#intimist painting
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"Les Chaumières au Clair de Lune ~ Thatched Cottages in Moonlight", by Henri Le Sidaner, 1901.
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some sketches of saito soma as well, just for archiving www. bc he lives in my head rent-free......................
these two were referenced from the 2021 live tour, first one is isana, second one is petrichor. the guy in the middle is the lead guitarist and producer of most of souma's music, saku ! theyre both so cool.........
i thought this offshot from souma's stylist looked like an intimist painting w
image 1 from an article souma wrote for brutus, abt the natsume ono's ristorante paradiso. he said he studied italian for a year bc of that manga sjfssdjfks
image 2 is an edgy image i like from seiyuu men vol 10., where he talked abt some art he grew up liking ??
#i wanna talk abt it more but also. how do i even word it in a way#that wont make me sound so obsessed#bc frankly i am OBSESSED w whatever the hell souma's been reading#and the art he looks at bc i can see it in his music
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Louis Treserras
French painter, sculptor and photographer Louis Treserras claims to be a self taught painter. For 30 years he has been painting young and mysterious nude female models. His rigorous approach to artistic composition would almost compare to a science, like mathematics. His style remains however poetic an intimist, with a very distinct and soft range of colours.
Louis Treserras was born in Toulouse. French painter, sculptor and photographer fascinated by the world with females. Louis doesn’t consider himself as photographer. He takes photos as images to be painted later. They allow him to develop his paintings.
A contemporary artist with a highly classical technique, characteristic of the uncompromissing self-taught artist. The looks, gestures and attitudes are all words we hear are deaf yet. Louis Treserras is a painter of his time, he explores his own emotions through his paintings. For nearly 30 years he painted nudes. Defining itself as a self-taught he has put his technical and almost mathematical approach to the body art of a deeply intimate and poetic. For him the artistic adventure began in childhood. In his paintings painted Treserras girls slender, a dreamer or faint.
“As far as I can remember, the representation of human beings, the obvious nature of their nakedness, is central to my desire for expression both in their symbolism and in the sensual search for the curved line, or the sudden and silent eroticism of the abandonment of ourselves with regard to the other. Nudity is a language buried in us, perceived by all and always, but also a mirror that the emotion polishes and in which each of us perceives its reflection in the image of each of us, a kind of forgotten universality. The looks, the gestures, are so many dull words that we hear, yet It would be necessary, once again, if it had not become an object of suspicion in this sad world, to praise the inconceivable grace and beauty of young girls.”
youtube
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HENRI LEBASQUE (1865-1937)
Nu assis sur un canapé près de la fenêtre c1935
Nu assis sur un canapé près de la fenêtre was painted by Henri Lebasque from 1934-1935. The painting's subject matter, composition, and palette evince the artist's strong links to contemporaries Édouard Vuillard and Pierre Bonnard, founders of Les Nabis, a group of Intimist painters that focused on the quiet serenity of the domestic sphere.
"Intimism, a term which best describes Lebasque's painting, refers to the close domestic subject matter, supremely realized by Bonnard and Vuillard, in such a manner as to convey the personal nature of his response to the thing painted, and the universal familiarity of home and family. There is a sense of calm infused in Lebasque's paintings which celebrates the fullness and richness of life. In his placid scenes of gardens and beaches, terraces and dinner tables, Lebasque portrays his family in particular, but in such a way that he appeals to a larger sense of family gathering and devotion" (L. Banner, Lebasque, 1865 – 1937, San Francisco, 1986, p. 12).
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Stephen Duren (American from California, b 1948) tells us:
"My "formal" art education happened at San Francisco Art Institute (BFA) and Sacramento State University (MA). The streets of San Francisco paid my tuition. I was one of that city's first licensed street artists .
The out-of-doors was much more attractive to me than the school studios, so I skipped many of my classes in favor of working directly from nature. For many years the textures and patterns of the northern California landscape were the foundation of my painting vocabulary.
1978: I moved to West Michigan where I taught art for six years in local colleges (can anyone really teach art?) before settling into my full-time vocation as a painter.
My early inspiration came from 19th century European artists, including painters from the Barbizon School and the Impressionists. In my figurative interiors from the 90's one can easily see my love for the French "intimist" painter, Pierre Bonnard.
Much of my work remains semi-abstract, but I am often lured away from my studio by the desire to paint directly from nature, a call I have answered since I was 15. A local glossy once wrote that I am “rejoicing in the rightness of created things.”
However, I am not your conventional theist. I am in awe of the universe, especially as it is manifest in nature, so I might best be described as a Pantheist."
https://robertkiddgallery.com/stephen-duren
https://www.duren.info/about_the_artist.php
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steven harvey fine art projects is currently showing several of Susan Lichtman's paintings for the exhibition Autofiction. Her use of color and light makes her scenes feel like a beautiful dream.
From the gallery-
Autofiction is a genre of literature that combines autobiography and invention. Lichtman paints scenes of her household and family, however her works serve a novelistic function instead of a documentary one, creating what she thinks of as fictions, which attempt “mystery and specificity at the same time.” Working from memory to depict her own home “somehow allows for a more resolved image.” These scenes are the emotional result of prolonged meditation; portraits of continuity and change over time rather than immediate snapshots. Lichtman’s practice is situated within a long history of painting domestic interiors, her recognizable motifs of household objects and figures invoke a sense of ease and familiarity. It is her distinct perspective – that of an insider as well as observer – and her autofictive blend of observed truth and imagination that gives the work its singularity.
Working in the intimist traditions of Vuillard and Bonnard, Lichtman is a subtle and skillful colorist, creating complex harmonies on a large scale. She states, “to me, close-valued color is magical. It’s a way for the paint to imply the fiction of light and air. A palette of close values also gives the picture a kind of envelope into which everything is placed.”
This exhibition closes 5/24/24.
#Susan Lichtman#Steven Harvey Fine Art Projects#Art#NYC Art Shows#Painting#Art Shows#Autofiction#New York Art Shows
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'Self Portrait' as pastel crayoned by Henri Sudaner. Sidaner (1862-1939) was a contemporary of the Post-impressionists, but was called 'an intimist painter'. His paintings of domestic interiors and quiet street scenes were intimist, but also pointed towards Pointilism. Sidaner favoured subdued colours, nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. He travelled widely through Europe before settling at Gerberoy in rural France where he painted for over thirty years. Please left click here for three pages of bucolic warmth in subdued tones.
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Édouard Vuillard's 'Garden at Vaucresson
We love a beautiful garden, and when this photo popped up during a random surf of impressionist paintings, it had to be shared. Can't you just see a lovely French garden and smell the flowers?
Édouard Vuillard (1868–1940) was a French painter and printmaker, known for his association with the Nabis, a group of avant-garde artists in the late 19th and early 20th centuries. Vuillard was born in Cuiseaux, France, and later moved to Paris, where he became a prominent figure in the art world.
Vuillard's work is often associated with the intimist movement, focusing on domestic scenes, interiors, and portraits. He had a distinctive style characterized by the use of rich colors, intricate patterns, and a keen attention to detail. Vuillard's paintings often depicted scenes from everyday life, and he was particularly skilled at capturing the atmosphere and nuances of interior spaces.
Throughout his career, Vuillard also worked on decorative arts, theater design, and illustrations. He was associated with artists like Pierre Bonnard and was part of the Les Nabis group, which sought to move away from academic traditions and explore more innovative and personal approaches to art.
Édouard Vuillard's contributions to the art world continue to be celebrated, and his works are held in major museums and collections around the world.
#Gardens in art#Art#French art#impressionism#avant garde#19th century#20th century#The Met#French farmhouse#French garden
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'Small Village: Gerberoy', by Henri Le Sidaner, 1937.
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All About Curve Gallery in Newcastle
All About Curve Gallery in Newcastle is a unique, independent gallery with an exceptional collection of contemporary and classical works, by some of Australia's most distinguished artists. The gallery is a member of the Art Gallery Association of NSW, and has a permanent collection of over 7000 works. This is an excellent resource for art enthusiasts and collectors of all ages and tastes. In addition, the gallery is an ideal venue for a range of events including art lectures, exhibitions and workshops.
Sodeisha: Connected to Australia
SODEISHA: Connected to Australia is a major international cultural partnership project based on the Newcastle Art Gallery collection of Japanese ceramics. The exhibition is the first in Australia to celebrate the Sodeisha group of ceramic artists. A selection of the Newcastle Art Gallery's collection will be displayed alongside ten contemporary Australian ceramic artists. Guests will have the opportunity to learn about the significance of the group and the artists' influence on contemporary ceramics practice.
Satoru Hoshino is the originating member of the Sodeisha movement and will deliver a major installation. His works explore spiral shaped forms. He graduated from Ritsumaikan University in 1971, and went on to study at Fujihira Pottery in Kyoto.
Satoru is also the founder and president of the Gutai Artists Association. He is renowned for creating large-scale installations. Using his fingertips and palms, he molds clay into spiral shaped forms.
The upcoming exhibition will examine the Sodeisha group's role in the development of Japanese ceramic art. Known for their surrealist and experimental works, the group challenged the conventions of ceramic art. Their artists experimented with surrealism, modernism, and utilitarian forms. Many of their artists came from families with a long history of making traditional ceramics.
Sodeisha performance
The Sodeisha group of Japanese ceramic artists was among the pioneers of post war ceramic art. Their work has been a major influence on current generations of Australian artists. It has also contributed to the development of ceramics internationally. A notable exhibition devoted to their work is now on display at Newcastle Art Gallery.
A comprehensive program of public programs will complement the exhibition. One of the highlights is a commission from Hong Kong born Australian dancer Kristina Chan, who will perform a performance incorporating mud. In addition, there is a large-scale installation by original member of the Sodeisha group Satoru Hoshino.
Several other ceramic artists from Japan and Australia will be represented in the exhibition. The Australian contingent includes Alterfact Studio and Juz Kitson. Also on show will be Hide Matsumoto and Rokube Kiyimizu.
The Sodeisha group was founded in 1946 in Kyoto. It is known for pioneering contemporary aesthetic in Japanese ceramics. While the group disbanded in 1998, their legacy remains. As a result, the Newcastle Art Gallery is able to boast one of the largest collections of Sodeisha works in the world. This will be used as the basis for an ambitious project conceived by Sarah Johnson, curator of modern and contemporary art at Newcastle Art Gallery.
Rachel Milne's work
Rachel Milne is a figurative oil painter based in Newcastle. She produces a plethora of paintings including a series of observational odes to local landmarks such as the oh so mundane public swimming pool. She is also known for her Intimist impressionist fine art interior paintings. Her paintings are on display at various galleries throughout Newcastle and the state, such as the Newcastle Art Gallery and the King Street Gallery on William.
Amongst the myriad of artists vying for attention in Newcastle, Milne has a knack for producing the one-of-a-kind. A graduate of Cardiff University, Milne is no stranger to the art world. As an artist in residence at the David Jones building, she was able to create a signature fusion of contemporary and vintage aesthetics. One of her most recent exhibitions was a collection of works created in her Artists' Cooperative Creator Incubator. The show was a rousing success, with several of her works now in private collections.
Rachel Milne has garnered many accolades in her brief and varied career. She is the recipient of the aforementioned portentous louvre, and is a finalist for the aforementioned Kilgour Prize at the Newcastle Art Gallery.
Finite Gallery
If you're looking for a small art gallery that displays a diverse selection of works of art, this place is for you. In fact, you'll find something new on every visit. You'll be greeted with a smile, and you'll get to browse through a wide range of artworks from some of the best local artists. While you're at it, you'll be able to pick up a souvenir or two from the souvenir shop.
You'll also be impressed by the selection of art supplies that are on hand. Whether you're looking for high quality paints, brushes, or canvas, you'll find it. As an added bonus, the store's friendly staff are more than happy to assist you in your quest for the perfect painting. Plus, you'll be treated like family.
You'll find Finite Gallery at a convenient location, and they're open to the public from Monday to Friday. They also offer a number of workshops and demonstrations. So, why not give them a call? And if you're on the hunt for a special birthday present, you'll definitely get your money's worth!
Helene Ruma Gallery & Art Supplies
Located on 236 Watkins Road in Wangi, this is a good bet to be the art supply aficionado's best bet. Despite being a small operation in a big city, Helene and her crew aren't short on the customer service front. Whether you're a beginner or a pro, you'll always find a friend in the house. This is also true of the staff. If you're on the hunt for the perfect gift, you'll find that Helene is well known for her knack for finding just the right thing for the right person. While you're at it, you may want to consider bringing the family along for the experience. You won't regret it.
On a similar theme, you might want to check out the art supplies at the MiiOstore, 3 Elizabeth Street Tighes Hill. The staff is helpful and the price isn't a deterrent. If you're looking to buy the aforementioned item, you'll find they're open for business during lunchtime, after-hours, and on weekends. As such, you'll be able to browse their shelves for hours on end. They also have a large catalogue of homewares, with a plethora of baubles that is sure to impress any art connoisseur.
Timeless Textiles
Timeless Textiles at All About Curve Gallery in Newcastle is Australia's only commercial gallery showcasing fibre art. It also provides workshops and networking opportunities for textile artists. The gallery features a range of local and international textile artists.
Timeless Textiles is a leading national centre for fibre arts. With a program of exhibitions, workshops and networking opportunities, it facilitates creative exchanges and fosters the creative development of local and international textile artists.
Timeless textiles is also home to a shop where visitors can buy original works by textile artists. They also host regular changing exhibitions. In addition to textile art, they feature artists who explore other forms of fibre art.
Curve Gallery is located in the East End of Newcastle. It's a contemporary space with a minimalist aesthetic that hosts a variety of solo and group exhibitions. This gallery is also home to a studio for artists-in-residence, which was recently painted and styled by Lisa McLean.
The east end of Newcastle has undergone a rebirth over recent years, with new retail and restaurant options opening. Curve Gallery is situated within the art precinct of the East End and offers a great selection of artwork by local and international artists.
Creative Village
The creative community of Newcastle, Australia, is flourishing. The region has a rich mining history and is now becoming a center for local and visiting artists.
Curve Gallery, which was originally in Liverpool, UK, moved to Newcastle in 2013. Since then, they have exhibited work from local and international artists. They maintain a keen sense of the global art scene.
Another creative hub in Newcastle is the Lock-Up. This is a heritage-listed former police station which is now a cultural centre. It hosts regular contemporary exhibitions.
Hunter and Newcastle-based artists and designers work across a wide range of disciplines. They are a strong, cohesive group. Their collective efforts can help encourage the community to shop locally.
Several unique shops, restaurants, and cafes are located on Darby Street. The street is lively all day and night. You can find unique gifts, delicious meals, and great coffee.
In addition, Secondhand City on Clyde Street is a popular destination for diehard shoppers. Located at the foot of Clyde Street, this is the largest secondhand one-stop shop in the region. Whether you are looking for a piece of furniture or a quirky item, you will indeed find it here.
Curve Gallery Location
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Henri Eugène Augustin Le Sidaner ‘Table in a Tunnel’ 1922.
(Source: theartstack.com)
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William Nording (July 4, 1884 - 1956) was a Swedish painter of the early Modernist generation. The Swedes consider him an ‘intimist’, but I see his grayish and blueish color preferences and washed-out landscapes as rather distancing...
Above: Riddarfjärden, vinter, 1947 - oil on canvas (Göteborgs Konstmuseum)
#art#swedish painter#william nording#1940s#modernism#landscape painting#winter landscape#riddarfjärden#oil on canvas#göteborgs konstmuseum#intimist art#vicklebyskolan
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Au lit (In Bed) detail (1891) painted by Édouard Vuillard, oil on canvas, Height: 740 mm (29.13 in); Width: 920 mm (36.22 in)
[Between 1891 and 1895, Vuillard explored the theme of a woman sleeping or resting in bed in more than twenty intimiste oils, pastels, and drawings. Depicting the model nestled comfortably under layers of eiderdown quilts, with only her head and shoulders visible, these images intentionally subvert the traditional erotic connotations of the boudoir in the artistic canon, instead presenting the woman’s bed as a site for private relaxation and recovery. In several of the pictures, Vuillard captured his model in deep sleep, a favorite Symbolist theme. “Sleep is the preferred stalking-ground of Symbolism,” Guy Cogeval has noted, “with its propensity to dream, and the bed is its nodal point” (op. cit., 2003, p. 143).] - Christie's
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Artist I Like Series
Henri Le Sidaner 1862-1939 a French intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Édouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism.
#Henri Le Sidaner#french#painter#intimist#impressionism#Post-impressionism#male artist#artist I like#art history#art#art inspo#fave#19th century art#20th century art#petal talks
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