years
Text
Dearest, Write-As-Rains,I thank you very kindly, for the opportunity of sharing my work with you. The very pieces of whats left of me. Thank you. Very sincerely, Jeff.
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~~~~~~DEPTHS OF ME~~~~~~
       Written Feb,11th, 2022
#2,070, File# 25-A, Cat# 24-B
            Artwork & Lyrics;
                  Jeff Smith
*All Rights Reserved,(C) 2,022*
~~~~~~ DEPTHS OF ME ~~~~~~
Was born, straight outta madness
fought to survive, starting at 4,
Had a mom, who couldn't love me
was left alone outside er' door,
At times I yearn, to be held closely
and told that, "all will be alright,"
And that the, emptiness within me
will never last, to see days light,
To just be held throughout the nite
within two arms, that truly care,
To be engulfed within deep rapture
and mesmerized, within a stare,
At times my pain it's just too much
and my bleeding just won't stop,
A man whose prayin' for an ending
yet everyday knows that it's not,
~Chorus~
~~~~~~~~~
I'm that hurricane, you've heard of
I am the core, to every storm,
At times I'm danger with no pause
and I'm far from, all the norm,
I can be that, eloquence of silence
yet, w/roars you'll surely hear,
I'm one that loves but like no other
and can silence all your tears,
Can be a madman, with no ending
yet still I'll bleed out empathy,
I'm all these things yet much more
in all the very..."Depths Of Me"
~~~~~~~~~
Though all my words, flow w/ease
there is a price for them to pay,
And not a single one comes cheap
in sharin' deeply what they say,
Can be that endless thunder storm
yet w/a calm, nowhere in sight,
Can be your darkness like no other
though can be your loving light,
Many depths, and endless feelings
and many currents, to this sea,
That shall forever swirl and deeply
yet simply yearn, to be set free,
~Chorus~
~~~~~~~~~
I'm that hurricane, you've heard of
I am the core, to every storm,
At times I'm danger with no pause
and I'm far from, all the norm,
I can be that, eloquence of silence
yet, w/roars you'll surely hear,
I'm one that loves but like no other
and can silence all your tears,
Can be a madman, with no ending
yet I'll still bleed out empathy,
I'm all these things yet much more
in all the very,.."Depths Of Me"
~~~~~~~~~
Can be the kindest man you know
and I can love ya', like no other,
Or I can be the endless nightmare
that will make ya' run for cover,
I am much stronger than the norm
from f-----' pain, I've endured,
And through that same effing pain
l learned to be my f-----' cure,
And through it all, then back again
I gained what only few possess,
And it's a sense that sees w/depth
a depth, you can not 2nd guess,
~Chorus~
~~~~~~~~~
I'm that hurricane, you've heard of
I am the core, to every storm,
At times I'm danger with no pause
and I'm far from, all the norm,
I can be that, eloquence of silence
yet, w/roars you'll surely hear,
I'm one that loves but like no other
and can silence all your tears,
Can be a madman, with no ending
yet I'll still bleed out empathy,
I'm all these things yet much more
in all the very,.."Depths Of Me"
~~~~~~~~~
My words run deeper than an ocean
ohh I can take you there n' back,
To endless fathoms you've not seen
that run so deep they turn black,
Yeah, I'm these things, and yet more
with deep passion, running wild,
Can be that, Naughty Mother Fucker
I'm the furthest thing, from mild,
I have the means to blow yur' minds
as I bleed out, upon yur' screens,
Come take a dip with me my friends
in the endless, ...."Depths Of Me"
~~~~~~~DEPTHS OF ME~~~~~~~
         Written Feb,11th, 2022
  #2,070, File# 25-A, Cat# 24-B
              Artwork & Lyrics;
                    Jeff Smith
  *All Rights Reserved,(C) 2,022*
8 notes · View notes
poetwhispers · 2 years
Text
#poetswhispers
Dearest, Poets Whispers, ..... I thank you kindly, for the opportunity of sharing my work with you. The very pieces of whats left of me. Thank you. Very sincerely, Jeff.
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~~~~~~DEPTHS OF ME~~~~~~
       Written Feb,11th, 2022
#2,070, File# 25-A, Cat# 24-B
            Artwork & Lyrics;
                  Jeff Smith
*All Rights Reserved,(C) 2,022*
~~~~~~ DEPTHS OF ME ~~~~~~
Was born, straight outta madness
fought to survive, starting at 4,
Had a mom, who couldn't love me
was left alone outside er' door,
At times I yearn, to be held closely
and told that, "all will be alright,"
And that the, emptiness within me
will never last, to see days light,
To just be held throughout the nite
within two arms, that truly care,
To be engulfed within deep rapture
and mesmerized, within a stare,
At times my pain it's just too much
and my bleeding just won't stop,
A man whose prayin' for an ending
yet everyday knows that it's not,
~Chorus~
~~~~~~~~~
I'm that hurricane, you've heard of
I am the core, to every storm,
At times I'm danger with no pause
and I'm far from, all the norm,
I can be that, eloquence of silence
yet, w/roars you'll surely hear,
I'm one that loves but like no other
and can silence all your tears,
Can be a madman, with no ending
yet still I'll bleed out empathy,
I'm all these things yet much more
in all the very..."Depths Of Me"
~~~~~~~~~
Though all my words, flow w/ease
there is a price for them to pay,
And not a single one comes cheap
in sharin' deeply what they say,
Can be that endless thunder storm
yet w/a calm, nowhere in sight,
Can be your darkness like no other
though can be your loving light,
Many depths, and endless feelings
and many currents, to this sea,
That shall forever swirl and deeply
yet simply yearn, to be set free,
~Chorus~
~~~~~~~~~
I'm that hurricane, you've heard of
I am the core, to every storm,
At times I'm danger with no pause
and I'm far from, all the norm,
I can be that, eloquence of silence
yet, w/roars you'll surely hear,
I'm one that loves but like no other
and can silence all your tears,
Can be a madman, with no ending
yet I'll still bleed out empathy,
I'm all these things yet much more
in all the very,.."Depths Of Me"
~~~~~~~~~
Can be the kindest man you know
and I can love ya', like no other,
Or I can be the endless nightmare
that will make ya' run for cover,
I am much stronger than the norm
from f-----' pain, I've endured,
And through that same effing pain
l learned to be my f-----' cure,
And through it all, then back again
I gained what only few possess,
And it's a sense that sees w/depth
a depth, you can not 2nd guess,
~Chorus~
~~~~~~~~~
I'm that hurricane, you've heard of
I am the core, to every storm,
At times I'm danger with no pause
and I'm far from, all the norm,
I can be that, eloquence of silence
yet, w/roars you'll surely hear,
I'm one that loves but like no other
and can silence all your tears,
Can be a madman, with no ending
yet I'll still bleed out empathy,
I'm all these things yet much more
in all the very,.."Depths Of Me"
~~~~~~~~~
My words run deeper than an ocean
ohh I can take you there n' back,
To endless fathoms you've not seen
that run so deep they turn black,
Yeah, I'm these things, and yet more
with deep passion, running wild,
Can be that, Naughty Mother Fucker
I'm the furthest thing, from mild,
I have the means to blow yur' minds
as I bleed out, upon yur' screens,
Come take a dip with me my friends
in the endless, ...."Depths Of Me"
~~~~~~~DEPTHS OF ME~~~~~~~
         Written Feb,11th, 2022
  #2,070, File# 25-A, Cat# 24-B
              Artwork & Lyrics;
                    Jeff Smith
  *All Rights Reserved,(C) 2,022*
3 notes · View notes
inventors-fair · 3 years
Text
Two guilds, one cause group commentary
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Super sorry for being super super late.  Here’s the commentary about the guild colab cards.
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@dumbellsndragons First of quite a lot split/aftermath cards for this contest! I was quite surprised! Beast is not much but it’s an honest spell. The real deal is Breakfast! It essentially doubles the power of your board, by splitting it to 2/2 bodies that can in turn trigger various etb effects. Temporary buffs, (bloodrush anyone?) can play a huge roll on how many tokens you can make!
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@i-am-the-one-who-wololoes​ Misjudged this one, took it for an Izzet Simic spell, while it’s actually an Izzet Gruul one that plays into the destroy to create mentality of the two guilds. While witty and creative, this spell feels a little too specific. It definitely has a fun side but I fear people would use it more as a combo piece.
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@abzanhero​ Sel-gari was a very popular combination and Rotweaver is a very nice example on how those two guilds could interact. It fills the graveyard, cares about the graveyard and has the potential to make HUGE tokens for you to populate. All that in the expense of immediate impact on the board, but I asked for kitchen table EDH cards, and this fits the category very well.
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@helloijustreadyourpost​ I love the throwback to popular EDH cards like Savra and the first print of Teysa that care about the color of creatures you control.  That said, I am not a fun of the limitations on the card, as I view more like a Yu-gi-oh design than an mtg card, where usually the only limitation is the cost of the card.
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@bioodprice Great control card but the two triggers feel conflicted as the one taps a creature, and the other punishes the players for having untapped creatures. Either way, it has good pillowfort potential as it can hinder both voltron strategies and punish token based decks.
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@dimestoretajic​ Great tempo card, would do wonders in limited enviroments. Lorewise, it’s sad to see that guilds consume their messengers. If this trend continues, Vivien will surely pay Ravnica a visit XD
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@ghoulcaclulator64​ First of all, congratulations for going the extra mile and made your own artwork for the card! It’s really cool!
On to the ability of the card, its very well stated and it has great combo potential with all the copy effects of blue and red that can help you create an army of deadly blasters. I am not sure whether you wanted the trigger to work with spells any player controls or not, but all in all I find Whip-Walker an interesting design!
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@kytheon4-4 Great flavor text that fits the theme of the design challenge 150%! Also a quite impactful card on a tri colored creature deck of all shapes and sizes. If mentor returns, it could definitely appear on Green creatures, or creatures of any color, like Exalted
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@hypexion​ When you’re a Gorgon with a Biology major, there’s no need to stay in the undercity XD In general I like the use of ability counters, and this applies here as well. The +1/+1 counter would serve as a reminder for the deathtouch counter, though I must complain that Mila herself doesn’t have deathtouch but has to work for it like a guildless peasant.
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@yourrightfulking​ For GGUURR you get two cards and at least a 2/2 body plus 2 damage wherever you want. This is an insanely good deal, and this being an instant means that you can also mess up combat big time. I wouldn’t call the card broken in any way but I feel there should be some moderation, maybe the damage affect players and planeswalkers? But that’s me nitpicking, all in all pursuit of perfection was a very nice entry for the contest.
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@nine-effing-hells​ In a similar vein, from a mechanical standpoint, chorus of battle offers +4/+4 , with the additional trample and lifelink. Comparison with Titanic Ultimatum is inevitable, and it offers a lot more for an additional mana. I think here it should be safer if the play was asked to offer a single R and W to get the bonus and not the double colors which add a lot of weight to the card without clear benefit.
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@misterstingyjack​ The design challenge was meant for you to design tri colored cards. There were a few color matters submissions, but this is the best “rulebreaker” and who’s a better rulebreaker than a goblin gang that pays homage to Shattergang Brothers A really cute card whose effects are relevant  in an EDH game, especially the green one. Death to the mana rocks! 
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@grornt​ Great revisiting of Graft and I love the fact that with haste, the total damage you can do to the opponent doesn’t change as you pass around your counters! Interestingly, Riot and Bloodthirst also operate with +1/+1 counters so this beasty truly unites Simic and Gruul!
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@hiygamer​ If there’s one thing “cannon” in this challenge, it’s that the Selesnya and the Golgari will rebuild Vitu-Ghazi! The abilities and the overall flavor of the card are super sweet, but I think we should be wary of lands with the potential to generate tons of mana. For example, as much as I love symmetry in design, the graveyard matters part of the card shouldn’t be on equal ground with the other ability as it’s easier to produce more mana with mill shenanigans.
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@col-seaker-of-the-memiest-legion This pricey enchantment is so splashy, Kiora would probably try to steal it. Good thing you considered planewalkers on the second ability, because then you would have certainly crossed the line. I don’t know what kind of deck is the true home for this card, but even one turn with this card on the battlefield will decide the course of the game.
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@dabudder​ For 2WUG, you get a 5/5 flyer and you draw one card. It’s not much, in EDH at least, but it’s definitely an honest play. Again, the fate of Vitu-Ghazi is on the spotlight, and here we see the Azorius care about it! Who knew Ravnicans love Selesnya that much?
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@koth-of-the-hammerpants Scavenge 6 for merely two mana is a tremendous deal. The Second activated ability takes an A for creativity and flavor, as we see the pinnacle of recycling in this combined Simic Golgari project. I feel a few balance tweaks are required here and there but the idea of a creature “reforming” itself through +1/+1 counters is damn cool.
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@narkis24​ Puns and memes are always appreciated but the abilities, while interesting, they have me wondering whether this is too oppressive for your opponent. The free treasure token every now and then is pretty innocent and it may be the token of an unofficial alliance made on the kitchen table. However, the potential of multiple counterspells with little investment  seems a bit scary. I would rather it somehow required self sacrifice in the ability so people don’t gang up on you.
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@thedirtside I love the name and its connection with the bouncing nature of the card. While overall this spell feels weak or requires a lot of mana, I feel there are decks out there that would appreciate the utility this card offers.
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@bread-into-toast​ Selesnya and Orzhov is a wild combination from every perspective but as the flavor text suggests, all woodshapers are welcome XD
The 5 toughness guarantees that you will make a good number of tokens before this thrull enters the soil, and it might deter a couple attacks while on the battlefield because it can potentially make 10 or more tokens with a good block. An Abzan token deck will have dozens of ways to utilize this small army, and the deat trigger gives you yet another one if there are not any available at that time. All in all, a stellar design. I didn’t do a runners up post this time, but this could be easily included.
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@gollumni​ A solid utility 4 drop that shines more at late game than on curve because as the challenge suggests we’re playing kitchen table edh. For the full colored cost you disable three potential blockers. I love the tiny detail that unlike other creatures in the original ravnica that cared about different colors of mana when you cast them, Enlisted Banisher represents all three colors for the sake of devotion and color matters cards, like the beloved Knight of New Alara.
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@shakeszx A very unique design that encourages different tribal strategies in an attempt to unite everything under its glorious pincers during combat. I feel a deck with Gedj as a commander would be both fun and challenging to build. I suppose it would contain a lot of Slivers and Allies. If anybody makes this deck please let us know!
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@wolkemesser​ A wild project uniting Gruul and Izzet. This is probably the most intricate design I’ve seen in a while, utilizing XYZ, three colors, two kinds of tokens. But what about the kitchen table? The options this card offers are insanely good, so much that I think it’s undercosted. The red ability, essentially lets you save up mana, and treasures can also help you generate mana for the other two options of the card.
And while the power level is definitely high, I have to commend you for considering when the player is allowed to do these crazy mana sink shenanigans. Having a specific time window is important and setting it on main phase 2 means that you give both yourself and you opponents time to figure things out.
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@teaxch​ Excellent build around potential and I like that the optional copying trigger as you can utilize a deck with both buffs and single target removals. The spiciest thing about this card is that it has the highest cannon potential because actually Izzet and Boros collaborate to create advanced soldiers. It’s Captain Amrica all over again :P They even got the right colors
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@masternexeon​ I love the irony of a card that obstructs your opponents playing cards during your turn has flash itself. It’s a real solid hate bear. The haste hating is more of a trinket text than a relevant ability, but it’s better to have a rare ability than not having it.
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@partlycloudy-partlyfuckoff I don’t know why this doesn’t have a straightforward adapt X ability, let’s move past that. Any numbers of counters are always welcome, but in this design it’s easier to get a good amount of counters early game, for example going for 4 on turn 4 is a really nice play and you can swing for 7, which will have a long and memorable impact on the kitchen table. On the other hand, if you topdeck this late game, there’s a chance you won’t be able to pay 11 for the 11 creatures you might have in the graveyard.
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@davriel-canes-tea-supplier​ Another aftermath card. You surprised me there! Get down is a slightly more expensive freeze two spell, but that’s customary for dual purpose cards like this. On to business, we got a selective wrath effect. It’s more disruptive than an actual sweeper because odds are the opponent sees it coming (except if you discard it on purpose to head straight to business) Overall I feel the whole card could be a bit cheaper but I appreciate the impact it can have in the game, and it also helps me create an image of the Ravnican lobby that’s in the hands of Orzhov with the assistance of the Azorius
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@reaperfromtheabyss​ Ending, with a flashy comeback of Fuse! Both halves are great cards in their own right, Body is a tad better than life’s legacy because it also gives life at the price of one black mana instead of any mana, and Soul can produce a respectable amount of flying tokens while wiping a player’s graveyard. The combined effect isn’t as explosive as other fuse spells, but the utility it offers is much appreciated. And while the card frame for fuse isn’t flavor text friendly, I really like the story it tells, about how the two guilds care about death and how they utilize it for their advantage.
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juliamc1003 · 3 years
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St.Jerome
Artist - Alasdair Gray Photo relief 2017
Alasdair Gray, prolific polymath, has acheived great success in creative fields as literature , poetry, mural artistry and illustration. He once described himself as a ‘verbal and pictorial artist’. This particular art work, he originally created as a woodcut in 1955, studying as a young man at the Glasgow School of Art. It is perhaps evident in the subject matter of this image that Gray had a lot to say and he was trying to communicate pictorially. For example, we can presume that the wise guru like character at the centre of this image is St Jerome. St Jerome is the patron saint of translators - amongst others such as librarians. St Jerome was an important figure in history as he played a pivotal role in translating the Bible from Greek to Latin. He is responsible for opening the debate of how to translate - literally word-for-word or translate the sense of the text. I feel like Gray has included St Jerome with two quills and black blank writing board as he wants the viewer to know he has something important to convey but he wants the viewer to look deeper into the image to decipher the meaning.
The layout of the image is important as the viewer is drawn to the direct stare of the St Jerome’s eyes which are also in line with the brick wall behind him. The image is heavier and dense to the lower part of the image with the majestic looking Lion, what looks like a tribal hand made patterned rug and foliage. These natural images stand in contrast to the modern brick built walls behind him. Gray has also created a stark contrast between the natural elements of the bare tree branches weaving through the brick work. The imagery lightens as we take our eye up to the top section where we see tree branches propping up the material for shelter, being a perch for the birds and two branches almost seem to be cradling the sun amongst the clouds in the sky.
Gray has used many individual images in a symbolic way. For example, the three birds, the skull, the fire and candle all seem to portrait a religious or mythical story or fable. The birds are Phoenix like and we are reminded of the Greek folklore or myth of the Pheonix rising strong from the ashes, symbolising an emergence stronger from a bad situation. This myth can be linked with the fire and flames on the brick wall. The candle suspended about the mans head,as if a light-bulb moment, symbolises enlightenment and peace perhaps. The skull on the otherhand is difficult to interpret. My initially thoughts were the the use of the skull as a Momento Mori. However as much as death is inevitable, perhaps Grey was trying to convey a warning within the image and placed the skull encircled at the forefront of the the image. I also feel that the form and artistic style give a sense of a direct message. Black and white, no grey areas. Gray has created flat, bold lines. Depth of the image seems to be used more at the middle of the image with the angular walls creating an unfinished room or shelter. The clouds, smoke and bird’s feathers provide the sense of movement, lightness and freedom. The lion and the man seem to be more flatter and grounded. I feel that Gray has deliberately used this monochrome, flat image to which he has created a border (rather that a frame) as if to create a primitive religious picture that you may see in a church or bible. I can see this image almost as a religious stained-glass window in a church, allowing a person to understand a lesson or parable. Gray’s work and this image in particular reminds me of the symbolic work of Marc Chagall, especially White Crucifixion 1938. Also below I have included another similar work by Gray - a lithograph dated 2008, which I feel is similar to to St Jerome image in that is highly symbolic and in monochrome.
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Overall, there may be many interpretations of this art work. I have to bare in mind that Gray was a much younger man, and was of a different generation so the meaning it had for him then may be different from now. However, for me, I feel it relates to the the conflict between man and nature. The contrast between the natural environment of the lion and St. Gerome and the enclosed modern brick building. I feel the image warns us (mankind) not to encroach, impose or try to change nature. If we continue on this path, we either face death (as symbolised by the skull) or we can rise like birds and fly looking after our planet. However, Gray, at the time of creating this image may have just wanted to tell the story of St Jerome who apparently went into to the desert to find peace and to write, and who was also known for taking a thorn from a lions paw. Given what we know about Alasdair Gray however, I feel he had so much more than that to say.
Reference list
https://literature.britishcouncil.org/writer/alasdair-gray. (n.d.).
Kadhim Al-Ali (2015). St. Jerome’s Approach to Word-for-Word and Sense-for-Sense Translation. [online] ResearchGate. Available at: https://www.researchgate.net/publication/335638360_St_Jerome [Accessed 22 Feb. 2021].
The Sutton Gallery. (n.d.). The Sutton Gallery. [online] Available at: https://www.thesuttongallery.com/ [Accessed 22 Feb. 2021].
www.lyonandturnbull.com. (n.d.). Lot 58 - ALASDAIR GRAY (SCOTTISH 1934-2019). [online] Available at: https://www.lyonandturnbull.com/auction/lot/58-alasdair-gray-scottish-1934-2019/?lot=219994&so=0&st=&sto=0&au=9108&ef=&et=&ic=False&sd=1&pp=24&pn=3&g=1 [Accessed 22 Feb. 2021].
www.mutualart.com. (n.d.). Gray Alasdair | THE FAUST LEGEND | MutualArt. [online] Available at: https://www.mutualart.com/Artwork/THE-FAUST-LEGEND/8657942987FEA4DA [Accessed 22 Feb. 2021].
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forkanna · 5 years
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Back To The Future and related concepts © Robert Zemeckis/Bob Gale/Universal. Frozen and related concepts © Diznee. This story, plot, and prose © Jessica X and Fruipit. Artwork ©Captnducky. All rights reserved.
WARNING: This story will contain coarse language, incestuous romance between a mother and daughter, and some smut. Also contains Punzanna (Rapunzel/Anna) content. If you have a problem with any of those things, DO NOT READ.
AUTHOR'S NOTE: This is where the plot begins to diverge a lot more from that of the films. Part I followed the movie very closely, but the many little differences made it impossible to stick that close to the Part II script – or close to it at all. So we went where the writing took us. Sorry for it taking so long for us to get it out there to you, but we hope you are still along for the ride!
[AO3 LINK] [EF LINK]
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The sky flashed. The lightning struck.
Time seemed to freeze for a moment. All ten fingers clamped down around the steering wheel as Anna accelerated toward the thick cable strung between the lampposts, sparks erupting all around the DeLorean. The flux capacitor was ready and only needed the nuclear reaction to power the time-jump. And it was getting it; no sooner had Doc connected two wires at the last possible moment was he blown back from the force of the electricity racing through the connection into a shrub.
Anna McFly squeezed her eyes shut, praying she made it home.
…And then suddenly she was coming to a stop, skidding sideways into a bus stop bench. It made an awful screeching din as it was uprooted from the ground and sent flying back into the nearest building, cracking a single brick with its corner before clattering to the ground.
That could be worried about later. For now… she had to look around and hold her breath.
Cafe 80s. GameStop. Verizon.
She was in 2015. It worked. Despite all the odds, she and Doc had got the stupid time machine working and sent her back to the future.
"FUCK YEAH!" she screamed, slamming the heel of her hand into the steering wheel. "I didn't die!"
Opening the door to the car, she was seconds from jumping out and doing a happy little dance when a familiar van came tearing down the street. Oh no. She didn't die, but someone else would, and soon, if she didn't get a wriggle on.
But it was okay. She could do this. They were from out of town. There were multiple shortcuts she could use to get there before they did. She could do this. Twisting the key in the ignition, the engine roared to life. Briefly.
"No, no, no!" Anna screamed, whacking the steering wheel with her hand. She tried again; once more, the engine sputtered, and died. Why? Of all the times for an engine failure…
She didn't have a car. She didn't even have a skateboard. As she took off running down the street, she had only one thing: desperation.
Never before in her life had Anna run that fast. She lost sight of the van, of course, but she knew Dell Valley like the back of her hand. She was heading straight for Twin Pines Mall.
But one lone teenage girl couldn't outmatch angry armed nationalists in a van, and as she rounded the hill that led to the mall, she knew she was too late. No time to call out, no time to warn Doc the way she had hoped. Only enough time to see bullets raining down onto his chest, blowing him backwards and onto the pavement from the far side of the parking lot.
Before she could even cry out, she heard her other self scream. That was eerie; even worse was watching a radiation suit-clad Anna come around the corner of the truck, shaking with anger and grief. The newly-arrived Anna shared the rage, and could only look on helplessly as she peeled out in the DeLorean. She wanted to do something else, but what could she do? If she interrupted, it would be one of those paradox things. No… all she could do was wait until the flashes of light and fire-trails gave proof of her disappearance.
Then she saw the nationalists firing off the rocket from their launcher, which streaked for the car… and instead blew a huge crater in the ground in front of them. Unable to swerve in time, they drove straight into the crater, totalling the van and probably knocking everyone inside unconscious.
"Good," she managed to mumble through her veil of tears. Hastily, she started running down the grassy hill, tripped, and rolled the rest of the way down. Then she hopped up to sprint for Doc's side.
It only took a few seconds for her to reach him. Collapsing on the pavement next to him, she brought a hand up to press at his face. "Doc…" she whispered. But no answer came.
Goddammit. Barking out a rough sob, she removed her hand. It had other things to do, like wipe at her tear-streaked face. God life wasn't fair. There was a cough – and it must have been her. After all, she was completely alone now…
"Anna…?"
Fuck, she could even hear his voice…
"Anna!"
Her hands were pulled roughly away, and Anna found herself staring at a very surprised, very not-dead Doc Pabbie. His eyes were wide and concerned, and he looked as though he were expecting Anna to say something. But she was entirely mute. Finally letting go of her hands, he brought his own up to his chest, slowly peeling away the lapels of the hazard suit. There was something underneath, and when Anna realised what it was, she felt she could have sobbed again.
"A bullet-proof vest," she croaked. "How… how did you know?"
He looked away at that question, lined features a little ashamed. "Back in '85, your video. And then your insistence to tell me something. Even if you didn't specify… it really doesn't take a genius to figure out something truly heinous would befall me." She looked at him, and he smiled. "Also… an elf left me this."
And from his pocket he pulled out a letter, weathered and yellow. Anna recognised it immediately. She had left her plan B, which had felt as pathetic a backup as a Plan Z when she left it; had he truly found it? She was a little surprised he hadn't just thrown it out.
"The letter," she breathed, eyes streaming so much that she could barely see it. "Oh… it's ripped down the middle…"
"I did start to tear it up when I first found it," he sighed. "No man should know too much about his own destiny. But then I figured…" A little shrug. "What the hell?"
Laughing, she threw herself into a hug, gripping him tightly – full of so much more happiness than the last time she had. The man hugged her back, even though his laughter was punctuated by a groan of pain. After a minute, she pulled back to ask if he was alright.
"Just fine," he grunted, pushing upward and onto his feet as they gathered up their things and prepped the truck to drive away. Olaf had to be coaxed out from underneath, but eventually he responded to his master. "Though I'm sure I'll have some beautiful bruises from the impact of the bullets, at least they didn't puncture."
"Right; guess that would still hurt, even with the vest. But… I'm so gla-"
"Please, Anna," he chuckled softly, though his eyes were full of an almost grandfatherly affection as he opened the door for her to hop into the passenger's seat. "I'm fine. But I do believe we have some debriefing to do."
"Right… guess that's true." Taking out her phone to call the police about the terrorists, she hesitantly muttered, "But I'm just so damn glad to be home."
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CHAPTER 1
By the time they got back to Lyon Estates, the non-functional DeLorean stowed safely back in the confines of the truck, Doc looked quite a bit more sober than he had after cheating death. She had debriefed him about her adventure into the past, understanding that the details were much fresher to her than to him, leaving out some of the more risqué parts that he certainly wouldn't have approved of – but still filling in more details now that they could freely discuss them instead of worrying about past-Doc knowing too much. She felt a blush rising to her face as she recounted what had happened at the dance, leaving out the grisly details from their romp in Elsa's car. Of course, he was there, and knew about the attraction from Elsa's perspective. He did a very good job of not blaming Anna for everything that had happened in 1985, but he certainly didn't look pleased about the turn of events.
"I suppose I should have warned you about the Butterfly Effect when I was doing my demonstration in present day," he sighed. "Well, you're here now, so at least our attempts to correct the issue went off without a hitch…"
"Yeah… at least there's that."
Silence fell thick, and quite uncomfortable. She was sure he could – and probably already had – filled in the gaps that she'd left out. Bone-weary exhaustion was setting in, along with some sadness. The near-miss of the universe ending was now minuscule when compared with the reality of losing her Elsa. The one she'd actually come to know. It would be hard, she thought, adjusting to her new-old life here… but she didn't have any choice. Might as well start getting used to it.
With nothing else worth sharing – at least, not that night – Anna bid Doc farewell as he pulled alongside the kerb in front of her house. Creeping inside, she half-expected to see her mother still waiting up for her, but there was no one. When Anna finally got to her bedroom, she collapsed on the covers, still fully dressed. It only felt like it was about 10:30 – which it was, according to her body.
It still didn't take very long to drift off, despite apprehension for the coming day filling her dreams. But she needed sleep or dealing with reality would be impossible.
                                                       ~ o ~
When she awoke the next morning, Anna's bones ached from the awkward position in which she slept. At some point, her shoes had fallen off so at least she didn't dirty up her sheets, and she had thrown off her vest before crashing. Could have been worse. Her clock radio had probably been blaring out an old Huey Lewis song for almost a full two minutes before she sat up.
Was it a nightmare? She had to at least address that possibility as she rubbed at her face, stood up shakily. She was definitely starving; she hadn't eaten much last night… whether or not last night was the same night Adult Hans wrecked her dad's car, or the Enchantment Under The Sea dance. So she decided to turn off her brain and go get something to eat.
She only got as far as the living room.
It took a few moments to figure out why she felt an impending sense of disorientation, and when she did, it hit her like a freight train. Everything was different. The bare layout of the house was the same, including the furniture placement and one or two of the art pieces, but the furniture itself was completely different; much more high-end than anything her family ever owned. Some of the uglier paintings were gone, replaced with more tasteful, simple ones, or family photos that looked much less depressing than the ones Anna remembered. The wallpaper was gone, replaced with an elegant coat of paint that couldn't be more than a few years old. And sitting at the breakfast table were John and Wendy…
Except… since when did John wear a suit this early in the morning? Or at all?! And since when did they have grapefruit and muesli on the table instead of Pop Tarts and Froot Loops? Not only that, but there was also a quiche that definitely looked freshly-made, with a few wedges already cut out.
"Uhhhh," Wendy began when she saw Anna pause, staring at her siblings. She probably looked as confused as she felt. "Are you okay, Anna?"
"What- what's all this?" she asked as she slid into a barstool, staring at them. Wendy stared back.
"Breakfast."
"In a suit?!"
At that, John gave a light chuckle. "You know I've been pulling long days at the office," he said.
"Oh, yeah. Hah. Right. The office."
Obviously this wasn't exactly the same world that she had left. Her brother was, at least mildly, successful – at any rate, he no longer seemed to work at the local Pizza Planet. When Wendy stood up from her seat, the differences with her also became obvious; Anna hadn't noticed, but her glasses actually looked… nice, expensive trendy frames. Her hair wasn't an oily, limp mess; instead, it bobbed about her chin in tight curls. Definitely with a curling iron – but they'd never been able to afford stupid luxuries like that.
Maybe she needed to call Doc and have a conversation about that Butterfly Effect thing. Because she had a feeling somewhere, something she had messed up had made a huge difference.
She was just about to ask where her parents were when she heard the front door open. Mr McFly's voice rang through the house, though it was missing some of the reediness. Elsa's voice came through with a reply, and she sounded different, too.
And then they rounded the corner and Anna fell off her seat.
Her dad was in the lead, reaching out to lay his keys on a sideboard in the hallway. He looked to be in great shape, lacking the potbelly of the father she knew, and his grey-streaked blonde hair was in a rugged "rock" style that hung just past his ears instead of slicked back with oil to get it out of the way. On top of that, the pale blue button-up was open at the collar to show off a fine gold chain over his broad, toned chest.
"I… what… you…"
"What's the matter, honey?" he chuckled at her with a slight smile, reaching down to pull her back to her feet. It was still a gentle hand, but a lot more self-assured than he had ever been with her before; the grip was firm, his biceps more than enough to haul her upward.
"What are you wearing? What is anybody wearing?!" she burst out, knowing how stupid she sounded.
"Sweetheart," her mom sighed as she rounded her husband. "Did you fall out of bed and hit your noggin' again?"
And then she saw her. Not her mother… not frumpy Mrs. McFly. This was Elsa, aged thirty more years. Blonde hair in a much more tasteful braid than the younger model, but still braided, still well-maintained and elegant. She was a little plumper, but definitely not out of shape; this Elsa had shed her pregnancy pounds in the name of keeping healthy. Once she pulled her sunglasses off, she saw that there were still slight crows feet at the corners of her eyes, but not the enormous bags that her mother had always been sporting.
This was a woman who loved life rather than suffered through it. And she was beautiful.
"Mom?" she breathed softly, completely confused.
"Ohhh, sweetie," she whispered, leaning forward to kiss her forehead. When Anna froze solid to feel the lips there, Elsa did draw back to look at her for a moment, curious. "Sweetie?"
"Wh-what?"
Then Elsa's expression changed completely – as if she were seeing her for the first time. "Oh."
However, they didn't have much time to exchange that look, or for Anna to respond. Not with the family hovering – and Anna had caught the attention of everyone in the house with her glaringly unusual behaviour.
"By the way, Anna," Wendy was saying behind her, prompting her to whirl around in a circle and look at her sister. "We're not your answering service; that Jennifer Punzel dropped by while you were still asleep and asked what happened to you last night."
"Oh, that's right," Kristoff was saying as he sat down and drew half a grapefruit toward himself. "Wasn't last night supposed to be the big trip up to the lake?"
Anna frowned at him. It was, but… "Yeah, but the car was totalled, Dad."
Immediately, everyone sprung into action. There were cries of, "what?!" and "the car!" as everyone bundled out the door. Anna was swept up with the movement, pushed along until soft hands came from behind, securing her.
"Careful," her mother murmured. Anna swallowed and nodded, trying not to pay any mind to the butterflies. This wasn't fair! She was supposed to have left this Elsa behind, back in 1985. She was supposed to get her alcoholic, depressed mother. She was supposed to help her.
Anna wasn't given time to think on that, though, because soon she was peering out the fly-screen. "Anna Victoria McFly. Don't scare us like that," Kristoff chastised – which was strange enough on its own! If she'd still been sitting, she probably would have fallen from her chair again when Kristoff leaned forward, and called out to the man kneeling in front of the bumper of a distinctly not-totalled car, one that was much nicer than she was used to seeing out front of her house. "Now, Hans, I want to see two coats of wax on that car."
What? Hans? What was that lowlife doing to their car- and Victoria? That wasn't her middle name! Everything was too weird!
Even as Anna looked out, she felt Elsa step closer behind her. "He's lucky he could even get a job after that night," she said, voice low. "A little ironic that it's with cars… since he seems to have so much trouble with them."
Kristoff gave a light chuckle, then moved away, saying something about saving the grapefruit. Elsa didn't move, which meant that Anna couldn't move. Coughing, she cleared her voice. "What night?" she asked softly. Elsa's hands tightened briefly on her arms.
"Oh, you know. You were there, right?"
A spasm of electricity shot through her stomach when she heard those words. What could her mother mean? It didn't make any sense… unless…
"I don't have time to finish it," her father's voice cut through her thoughts. "I'm going to be late for my flight. Just wrap it up."
"Okay, okay, Dad," Wendy sighed. "But I hope you're all packed and ready to go, because I'm meeting Craig for lunch and I don't want to stand him up again."
"Okay, okay, slavedriver." As he passed Anna, he did a brief double-take – seemingly when he saw her hair in its semi-ornate bun. Then he glanced over at his wife, who nodded the barest amount. "Hmm… maybe I should cancel this stop on the tour."
"Tour?" Anna rasped, clutching at the sideboard for stability. Just then, as if he had been waiting for the cue, Hans burst into the house carrying a large cardboard box.
"Guys! Mr. McFly, I think this is it! The proofs for your new one!"
"Proofs? New one?" Anna felt dizzy. Her head was spinning, hands shaking. She was powerless to stop when Elsa pushed her forward again, back towards the kitchen.
"Don't you dare cancel," Elsa said, smiling fondly at him. "You've worked too hard. Leave the… domestics… to me."
Anna had a very strong feeling that Elsa was talking about her, and the panic from mere seconds ago rose up again. There was no room – or time – to make any sort of escape. Kristoff ripped open the box, eyes lighting up as he lifted something from inside of it. And it was…
A book?
"Wow…" he said, giving a low whistle. "Damn, that illustrator is good." Passing it over, Anna's mouth went dry. Her father's name was on the cover. This was his book! So he had continued his passion, after all! This Kristoff certainly did seem happier.
That wasn't what caused the lump rising in her throat, though. Splashed across the cover was the title, jagged future-font displaying the words Blast to the Past. Below that was a girl, clambering from a very stereotypical alien aircraft.
Oh shit.
A loud beep broke the silence, and Kristoff hissed. "Sh…oot," he said, glancing at Anna. "I better get going if I don't wanna miss my flight. Hon, are you sure…?"
It was Elsa's turn to smile. She finally let go of Anna, moving over to her husband to place a peck at the corner of his mouth. "I'm sure. Go enlighten the world, or whatever."
He gave a nod and a smile, eyes flicking between Anna and her mother before he turned away. "Wendy? Are you ready to get going?"
"Psh, yeah, Dad. Just waiting on you. If you moved any slower you'd be a glacier."
So out they finally went. John went along with them, kissing the top of his mother's head in a way that made her sigh and roll her eyes; he wasn't that much taller than her. There were a few scattered goodbyes, but Anna didn't participate; she was too shell-shocked.
Then she and Elsa were alone in the house. For a few seconds, her mother remained at the open front door, watching Hans' auto detailing truck trail away and John and Wendy's cars pulling off toward bigger and better things. Then she gently pushed the door closed.
"Mom? I… are you okay?"
"I'm fine," she sighed, turning back to smile at her. Her eyes held an odd mixture of excitement, dread, and curiosity. "But… I have a feeling we have a lot to talk about… Tori."
                                       TO BE CONTINUED…
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The outright rise of occasions
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Let's deal with! Coolest woman battles ever before!
my japanese sisters manga is love, my japanese sisters manga is life! That's exactly how I feel about my japanese sisters manga after I've finished it! It's an uproarious as well as beautiful manga with several absurd fight scenes. Yet I love it! I truly do. No just does this manga anime have some weak butt arcs, yet the capabilities can most certainly be innovative. End-tack on Titan? This program makes more spells of horrible puns than Yang from RWBY, which is claiming a great deal. Furthermore, occasionally, just to blend points up, they get one of our protagonists shed in manner ins which really feels totally unjust (Aoba in episode 10). And also, the leading tone-shift in the extremely first half of episode 12 can offer this type of whiplash, that if it was guided at my butt, that would certainly be red as heck. However, allow it not be said that I appreciate the outright rise of occasions. Plus, expands steps significantly as the show takes place, as well as to results that are remarkable in the last 4 episodes in each of the problems. It is unreasonable. It is senseless. It is ... not nearly enough to conserve the narrative all points taken into consideration, in spite of exactly how horrible a number of the characters' histories (such as Maya) can be, and also just how fine completion is. Now, away with that plain bottom issue we call: objection that is fair.
PERSONALITIES: 9/10
Nozomi is a hot blooded lead character that ends up requiring to work off her tail just to remain notified about each new revolutionary competitors, advertising she's a total romp! I especially adore the reality that rather than the classic lead character inspirations, she only needs to be wealthy. Sayaka is a competitor of hers who needs approval of her father while staying on par with her peers, nevertheless much offense and stress she chooses in the procedure. Aoba starts off very self-conscious, but she ends up being a whole lot much more ensured, though her effed up powers and also authorization by her peers. Plus, the lucky turf obtains all the butt! Non is awkward substantial tittied girl and your cutely, however as opposed to only harming herself with her clumsiness, she puts every person through near-death injuries, or knocking java on a white bed, both via heck. Subsequently, she's the nerve to make a range of factors that are reasons in an undertaking at blowing. My much-loved feature of those girls is the truth they truly have languages! Exactly how many times have you seen. We'll get to that fantastic female in a little bit, although it does this with Maya too.
Mio is probably my preferred personality. She's a full, more so than the majority of men of this archethype, but she's additionally among the greatest badasses this program. And also, that she's one of the most fantastic, and combat me in the event that you vary! I 'd absolutely need a part of her butt in bed! Well, not in fact, but she's my preferred here. Some are much more fascinating than many others, but they're usually an incredibly capitivating task with a lot of life in them.
Maya is an interesting one. Absolutely the 2nd most outstanding mistress here, she's originally cryptic, and also with a rushed yet ruthless background. Unfortunately, none of her peers are virtually as appealing in addition to their powers.
ARTWORK: 8/10
Xebec is popular for their work with the tit as well as butt prance known as To Love-RU. Well, they definitely brought their proficiency to this show. It's filled keeping that products! Plus, the activity is fairly amazing to consider, as well as also the rough details make the seem of this show stand out, such as, for instance, an opponent's butt while using any of these bikinis. It ensures the hits that link are all tough hitting, and full of effect. Together with the art work being great, not ideal, yet okay. However, this collection really covers its chaos.
PLEASURE - I Love reading meng shi zai shang
It ended up being a great time to see just how insane each brand-new celebration would obtain, reminding me of my time with Gurren Lagann, which is an excellent thing. Certain, it was not really heroic for me, and also I might've covered its earth a bit much better so assholes like me would quit asking questions, yet it was a good time. The second fifty percent of the surface, plus truly set a endeared smile on my face. Once again, I'm simply a foul guy:P. Nozomi, Mio, and Maya brought this approximately a 10. Their infamous selves are just famous. Kawai as well as Kyoko being up high. Plus, each woman uses their tits and butts in manner ins which are imaginative as well as to results that are insane. It is captivating just how nicely this anime grasped this ability.
OVERALL - What a fantastic tale! I'm not sure I like this because of the tale or sexy girls in it.
This cost-free manga is really a top of manga anime launches in 2016 that will certainly be bear in mind for quite a long period of time. Great source of such ideas found at: https://acousticguitarzine.wordpress.com/
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metalmessage · 3 years
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Necessary liberation! At the dawn of a new decade, while the world faced the global pandemic rendering all previous plans obsolete, KING SATAN started working on new material more determined than ever. First result of this will be presented to the world with a brand new Single and Music Video titled "This Is Where The Magick Happens" on May 27th, 2021 worldwide! King Seth Aleister Satan, vocalist & director of the new music video, comments: "The world peaked in the year 1999 and it has been downfall ever since, so I wanted to take this 90’s exploitation much further than before in order to relive those summer hits! And of course, all filtered through our own style and the message of anti-conformity, spiritual anarchy and hunger for enlightenment. There might be or might not be a story of symbolic allegory in the video, making references to various influential thinkers from Socrates to Aleister Crowley and everything between, adjusted into modern times. But most likely I want to say these things only for the keywords for search engines cos people don't read these statements anyway to the end. PS.: Nietzsche." LINE-UP: King Seth Aleister Satan • Vocals EF-13 • Guitar Hekate 'Kate' Boss • Synths, Vocals Jerry Rock’n’Roll • Bass Pete Hellraiser • Drums Suvi Lammi • Keyboards (Guest)
Flashback: KING SATAN is an INDUSTRIAL METAL band emerging from Tampere, Finland, founded in 2015. The group’s non-conforming brand of extreme Metal is perhaps best defined by their tendency to combine the topics of Satanism and Occult philosophy together with carnivalesque exploitation and blasphemous dark humor.Nonetheless, the group’s over-the-top musical style follows no genre-boundaries either, as it draws its major influences from electro-Industrial and Death Metal just as casually as from the areas of Dance Punk and various symphonic elements.While the act started as a solo project of the vocalist and multi-instrumentalist King Seth Aleister Satan, it has then evolved into a live show-oriented group with a full line-up, and to this day has released two full-length albums "King Fucking Satan" (2017) and "I Want You To Worship Satan" (2019). Although KING SATAN's roots are originally in the aggrotech based Metal music, the group started incorporating more live band elements into their stage performances while the years went by. Eventually most of these elements became permanent parts on the studio recordings as well. Together with several singles and distinctive music videos directed by the band’s frontman the project has stirred lots of fuzz and controversy since the day one, while facing the acclaim, criticism, confusion and devoted following all at the same time.It all led into singles reaching viral charts and ever-growing demand for live performances from which the band has become known for while touring in clubs and festivals in Finland and around Europe. DISCOGRAPHY: 2017 • King Fucking Satan (Full-length) 2019 • I Want You To Worship Satan (Full-length) 2021 • This Is Where The Magick Happens (Single)
KING SATAN is available for interviews via phone, Skype & email FB: https://www.facebook.com/kingsatan616 PR: https://www.metalmessage.de/Promotion_KING_SATAN_en.php Credits: [ Logo: Ville Rissanen ] [ Artwork: King Satan ] [ King Seth Aleister Satan • Pic: Cerulean Midnight ]
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dawnjeman · 5 years
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Beautiful Homes of Instagram: Coastal Farmhouse Design
  Hello, everyone! How are you all feeling after the long weekend? We finally could slow down a little after a busy week and really take in all the great things summer has to offer in… which includes days without any plans. Those are the best days, in my opinion. It’s just wonderful to wake up and not have anything on your to-do list. You don’t have any appointments, any big errands, nothing… all you need to do is wake up whenever you body chooses to, prepare a healthy breakfast and let the day unfold as it goes. The older my kids get, the more I enjoy our calm and easy summers!!!
Chrissy’s home is one of the most beautiful homes I have seen lately and I feel that it captures my personal feeling about how we should live, especially at this time of the year. Chrissy is a busy mom of four, she is extremely talented and I couldn’t be happier to have her on our “Beautiful Homes of Instagram” series. Please, read more about her home and make sure to follow her on Instagram and visit her blog!
  “Hi everyone! My name is Chrissy of @chrissymarieblog. I am thrilled to contribute to Home Bunch. When we were building our home I was constantly scrolling through Luciane’s Home Bunch blog for ideas and inspiration! It’s exciting to pay it forward and inspire others now that we have been living in our home for over a year. I love answering questions about our own experience so feel free to reach out.
I grew up in Durham NC, left for college where I met my now husband, and a few years after getting married moved back home to NC and started our family. The 2008 economic recession happened right around that same time, and we were able to buy a 1970s home in an older neighborhood. The neighborhood itself was seeing hard times and our new home was surrounded by foreclosures. We were so grateful to be able to have space and a yard to raise our young kids- the age and the maintenance the home needed didn’t scare us off. That home was a DIY haven for me: it nurtured my creativity and taught me how to be brave enough to change things myself that I didn’t love. Fast forward a few years and we were parents of 4 children, all our bedrooms were filled up, and the neighborhood was doing much better. Now the homes around us were selling within days. Meanwhile, I was dreaming of living in a place with sidewalks, a community, and kids riding bikes outside. My husband is a Realtor, and we would go look at homes all the time together. I was picky- and too busy being a Mom to want another “project house”. One day he made a side comment saying “people like you would just be better off building”. I don’t think he expected me to take that to heart. We switched strategies and started looking at land- we found one of the last lots available in an established neighborhood that checked off all the boxes and our next adventure began!
Kevin Poythress, of Poythress Construction Company was our builder and he was fantastic to work with. My goal right from the beginning was lots of windows, a clean look and a fairly open living space. Although we are 2.5 hours from the beach, I love a coastal vibe and I tried to keep that relaxed feeling in this home. The best part about my home though is how I know our children appreciate it; it’s a place they tell us they love coming home to. Truly the best part of any home is that it is yours, and you are free to make memories all your own in your home. There’s nothing my husband and I love more than putting on some music in the kitchen, sharing a little wine together, and chatting over the island while he cooks up something yummy.”
  Beautiful Homes of Instagram: Coastal Farmhouse Design
What a curb-appeal! Isn’t it a “home-sweet-home”? I love the painted brick, the front porch with metal roof and the grey shutters. Shutters are painted in “Sherwin Williams Uncertain Gray”.
Exterior Brick Paint Color
Exterior Brick Paint Color:  “Sherwin Williams Extra White” for the siding and trim.
Front porch has Nantucket Rocking chairs from Grandin Road (similar here & here), and the side table is from Serena and Lily.
Front porch lantern Savoy House Monte Grand lantern.
Doormat: “Hello” doormat.
Planters: Target.
Foyer
I knew I had to share Chrissy’s home with you guys the moment I saw her gorgeous foyer. It’s one of the most inspiring I have seen lately! Notice that adorable window-seat with cushion and wainscoting.
The front door features a custom stain mixed together.
Lighting: Visual Comfort Lantern Darlana – Similar: here (affordable option).
Rug: Target’s Blue Jacquard Woven Rug – Others: here, here (washable rug), here, here, here, here, here, here, here, here & here.
Paint Color
The foyer paint color is “Sherwin Williams Ice cube”. It works perfectly with the white wainscoting and light hardwood floors.
Lumbar Pillow: Serena & Lily.
Grey Buffalo Check Pillow: here – similar.
Dining Room
The foyer opens to a newly-redecorated dining room with navy blue grasscloth wallpaper above the wainscoting. The wainscoting paint color is “Sherwin-Williams Extra White”.
Dining table is Bradding Table from Pier 1.
Artwork: Minted.
Host Chairs: Serena & Lily.
Rug: Serena and Lily.
Bar: Serena and Lily.
Mirror: Serena & Lily.
Chandelier
This picture shows quite well the flow of this space. Chandelier is Visual Comfort Darlana – similar here.
Sconce is Cypress Double Sconce from Rejuvenation.
Side Dining Chairs: Discontinued – similar here & here.
White Chair: Serena & Lily.
Wallpaper
Wallpaper in dining room is a grasscloth from York Wallcoverings.
Sideboard is called the Wesley 4 Door Sideboard from Mcgee and Co.
Table Lamp: Visual Comfort.
Great Room
The foyer leads to a spacious Great Room with shiplap and beautiful decor.
Ceiling Fan: Fan Minka Aire.
Accent chairs are from a local store – similar here, here, here & here.
Chair Pillows: Target – similar: here & here.
Sofa Pillows: McGee & Co.
Rug is Pottery Barn.
Paint Color
Shiplap and trim are painted in “Sherwin-Williams Extra White”.
Cabinets
Cabinets with doors keep everything organized and hidden. The leather pulls are from CB2 (similar here).
Blue and White lamps on the cabinets are from Serena and Lily.
Shades: Locally sourced – similar here.
Ceiling Treatment
Ceiling treatment is coffered and the height is 9 ft.
Sofa sectional is the Lounge II 3 piece sectional from Crate and Barrel.
Side stools are the dip dyed stools from Serena and Lily.
Cabinet
Cabinet is from Crate and Barrel. Chrissy added a floating shelf to display some family photos.
Hardwood Flooring
Hardwood flooring is White Oak 4″ plank (similar here, here & here). Custom mix for the stain: Duraseal (made by Minwax) made up of half Country White and half natural.
Black & White Artwork: here & here – similar.
Kitchen
What a gorgeous kitchen! Featuring a light grey island, white perimeter cabinets and a smart layout, this kitchen is not only timeless but also very functional.
Appliances: KitchenAid.
Lighting
Pendants are Visual Comfort EF Chapman Large, (in the Antiqued Burnished Brass). Other Pendants: here, here, here, here, here, here.
Kitchen Island Paint Color
Kitchen island paint color is  “Sherwin Williams SW 6247 Krypton”.
Counterstools
Counterstools are from Serena and Lily. I love them! These counterstools are perfect for homes with children because they’re so easy to clean.
Island Dimensions
Kitchen Island Dimensions: 4.3″ x 9.7″
Countertop
Kitchen island countertop is Cambria Brittannica quartz with a 3″ mitered edge.
Kitchen Cabinet Hardware
Hardware: Amerock’s Westerly pull in Satin Nickel.
Runner: McGee & Co.
Backsplash
Kitchen backsplash is beveled subway tile “Soho Brite white” 3×6 – similar here.
Beautiful Cutting Boards: here & here.
Kitchen Cabinetry
All of the cabinets were made by “1st Choice cabinetry” and they are Norcraft, maple wood with soft close. The doors are framed full overlay. The white color is the standard white they came with, similar to Benjamin Moore White Dove.
Dishwasher: KitchenAid.
Faucet & Sink
Kitchen faucet is Moen StO Motionsense touchless faucet.
Perimeter countertops are Cosmos white quartz.
Teak Step Stool: Serena & Lily.
Breakfast Room
The breakfast room is located between the kitchen and family room.
Dining Table & Chairs
How perfect is this breakfast room? I am loving the shiplap and the casual, but beautiful, furniture. The dining table is from Wayfair – highly recommended.
Dining Chairs: here.
Lighting
Breakfast room lighting is Jarrod light small from Arteriors.
Powder Room
Painted in Extra White by Sherwin Williams, the powder room features floor-to-ceiling shiplap, White Oak hardwood floors and a custom vanity.
Mirror: Target.
Lighting: Hudson Valley – similar here & here.
Countertop
Countertop is Cosmos white quartz.
Faucet: Kohler Purist.
Staircase
A beautiful staircase with Oak treads lead to the upper level of the home.
Basket: Serena & Lily – Large.
Bookshelves
Instead of having a linen closet, Chrissy opted for fit bookshelves and she loves seeing this built-in just outside of her bedroom.
Stair Lighting
Lighting is Jarrod light small from Arteriors.
Rug: here – similar.
Girls’ Bedroom
This bedroom makes me wish my daughter was a little younger so I could do something similar. I am loving the two-toned walls!
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Bunk bed is Hayes low bunk from Pottery Barn Kids.
Desk is Addison Leaning Desk from Crate and Barrel.
Wood chair is Anthropologie.
Bedding: Pottery Barn Kids.
Fan: Minka Are Fan.
Rug: here.
Paint Color
Top half is Sherwin Williams Extra White and bottom half is Valspar Sweet Pastel.
Mirror: Target’s Carved Dot Natural Wood Floor Mirror.
Bookshelf is Crate & Barrel Kids.
Baskets: Serena & Lily.
Girls’ Bathroom
The girls’ bath paint color is Sherwin Williams Ice Cube.
Countertop is Cosmos white quartz.
Mirror: Urban Outfitters.
Faucet: Moen.
Hardware: here – similar.
Sconces: here & here – similar.
Runner: Dash & Albert.
Boy’s Bedroom
This bedroom feels calm and timeless. Bed is Jenny Lind bed from Crate and Kids.
Duvet Cover is Hammonds Duvet Cover from Serena and Lily.
Rug is Jute Chenille Herringbone from West Elm.
Fun Mid-century Nightstands: here, here & here.
Stools: Serena & Lily.
Paint Color
Paint color is SW Extra White. Notice the smartly-designed bookcase tucked into this niche. It’s perfect for books and toys.
Dresser is Reclaimed Wood Dresser from West Elm.
Rug is Jute Chenille Herringbone from West Elm.
Jack & Jill Bathroom
The boys share a Jack & Jill bathroom with a black and white motif. Tiling is 12×24 milestone west black tile (similar here) with brite white permacolor grout on the floor.
Black & White
Countertop is Cosmos white quartz.
“Wash your Hands” Sign: Target.
Cabinet Hardware: Amerock’s Black Rock Pulls & Ring Pulls in Black Bronze color.
“Work hard and be nice to people” Art: here (large)
Sconces: here.
Mirrors: here.
Bath
Shower tile is subway tile with gray grout (similar here).
Shower Curtain: Target.
Little Boy’s Bedroom
This adorable boy’s bedroom features subtle two-toned walls. Bed is Gallery Navy Twin Wing Bed from Crate and Kids.
Camp Stool is Target.
Fan: Monte Carlo Ceiling Fans.
Paint Color
The top half paint color is Sherwin Williams Extra White and bottom half Sherwin Williams Ice Cube.
Dresser is PB Teen (discontinued) –  Others: here, here, here, here, here, here & here.
Bookshelf is Danish White and Natural Wide Bookcase from Crate & Barrel.
Large art piece is from Minted.
Basket: Serena & Lily.
Playroom
Our playroom is on the finished third floor. Our kids love to take their friends up there, and we enjoy them having that space to themselves as well.
Wallpaper in playroom is removable wallpaper from Urban Walls called Cannes Wallpaper – Other fun wallpaper ideas: here, here, here, here & here.
Chandelier: here & here – similar
Sconces: here – similar.
Books
Displaying books is the best way to make them more enticing to kids and these shelves are perfect for that!
Bookshelves: here & here – similar.
Giraffe: Melissa & Doug Jumbo Giraffe.
Baskets: Serena & Lily.
Sofa
Playroom sofa is the Lounge ii sectional in slate from Crate & Barrel.
Fun Kids Table & Chair Sets: here, here & here.
Master Bedroom
Chrissy’s master bedroom is a dream! The soft textures and neutral palette bring a restful feel to the entire space.
Bed
Bed is Pottery Barn (Discontinued) – similar here, here & here.
Nightstands are from Pottery Barn (Discontinued – hardware is from Anthropologie) – Others: here, here, here, here & here.
Fiddle Leaf Tree: here & here – similar
Rug
Rug is Jute Chenille Herringbone from West Elm.
Wood chair is the Blake Chair from Crate and Barrel – Others: here, here, here & here.
Master Bedroom Paint Color
The bedroom paint color is Ice Cube by Sherwin Williams on walls and Sherwin Williams Extra White on wainscoting and trim.
Bench & Draperies
Bench is the Shore bench from Serena and Lily with cushion.
Drapes are Emery Drapes from Pottery Barn.
Bedding
Bedding is from Target – similar here & here.
Master Bathroom
The master bathroom continues to carry a neutral color scheme with timeless finishes.
Lighting: Visual Comfort Bistro Sconce Double and Singles.
Mirrors: Pottery Barn.
Countertop
Master bathroom counter is Cosmos Carrara Classic Quartz.
Hardware: Tiffany pulls in polished nickel.
Flooring
Master flooring is 12×24 Calacatta Porcelain Matte tile (similar here) with bright white permacolor grout.
Mudroom
I love Chrissy’s mudroom! It’s very practical and it doesn’t compromise on style.
Rug is vintage.
Mirror: CB2.
Inspiration
The mudroom features a custom L-shaped corner bench with Oak seating.
Mudroom pendant from Ikea, Hektar large – Other Fun Lighting: here, here, here, here & here.
Mudroom baskets from Serena and Lily.
Hooks: Target’sBent Metal Hook– similar here.
Drop Zone
This beautiful mudroom also features a custom drop-zone/desk area.
  Many thanks to Chrissy for sharing the details above. Please, make sure to follow Chrissy on Instagram and visit her blog to see more!!!
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  Best Sales of the Month:
Thank you for shopping through Home Bunch. I would be happy to assist you if you have any questions or are looking for something in particular. Feel free to contact me and always make sure to check dimensions before ordering. Happy shopping!
  Wayfair: Up to 75% OFF July 4th Blowout!!!
  Serena & Lily: 20% OFF everything! Use code: GOCOASTAL
  Joss & Main: Up to 80% off July 4th Blowout!
  Pottery Barn: Up to 30% Off with Buy More Save More Sale.
  One Kings Lane :Buy More, Save More!
  West Elm: 20% off your entire purchase with code JULY4TH
  Anthropologie: Take an Extra 50% Off Sale!
  Urban Outfitters: Take an extra 40% off all sale items.
  Horchow: Up to 30% off the entire site!
  Neiman Marcus: Up to 75% off!!
  Saks Fifth Avenue: The Designer Sale: up to 75% off
  Nordstrom: Anniversary Sale!!!!
  Posts of the Week:
Top 5 Timeless Coastal Design Trends.
Coastal-inspired Home Renovation.
Southern-inspired Modern Farmhouse.
Coastal Farmhouse Home Decor.
New Desert Home Design.
Beautiful Homes of Instagram: British Columbia.
Reinvented Classic Kitchen Design.
New England Home.
Beautiful Homes of Instagram: How to Build your own Home.
Interior Design Ideas: Home Renovation.
2019 New Year Home Tour.
Beautiful Homes of Instagram: Urban Farmhouse.
Beautiful Homes of Instagram: Fixer Upper.
Small Lot Modern Farmhouse.
“Before & After” California Home Renovation.
Beach House Interior Design Ideas.
Florida Beach House Interior Design.Tailored Interiors.
Modern Farmhouse with Front Porch.
Dark Cedar Shaker Exterior.
Classic Colonial Home Design.
Family-friendly Home Design. Grey Kitchen Paint Colors.
Follow me on Instagram: @HomeBunch
You can follow my pins here: Pinterest/HomeBunch
See more Inspiring Interior Design Ideas in my Archives.
“Dear God,
If I am wrong, right me. If I am lost, guide me. If I start to give-up, keep me going.
Lead me in Light and Love”.
Have a wonderful day, my friends and we’ll talk again tomorrow.”
with Love,
Luciane from HomeBunch.com
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“For your shopping convenience, this post might contain links to retailers where you can purchase the products (or similar) featured. I make a small commission if you use these links to make your purchase so thank you for your support!”
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darylelockhart · 5 years
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Luxury fashion brands are making a splash in the art world
by Alessia Grassi
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‘Arroz con Pollo’ by US artist Jean-Michel Basquiat, part of the ‘Basquiat – Schiele’ exhibition at the Fondation Louis Vuitton in Paris, 2018. EPA-EFE/Etienne Laurent
Louis Vuitton reopened its refurbished flagship store in Florence in March 2019 to great fanfare from the fashion industry. The brand made great play of the fact that, alongside all the luxury apparel and accessories, the store is replete with artworks including works by Italian artists such as Osvaldo Medici del Vascello and Massimo Listri.
Luxury fashion brands have long collaborated with artists – studies have suggested that an association with art allows commercial brands to be perceived as more luxurious. The art world has long provided inspiration for designers setting out to produce something new or timeless. And, as the trend becomes more widespread, some major fashion houses have invited in street artists to help to promote their brands.
It’s now quite common to see fashion houses using art to promote their brands – whether this is through window displays, advertisements and billboards, or through in-store art exhibitions, art on the catwalks and in fashion shows. So luxury fashion brands – which know that they need a point of difference if they want to enhance the apparent exclusivity which enables them to charge higher prices for their products – are moving directly in the art field. Instead of using art for mere commercial purposes, they have started to invest conspicuously in the cultural industry.
Salvatore Ferragamo, Trussardi, Hermes, Ermenegildo Zegna, Prada and Louis Vuitton are just a few of those luxury fashion brands which are investing in art. They are collecting valuable contemporary (sometimes modern) art pieces – and, in the spirit of being authentic, they are also commissioning new pieces of art from both emerging and well-established artists.
Modern Medici
Prada and Louis Vuitton have gone one step further – Fondazione Prada in Milan and Fondation Louis Vuitton in Paris may carry the names of fashion houses – but they are fully-fledged art galleries.
Prada’s private collection contains pieces by Jeff Koons and William N. Copley, to mention just two. The brand has also commissioned and produced pieces by artists such as Anish Kapoor and Thomas Demand, while, pieces such as “Nu bleu aux bas verts” by Henri Matisse and “Ladies and Gentlemen” by Andy Warhol are part of Fondation Louis Vuitton’s private collection.
As well as investing in art and holding exhibitions of established artists, both foundations are commissioning new work. “Inside the Horizon”, is a site-specific work by Icelandic-Danish artist Olafur Eliasson on display at Fondation Louis Vuitton.
You could almost draw comparisons with the the Medici family in renaissance Florence – the two luxury fashion houses clearly understand the enormous power that art, and culture in general, can wield in a commercial and even political context.
It appears that these companies are moving their brand image from that of the ephemeral – producing clothing and accessories and interpreting style and trends – to a more something altogether more permanent and important: that of cultural definers.
This crossover is working the other way as well. In the spring of 2017, London-based auction house Sotheby’s launched a luxury and lifestyle division that focuses on jewels, watches, cars, wine and fashion. At the same time the Sotheby’s Institute of Art in London launched “Art of Luxury”, a 15-week immersive introduction to the global industry of luxury goods and services. Course leader Federica Carlotto said:
Art and luxury have a long history of influencing each other to create timeless, aspirational experiences. From creative and editorial collaborations with artists like Salvador Dali, Cindy Sherman, Ed Ruscha and Takashi Murakami, to brand and creative directors increasingly drawing on trends and philosophy of art in their work.
Mission? Or money?
But are either of these – essentially two sides of the same commercially centred idea – actually fulfilling any of art’s core functions? Art is a such a powerful tool for good. Art can help to create a sense of community, it can help lonely people find a purpose and a group to share their ideas with. Art can help teenagers understand what they are are feeling. Art can be therapeutic for people with mental health problems and it can help people from diverse communities find common bonds.
To what extent are these foundations actually doing this? The Prada Foundation’s mission says it aims for “an attitude of openness and invitation” and to “find new ways for sharing ideas”.
It all sounds good, but in reality it’s very old-fashioned and traditional and flies in the face of many museums and galleries which are trying new things to engage the public with art. Prada has a great programme for children (Accademia Dei Bambini) where experts of specific fields – math and physics, for example – give lectures explaining difficult ideas to children using art. It’s a brilliant concept – but why not have something that engages adults just as much? At the moment it is hard to see that these forays into the art world are about anything more than merely enhancing their own brand.
These brands are pioneers when it comes to fashion trends, but they still play a bit too safe when it comes to their foundations. And I think they could do better, taking on the role of disruptors and innovators – using their commercial brand power to bring more people to art. With their undeniable star power, names like these have the ability to make art cool again. Wouldn’t that be great?
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About The Author:
Alessia Grassi is a Lecturer in Marketing at University of Huddersfield
This article is republished from The Conversation under a Creative Commons license. 
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elleywestbrookexf · 3 years
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21. Reflection and evaluation.
This module has high-lighted areas for improvement in professional practice for me. I am very chatty and friendly with everyone and tend to adopt that approach when dealing with people across all walks of life. The portion of EF that dealt with the way to approach galleries has made me question my overly informal approach. I will not be able to adopt this way of communicating and will need to be  more professional. With people I already know I feel I can remain as I am but make sure the professionalism is there in the proposal. I’m thinking specifically about Roger Marshall, who I have recently approached with a germ of an idea. He will not know how to cope with a formal approach from me but will be happy to have a professional looking proposal submitted.
Setting up our exhibition has revealed to me how much I like working in team situations. Also re-reading my posts it is evident that I often look for collaborative opportunities. I knew that about myself beforehand, I often prefer to work collaboratively, and I am thinking I will actively look for those opportunities in the future. The show has also imprinted on my brain the need for careful and considered curation. Bunging everything in with a ‘that’ll do’ attitude actually will NOT do. I am glad that I ‘edited’ the objects on my plinth for the Lonely Chair, and took direction for the placement of the photographs. My tendency is to rush and ‘get on with it’... which is ok for a kids party but not good when mounting an exhibition.
I haven’t written a specific post about further study but I have chatted with some of the MA students, visiting the show and also at college, about doing the MA after I complete this BA. We also listened to some presentations on teams.  It is something that I would really like to do. However, I will have to take at least a year’s break before applying. My fixed rate on my mortgage is up for renewal next July (of all things to direct study intentions) and I will have to have a job in order to be able to renew and secure a good deal. I also need to replenish the coffers somewhat after losing my part-time job during the first lockdown. So, sadly,  outside forces dictate my studying ambitions.
I intend, and very much hope, that I can keep a relationship going with Meadow Arts and am hopeful that an opportunity will arise in the future for part-time paid employment. Working with them has been an engaging an exciting part of this module.
Meadow Arts produces unique contemporary art projects in unusual places, curating large-scale exhibitions and commissioning new artworks and events across three counties. These being Herefordshire, Worcestershire and Shropshire. I was rather thrown in at the deep end and was required to attend a meeting on their behalf. The other attendees were at first glance a pretty professional and intimidating bunch. I feel I rose to the occasion, my old corporate skills emerged and I was able to actively and succinctly take appropriate notes and relay the salient points and proposed points of action in a report sent off to Claire Purcell. She replied that it had been very helpful. I have also had the benefit of a one-to-one tutorial about Hootsuite which will enable me to schedule social media posts across multiple platforms.
​I was asked to write a blog, to create content, about myself and my work which they scheduled in very quickly and promoted through all their social media sites and the Newsletter. This was a joy because apart from the obvious self-promotion, I love writing short articles and it felt very comfortable.​
My main role for Meadow Arts currently is to write up A Trustee Recruitment pack. I am, strangely, really enjoying the challenge and it will take me beyond the end of this module due to time commitments. ​I have offered Meadow Arts one days volunteering a week over the summer period and look forward to working with them more in the future without other deadline pressures taking precedent.
​My future hopes for opening an Arts Cafe and gallery with studios and creating a community feel to it, for the benefit of the local community but also an arts community, are still very much alive. Other thoughts are working their way in at the moment as well. This is not something I would want to do alone. I have realised, through an opportunity presented to me recently, that I very much DO NOT want to fall back on my previous career to earn a living. I want, and intend, to find a way to make a living through an Arts Practice. I am quite happy to supplement my income with cafe or restaurant work but if I fall back into recipe development and demonstrating it will be hard to wriggle out of it again. I’m glad I have identified this because I am well known in those circles and often have opportunities dangled in front of me that are financially appealing. This would be detrimental to furthering an Arts career. I’m going to be very strict about this. I also feel that setting up a business straight out of Art College could swallow my time. I have run several businesses in the past and to do them well requires undivided attention which would leave little time to create. The ideal would be a careful and considered path forward aiming to marry the two. This is a ‘we will see’ holding paragraph that I may not have considered except for the directed thinking that Ef has occasioned.
In furthering an Arts career I am going to be proactive and create opportunities myself. I will also be applying for inclusion into established shows and exhibitions. What I won’t be doing is resting on my laurels and waiting for opportunities to come to me. I have no problem in ‘putting myself out there’ and networking. I enjoy public speaking, my fears never centre around being centre stage or centre of attention in public situations, they manifest in questioning whether my work is actually any good or not...or who am I kidding ‘A Fine Artist!’ This is probably why I like working collaboratively, safety in numbers.
Being able to put on a group show, at the near end of lockdown has been thrilling. The module allowed us to consider all aspects of mounting this show, from securing the building, promotion, curation and invigilating rotas to name but a few. Insurances and safeguarding issues were not something that I would have necessarily bothered my head about before, but I can see its an integral part to being able to put on a show. It’s been an invaluable exercise. Putting on a show like this would not daunt me in the future, I like ambitious goals. Bringing art into the town centre also really excites me, social engagement with our wider community is key to getting art out there and not just keeping it to ourselves…we are already tuned into the importance of the arts in society.
There have been a lot of opportunities in this module, my time management could use some work, but I do have a lot of external commitments that come from the role of sole parent. I feel overall that I have fulfilled the brief and grabbed the opportunities. I have really enjoyed Exploring Futures...The absolute highlight being RELEASED.  
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The activity is fairly cool
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Let's deal with! Coolest lady fights ever!
nukoduke is love, nukoduke is life! That's exactly how I feel about nukoduke after I've completed it! It's a very funny and beautiful manga with many ludicrous battle scenes. Yet I enjoy it! I really do. No just does this manga anime have some weak butt arcs, yet the abilities can definitely be imaginative. End-tack on Titan? This show makes a lot more spells of horrible puns than Yang from RWBY, which is saying a whole lot. Furthermore, sometimes, merely to mix points up, they get among our protagonists lose in ways that feels completely unfair (Aoba in episode 10). Plus, the leading tone-shift in the very first half of episode 12 can give this kind of whiplash, that if it was directed at my butt, that would certainly be red as hell. Nevertheless, allow it not be claimed that I delight in the absolute acceleration of events. Plus, expands actions greatly as the show goes on, and also to results that are wonderful in the last 4 episodes in each of the problems. It is silly. It is illogical. It is ... not enough to save the story all things considered, regardless of exactly how horrible a number of the characters' backgrounds (such as Maya) can be, and how great completion is. Now, away with that dull bottom issue we call: criticism that is reasonable.
CHARACTERS: 9/10
Nozomi is a hot blooded protagonist that ends up requiring to work off her tail just to remain notified regarding each brand-new groundbreaking competitors, advertising she's a complete prance! I specifically adore the fact that rather than the traditional lead character motivations, she only needs to be rich. Sayaka is a rival of hers who needs approval of her papa while keeping up with her peers, nonetheless much violation as well as stress she picks in the treatment. Aoba begins incredibly self-conscious, but she ends up being a whole lot much more guaranteed, though her effed up powers and approval by her peers. And also, the lucky turf gets all the butt! Non is gawky massive tittied gal as well as your cutely, but as opposed to just hurting herself with her clumsiness, she places everybody through near-death injuries, or knocking java on a white bed, both with heck. Consequently, she's the nerve to make a variety of reasons that are reasons in a venture at blowing. My preferred feature of those girls is the reality they really have languages! Precisely the number of times have you seen. We'll reach that terrific woman in a little bit, although it does this with Maya also.
Mio is most likely my favourite character. She's a complete, extra so than the majority of guys of this archethype, however she's also one of the best badasses this show. And also, that she's one of the most fantastic, and also combat me in case you differ! I 'd definitely require a part of her butt in bed! Well, not really, however she's my favored below. Some are more interesting than many others, yet they're usually an incredibly special project with a lot of life in them.
Maya is a fascinating one. Certainly the 2nd most incredible mistress below, she's initially cryptic, as well as with a rushed yet harsh background. Unfortunately, none of her peers are practically as appealing besides their powers.
ARTWORK: 8/10
Xebec is popular for their work on the tit as well as butt skip known as To Love-RU. Well, they definitely brought their experience to this show. It's packed with that products! Plus, the activity is fairly cool to take a look at, as well as likewise the harsh describes make the seem of this show protrude, such as, for example, a rival's butt while using any one of these swimwears. It makes sure the hits that link are all difficult hitting, as well as full of influence. Along with the art work being great, not best, however all right. However, this collection really covers its madness.
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It wound up being a good time to see just how ridiculous each brand-new occasion would obtain, advising me of my time with Gurren Lagann, which is a great thing. Certain, it was not truly heroic for me, and I could've covered its earth a bit much better so assholes like me would give up asking concerns, however it was a great time. The 2nd half of the finish, plus absolutely set a endeared smile on my face. Once more, I'm merely a foul man:P. Nozomi, Mio, as well as Maya brought this approximately a 10. Their infamous selves are merely epic. Kawai and Kyoko being up high. Plus, each girl utilizes their tits and also butts in ways that are creative and also to impacts that are insane. It is fascinating just how perfectly this anime understood this skill.
COMPLETE - What a fantastic tale! I'm not exactly sure I like this as a result of the story or sexy ladies in it.
This complimentary manga is genuinely a top of manga anime releases in 2016 that will be keep in mind for quite a long time. Additional helpful information concerning manga found here - https://allaboutmanga2016.wordpress.com/
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