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New British TV Series for 2020: BBC, ITV, Channel 4, Sky Dramas and More

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On top of the returning British dramas expected back in the coming year (His Dark Materials, Marcella and Unforgotten to name just three), below are the many, many, many new UK TV series we’re hoping to see arrive in 2020 and beyond.

You’ll find original drama from Russell T. Davies, a new space-set sci-fi from Sky, true crime series, contemporary thrillers and the usual hefty number of literary adaptations and period dramas coming your way. Here’s the same for all the new British comedy on its way in 2020.

We’ll keep this list updated as new commissions, casting news, broadcast details and release dates arrive. Obviously, with COVID-19 delays having taken at least a three-month chunk out of production on all continuing and new dramas since mid-March, there will now be serious delays, but we’ll keep you posted as news arrives.

All Creatures Great and Small (September)

Filmed in the Yorkshire Dales in autumn 2019 is a new adaptation of the memoirs of rural vet James Herriot (real name: James Alf Wight). Airing on Channel 5 in the UK and on Masterpiece on PBS in the US, this series stars Samuel West, Anna Madeley and Dame Diana Rigg, with newcomer Nicholas Ralph playing young vet James. A six-part series plus a Christmas special has been filmed, timed to mark the 50th anniversary of the first book’s publication. Expect warm-hearted stories of animal frolics and local characters.

Around the World in Eighty Days (TBC)

Filming began in South Africa on this new eight-part adaptation of Jules Verne’s classic novel in February 2020, and was halted in March by COVID-19 with an episode and a half in the ‘can’. In early July, filming was announced by France Televisions to be resuming. The European-funded series stars David Tennant (pictured above in Channel 4 drama Deadwater Fell) as explorer Phileas Fogg. To satisfy a foolhardy wager, Fogg and his valet set off on a globe-circling journey, this time in the company of journalist Abigail Fix, played by The Crown’s Leonie Benesch. It’s been adapted by a team led by Life On Mars’ Ashley Pharoah.

A Suitable Boy (July)

Literary adapter extraordinaire Andrew Davies (Les Miserables, War & Peace, Pride And Prejudice) is back on the BBC with the first screen adaptation of Vikram Seth’s 1993 novel A Suitable Boy. Making her television debut is acclaimed feature director Mira Nair (Monsoon Wedding, Queen Of Katwe). A Suitable Boy is a coming-of-age story about university student Lata (played by Tanya Maniktala), told against the backdrop of newly independent India in 1951. The official BBC press release describes it as “a vast, panoramic tale charting the fortunes of four large families and exploring India and its rich and varied culture at a crucial point in its history.” Here’s our spoiler-free review.

Adult Material (October)

This Channel 4 drama takes on the UK porn industry and the complex relationship between sex, money and power. Written by Skins and The Smoke’s Lucy Kirkwood, the four-part miniseries stars I, Daniel Blake‘s Hayley Squires (in a role previously given to Sheridan Smith, who left the project due to conflicting commitments) as Jolene, an experienced porn actor and mother of three whose on-set friendship with a young woman leads to a complex examination of her own work and home life. With warnings of adult and sexual scenes, here’s the official trailer.

Anne (TBC)

World Productions, the makers of some of the best British drama around (Line Of Duty, Save Me, Jed Mercurio’s drama Bodyguard) are making this four-part drama for ITV. Written by novelist Kevin Sampson, who was present at Hillsborough Stadium on the tragic day ninety-six football fans died, it tells the real-life story of Anne Williams’ decades-long fight for justice for her teenage son and all the victims of the 1989 disaster. Sampson was instrumental in the Hillsborough Campaign for Justice, and conducted interviews with Williams, whose powerful story he tells here with Maxine Peake in the lead role. Bruce Goodison directs.

Baghdad Central (February)

Based on the thriller of the same name by Elliott Colla, Baghdad Central is a six-part Channel 4 commission written by House of Saddam and The Last Kingdom‘s Stephen Butchard. Set in Iraq shortly after the 2003 fall of Saddam Hussein, it’s described as “part noir detective drama, part Le Carre and part Green Zone“. With a cast led by Waleed Zuaiter (Omar, Altered Carbon), it’s the story of a quest for justice in an almost lawless society. Bertie Carvel co-stars, with Doctor Who and Tin Star‘s Alice Troughton as the lead director. All six episodes are currently available to stream on All4.

Before We Die (TBC)

Adapted from the Swedish crime thriller of the same name, Before We Die is the story of a detective who discovers that her son is acting as an undercover informant in a brutal murder investigation. It’s set in Bristol and stars Lesley Sharp, Vincent Regan and Patrick Gibson. It’s coming to Channel 4.

Belgravia (March)

Written by Downton Abbey creator Julian Fellowes and based on his 2016 novel of the same name, Belgravia is a six-part period drama set in 19th century London. Expect toffs and treachery in a story about society secrets on the eve of the Battle of Waterloo. Among the fine looking cast are Tamsin Greig, Harriet Walter, Tara Fitzgerald, Philip Glenister and Alice Eve. It aired in March on Sunday nights on ITV1.

Best Interests (TBC)

Jack Thorne (pictured above), the busiest screenwriter in the UK is returning to BBC One fresh from His Dark Materials with a new original four-part drama partly inspired by the real-life Charlie Gard case. It’s about a young child with a life-threatening condition whose medical team judge it in her best interests that she be allowed to die, a decision her family can’t support, and fight every step of the way. The commission was announced in July 2019 and filming was due to begin this year, but there’s no news at the time of writing as to how COVID-19 has affected the timetable on this one.

Black Narcissus (TBC)

This BBC commission was announced back in 2017 and we finally have some info on it. Adapted by Apple Tree Yard screenwriter Amanda Coe from Rumer Godden’s 1939 novel (which was previously adapted for cinema in 1947), three-part series Black Narcissus stars Gemma Arterton as Sister Clodagh in a Gothic tale of “sexual repression and forbidden love”. Set in the 1930s, it’s the story of a group of nuns who travel to Nepal to set up a branch of their order, and Sister Clodagh’s struggle with her attraction to a land agent, against the backdrop of the tragic history of a Nepalese princess. Diana Rigg, Jim Broadbent, Gina McKee and more join Arterton. Filming began in Nepal and the UK in October 2019, and back in January the BBC included it in the year’s ‘New for 2020‘ trailer.

Bloodlands (TBC)

Filming got underway in February on new BBC One crime drama Bloodlands, which stars The Missing and Cold Feet‘s James Nesbitt and takes place in Northern Ireland. In June, the Belfast Telegraph reported from producer Jed Mercurio that filming had wrapped before the COVID-19 industry shutdown and that an extended post-production period had been agreed with the BBC, so it’s hopeful that we’ll still see this one in 2020. Susan Lynch, Michael Smiley, Ian McElhinney and Lisa Dwan are among the cast. The thriller, from new writer Chris Brandon, will revolve around a cold case that holds personal significance for Nesbitt’s detective, and follows his hunt for an assassin.

It’s a Sin (Early 2021)

This 1980s-set drama (previously titled The Boys) comes from acclaimed screenwriter Russell T. Davies (A Very English Scandal, Doctor Who) and tackles the impact of AIDS on the lives of three young men across a period of ten years. It’s the story of “the epidemic, the pain of rejection and the prejudices that gay men faced throughout the decade.” Filming began on the five-part series in October 2019, with a cast including Olly Alexander, Neil Patrick Harris, Keeley Hawes, Stephen Fry, Tracy Ann Oberman and Shaun Dooley. See the first teaser here.

But When We Dance (TBC)

Directed by Johnny Campbell (of In The Flesh and Dracula fame) and written by Esio Trot‘s Paul Mayhew Archer, this one-off comedy-drama about two people with Parkinson’s disease was announced in late 2019 and coming to BBC One. Described as a touching and hilarious love story, it’s the story of Tony and Emma, a couple who first meet at a dance class for people with Parkinson’s. It promises to be a witty, heart-felt 90 minutes throwing a light on a much-diagnosed condition in the UK.

Cobra (January)

New political thriller Cobra arrived on Sky One and NOW TV in January. From The Tunnel and Strike writer Ben Richards, it stars Robert Carlyle, Victoria Hamilton and David Haig as, respectively, the PM, his chief of staff and the home secretary. It’s a six-parter promising “high stakes politics and high-octane action” about a team of experts and crisis responders attempting to bring society back from the brink of collapse. A second series was ordered by Sky in February 2020.

Come Again (TBC)

Robert Webb’s debut novel Come Again, which was published in April 2020, is going to be adapted for television. It was announced in May that Firebird Pictures Ltd is working on the screen version of the story by the writer-actor. Webb (Peep Show, Back, That Mitchell And Webb Look) published his first book, memoir How Not to be a Boy in 2017, with Come Again as his first work of fiction. It tells the story of Kate, a karate expert, computer genius widow mired in grief who gets an out-of-this-world chance to go back into her past and change the future. It’s part love story, part coming-of-age story, part spy thriller packed with action and 90s nostalgia.

Danny Boy (w/t)

Filming is underway on the provisionally titled Danny Boy, a new BBC Two feature-length drama about real-life soldier Brian Wood, accused of war crimes in Iraq by human rights lawyer Phil Shiner. Ordeal by Innocence’s Anthony Boyle will play Wood, with the magnificent Toby Jones as Shiner, with a screenplay written by Murder and Party Animals’ Robert Jones.

Deadwater Fell (January)

From Humans screenwriter Daisy Coulam, this new four-part Channel 4 drama aired in January this year. Set in a remote Scottish community, it explores the aftermath of a heinous crime – a family is murdered by someone they know and trust, sending ripples through the supposedly idyllic town. David Tennant leads a cast including The Good Fight‘s Cush Jumbo and The Bay‘s Matthew McNulty. It’s an excellent, if difficult watch (read our spoiler-filled reviews here), and is currently available to stream on All4.

Death Comes as the End (2021 TBC)

With Agatha Christie adaptation The Pale Horse completing Sarah Phelps’ quintet of adaptations for the BBC, it’s time for a different voice on a very different kind of Christie novel. That voice? Gwyneth Hughes, Vanity Fair and Five Days screenwriter. And that novel? Death Comes As The End, a murder mystery set not in the early 20th century, but in ancient Egypt. The arrival of a new concubine sends ripples through an Egyptian priest’s family. No casting has yet been announced.

Des (August)

ITV has included this three-part true crime drama in its autumn 2020 schedule, so it looks like there are no delays here. Des stars David Tennant and is inspired by the real story of serial killer Dennis Nilsen, who murdered several boys and men between the years of 1978 and 1983. It’s adapted from Brian Masters’ book Killing For Company, and will be told from the perspective of three men – Nilsen, DCI Peter Jay (played by Daniel Mays), and biographer Brian Masters (played by Jason Watkins) – and explore how Nilsen was able to prey on the young and the vulnerable. See the first trailer here.

Dracula (January)

The Sherlock showrunners Steven Moffat and Mark Gatiss reunited to bring another 19th century fictional icon to life in Dracula, which aired on BBC One over New Year and Netflix. Danish actor Claes Bang played the title role alongside Dolly Wells and John Heffernan in the miniseries which comprises three ninety-minute episodes. Moffat and Gatiss promised to “reintroduce the world to Dracula, the vampire who made evil sexy.” Job done. Read our spoiler-filled reviews here.

Englistan (TBC)

Actor, rapper, activist and now screenwriter Riz Ahmed (pictured above in The Night Of) was announced in 2018 as developing this ambitious nine-part series with BBC Two. It’s a drama about three generations of a British Pakistani family set over the course of four decades of their lives. Early reports promise a complex look at the notion of home, identity, race relations and achieving your dreams, but above all, an examination of what family really means. Updates on progress have been thin on the ground but as soon as there’s news, we’ll include it here.

Flesh and Blood (February)

Filming on new ITV four-part drama Flesh And Blood got underway in June 2019, with an enviable cast led by Imelda Staunton, Stephen Rea and Russell Tovey. It’s a contemporary story of three adult siblings shocked when their recently widowed mother falls for a new man, bringing into question everything they thought they knew about their parents’ 45-year marriage. Staunton plays the family’s neighbour, who harbours an unhealthy obsession with the unfolding drama… Think dark wit and the unearthing of long-buried secrets. It’s available to stream on ITV Hub here and here’s our spoiler-filled episode one review.

Four Lives (TBC)

Previously titled The Barking Murders, Four Lives is a three-part BBC drama based on real-life murderer Stephen Port, and the aftermath of his four kills. Port raped and murdered four men, between 2014 and 2015, using Grindr to attract his victims. Writer Jeff Pope, who previously penned The Moorside and Little Boy Blue, is leading the charge on this one, along with director Neil McKay. It was announced in February 2019 that Sheridan Smith was back working with Pope on the new series, playing Sarah Sak, mother of Anthony Walgate, alongside Jamie Winstone as Donna Taylor, one of the sisters of Jack Taylor, and Stephen Merchant as Port. In this Entertainment Focus interview from April 2020, actor Michael Jibson confirmed the drama was currently postponed due to the ongoing real-life criminal case.

Gangs of London (April)

Filmmaker Gareth Evans came to everybody’s attention with 2011 Indonesian-set action flick The Raid. In April, he made his TV debut with this Sky Atlantic/HBO co-production. Gangs of London takes place in a version of modern London torn apart by international criminal organisations. You can expect assassinations, intrigue, expertly choreographed fight scenes and full-muscled action from this excellent new drama. All nine episodes are available to stream on Sky and NOW TV. Read our reviews and interviews here.

Ginger Snaps (TBC)

It’s 20 years since the release of Ginger Snaps, the first in a trilogy of now-cult horror films, and, according to Sid Gentle Films, high time for a live-action TV adaptation. The darkly comic feminist werewolf movie will be adapted for a TV co-production by Anna Ssemuyaba, who has previous written for Sky’s Guerilla, Channel 4’s Adult Material and ITV’s Unsaid Stories, and from by the co-producers of Killing Eve and Orphan Black.

Harlan Coben’s Stay Close (TBC)

Thriller writer Harlan Coban is currently part of the way into a five-year deal with Netflix to adapt 14 of his novels, and Stay Close is the latest adaptation from writer Danny Brocklehurst and RED Productions, the team that brought us The Stranger. Like The Stranger, Stay Close will star Richard Armitage and move the book setting from the US to the UK. It’s the story of three characters whose dark secrets threaten to destroy their lives. James Nesbitt and Cush Jumbo also star.

Honour (September)

Keeley Hawes’ production company is behind new two-part ITV drama Honour, which filmed in autumn 2019 and is due to air this autumn. Based on the real-life so-called “honour” killing of 20-year-old Londoner Banaz Mahmod, “murdered for falling in love with the wrong man”. It comes written by Vanity Fair‘s Gwyneth Hughes and stars Hawes as DCI Caroline Goode, who investigated Mahmod’s disappearance.

I Hate Suzie (August)

Billie Piper has co-created this original Sky Atlantic comedy-drama with playwright Lucy Prebble, who adapted the Piper-starring series Secret Diary Of A Call Girl in 2007. It’s a story about a celebrity (Piper) whose career is threatened when she’s hacked and a personal photo leaked to the public. The Crown and Lovesick’s Daniel Ings co-stars. Piper is terrific in it and it has plenty to say on fame and the nature of modern celebrity. With adult content, see the first trailer here. It starts on Sky on Sunday the 27th of August, with all episodes available on NOW TV.

I May Destroy You (June)

The latest from acclaimed writer-actor Michaela Coel, creator of Chewing Gum, is a 12-part half-hour series exploring sexual consent, trauma, recovery, friendship and much more. Formerly under the working title of January 22nd, I May Destroy You is a BBC One/HBO co-production set and filmed in London, and stars Coel in the lead role of Arabella, a celebrated young novelist who suffers a sexual assault that causes her to reassess her life. Joining Coel in the cast are Weruche Opia, Paapa Essiedu, Aml Ameen and a host of new and stage talent. It aired in June on BBC One and stunned just about everybody with its frank, poised brilliance. Watch it here on BBC iPlayer.

Industry (November)

Another Bad Wolf production, this one is on its way to BBC Two and HBO in the US. Eight-part drama Industry comes from new writers Konrad Kay and Mickey Down, and is directed by Girls’ Lena Dunham. Taking on work, money, power, greed and loyalty. It’s about a group of graduates competing for places at a top firm in the cut-throat world of international finance. How far will some people go for profit?

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Inside Man (2021 TBC)

The latest drama from former Doctor Who and Sherlock showrunner Steven Moffat is a four-part crime thriller entitled Inside Man. The twisting story is about a death row inmate in the US and a woman who’s trapped in a cellar under an English vicarage, whose lives interlink “in the most unexpected way”, according to the commission announcement. It’s due to start production late this year, so don’t expect to see this on the BBC until later in 2021.

Intergalactic (2021 TBC)

Excellent news for sci-fi fans, this. Coming to Sky One and NOW TV in 2021 is Intergalactic, an original, British space-set drama about a galactic pilot who’s falsely imprisoned, then breaks free with a gang of other high-security female prisoners. It stars The Tunnel‘s Savannah Steyn (pictured) in the lead role, with Parminder Nagra, Eleanor Tomlinson, Sharon Duncan-Brewster, Natasha O’Keeffe, Thomas Turgoose and Craig Parkinson, so lots of great British talent in the cast. Filming took place in Manchester and Spain and we’ll bring you much more closer to release.

Isolation Stories (May)

UK channels responded quickly to the unusual demands of making television during lockdown, with BBC stalwarts Have I Got News for You and The Graham Norton Show continuing but using remote video link-ups. In May, ITV aired the first lockdown drama with anthology series Isolation Stories. The episodes are 15 minutes long and depict the experience of lockdown on a variety of characters played by Sheridan Smith, Angela Griffin, Robert Glenister, David Threlfall and Eddie Marsan. Watch them on ITV Hub here.

Karen Pirie (TBC)

A new detective is on her way to ITV in the form of Karen Pirie, the creation of novelist Val McDermid who’s also the literary source of ITV’s popular Wire In The Blood forensic pathology series. The new crime drama comes adapted from the first in McDermid’s five-book series The Distant Echo by Harlots and Save Me Too‘s Emer Kenny. It’s about a young Scottish detective working in St. Andrews who is tasked with reopening cold cases. The first involves the 25-year-old death of a teenager whose unsolved murder has become the subject of a true crime podcast. It’s being made by Bodyguard and Line of Duty‘s World Productions. Read more about the new commission on ITV here.

Leonardo (2021 TBC)

Not strictly (or at all) a British series, we’ve snuck this Italian production in because of its lead actor – Poldark and Being Human’s Aidan Turner – and its pedigree – from The X-Files and The Man In The High Castle’s Frank Spotnitz. The writer-producer’s latest screen work was on Medici, also made for an Italian production company. This eight-episode series will tell the life of artist Leonardo through the story of his masterpieces. After a break due to COVID-19 restrictions, the drama resumed filming in July 2020 and is expected to land with an unnamed distributor in 2021.

Life (September)

From the writer of Doctor Foster comes a new six-part hour-long drama for BBC One. Life tells four separate story strands about the residents of a large Manchester house divided into flats. The cast includes Alison Steadman and Peter Davison as a married couple rocked by a chance encounter, Adrian Lester and Rachael Stirling are a couple whose marriage is threatened by temptation, while Victoria Hamilton plays a woman whose life is disrupted by the arrival of her teenage niece. Currently filming in Manchester, “LIFE explores love, loss, birth, death, the ordinary, the extraordinary and everything in between”.

Little Birds (August)

An original six-part UK drama coming to Sky Atlantic, Little Birds is creatively adapted from Anais Nin’s collection of erotic short stories of the same name. Set in Tangier in 1955, filming took place in Andalusia and Manchester, with Juno Temple playing the lead role of Lucy Savage, a young women trapped by society who yearns for an unconventional life. It’s an erotic, political exploration of sexuality against the backdrop of colonial rebellion, and all episodes are currently available to stream on NOW TV. Read our spoiler-free review of all six episodes.

Miss Scarlet And The Duke (March)

This six-part co-production written by Trollied’s Rachel New and starring Peaky Blinders’ Kate Phillips aired on Alibi here in the UK. It’s a one-hour series set in the 19th century about London’s first female gumshoe, Eliza Scarlet (Phillips), a woman who takes over her dead father’s detective agency, aided by Stuart Martin’s ‘Duke’. One for fans of Aussie period detective series Miss Fisher’s Murder Mysteries, perhaps?

Noughts + Crosses (March)

Malorie Blackman’s hugely successful series of Young Adult novels have been adapted by Being Human’s Toby Whithouse for BBC One. The six-part series is set in a world where racial divisions are turned on their head, and two young people from different backgrounds battle through separation caused by power, politics and prejudice. All episodes are available to stream now on BBC iPlayer. Read our episode one review here.

Normal People (April)

Filming took place last summer in Dublin, Sligo and Italy for Normal People, adapted by Sally Rooney from her 2018 publishing hit of the same name. It’s a 12-part drama for BBC Three and US streaming service Hulu, starring new(ish)comers Daisy Edgar Jones and Paul Mescal. Directing is Room‘s Lenny Abrahamson and Hettie McDonald, telling an intimate story about a relationship between two young people – Marianne and Connell – stretching through their university years at Trinity College, Dublin. Available now on BBC Three and Hulu, read our spoiler-free review and more.

Penance (March)

Three-part hour-long drama Penance aired on Channel 5 this March. It’s an original scripted drama for the channel, and stars Neil Morrissey, Julie Graham and Nico Mirallegro in a psychological thriller about grief, manipulation and morally murky relationships. The story revolves around the Douglas family, reeling from the death of their son, and a young man they encounter at bereavement counselling with whom they become entangled.

Quiz (March)

Adapted from James Graham’s acclaimed stageplay of the same name, Quiz is the story of the Who Wants To Be A Millionaire? 2001 cheating scandal in which Major Ingram and accomplices were accused of cheating their way to the show’s top prize. Human chameleon Michael Sheen (Frost/Nixon, The Damned United) pictured above, plays quiz host Chris Tarrant, with Ripper Street‘s Matthew Macfadyen playing the accused Major in the three-part ITV/AMC drama. On directing duties is Stephen Frears, who recently directed excellent comedy drama State Of The Union and Russell T. Davies’ A Very English Scandal. Read our reviews here.

Red Rose (TBC)

A contemporary teen horror series is on its way to BBC Three and Netflix, written by Michael and Paul Clarkson (The Haunting Of Hill House, pictured above, See). Red Rose will be an eight-part series about the relationship between teenagers and their online lives. It’s the story of Rochelle, a Bolton teen who downloads a mysterious app that sets in motion a series of terrifying events. Ultimately, say the Clarksons, “it’s the story of friendship told through the prism of a classic horror-thriller.”

Ridley Road (TBC)

Adapted from Jo Bloom’s 2014 novel of the same name, Ridley Road will be a four-part thriller for BBC One. Actor and screenwriter Sarah Solemani (Him & Her, No Offence) has adapted Bloom’s book, which tells the story of the fight against fascism in 1960s London. According to Solemani, the novel reveals “a darker side of Sixties London and the staggering contribution the Jewish community made in the battle against racism.” In this Screen Daily interview from late March 2020, producer Nicola Schindler confirmed the series was being prepped and no cast had been announced, but that Solemani would not be starring.

Roadkill (October)

Veep‘s Hugh Laurie is going back to politics. Acclaimed screenwriter David Hare (The Hours, The Reader) is behind a new four-part political thriller for BBC One. Roadkill is the story of Peter Laurence (Laurie), a conservative minister with his eyes on the top job who attempts to out-manoeuvre the personal secrets threatening to wreck his public standing. Peaky Blinders‘ Helen McCrory is set to play prime minister Dawn Ellison, with Westworld‘s Sidse Babbett Knudsen also appearing. Filming began in London in November 2019 and we’re expecting it to arrive later this year.

The Salisbury Poisonings (June)

An episode in recent UK history – the 2018 Novichok poisonings – is translated to the screen in three-part factual drama The Salisbury Poisonings, which filmed in 2019 in the Wiltshire cathedral city. The BBC Two drama focused on the impact of the chemical attack on ordinary people and public services in the city, and boasted a terrific cast including Anne-Marie Duff, Rafe Spall, Mark Addy, Johnny Harris and MyAnna Buring. It was co-written by BBC Panorama‘s Adam Patterson and Declan Lawn. Read our review here.

SAS: Rogue Heroes (TBC)

A major new drama is on its way to BBC One, from Steven Knight, creator of Peaky Blinders and Taboo. The six-part drama is based on Ben Macintyre’s SAS: Rogue Heroes book, which charts the creation of the famed Special Forces unit. Knight is writing the adaptation, which will tell a tale “celebrating the glory, action and camaraderie at the heart of this story” while delving into the psychology of the officers and men who formed the SAS in WWII. With real-life events given Knight’s visionary treatment, this one promises to be a spectacle with real depth.

Showtrial (TBC)

The Tunnel’s writer Ben Richards has teamed up with World Productions (the folks behind Bodyguard – pictured above – and Line Of Duty) on six-part series Showtrial. Coming to BBC One, it’s a legal drama that questions the role class, money and power play in justice being done. The story treats the disappearance of a young working class student and the subsequent arrest and trial of the accused, “the arrogant daughter of a wealthy entrepreneur.” There’s been no official news on this one since its December 2019 announcement, so stay tuned for more.

Sitting In Limbo (June)

A new feature-length film tackling the shameful political Windrush immigration scandal aired on BBC One in June. Sitting In Limbo is inspired by the true story of Anthony Bryan’s struggle to be accepted as a British citizen, despite having lived in the UK since emigrating to Britain as a child in 1965 with his mother. Written by Bryan’s novelist brother Stephen S. Thompson (Toy Soldiers, No More Heroes), it’s a deeply personal and powerful ninety minute drama about the devastating human toll of the foreign office’s ‘hostile environment’ tactic. Casualty‘s Patrick Robinson and Save Me‘s Nadine Marshall star.

Small Axe (November)

An anthology of six hour-long stories set in 1960s – 1980s London is on its way to the BBC and Amazon Prime Video from Steve McQueen, the director of Twelve Years A Slave, Hunger and Shame. Small Axe started filming in June 2019 and boasts a terrific cast including Black Panther and Black Mirror‘s Letitia Wright, and The Force Awakens and Attack The Block‘s John Boyega, with Malachi Kirby and Rochenda Sandall. The first of the anthology’s five stories, all of which are set in London’s West Indian community, will be told across two episodes. See a teaser for the first, ‘Mangrove’, here. The title is inspired by the Jamaican proverb about marginal protest challenging dominant voices, “If you are the big tree, we are the small axe”. The first three episodes are due to open the New York Film Festival on the 25th of September 2020, though it’s currently unknown how the ongoing pandemic will affect the event.

Sweetpea (TBC)

From Kirstie Swain, the screenwriter of Channel 4’s Pure (pictured above) comes a new eight-part series adapted from C.J. Skuse’s 2017 novel of the same name. It’s the story of a young woman who seems unremarkable on the surface and works as an editorial assistant in a British seaside town. Unfulfilled by her job, she turns to darker pursuits outside of work, because who would ever suspect her? The comedy-drama is coming to Sky Atlantic and no casting has yet been anounced. Read our interview with Kirstie Swain about Pure, mental illness in TV drama and more.

Talking Heads (June)

Nothing to do with the NYC post-punk band of the same name, this remake of Alan Bennett’s acclaimed Talking Heads monologue series featured an all-new cast and two new monologues by Bennett. Originally broadcast in 1988 and 1998 and featuring a host of acting talent including Julie Walters, Maggie Smith and Patricia Routledge, the new Talking Heads starred Jodie Comer, Maxine Peake, Martin Freeman, Lesley Manville, Kristen Scott Thomas, Sarah Lancashire and more. The episodes are available to stream on BBC iPlayer in the UK, and were filmed using the standing EastEnders sets.

Tenacity (TBC)

If you saw His Dark Materials on BBC One, then you know Welsh-based Bad Wolf Productions are capable of great things on a grand scale. Last year, ITV commissioned them to make six-part thriller Tenacity, from a screenplay by Flightplan’s Peter A. Dowling, based on the J.S. Law novel of the same name. It’s about a body discovered on a British nuclear submarine, investigated by military detective Danielle Lewis. Think assassins, high-stakes action and a momentous threat to national security. The cast is TBA.

The Windermere Children (February)

This one-off feature length BBC Two drama delved into a little-explored part of English history – the child survivors and presumed orphans of the Holocaust who were granted the right to come and live in the UK following World War II. The Windermere Children tells the story of one coachful of young refugees brought to Lake Windermere to be rehabilitated through nature. Romola Garai, Tim McInnerny and Iain Glenn star in a screenplay from The Eichmann Show‘s Simon Block and directed by Any Human Heart‘s Michael Samuels.

The Elephant Man (TBC)

The story of Victorian Joseph Merrick was memorably brought to the screen by David Lynch in 1980, and has since been retold on stage (notably starring Bradley Cooper in the lead role). This two-part BBC drama stars Stranger Things’ Charlie Heaton (pictured) and is written by Moorside’s Neil McKay. The biopic will tell the story of Merrick’s life from the start to the end and promises to “explore the man behind the myth”. Filming was due to take place in Wales in late 2018, but there’s been no news about this one since.

The End (February)

This ten-episode series aired on Sky Atlantic and NOW TV. The End is created and written by Samantha Strauss and stars Harriet Walter and Frances O’Connor in the story of three generations of the same family dealing with the thorny issue of dying with dignity. O’Connor plays a palliative care specialist opposed to euthanasia, while Walter plays her mother Edie, who feels strongly that she has a right to die. Complicated family dynamics meet complex moral issues. See the trailer here.

The English Game (March)

Netflix bagged itself a Julian Fellowes-written drama earlier this year, this one about the birth of football. Set in Northern England in the 1850s, The English Game tracks the development of the beautiful game with the help of a cast including Line Of Duty’s Craig Parkinson, The Virtues’ Niamh Walsh, Kingsman’s Edward Holcroft and Game of Thrones’ Charlotte Hope. It arrived on Netflix UK in March and reviews were… not kind.

The Irregulars (TBC)

The modern version. The Robert Downey Jr version. The gnome version. The version where Watson is Lucy Liu. Just when you thought the world had no more Sherlock Holmes to give, along comes The Irregulars on Netflix. Written by My Mad Fat Diary’s Tom Bidwell, this version focuses on the Baker Street gang of teens used as a resource by Sir Arthur Conan Doyle’s Great Detective, and comes with what’s promised to be a horrifying supernatural twist. With Netflix money behind it, this could be a great deal of fun. Filming began in Liverpool in late 2019 but the series is currently on hold due to the COVID-19 pandemic.

The Last Days Of Marilyn Monroe (TBC)

Power, love, loyalty and politics all come to play in Dan Sefton’s (Trust Me) BBC adaptation of Keith Badman’s 2010 book The Final Years Of Marilyn Monroe. Narrowing the time-frame (as the working title suggests) Sefton’s drama will take in the final six months of Monroe’s life until her death in 1962 at the age of 36. Casting, filming, planned release date and all other information is yet to be confirmed.

The Luminaries (June)

Eleanor Catton’s novel The Luminaries won the Man Booker prize in 2013, and this June, arrived on BBC One. The six-part drama, available to stream on BBC iPlayer, boasts a strong cast, with Penny Dreadful‘s Eva Green and Eve Hewson taking lead roles in the 19th century New Zealand-set tale of adventure and mystery during the 1860s Gold Rush. Read our spoiler-free review here.

The North Water (TBC)

Film director Andrew Haigh (Weekend, 45 Years, Lean On Pete) has adapted and directed Ian Maguire’s novel The North Water into a four-part BBC Two drama with an excellent cast. Colin Farrell, Stephen Graham, Tom Courtenay, Peter Mullan and Jack O’Connell are all on board – literally so as the series is set on a whaling ship in the Arctic in the 1850s. It’s the story of a disgraced ex-army surgeon who joins a whaling expedition and finds himself “on an ill-fated journey with a murderous psychopath” and in a struggle to survive. Filming took place on the Norwegian archipelago of Svalbard in late 2019.

The Offenders (TBC)

From co-creator of The Office and writer-director of fab wrestling film Fighting with my Family, Stephen Merchant (pictured above, and soon to be seen playing killer Stephen Port in ITV true crime drama Four Lives) and Mayans M.C.’s Elgin James is a six-part one-hour comedy The Offenders. A BBC One-Amazon Studios co-production, it follows seven strangers forced together to complete a Community Payback sentence in Bristol and is described in the press release as “part crime thriller, character study, and a state-of-the-nation commentary – with humour and heart.”

The Pale Horse (February)

The brilliant Sarah Phelps (And Then There Were None, The ABC Murders, Witness For The Prosecution, Ordeal By Innocence) is back with another Agatha Christie adaptation for BBC One. This time it’s 1961 novel The Pale Horse being adapted for the screen, a story where superstition and witchcraft meet rationalism and murder. In the cast for the two-part mystery thriller are Rufus Sewell (The Man In The High Castle), Kaya Scodelario (Skins, Pirates Of The Caribbean), Bertie Carvel (Doctor Foster, Jonathan Strange & Mr Norrell), Sean Pertwee (Gotham) and more. Read our spoiler-filled episode reviews and more.

The Nest (March)

Line Of Duty‘s Martin Compston joins Sophie Rundle in new five-part BBC One thriller The Nest. Filmed in Glasgow and written by Three Girls‘ Nicole Taylor, it’s the story of a wealthy couple struggling to have a baby who enter into a surrogacy agreement with an 18-year-old girl (Mirren Mack) that spirals into unexpected territory. The series arrived in March, and here’s our episode one review.

The Singapore Grip (August)

A bit of class here coming to ITV with an adaptation of JG Farrell’s World War II novel The Singapore Grip. Playwright Christopher Hampton, whose previous screenplays include Atonement and Dangerous Liaisons, has adapted the story for a six-part series set against the backdrop of 1940s Japan. It stars Luke Treadaway and Elizabeth Tan, with David Morrissey, Charles Dance and Colm Meaney. The series is due to air in Australia this July, and will arrive in the UK in autumn.

The Sister (October)

Neil Cross, the creator of Luther and Hard Sun, has a new drama on the way to ITV. The Sister, formerly titled Because The Night, is a four-part murder story “which exposes the quiet terror of a man trying to escape his past,” and comes inspired by Cross’ 2009 novel Burial. The psychological thriller is about Nathan, whose world is rocked when a face from the past suddenly appears on his doorstep. Russell Tovey and Bertie Carvel star. It’s due to arrive on ITV this autumn.

The Serpent (TBC)

Ripper Street writer Richard Warlow has written this original eight-part BBC drama about “the phenomenal true story of how one of the most elusive criminals of the 20th century was caught and brought to trial.” It’s the tale of Charlies Sobhraj, Interpol’s most wanted man in the 1970s following a series of murders of young Western travellers across India. Tom Shankland (Les Miserables, The City & The City) directs, and A Prophet and The Looming Tower‘s Tahar Rahim will play the lead role of Sobhraj. He’ll be joined by Jenna Coleman, Billie Howell and Ellie Bamber.

The Stranger (January)

Announced in January 2019 and arriving on Netflix a year later, The Stranger is a Harlan Coben thriller made for UK television. Nicola Shindler’s British production company RED (The Five, Safe) have once again turned a Coben novel into a twisting, turning UK series. This one’s about Adam Price (played by Richard Armitage), a man with a seemingly perfect life until a stranger appears to tell him a devastating secret. Things quickly become dark and tangled for Price and everybody around him. Read our spoiler-free series review here.

The Tail Of The Curious Mouse (TBC)

When children’s author Roald Dahl was just six years old, so the story goes, he persuaded his mother to drive him to the Lake District so he could meet his hero, writer-illustrator Beatrix Potter, the creator of Peter Rabbit, Jemima Puddleduck and many more beloved children’s characters. The welcome he received, however, was less than warm. This one-off drama (Roald and Beatrix: The Tail Of The Curious Mouse) stars Dawn French as Potter and is made by the production team behind Sherlock and Dracula. Expect it to arrive this Christmas.

The Three (TBC)

Another BBC drama commission based on a book series, The Three, “an international thriller with a supernatural twist”, was announced in late 2017 but there’s been no news since then. The premise of Sarah Lotz’ trilogy sees four planes crash on the same day in four different countries, leaving three children as the miraculous survivors… Wolf Hall’s Peter Straughan was attached as adapting this eight-part drama but as yet, it’s still to appear on his IMDb credits.

Time (TBC)

Three-part prison drama Time is the latest from legendary British screenwriter Jimmy McGovern, and stars Sean Bean and Stephen Graham. Filming is due to begin in autumn 2020 in Liverpool. It’s being billed as “a visceral and high-stakes portrayal of life in the modern British penal system”, and tells the story of two men – an inmate serving time for having killed an innocent man in an accident, and a prison officer targeted by a dangerous inmate.

Tom Jones (TBC)

Praise for 2018’s Vanity Fair adaptation, scheduled opposite Bodyguard in 2018, was drowned out somewhat by the hit political thriller, but there was plenty of it, and deservingly so. Good news then, that ITV has brought screenwriter Gwyneth Hughes back to tackle another classic novel – Henry Fielding’s 1749 book Tom Jones. Following in the footsteps of the acclaimed Albert Finney-starring 1963 film, and the raucous 1997 version with Max Beasley, expect rollicking fun. The last update we had in November 2019 confirmed that Hughes was mid-writing.

Too Close (TBC)

Chernobyl‘s Emily Watson (pictured above in BBC One’s Apple Tree Yard) stars in this meaty psychological three-part thriller coming to ITV. Based on the novel of the same name written by Natalie Daniels (the pseudonym of actor-writer Clara Salaman, who’s also behind the screenplay), it’s about a forensic psychiatrist treating a patient who’s committed a heinous crime that she says she doesn’t remember. The two women become locked in a dark struggle of influence and manipulation. Watson is so far the only confirmed cast member.

Trigonometry (March)

All eight episodes of this new contemporary drama are available to stream now on BBC iPlayer. Trigonometry comes written by playwright Duncan Macmillan and actor-screenwriter Effie Woods, and provokes some fascinating questions about modern love. It’s the story of Gemma and Kieran, a couple who decide to ease the financial burden of their London flat by taking in a lodger who soon becomes entwined in their relationship. Is life as a ‘throuple’ sustainable? Could it be the way forward?

Us (September)

A four-part adaptation of David Nicholls’ novel Us is on its way to BBC One. Tom Hollander and Saskia Reeves star as Douglas and Connie, a couple whose marriage is on the verge of falling apart when the family take a long-planned holiday touring European cities. London, Amsterdam, Venice, Paris and Barcelona will provide the backdrops to this humorous, poignant relationship drama from the novelist behind One Day, Starter For Ten and Sky Atlantic’s recent adaptation of the Patrick Melrose novels. The Killing‘s Sofie Grabol and Agents Of SHIELD‘s Iain de Caestecker also star.

Vigil (TBC)

With a working title of Vigil, a new six-part thriller filmed in Scotland is on its way from the makers of Bodyguard and Line of Duty. Created by Strike‘s Tom Edge, it’s the story of the mysterious disappearance of a Scottish fishing trawler and a death on board a Trident nuclear submarine that brings the police into conflict with the Navy and British security services. Pictured above, it’s set to star Suranne Jones, Rose Leslie, Shaun Evans, Anjli Mohindra, Martin Compston, Paterson Joseph and more. Filming was forced to halt in March 2020 due to the COVID-19 industry shutdown and as yet, there’s no word on when it will resume.

Viewpoint (TBC)

A five-part thriller is coming to ITV from Rillington Place (pictured) and Manhunt writer Ed Whitmore and Fleabag director Harry Bradbeer. It’s about a police surveillance investigation in Manchester following the disappearance of a primary school teacher. A detective constable sets up a surveillance op in the flat of a local woman and watches the tight-knit community of the missing woman. ITV promises a “contemporary, character-driven murder mystery” mining the same ground as Rear Window and The Lives of Others. Pre-COVID-19, filming was due to begin in spring 2020.

When It Happens To You (TBC)

A new drama based on real-life abortion stories set in Northern Ireland – the only part of the UK where pregnancy termination remains illegal – is coming to BBC One. Written by Vanity Fair‘s Gwyneth Hughes, who travelled to Northern Ireland to meet the families who inspired the drama, When it Happens to You is produced by the makers of hard-hitting Three Girls (pictured) and will explore the experience of families and loved ones whose lives have been affected by the law in Northern Ireland.

White House Farm (January)

This six-part ITV true crime drama tells the tragic story of 1985’s White House Farm murders, the Essex killings of multiple members of the Caffell and Bamber families. Based on research, interviews and published accounts, it’s written by The Slap and Requiem’s Kris Mrksa, and directed by Little Boy Blue and Hatton Garden’s Paul Whittington. Freddie Fox plays the role of Jeremy Bamber, who is currently serving a sentence for the murders, with Stephen Graham, Alexa Davies, Mark Addy, Alfie Allen and more among the cast. Read our spoiler-filled episode reviews here.

You (TBC)

We might expect the working title of this one to change to avoid confusion with the Netflix stalker story of the same name, but as it stands, You will be an eight-part thriller coming to Sky. It’s adapted from the Zoran Drvenkar novel about a woman on the run across Europe after committing a deadly crime, pursued by a dangerous gangster and a serial killer known only as The Traveller, and is written by The Capture screenwriter Ben Chanan.

The post New British TV Series for 2020: BBC, ITV, Channel 4, Sky Dramas and More appeared first on Den of Geek.

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itsclydebitches · 5 years

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So the story goes like this: I’m in London for the month, popping into every used bookstore I find, and while in one I spot Captains' Logs Supplemental: The Unauthorized Guide to the New Trek Voyages. Though baggage weight limits won’t let me buy it (I have already bought so many books) I did snap pics of the “Past Prologue,” “Cardassians,” and “The Wire” entires. And then transcribed them. Because I thought the other Garak stans might enjoy this info!

Worth the read imo 💜

Episode #3 “Past Prologue” Original Airdate: 1/11/93 Written by Katharyn Powers Directed by Winrich Kolbe Guest Starring: Jeffrey Nordling (Tahna), Andrew Robinson (Garak), Barbara March (Lursa), Vaughn Armstrong (Gul Dunar), Richard Ryder (Bajoran Deputy), Susan Bay (Admiral), Gwynyth Walsh (B’Etor)

“We didn’t want your typical Cardassian in there,” says director Winrich Kolbe of the creation of one of DS9’s break-out characters, the Cardassian spy Garak. “Obviously it would have been hard to put a real Cardassian soldier in a clothing store. Perhaps it would have been terrific, who knows, but what we felt we had to deal with was somebody abnormal—at least as far as the Cardassians were concerned. It was one of those things where I wasn’t quite sure whether Andy Robinson would be the right guy. I had a different idea as to what type of actor I wanted, but Andy Robinson was available and turned out to be terrific. What I wanted, which shows how far off I was, was Sydney Greenstreet. I have to admire an actor who has to come in at three in the morning and stay in that kind of makeup for the rest of the day and still be able to give a performance.”

Comments Michael Piller, “One of the things about ‘Past Prologue’ that bothered me was that Bashir’s performance was in a very broad range—and this was newness. I believe we have strange aliens, strange makeup, spaceships, explosions and wormholes and costumes that are crazy, so that the people within them have to be entirely credible. If those people get too big in their performances, then you go into opera, and it becomes space opera, foolish and unbelievable. Patrick Stewart really led the way with us in Next Generation, which is to underplay. When you think you’re going to go big, you come down, and it has much more power and credibility. You believe there’s a space station or a spaceship like Enterprise. The biggest problem with the early shows is that some of the performances were too big or too restrained. We had to find the even tone for the ensemble to work together. Our voices weren’t quite right, and the performances were uneven. The first episode hurt the character of Bashir because he was so broad in those scenes with Andy Robinson that he looked like the greenest recruit in the history of the Starfleet, and that hurt him for two or three episodes. If we were shooting it today, his performance would be much more credible, and he wouldn’t have the same reaction from the audience that he has now.”

Klingon renegades Lursa and B’Etor, of course, were introduced in the Next Generation two-parter “Redemption,” and were used as part of an attempt to tie Deep Space Nine into existing Trek continuity. The characters eventually perished in battle against the Enterprise in the feature film Star Trek: Generations.

“The creative synergy allows you incredible opportunities,” remarks Piller. “It’s interesting how we used them. Essentially, we had a story and, in the case of Lursa and B’Etor, we said, ‘Hey, we’ve got a real kind of Casablanca spy story and we need someone to really be doing double dealings and bringing money and doing gun exchanges; why don’t we use the Klingons—and use those characters that we love so much? It works out just fine to use those guys because then there’s a connection and an identification. There’s a backstory, there’s a history, and all of these things make for such a richer series.”

Says Ira Behr, “There’s no doubt that people like [TNG characters like] Lwaxana [Troi] and Q and Vash and a bunch of others. They have a certain life to them as characters and an energy that certainly helped The Next Generation and helps us too. The characters that don’t have to be Starfleet and don’t have those strings we have attached so often. A lot of times you have people performing those characters who take a lot of relish in doing them, so they’re fun to have come back.”

Piller doesn’t feel that in exploiting The Next Generation’s voluminous history Deep Space Nine has an unfair advantage, appealing to those already familiar with Trek lore. “You have to look at the shows themselves,” he insists. “There’s no question in my mind that conceptually, each of these shows would work because they’re about the new characters. In ‘Past Prologue,’ there’s a moral dilemma for Major Kira where she has to confront her loyalty to her past life and what her new life is going to be. It’s really about her. It’s illuminating our new characters. As I’ve always said, the guest stars are catalysts. There have been times when I have not been satisfied, more prior to my arrival, that the shows have been about the guest stars, but ultimately the shows that succeed are when the guest stars are serving as catalysts to illuminate our characters.”

Episode #25 “Cardassians” Original Airdate: 10/25/93 Teleplay by James Crocker Story by Gene Wolander and John Wright Directed by Cliff Bole Guest Starring: Rosalind Chao (Keiko O’Brien), Andrew Robinson (Garak), Robert Mandan (Kotan Pa’Dar), Terrence Evans (Proka), Vidal Peterson (Rugal), Dion Anderson (Zolan), Marc Alaimo (Gul Dukat)

“I didn’t have a lot of faith in this show at first,” admits Ira Behr. “It was such an issue-oriented show that I thought we would oversimplify a complicated issue, but what got me into the show was when I realized this was not only a chance to bring back Garak but to do this whole weird little number with what’s going on between him and Dukat. To me, that nailed the character and I knew after that happened we were going to see a lot of Andy Robinson, who’s become quite popular on staff. What did not work for me was the kid and O’Brien. I thought that was very obvious stuff compared to the rest of the episode. Sometimes we have a tendency to overload the stories. Ultimately, who cared about this kid? It was weak compared to the rest of the episode.”

“As an actor, when I got the script, I didn’t realize Dukat was being set up to take the blame,” says Marc Alaimo, who portrays Gul Dukat. “But I played him as a man who was being set up. A man who was taking the dive because he had wanted to remove the children but his orders were to leave them. I never really understood that story. It seemed complicated to me, and I never quite understood how he got blamed for it.”

Episode #42 “The Wire” Original Airdate: 5/9/94 Written by Robert Hewitt Wolfe Directed by Kim Friedman Guest Starring: Andrew Robinson (Garak), Jimmie F. Skaggs (Glinn Boheeka), Ann Gillespie (Nurse Jabara), Paul Dooley (Enabran Tain)

“It just so happens some of the best shows are the least expensive, because we’re forced to be concise,” Ira Behr comments. “Our conceptual thinking of two guys in a room who are struggling for survival, or against each other, frequently makes for very good drama. This episode was an opportunity to show Bashir with a real strength that he hasn’t had before.

“[Story editor] Robert Wolfe talked passionately about doing this show, and we had always talked about the fact that Garak might have been George Smiley back in Cardassia and maybe we should explore that. Then I went to the movies and came back and said, ‘He’s Schindler.’ Why don’t we do Schindler and Smiley, and then Michale [Piller] said do all four stories, every one different. Robert came up with the idea that he tells this story about his best friend and it turns out to be him. Then you meet his mentor and best friend, who says, ‘I hope he dies, but tell him I miss him.’ That’s perfect; it’s all great stuff.”

Admittedly, “The Wire” could be perceived as an attempt to repeat the success of first season’s “Duet,” and the staff was aware of the similarities. “‘Duet’ was Kira’s crisis as much as the guy’s crisis, and this was much more Garak’s show,” offers Behr. “I thought that was a little dangerous, and we knew we were doing it, but let’s face it, the Cardassian monologue is great and Cardassians like to talk. They’re also great fun to write.”

Says David Livingston, “It’s a bottle show. It’s basically Andy Robinson in a room, but it’s very compelling because it’s one man intervening. Kurt Cobain needed Siddig. If he had had Sid he might have pulled through, because Sid knocks some sense into Andy’s head and says, ‘You’ve got to get off this stuff.’”

According to director Kim Friedman, “‘The Wire’ was kind of a challenge because most of the episode was two people in a room, Sid and Andy Robinson. It’s very hard to create pacing and energy for a show that is basically set in a room. But ultimately I was very pleased with the whole episode. I think my favorite moment was the implant withdrawal scene, which results in a fight between Bashir and Garak. It was just a very powerful moment.”

Paul Dooley, who played the menacing Enabran Tain, returned in DS9’s third season two-parter “Improbable Cause” and “The Die is Cast.” He is known for his role as Martin Tupper’s gay father in the HBO sitcom Dream On.

#DS9 #star trek #garak #julian bashir #garashir #deep space nine #I have things to say about Piller's reading of Bashir #but that's for another post lol

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lmbrjckdancefunkk · 5 years

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Welp...

10/9/2019

Democratic, Respectful Response:

Well, I'll just let it be known.

With less than 12 hours' notice, #HaveAHeart has officially closed our store, laying us all off.

Today is my off day, btw.

(We are all members of #UFCWLocal555, which sort of seems a little useless at this point.)

The level of frustration, confusion and hurt I'm feeling is unparalleled, but more importantly, the way we've all been manipulated / handled by the corporate representatives within the last few months shows me even more that the mission statements and values we all signed on to embody mean very little to HaH.

Meanwhile, HaH continues to open store after store in California while discarding and abusing their own employees. Oregon could have been such a good market, too.

To Beth, Dave, Merlin, Cody, Blake, Tia, Jelly...

We finally got got.

Sokha, thanks for always being so sweet and for 'breaking bread' with us during our first few days opening the store. Those of us remaining never forgot your hospitality, and hopefully one day, all of Have a Heart will reflect such maturity and true community.

TO:

Cece

Patrick

Dom

Nic

Paul

Jen

Cam, and

Briceson:

I LOVE YALL FOR TRYING TO UPHOLD A VISION THAT WAS POORLY EXECUTED FROM JUMP.

Y'all already knew what it was and is.

Yesterday night, I was a Black, openly gay Lead Budtender from Oklahoma, spreading cannabis advocacy on behalf of Have a Heart.

Today, I'm looking for work. I wonder if Good Morning America will see this...

Lol

Real Life Response:

Have a Heart fucked me over.

I do want to be clear though, as I’m not an idiot. We know that our lease would be up around this time and that there would be a possibility that we would be purchased and under new management. The issue though is that thr current CFO of Have A Heart, Ed Mitchell, Assured us all respectively that we would have ample notice before any closures occurred. He obviously lied. We’re screwed.

Our interim manager, Miguel, obviously knew as well. He was usually really good at printing off our schedules to weeks in advance, but a few of us started to notice that he hadn’t put up our schedules for the continuance of October. Once one of our leads asked him to print more schedules, all he did was copy and paste previous ones, obviously to placate us until a few days ago when they called us to tell us that the store was closed. He knew before hand, he screwed us.

I’ve been waking for the last eighteen months at 6:15am, and now I’m up at the same time, looking for cannabis jobs because (and here’s the kicker) I’m a 400 lbs black bear who’s been consuming cannabis REGULARLY and I will fail every drug test I take because of the amount of THC in my system. I’m screwed.

Also, prior to being laid off, assuming I had job security, I took advantage of some sales that Amazon offered me, most recently starting monthly payments on a NEW $2300 MacBook Pro and various music software suites, plus I was going to start paying on my defaulted loans, which would guarantee my tax refund, so I could finally get an apartment of my own and start my “35-year old single life.” I’m screwed.

If anyone can help me during this very stressful time:

Cash app - $LmbrJckT

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smollandtoll · 6 years

Text

HC: 5Hole

TW: this headcanon mentions other people in the NHL including certain Blackhawks and Capitals you might not want to read about. You can skip this one and won’t hurt our feelings OR just read until you get to the section divider that indicates the rest of our HC that doesn’t particularly involve just Sid/Geno.

Have you ever listened to Ariana Grande in the shower and immediately come out with an entire head canon about a Gay Hockey Bar called 5Hole? No? Just me?

So imagine Mario owns this establishment of course and Sid works there as a bartender. He’s perpetually single, mostly because he is super awkward, but also a little because his lower half is always behind the bar. There’s also the fact that he’s hopelessly in love with a regular named Geno and no one wants to get in the middle of whatever epic romance they’re figuring out together.

Geno’s story goes something like: he tried to work at 5hole, but was literally always late, and drank too much while on shift, and was generally the worst bartender because he'd get distracted flirting with patrons instead of y'know working. So he turned into a regular, and is ALWAYS dating someone new/constantly with a boyfriend. Cue Sid being like terribly in love with him from afar for 8 years.

We love a pining Sid - meanwhile Geno’s like, “Sid's good friend! Very cute boy. Weird little bit, but fun to chirp. Flirt with Sid all the time. He never show any interest.” See why no one wants to get in the middle of that? Besides you never know if Sid’s going to do something to one of Geno’s date’s drinks. Like he hasn’t so far, because he’s Sid, but sometimes he looks long and hard at the way they giggle up at Geno from under his arm and takes a really long time to set their drink down on the bar. Anyway Geno's busy having a great time and being young and a mess and missing his family so fiercely he doesn't even think his heart is capable of love any more it's so broken, y’know casual. So he's not looking, not even thinking to look back at Sid because sometimes someone just doesn’t register as a prospect.

Meanwhile Geno is like so scary to Sid, like he's so bright and bold and fearless and like he's got so much drama, with all the people in his life and like the on again off again friendship with Ovi and all the other shit, the Russian politics, the constant internal struggle against self-hatred. He’s always in and out of the bar, always laughing brightly at someone pretty or giving his friends shit and then turning his smile on Sid, and Sid just can’t help but be so drawn to him. Geno is so much, and Sid is so little, he doesn’t think he could compare at all, he doesn’t have deep thoughts or an interesting background, he’s not sexy or silly or fun or any of the other things Geno seems to look for in a date.

He definitely wouldn't know what to do even if some miracle happened and he managed to capture Geno’s affection and attention. To always have the weight of Geno's gaze and possessiveness on him? Like it'd be so nice, but also when he flirts even just a little, Sid always FREEZES. It's been years and he still doesn't know how to handle it. So he’s writing himself off.

But other than the Geno drama, Sid actually really likes being a bartender. It suits him because he can’t flirt (that well) but he can quickly and efficiently prepare drinks when it’s busy af and it’s easy for him to stay low-key and focused. He’s actually the best, he's quick, his eyes never miss anything (he's definitely caught a few doctored drinks), he remembers an infinite amount of orders, he's clean, he's no nonsense, and he's pretty enough to make really decent tips when he smiles even if he can’t flirt worth a damn.

Mario is definitely grooming him to take the bar over - sending him to business school, letting him stay with him indefinitely (this is definitely one of those stories where Sid was like wayward, but not in a terrible way, just a little at loose ends and in need of a decent paying job and Mario swoops in with all the experience and convenient answers). (At this point we got deeply excited by possibilities of other people in this universe and our adorable Sid/Geno plot went off the rails. We just have so many faves, guys!)

Other things about the bar/patrons (stop reading here if you don’t want other people):

Mario is one of those old gays that realized late in life that they COULD be gay, like long after they had a wife and four kids and a career and things. Mario's “one that got away” was probably Gretzky (like, okay, in retrospect, I was in love with him and very in denial about it) and Jagr was probably a young coworker that got along well with him and occasionally experienced a tension-laden moment at a conference or two after a few drinks and was DEEPLY IN LOVE WITH HIM despite Mario explicitly saying "BACK OFF I'M VERY HETERO AND HAVE A WIFE AND BABIES I LOVE." But you know how it is when someone is in so much denial about who they actually are, and Jagr knew, he KNEW. But he also wasn’t self sacrificing enough to stick around waiting only to get burnt over and over while Mario always prioritised his wife.

Basically in this universe, NHL = gay(/bi/pan/poly/aro/ace/various other QUILTBAG abbreviations/occasionally straight because they can’t ALL be gay but like just most of them!). There are a lot of regulars at this bar, and they float in little interest groups and cliques depending on who is dating who and who has what in common - you know like real life. Here are some of the groups and what we think about them.

Jonathan Toews is the other bartender who works in tandem with Sid, because we just imagine this being a super Canadian bar. Jonny is hot and serious and deadpan and if Sid’s the shy (but incredibly competent) one with a great smile then Jonny is the intimidatingly tall and hot one. Regular bar patrons occasionally give guys the DL on the Sid <3 Geno situation - if someone is interested in wooing Geno feel free to hit on him, make out with him, but they usually get warned to grab their drinks from Tazer.

Patrick Kane is one of those self hating gay dudes who comes to the bar to pick up and fuck in the bathroom and then goes back to saying f slurs with his finance bros. He’s probably very angsty and Tazer probably serves him a lot of water and stern looks.

Jamie Benn is one of those gay boys that has no style and doesn't know how to be gay at all. Sid feels for him deeply when he first starts coming in with just the solidarity of his straight brother who kind of abandons him to hustle at pool and watch hockey (hockey is always playing at 5Hole). Tyler Seguin probably swoops in early, takes him for haircuts and makeovers and long late-night heart-to-hearts they pretend are just bro-chats but no one is surprised when it turns out they’re secretly in love with each other.

Flower and Tanger are in some kind of open or poly relationship. As far as Sid can tell, Flower is married to a woman, but a couple times a month he and Tanger come to 5Hole and Tanger goes off to pick up a third guy for Flower’s inspection while Flower shoots the shit with Sid at the bar.

Phil Kessel genuinely comes in for the beer and the hockey and to not hear gay slurs while enjoying them. At first Sid thought maybe he was in the wrong bar and tried to warn him they weren’t a normal hockey bar, but Phil didn’t even look up from the beer menu and scathingly told Sid that he didn’t have his rainbow ID card with him that day, his apologies. After a while they all got used to him being gruff at the bar, focused on the TV more than the company, but still getting hit on relentlessly by like Hags. Phil usually tells him "SURE KID WHATEVER. YOU'RE TOO PRETTY FOR THE LIKES OF ME, MOVE ON." But Hags likes him, and thinks he’s cute and is slowly eroding Phil’s disbelief. Phil deserves love too.

Whenever Hags feels like he’s starting to cross the border into being harassing however it’s okay, he pays for Phil’s drink and then retreats to the corner that is occupied by mostly blonde swedes. Taken into Horny’s open (usually bare and glistening) arms, hair ruffled by Erik Karlsson.

The rest of the Swedes are a small contingent and insanely hot. They usually all break into their individual cliques and return every so often to Nicklas Backstrom’s table where he watches over them all with a stony expression of love, and makes sure the babies don’t get drugged (looking at you Willy Nylander).

There is a similar table of Loud Hot Russians, that is mostly lead by Ovi, and, depending on where their on and off friendship is at, Geno. But obviously Ovi is always like "SID! NICKY HERE?" literally any time he comes in. Ovi is just SMITTEN from the beginning, loving that beautiful impassive man, seeing the WARMTH WITHIN NICKY knowing he NEEDS OVI'S JOVIAL NATURE IN HIS LIFE. Whenever he can say something that gets Nicky to smile it’s 100% worth all his scathing looks and comments and he drunkenly pledges that he’s going to spend the rest of his life trying to make Nicky smile as much as possible. Nicky thinks he’s certifiably insane, but eventually caves and starts hesitantly dating him, and they are definitely instantly the new old married couple at the bar. And then all the Russians and Swedes get strangely intermixed a lot. Geno and Horny being brothers etc.

The Bi Guy club is mostly just Tyler Seguin, Paul Bissonnette talking shit and giggling in a corner and occasionally leaving 5Hole to pick up down the street at the straight club.

IF ANYONE was gonna be part of the drag act that comes in on the first Friday of the month it'd be PK and his Predators. Roman Josi in drag would be so beautiful. Baby gays Kevin and Juuse, longtime queens Pekka and Shea (#denial). Those Preds are so pretty.

Johnny Hockey would be that twinky kid who is like actually maybe too afraid to have sex yet but acting all mature and like he can handle it but he's sEEN SOME FUCKED UP PORN, HE KNOWS ASSHOLES CAN JUST RIP AND HE'S SMALL he's just ANXIOUS. It doesn’t help that he’s deeply hung up on Sean Monahan who runs in the Fuck Boy circle with Tyler Seguin, Tom Wilson, Michael Latta, and Brady Skjei. He is afeared. It’s okay though, Jeff Skinner, and Beau Bennet comfort him and take in Mitch Marner when he wanders in on his 18th birthday.

There’s definitely a kind of low self-esteem but thicc as hell club? President Tyson Barrie, VP Nate Mac, Treasurer Jamie Benn. THEY ARE ALL SO SHY AND WEIRD BUT SO JACKED AND FUNNY??? Gabe's gotta always be tagging along with them because he thinks he fits right in, not because he's ugly or they're ugly but because he thinks they are all smart and funny. And also Tyson is super cute and he is INTO IT. But it like PEEVES Tyson like no other because GABE DOES NOT BELONG.

Tyson: Why does he not spend all his time with the hot swedes, he gets to be hot AND FUNNY. RUDE. Gabe doesn't know how to stay in HIS LANE. THERE IS SUCH THING AS TOO PERFECT GABRIEL. LOOK GABE, GO BACK TO YOUR HOMELAND, LOOK, THAT ONE WHO LOOKS LIKE A PIRATE PROBABLY IS MISSING YOU.

Gabe just exchanges looks with Nate and buys Tyson a very sugary drink (basically anything that ends in -tini) and smiles at him a lot to see him turn increasingly fluorescent shades of red.

Tom Wilson and Michael Latta despite their best intentions as part of the Fuck Boy clique are those guys who have been in a high school sweethearts level committed relationship for EVER AND EVER and everyone is like "maybe you should play the field" and they're like ....I don't think I need to. Because they have everything they need in their meathead bro! Solid sports understanding? Companionship? Twice the wardrobe? A+ blowies??? Done, done and done.

There is also the older distinguished extremely handsome gentleman's society aka Henrik Lundquist and Patrick Sharp. They’re biding their time, eyeing up future Gabe and Holtby. Ovi occasionally tries to set up shop with them and they're like "Good try, you might be silver but you're still like 28."

Thennn idk probably plot would happen like Geno would start dating someone and drama would occur and someone would have to force Sid to talk about his feelings and Geno would realise that he could have had Sid all along BECAUSE WE NEED LOVE.

5HOLE!

#headcanons from the icy void #sid/geno #sidgeno #Hockey RPF

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londontheatre · 7 years

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Outlaws to In-Laws

70 years is, according the bible, the amount of time that a person has on earth – Psalm 90, verse 10: “The days of our years are three score and ten.” Of course, in reality, people often live much longer. But, over the course of seven decades its amazing how much the world in which we live can change and this is the central message of Outlaws to In-Laws which is part of the centrepiece of the King’s Head Theatre’s Queer Festival 17.

Outlaws to In-Laws is not a single play but is an evening comprising of seven plays by individual authors, each taking place in a separate decade between the 1950s and 2010s. The first, Happy and Glorious by Philip Meeks take place on the day of the Queen’s coronation in 1953. In a ‘gentleman’s club’ overlooking Westminster Abbey, Edward (Alex Marlow) and Peter (Elliot Balchin) are welcoming a new member in the shape of Dennis (Myles Devonté) a young black man who is a complete innocent in the underground world of gay men in 1950s Britain. Despite the law, both Peter and Edward seem happy as they are. Even drag queen Arthur (Paul Carroll) seems content despite his recent brush with the law. As the Queen is crowned, the men have no doubt that for homosexuals, the new Elizabethan era will not change life one jot for them.

Move forward to Liverpool in 1965 and Jonathan Harvey’s Mister Tuesday. Two men, Jimmy (Elliot Balchin) and Peter (Jack Bence) are sitting in bed relaxing. It is obviously a post coital moment and both gentlemen should be feeling relaxed and chilled after their time together. But they aren’t, and the reasons for this become obvious very quickly. Both men have secrets to keep from each other and the world outside and both know more than they should about the other. What is the future of the two young men who, if only they had met a couple of years later may have found their lives to be completely different?

1977, the year of the Queen’s Silver Jubilee and we enter the world of Reward by Jonathan Kemp. On a London street, two men are waiting for a bus. Donald (Michael Duke) is a young, well dressed black man, waiting patiently book in hand, is joined by Spike (Jack Bence) a young skinhead who, in order to make himself comfortable, has dragged a discarded sofa over to the bus stop. The two boys tentatively start to chat in a way that would definitely not be approved of by Spike’s skinhead mates, and especially his friend Terry (Paul Carroll)

Move forward and the Conservative Party conference provides the backdrop to Patrick Wilde’s 1984. At the Grand Hotel, waiter Tommy (Alex Marlow) is having a break, drinking some purloined gin, when he is joined by his old friend – and current Tory speech writer – Alan (Elliot Balchin). The two of them are no longer close and politically, they could not be further away from each other. One is living with the AIDS crises whilst the other does not even acknowledge it. Maybe the intercession of would-be thief Peter (Jack Bence) will change things for both men.

Following the interval, we enter the year 1997. There is a new government and in Princess Die by Matt Harris, The Queen of Hearts is emulated by a young drag queen called Shane (Alex Marlow). However, Shane has made a huge mistake on a night out with his boyfriend Tyler (Myles Devonté). Returning home alone, Shane seeks solace in drugs and suddenly finds his fantasies coming to life in the immaculate shape of underwear model Calvin (Elliot Balchin). Can Calvin make Shane realise what he has done and help him to save his romance or is Calvin but a figment of Shane’s drug addled mind?

Two young black gay men, alcohol and a computer are the ingredients for Brothas 2.0 by Topher Campbell. Its 2004 and the internet has brought a new way of connecting with other men. As Dwayne (Michael Duke) and Femi (Myles Devonté) sit drinking, they browse the various profiles of other men looking for a hook-up. Both boys are very ‘street’ in their actions and words but both are also not exactly what they seem. Dwayne is very fussy about who he speaks too online and despite Femi’s protestations, Dwayne seems to find something wrong with everyone who tries to contact him. Until a certain profile appears which changes his mind.

Finally, it is 2017 and in Joshua Val Martin’s The Last Gay Play the dream of a church wedding has finally come true for Robin (Jack Bence) and his partner Zak (Michael Duke). Not only are they getting married in a church but the celebrant for the ceremony will be Robin’s father Ted (Paul Carroll). As pre-wedding nerves kick in, Robin and his Dad have some serious things to say to each other. Does the answer to all the questions lie in a ring, first seen back in 1953?

Wow, seven plays in two hours – with a fifteen-minute interval – is a lot to take in at one showing. With each play lasting, average, fifteen minutes, the writers and actors had to do a fantastic job of getting their characters established and stories told. And, on the whole, this they did with style.

With seven shows, each member of the audience is going to have their particular favourite and the one that doesn’t quite work for them. Having written about each of them today, I’m actually surprised to find that my favourite was Reward. Without giving anything away, the subject matter, and very authentic 1970s language should have been a total turn off but, the writing was pretty amazing completely took me surprise as the story unfolded. At no point did it go the way I thought it would, given the characters involved. I also thought this was the strongest acting-wise with Michael, Paul and particularly Jack Bence completely believable in their respective roles.

On the flip side, the play I had most trouble connecting with was Brothas 2.0 which, despite some fine acting from Michael and Myles really didn’t work for me. Maybe it was because it was a shade too real but having been on the receiving end of some of the comments made by the boys, I found the play irritating. Personally, I think it would be nice if just once a playwright let the fat gay man actually win and not just be a cheap joke element guaranteed to raise some laughter. Of course, this is a personal opinion and did not detract from the evening as a whole.

Anyhow, full credit to the cast of Outlaws to In-Laws for their performances throughout. Normally, when you see a night of short plays, each one has its own individual cast but here, we had six actors playing a total of twenty very varied roles. A really impressive feat that they do very well. One final thing about acting. There is a real art in not moving and not all actors can do it well, but hats off to Elliot Balchin for his ability to sit centre of the stage in just a pair of CKs without any movement to the point where you almost forget he was there. I also really liked the idea of the ‘Ring’ moving through the years which was a lovely way of connecting the individual plays. Having one Director in Mary Franklin and a single, flexible set by P J Mcevoy also helped make the evening feel connected and Robin Lill’s costumes were wonderfully era specific.

To sum up then. Outlaws to In-Laws is a most appropriately titled show that takes a slice through seven decades of gay men’s life with a very honest forthright approach that shows not only how far we have come but, to an extent, what there is still to do.

Review by Terry Eastham

Outlaws to In-laws, which gets its world premiere at London’s King’s Head Theatre from 29 August – 23 September, is dedicated to the struggles and joys of gay men connecting with each other over the last seven decades.

From the darkest days of criminality to the legalising of gay marriage, it features seven short plays by leading gay writers that represent each of the decades from the 1950s to the present day.

Outlaws to In-Laws King’s Head Theatre 29th August to 23rd September 2017 http://ift.tt/1fCF0rr

http://ift.tt/2vRGyJM LondonTheatre1.com

#IFTTT #LondonTheatre1.com

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aion-rsa · 4 years

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New British TV Series for 2020: BBC, ITV, Channel 4, Sky Dramas and More

https://ift.tt/eA8V8J

All Creatures Great and Small (TBC)

Around the World in Eighty Days (TBC)

A Suitable Boy (July)

Adult Material (Autumn TBC)

Anne (TBC)

Baghdad Central (February)

Belgravia (March)

Best Interests (TBC)

Black Narcissus (TBC)

Bloodlands (TBC)

Boys (Early 2021)

This 1980s-set drama comes from acclaimed screenwriter Russell T. Davies (A Very English Scandal, Doctor Who) and tackles the impact of AIDS on the lives of three young men across a period of ten years. It’s the story of “the epidemic, the pain of rejection and the prejudices that gay men faced throughout the decade.” Filming began on the five-part series in October 2019, with a cast including Olly Alexander, Neil Patrick Harris, Keeley Hawes, Stephen Fry, Tracy Ann Oberman and Shaun Dooley. According to this Channel 4 highlights package, we can expect it to air in the first quarter of 2021.

But When We Dance (TBC)

Cobra (January)

Come Again (TBC)

Deadwater Fell (January)

Death Comes as the End (2021 TBC)

Des (TBC)

Dracula (January)

Englistan (TBC)

Flesh and Blood (February)

Four Lives (TBC)

Gangs of London (April)

Honour (Autumn TBC)

I Hate Suzie (August)

I May Destroy You (June)

Industry (Autumn TBC)

Inside Man (2021 TBC)

Intergalactic (2021 TBC)

Isolation Stories (May)

Karen Pirie (TBC)

Leonardo (2021 TBC)

Life (Autumn TBC)

Little Birds (August)

Miss Scarlet And The Duke (March)

Noughts + Crosses (March)

Normal People (April)

Penance (March)

Quiz (March)

Red Rose (TBC)

Ridley Road (TBC)

Roadkill (TBC)

The Salisbury Poisonings (June)

SAS: Rogue Heroes (TBC)

Showtrial (TBC)

Sitting In Limbo (June)

Small Axe (TBC)

Sweetpea (TBC)

Talking Heads (June)

Tenacity (TBC)

The Windermere Children (February)

The Elephant Man (TBC)

The End (February)

The English Game (March)

The Irregulars (TBC)

The Last Days Of Marilyn Monroe (TBC)

The Luminaries (June)

The North Water (TBC)

The Offenders (TBC)

The Pale Horse (February)

The Nest (March)

The Singapore Grip (TBC Autumn)

The Sister (TBC)

The Serpent (TBC)

The Stranger (January)

The Tail Of The Curious Mouse (TBC)

When children’s author Roald Dahl was just six years old, so the story goes, he persuaded his mother to drive him to the Lake District so he could meet his hero, writer-illustrator Beatrix Potter, the creator of Peter Rabbit, Jemima Puddleduck and many more beloved children’s characters. The welcome he received, however, was less than warm. This one-off drama (with a working title of The Tail Of The Curious Mouse) stars Dawn French as Potter and is made by the production team behind Sherlock and Dracula. It was commissioned for Christmas 2020, but there’s no word yet on how that timeline has been affected by the COVID-19 shutdown.

The Three (TBC)

Tom Jones (TBC)

Too Close (TBC)

Trigonometry (March)

Us (TBC)

Vigil (TBC)

Viewpoint (TBC)

When It Happens To You (TBC)

White House Farm (January)

You (TBC)

The post New British TV Series for 2020: BBC, ITV, Channel 4, Sky Dramas and More appeared first on Den of Geek.

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