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#im going through doing minor edits I missed last night and damn I had fun with these
redrobin-detective · 3 years
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Favorite parts of Private Journal
Its my tumblr blog so here’s the parts of my own fic that actually made me lose my shit.
-  DF: I can’t live like this; I’m just going to spend the rest of my miserable half life on this floor.
-  Healing - Can take some hits and recover faster than a normal person. I hit Danny with a lawn chair a few times and he seemed alright after a minute.
-  Stupid Veggie Girl (11:47 pm): You’re seriously going to use your first name for your secret identity?
- Advantages: Danny’s power, Fenton technology (affectionate), the best superhero back-up team ever, most everyone ignores us.
Disadvantages: Danny has no idea how to use his powers, Fenton technology (derogatory), we’re 14 and have no fighting experience, pretty much no support from anyone.
-  I’m just minding my own business and he just flies in like “hey kid, do you mind if I kill and skin you?” and then doesn’t wait for an answer
- Enough bribery money to win me the Mayor’s seat next election Sam- why??? Tucker- idk it happened in a dream once
-  SINCE WHEN DO PICKLES FLY KYLE??
-  Ghostbuster (10:42 am): [Photo: a clipping of billionaire, Vlad Masters from Rich, White Men Magazine as he toasts the camera with a glass of champagne. A curly mustache, an eye patch along with several blacked out teeth have been drawn on with a sharpie.]
-  It has been _0_ days since Danny got his skinny ghost ass beaten to the ground
-  (Video: Phantom has the front camera on while wearing a pink boa, neon green shutter glasses and a Burger King crown. He’s playfully jumping aggressively around the room to the opening of My Chemical Romance’s I’m Not Okay (I Promise).
-  [He’s wincing and trying to poke at his arm and both Sam and Tucker’s arm can be seen trying to slap him away.]
-  Phantom sighs loudly and turns from the portal to look at Sam and Tucker with longing eyes. (just this image of Danny pouting at Tucker and Sam gets me)
-  You (1:47 am): It’s almost 2 am my dude You (1:47 am): Nows not the time for an existential crisis else I’ll finish what that portal started Nearly Dead But Not Quite (1:48 am): yea ok that’s fair gnight
-  (Video: It starts in a corner of Danny’s room. There’s a multi-colored strobe light going off and Carmaladansen is playing loudly in the background. Tucker can be heard snickering slightly and humming under his breath as he gently turns the camera until it’s focused on Phantom lying face down on the floor with a small puddle of unidentifiable liquid underneath him.)
- I won’t post the whole thing but the entirety of Danny being a cryptid on Sam’s YT acct and the ensuing text conversation had me cackling
- @Homie-boy: Fenton what ghost weed did u and phantom smoke and where can i get sum?
- (Snapchat Video: Sam has the front camera on, facing herself as she rolls her eyes. Her face is mostly cut off, the video instead focuses on Danny and Tucker in the background. Danny’s eyes are glowing a neon green and he’s gripping Tucker’s arms tightly and in the midst of an aggressive pat down. Text reads, Tucker wasn’t paying attention and almost wandered into traffic so Danny’s going to fuss over him for the next eternity.)
-  Going Dead (10:13 pm): I do not control The Jazz
-  > Spectraldaisy69 @dousedinhorror • February 9 Isn’t he like dead? Does the dead cancel out the gay?
-  Casper High King @dashing_baxter • April 7 Asked if he was looking for a sidekick. Said over ‘his dead body’ but he’s already dead so I think I’m in!!!!!!
-  O Danny Boi (3:06 pm): Everything in my life is bad
-  Val the Ghost Slayer (3:08 pm): Then what the heck were they doing in there? You (3:09 pm): Knife monopoly (that whole make out closet part just sent me)
-  Ghost boy lays in streets for 15 min and cries??
- [Danny is floating face down in the pool behind him, unmoving. Text reads, the Team taking a well deserved break after an exhausting summer.] @Shadesofgrey commented: omg is Danny ok????
-  Jazz your bro looks like he’s gonna tear out that one percenter’s throat
-  >Mayor Vlad Masters @amityparkmayor • September 13 DANIEL YOU KNOW VERY WELL THAT IS NOT THE CASE. I AM REPORTING THIS DISRESPECT TO YOUR MOTHER POST HASTE.
- >Gentry @cheshirecatchild • September 13 You know @Spaceace04 has a point and the biblical Daniel was a prophet so like...
-  You (12:39 pm): :sleeping emoji: Fruitloop (12:39 pm): DANIEL YOUR HAUNT (for reasons I cant explain I think this is my favorite. Every time I think of Vlad’s VA saying this I almost cry laughing)
- Snapchat video: Danny Phantom and Danny Phantom stand in an alleyway. One is pinching the bridge of his nose in annoyance. The other stares at the camera with confused, suspicious red eyes. Tucker: Whenever you’re ready gentleghosts. The Phantoms look at each other and sigh before pointing at each other. Tucker can be heard giggling. Phantom: Thanks for humoring him, Amorpho now get out of here.)
@JasmineFenton16 commented: I’m afraid I don’t understand, what’s this referencing? @TechMaster replied: Oh you sweet summer child @JasmineFenton16 replied: But it’s fall?
Not direct quotes but just things in general
* Danny repeatedly saying he doesn’t have an obsession and him constantly bring corrected
*  Tucker going the entire damn fic not realizing he’d forgotten to make his private journal entries private until its pointed out near the end. That’s what you get for turning what was intended to be a private journal a sharable document.
* Danny/Vlad being intensely creepy/not human in public and everyone just being like..... alright then
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pa-panda-heroes · 4 years
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im the same anon who sent the pro-hero + league thing and dabi, shiggy, toga 🥺💞💖💖 thank you, lovely.
Enjoy, anoni!! I’m realising my scenarios are aren’t really scenarios, are they?
Strict!Pro-hero!reader being seduced by Dabi, Tomura, and Himiko!
Warning: N/S/FW content. Minors, do NOT interact. Seriously! This is no place for you. (Edit: that means a anyone under 18. That’s the threshold I’ve seen others use, so I’m sticking it’s that.) Note: there are individual warnings for each character so that you know what you’re about to read ^v^b
Dabi:
Warnings- adult content, thigh riding, biting, edging, alcohol mention, swearing
To say that you were known for being cool-headed and strict was a major understatement. You weren’t as popular as All Might, but those who knew you understood you to be a hero who, no matter how any villain taunted or insulted you, was concrete and unbending to their childish games. You went by the book and rarely made exceptions.
And then Dabi entered the picture. Cynical, rough, sardonic as hell, and quite the lawbreaker - and flirt. He’d stir some trouble in the streets, and then dip out when things got sketchy for him. In the midst of doing so, he’d always send some nasty smirk and comment your way. “Some nice legs you got there, doll. They’d look nicer above your head, though,” was his favorite; or perhaps it was your response he vied for so much. Because boy, you wanted to respond. You couldn’t deny the selfish gratification that came of his antics, knowing someone didn’t treat you as a gripey, square of a woman.
But that was the last thought on your mind as you sauntered through an alleyway on your walk home from having harmless fun with your fellow heroes. You hadn’t drank a sip, afraid of trouble spurring and hence your being called in. Your focus was fixated on your phone in your hand as you read the text one of your coworkers sent you.
“Aren’t you a sight for sore eyes, babe,” you suddenly hear, and instantly recognize the bastard of a voice. And instantly you feel that familiar throbbing at your core at the sound of it.
You look up from your phone, stone-faced as always, and try to resist the urge to scowl at him. You fail, though. He’s standing not far from you with his hands in his pockets, but it doesn’t look like this encounter was intended. “Don’t call me that,” you warn shakily, only for his smirk to widen and show off his teeth before he closes the gap between you. You elect to swing a fist at him but miss entirely before a blur flashes over your vision and your back hits the hard brick of the alley.
“Why not? We both know you enjoy it,” he snickers, his forearm across the front of your shoulders, his left hand occupied with pinning your wrist to the wall and knee stuck in-between yours. “If you really meant that punch, I wouldn’t have been able to dodge it, right?”
Right.
He even left your other hand free to prove his point.
Your breath is heavy and fluttered as he leans closer. You said nothing, but the fact that your wrist was relaxed in his hold told him everything. You see him smirk again, thereafter his arm leaves your chest so that he could put his thumb under your chin, the rest of his fingers splayed out on your jaw and you gulp. Your eyes fall half-lidded when he leans in close, but he quickly pushes your head back and veers off to the side to suckle at your neck, earning a quiet whine from you. Dabi acknowledges it with an eerie chuckle, to which you nearly respond with suspect before a cry leaves your lips at the sensation of teeth gnashing at your collarbone, the feeling of his chin staples rolling over your skin surprisingly heavenly. He resorts back to suckling and you’re sure he’s leaving at least a few hickies, but you’re too wrapped up in his hands fondling your hips and ass to care. They’re so warm, it’s ecstatic. He’s sweltering hot, unlike the cool wetness settling between your legs.
“Aah, Dabi...!”
You can’t help the whine of your lips or buck of your hips, nor the yelp that results when you unintentionally grind your throbbing core against his thigh. Dabi pulls off of your neck with a pop before he grabs your hips with both hands to pull you closer, encouraging you to ride his thigh. “My leg, ah?” he breathes, his voice more curious than either of you would admit. He leans in towards your ear, hot breath sending a chill down your spine. “Go on, do it,” he demands, his voice a whisper. “Lift that skirt and cum on my thigh, doll.”
You shut your eyes tight and moan at such a filthy command, his husky voice a contributor. Dabi’s too impatient with you to let you move your skirt out of the way as he does it himself, his returned grip on your hips surely to bruise them. You’re able to look down as he guides you, and there’s a clear streak of wetness soaking his pant leg. You shiver at the sight of your arousal, and again when he reaches to move your panties out of the way to let you grind bare against his jeans. You stare at the sight, not having it in you to look away. He must’ve followed your graze, his chest rumbling with a chuckle as you begin to cry out and moan louder. Dabi’s tongue is awfully quick to find and lick at your ear, while his teeth occasionally gnaw at it and pull. You were so pent up, even after a night of fun, it was no surprise your climax was already catching up to you. Your pace gets faster and faster, until that tightened coil-
Doesn’t snap. Dabi retreated his thigh from you and grabs your jaw to force you to look at his simper, earning a pout from you. “Aw, c’mon. Don’t make that face,” he taunts.
“You didn’t really think that’d be it, did you, babe?”
Tomura:
Warnings- adult content, spanking, swearing, orgasm denial
Being an infamously stoic hero had its perks. No one expected you to goof off on talk shows or crack a corny joke in interviews. Everyone liked that you weren’t careless and rambunctious; it just suited you not to be. A downside was being viewed as a “strict, rule-hungry old bag,” though. And you weren’t even old! But because you took being a hero seriously and followed rules, it gave you a public opinion not far off from Endeavor’s.
Getting on the trail of the leader of the League of Villains was a royal pain in the ass, much less staying there. It didn’t help that he seemed to take a special interest in you. There was always a hungry look in his eyes when you faced off, and nearly every time it felt like he’d planned the encounter as if to merely get a glimpse of you.
It wasn’t something you hated. This game of cat and mouse was exhilarating. Constant. Safe. It was a release. The more it happened, the more you thought it was the same way for him.
That theory was confirmed in its entirety when he randomly showed up in your apartment and looked at you as if he’d waited a significant amount of time. On you. You freeze in place after shutting your door, your bag of groceries still in hand as he stares at you from the couch. The silence that falls is thick, and not entirely uncomfortable, but it is unwelcome. You walk over to the kitchen area and set the bag atop the counter, before turning around to see Tomura standing right in front of you, the lack of hands adorning his body confusing you. “Why... are you here?” you ask hesitantly, noting the unconscious clenching of your thighs.
“You wouldn’t make a damn move, so I had to.”
His answer was simple and dry, and you begin to wonder if that meant anything other than what you wanted it to. His intentions are clear when he approaches further, backing you into the counter and caging you with an arm on each side. Tomura just stares at you. It was your turn. That’s how your little game went. And so you jolted forward, latching onto his lips with your own. Your dominance is short-lived, though, as he deepens the kiss when you yelp from his hand smacking against the side of your thigh, his tongue invading your mouth. Tomura’s hands are quick to snake up your shirt and paw at your uncovered breasts, the villain then smirking at the realization that you weren’t wearing a bra while he chuckles at your moan. His fingers pinch your hardening nubs, resulting in your pulling back from his lips and mewling.
His breaths are getting heavy, as are yours. Tomura grabs your arm and spins you around so that your backside is facing him, your ass end poking out at him when he grabs your head and pushes down to bend you over the counter. You glance back at him, but your focus is broken when you feel his hardened cock against your ass. Your whine only encourages him to briskly unbuckle your pants and pull them down, and you half-expect him to grind against you again - but he doesn’t. You begin to push back against him, albeit a hand on the small of your back lunges you forward and you scramble to get a grip on the counter beneath you. Hard to do that on a flat, smooth surface.
“Funny, you’re such a stickler about rules, and yet here you are, trying to make your own,” he jeers, and you swallow thickly. “You can follow a command, can’t you, hero?”
You gulp again and try to writhe in place, only to shriek when a hand lands sharp on your ass cheek as his other hand digs into your back. “Can’t you?” he repeats, and the feeling of your cunt clenching practically resounds throughout your body. You’re soaked, it’s clear. You pant instead of responding, almost sounding like a bitch in heat before another slap sounds against your reddening asscheek and you moan aloud, earning yourself yet another.
“I can!” you nearly scream, white-hot tears prickling the corners of your eyes - either from the pleasure, or the pain, you’re not sure.
“Don’t cum.”
You gasp and glance back at him, lips agape as you felt the pulling down of your panties. All you can see is those dark, red eyes glaring at you like a predator about to devour its prey.
Himiko:
Warnings- adult content, mentions of stalking, biting, oral, slight knife use (your poor panties), swearing, home... invasion?
Note- I’m not sure how old Toga is. Granted that she wears a school uniform and she crushes on Izuku, I’m setting her age to 20 here because I’m really not sure.
Being stalked by villains is not something you’re unfamiliar with. Being called a stone-faced, soulless shell of of a woman is not something you’re unfamiliar with either, a result of the public eye constantly fixated on you. On the contradictory, a grown ass villain flirting with your austere being was something you were quite unused to. Toga Himiko of the League of Villains was always hot on your trail, quick to retreat when noticed yet quick to notice you first. The smile that would crack her lips open was clearly meant for you and for you alone, always used as a flirtatious taunt. It wasn’t uncommon for you to track her down and chase after her, nor was it uncommon for her to track you down and leap after you.
Your game of push-and-pull had been on for a while. She was always so quick to escape no matter the situation, and you couldn’t for the life of you figure out how she did it. Nor could you figure out how the hell she got into your apartment. While you were there. Granted, you were asleep, but still...
She grins at you again in your bedroom doorway, that grin you know well, and seems to fiddle with the belt loop at her shorts, having long since abandoned the school girl schtick. It only worked for so long anyway. “Y/n-chan,” she beams, nearly drooling. “I had a nightmare, can I sleep with you tonight?” Her voice is sweet and lilted, and for a split second you believe her. She still had that sweet and harmless-looking appearance despite being a hardened villain. You lick your lips almost unconsciously, which she takes as an invitation to your bed, except she yanks your bedding off of you unceremoniously to replace it with her body as she straddles your hips.
You stare at her, your hands instinctively going for the sides of her thighs, with which she seems quite pleased as she squeaks at you. “You look so small down there, hero,” she mutters, her grin ear-to-ear. “So cuuute!” Her eyes then narrow almost darkly at you and she cocks her head sideways. “So quiet. Are you still sleepy, hm?”
Her thighs are so plump and sweet that you gulp underneath her while wondering what she’d taste like, but she shakes her head at you. “No, not tonight, lovey.” Himiko leans down and lunges her tongue into your open mouth, your moans mixing together as she does so, albeit yours increases in volume when she palms your breast through your shirt and squeezes before flicking her finger at your hardening nipple. The villain pulls away from you too quickly, sitting up so briskly your head almost spins, as she ignores the trail of saliva that follows. Her hips are adjusted atop you before she grabs the hem of your shirt and brings it up to your mouth. You catch on immediately and comply, biting the fabric into place as she goes to town kissing and licking your sternum between your tits. Golden, sharp eyes never leave yours in the moment, and her mouth feels hot against your skin as you moan. Her groping at your legs only serves to make you more vocal.
The bloodthirsty woman travels down your navel, yet goes right past where you want her most, while your whine is punctuated by the bucking of your hips. Himiko instead elects to suckle at your hip and upper thigh, before she parts your legs and settles between them. You jolt a little as she licks a stripe up your thigh until her tongue is a finger’s width away from the throbbing wetness between your legs. She giggles at your response, then landing a quick, tiny bite on your thigh before licking her lips. You don’t realise you’ve reached out to grab the top of her head and pulled it toward you until you feel the softness of her hair underneath your fingertips and another giggle escapes her. Himiko’s tongue pokes out from her lips as she pulls a knife from her belt to shred away at the hip of your panties before pulling them down to give her access to your throbbing clit.
Her tongue is quick to prod at your hole, then dragging up towards your clit before her lips are around it and sucking away. You cry out as a result, hips bucking again as your free hand clutches the bedsheet beneath you. You hear what sounds like a growl come from Himiko’s throat, then watch as her arms hook around your legs and hold your hips down. The sweat starting to coat your skin keeps her from getting a decent grip, so she uses force while her tongue dips into you and pokes around with her thumb rubbing at your swollen, puffy clit.
“Toga-chan-!”
Your whining out her name encourages her thumb to rub circles and increase its pace, Himiko finally letting out her own moan into your soaked cunt as her tongue begins to lick and suck away. Your grip on the sheets tightens until your knuckles are white, your mantra of moans music to her ears. Until suddenly, she pulls away, your essence coating her lips and practically dripping down her chin.
“Y/n-chan,” she says almost darkly, with the look in her eyes making your cunt clench around nothing, “you can’t cum yet.”
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druid-for-hire · 5 years
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UNSWAYED PT. III
(pt i) (pt ii) (pt iii) (you are here) (pt iv) (pt. v) (epilogue) (askblog)
this one’s got some revisions/retcons/refinings and new content. there will be some minor rehashing. this edition is more on the drama eurydice goes through on the path to find orpheus, orpheus’ deterioration in the Beyond, little bit of persephone and even littler bit hermes, finding orpheus, and finally getting to leave
thank you @supercantaloupe, @sonyalone, @unholy-boi, @s-aint-elmo, @ferretteeth for helping author this & help out w ideas and all!! sasha, u esp.
ok.
sits down and rests my old creaking bones in a rocking chair by the hearth and lights a pipe
gather round kids. this one might be a little long
one note: 
on the same night that orpheus falls, persephone, when she finally composes herself enough, marches up to hades. the fury is still present in the vitriol with which she speaks. “you can’t have done that,” she says. “you can’t have just thrown him away. he didn’t sign any papers. you can’t make him work.” 
 “there were no papers,” he agrees, “but prisoners do not get papers.”
ok jumping back to kind-of-present
it’s taking a while to find orpheus. (too much of a while)
in between work and searching for him, both of which already take up so much of her time, eurydice... makes her attempts to craft a new guitar. hades took orpheus’. he’s going to either want it back or want a new one, and right now, she doesn’t think she can manage the first. it’s going to be important to their escape, she thinks, because she isn’t planning on staying in hadestown forever
but she’s not skilled, and making a real, good, balanced guitar is incredibly hard. she’s not trained. it never comes out good enough, never remotely close to a properly tuned instrument, much less the guitar that seemed to fit perfectly around orpheus' hands. and she doesn’t have a lot of time
so as it turns out, stealing back the original is the more feasible option
problem being: it’s a trophy. hades didn’t smash it, but it’s locked away with his other little “victories,” and he’ll notice it missing eventually
(those other trophies are other relics from other daring humans he’s had to deal with in the past. no one has come as close as orpheus)
but she does have more buffer time than usual because it's also a reminder of the martyr and the fact that his marriage is in the shitter so it's been put out of sight (and out of mind), so she's got a few days or more before he'd notice it's gone
as she keeps searching for orpheus, telling her story and getting help and word of her spreading...
eurydice stirs the town as the ladle stirs in the pot; out of all the feelings her story wakes, the most dominant—and most important—is the anger.
and for the first time, somewhere in some could-be-anywhere part of Hadestown, someone says no.
the age-old, unmoving, immovable hadestown, begins to... change. there’s persephone’s crack in the wall, and then there are others, and then they join, and then there’s unrest, and then there’s the threat of riot.
(which i know i already established but shhh im reiterating my point for this:)
unholy-boi: hades was at least formerly hands on enough to give orders, to scrape down new souls, to preach about the wall
now he locks himself in his office, head in his hands, unable to handle the idea that he’s losing control, and every MOMENT he spends locked away he loses control more, but he needs to think, he needs to think, he needs to think--
The fates are at his door, they sing horrible music, things he doesn’t want to hear, lies and twisted truths to manipulate the king. except he’s not being manipulated at all. this is all him, he knows it--this is just him and his paranoia and the workers' rage beginning to boil on his doorstep.
the god is hidden away in his office and hardly lets anyone in. he isolates himself and Persephone barely even visits this winter anyway.
he wonders if the martyr boy really did fail.
(no, he tells himself--he did fail, because his goal was to get him and his lover out, and now both of them are damned here forever. all of this? an unfortunate side effect.)
hades... was very nearly swayed by orpheus, but took his “obligation” to a city (that he’s already lost) over the slightly breaking voice of orpheus, and the rumors. however when he sent orpheus away, things only got worse. but how could he just crawl to pull orpheus back now? would that not be sacrificing his iron will? his grip of steel? how can he turn to go back if he’s already made his decision? moreover- how can he trust bringing orpheus back will fix anything at all?
a lamenting reprise from hades with orpheus’ guitar would be cool. i don’t know if it’d be in character or appropriate to the story but. its been a fun thing ive been tossing between my hands
it probably starts when he accidentally kicks it over--there’s a trophy room, but he hasn’t cleared a space for the guitar yet. he kicks it over, and when it hits the ground the strings hum Menacingly at him
after the song he puts it away--out of sight, out of mind
show them a crack.
and they’ll tear down the wall.
besides the immediate danger orpheus is in and his voice failing being drives to find him as soon as possible, eurydice also has to worry about the fact that persephone won’t be there to help her soon. the hadestown debacle happens on the onset of proper spring
persephone, for once, is grateful that hades keeps her late. it means she can help the lovers. for so many weeks she sends  that boy’s voice on a wind straight for Eurydice to keep her going
but later is not never, and to the surface one day she goes, and bitter with the absence of his wife Hades drives them all to work harder
which strains Eurydice for time and energy even more
things are harder when she’s gone, as always—eurydice has less time to track him down, and without persephone’s sing-sing wind, pinpointing him is more difficult. 
Hermes is there at the station to greets her when she returns to end the winter
“how is he doing?” “not well.”
“you think they’ll make it?” “i don’t know.”
hermes asks her, “how long?” how long will orpheus last? how long will it take for them to find each other and leave? how long will it take until hades finally snaps? persephone can’t answer any of them
(hermes knows, of course. but he has a role to play)
the summer roars to life on top, but persephone can’t stop thinking about the lovers underground. she knows that orpheus won’t make it through the summer. she sneaks down below for two weeks in june and in that time, a hurricane devastates the surface without her to control it.
the sing-sing wind returns with a straining melody and eurydice wonders. she’s grateful, but she wonders
and... one day it doesn’t. she feels the breeze, but there’s nothing on it.
nothing.
i’ve fucking had enough, eurydice decides. i’m stealing that fucking guitar, hades be damned.
in the sleeping hours of hadestown she sneaks her way up to the palace, dodging searchlights and finding havens, already at an advantage because she’s scoured Hadestown so long and made allies in so many places
and when she makes it up to the palace, the... the guards, the hounds, all of them are... either missing or intoxicated to shit. which is odd, she thinks, but doesn’t question it
she makes it to the trophy room (after a Lot of searching, because she doesn’t have a map)
she walks in and marvels in awe at all the trophies
she wonders about the histories behind all of them
to be honest, she doesnt know that this is where the guitar is, but it’s a pretty good guess (and the right one)
and then there’s a sound at the doorway. eurydice freezes. there’s nowhere for her to hide
she turns, and... it’s persephone in the doorway. persephone, who should not be here.
they lock eyes for a moment, and then she points at a locked case in the back of the room and keeps on walking. whistling loudly. a very “nope, nothing here at all” move
... well, works for her
eurydice breaks off the padlock, gets the guitar, and flees
musing on kampê for unswayed because i really dont want her to just be a two dimensional villain: 
- homegirl is bitter. she used to rule the underground. she was the queen of the dark, and every god and titan knew her name, and hades did fear her too. 
until. well. 
and now she’s practically half-forgotten—a footnote. she hates it. hades and persephone are both her younger and yet they came into her realm, and she was shunted aside to this dismal little hole, and she has to answer to him and she fucking hates it. no mortal up Top or even in hadestown remembers her name. if an old dragon like her has no place out there... if she can’t make herself known in the outside world anymore, then she’ll fucking sear herself into the minds of the people she has, in the only way she knows how
(it should also be noted that homegirl is. unstable. i think kampê sort of violently switches between abhorrently vicious to weirdly sweet and manipulative and anywhere in between depending on the day/time/situation)
(also, she wasn’t always deaf. but being even older than the world, than hades and persephone, things... happen)
also, part of how she keeps everyone here is 1) working them to death and 2) telling them that they’re needed here, and that hadestown is an oasis of stability outside the chaos up Top
orpheus is not doing well.
orpheus forgets.
orpheus wears down.
(orpheus gets sick.)
whoops! That’s An Issue. but still he works, because no one can rest long, and the coal dust and ash and smoke and stifling heat do him zero favors
his focus drifts; he loses track of eurydice, of his songs. the work is first and foremost
you ever get worked so hard and pushed past your physical limit that u get like, spots in your vision and want to throw up? yeah thts orpheus
orpheus doesn’t stop sneaking off every day to the spot at the edge of the Beyond. he doesn’t sing out for help anymore, but... he sits, because he knows that it’s important. this place, where he sang out for a lover he doesn’t remember anymore with songs he no longer has
(cue Flowers but for orpheus, in quiet & faltering breathy lines)
he’s “forgotten a little thing called spring” 
kampê still comes after him to drag him back to work. sometimes it’s wordless; sometimes she yanks him to his feet by the straps of his overalls, sometimes all she needs to do is put a hand on his shoulder and he’ll get up and shuffle back into the mines and smokestacks
other times she asks why he’s still doing this, why he’s still out there. other times she tells him that there’s no need to come out here anymore. he shouldn’t have in the first place. out there--it’s no better than here.
the times when she yells--few and far between, because fetching him is hardly much of a chore anymore--he winces, since it’s not like she has the finest grasp on volume control, being deaf
the scene we see is her sing-speaking some fucked up reprise of hey little songbird, beckoning him to come back and taunting him; i didn’t write this one out but i imagine there’s some fun things to be had with the “vipers and vultures” line
and orpheus sing/saying, in this cracked, hoarse voice, “I wanna lie down forever”
he’s. so tired
(also singing his voice, long since shredded, sorta finally collapses in this one and i don’t imagine him having another sung line after that)
the canary in the coal mine isn’t dead yet but he will be
eurydice goes into overdrive after she steals orpheus’ guitar back
(she strums a few notes on it, and it hums warmly of sunlight in her hands. her chest fills with something indescribable. god, she missed this)
she takes more risks. sneaks out farther and strays out farther. skips out on work, keeps cutting close, nearly gets caught more often than she did before
eventually. finally. finally, she finds him, almost unrecognizable in the crowd masses, but she catches him alone
and she calls out to him, her arm outstretched, “come home with me.”
so i’m going w the “recognize her right away one” and following what i wrote in the first post
BUT: the callback to “come home with me i” with orpheus’ forgetting in “come home with me” “who are you?” is Too Fucking Good and I ended up writing my own lyrics to a “Come Home With Me III”
i’ll post it somewhere. i’d link the google drive link here directly but then tumblr would nerf this post off of the hadestown tag.
 you can play off of that if you want, toy around with it as a sort of small canon divergence to this au, but for the main one i’m rolling with what i already did in the first post... it’s unfinished btw there’s this small section i’m stuck on but i didn’t wanna delay this post anymore for something so minor
eurydice sees how much the beyond has ground him into the dirt—his eyes are sagging and half-lidded, dulled and shadowed and barely focused on her, miserable but too exhausted to feel
she sees this plenty in the ver. w/ Come Home With Me III before he remembers her, and for a moment in the other version before his eyes light up with recognition and suddenly it’s like some of the soot has sloughed off of him with the way his whole face lights up
also she shoves his guitar at him and he’s !! 
it’s. horribly out of tune though. he’s tuning it while they talk a little
but either way: the steam whistle blows, the signal to get back to work, and orpheus is immediately lowkey fearful and trying to get back before kampê catches them
eurydie is completely “oh hell to the fuck no i JUST got you back after MONTHS of searching you are NOT leaving”
orpheus is just afraid of what kampê’ll do if she sees them together, he doesn’t plan on leaving her -- he doesn’t hand her back the guitar, after all
again, kampê isn’t the most stable
then uhhh Whoops they spend too long there and she catches them, a la Papers
cue panic
cue tousling w/ eurydice and somehow getting kampê still enough (probably w pinning) to try and listen to Orpheus and she's just waiting to kick his ass because no music is ever gonna sway her, boy
(the dogs get placated by a few chords plucked out)
he can't sing, but he plays
and the other workers listen, and are moved
they are moved by eurydice's act of coming here after him
by listening to orpheus sing of love
by listening to orpheus forget, and deteriorate 
by having spent months listen to their love last and finally succeed with eurydice's arrival, this stalwart notion of hope
they didn’t ignore it. everybody knows the walls have ears
and they join by accompanying orpheus' song with the heavy metal sounds of the factories
they stomp, they clang, they turn grinding gears that crash and pound, in synchrony 
(where the little wheel squeals and the big wheel groans)
it’s a percussive song that they make
more than a simple tune, a steady beat, more than just the music of machinery
it shakes the entire Beyond with the force of the determination of a thousand weary souls, of the hopeless regaining hope for the first time in centuries
Forced through the percussive force of the entire Beyond, implicit in its rhythm and shake, is the old song. all of this old and rusted metal, all of this harsh machinery, all of it singularly resonant in the notion of la, la la la, la la la 
kampê feels it all through her feet and it rumbles in her chest, it shakes her to her very core and rattles her down to her bones, twists in her gut and forces in her fear and awe, and awe and wonder, and... something else
eurydice feels her loosen under her grip and backs off from pinning her and she still doesn’t move
at some point she lurches forward with her fist raised--orpheus doesn’t stop playing but he does shut his eyes, thinking oh god this is it, and eurydice rushes forward to pull her back
but she just... punches her fist into the ground by his feet
she feels everything not only through her feet but up her arm, more directly to her chest, to her heart, to her head
at last, swayed, feeling far more of something other than fear or anxiety or anger than she ever has in a long time...
she lets them all go
ok ngl there’s some blank spots here. i’m blanking here. idk how to transition
but
it's an entire exodus out from this tiny secluded part of Hadestown
The Great Beyond empties itself out and Kampê is left behind
the move is headed by Orpheus & Eurydice and the mood is very similar to the exodus from Egypt by the jewish folk in the movie Prince of Egypt
including the dark lighting, teal against the warm orange-yellow of their torches (lamps in this case), the wind, the craggy rock, everyone together, overall just the general tone
so during this walk from the Beyond to central hadestown with orpheus & eurydice more or less alone at the front is when Promises happens
it’s. a hell of a lot sadder here, but also a lot softer and more tender
orpheus’ lines are spoken like with Come Home With Me I / II coz he ain’t singin’ anymore. he can’t
and that’s the thing, he can’t sing anymore. 
all those things he said in wedding song, all his promises--that his voice would convince the world to give them everything they need
orpheus... doesn't have that anymore, or at least not nearly as strong, or traditionally lovely as it used to be
his voice was cut into pieces from the nasty shit air in the places he was sent to work
all he has is his guitar, and while he’s good at it, his real strength is in his poetry--it’s his voice and his words that makes the rivers and the trees and birds sing along
the people of the Beyond may have been inspired to percussion by his guitar, but they were more swayed by the notion of their love that was built up over the past few months ever since he got banished
so like. to walk with eurydice and be by her side for as long as he lives, is really all he can really promise her at that point anyway
it's not even that he doesn't have anything and broke the promise that he’d sing them all they needed. he can’t even do that anymore
the voice that charmed her, that said he’d provide for her, is gone
would she love him now, he wonders, if the great poet can no longer sing
and many thanks to @sonyalone for contributing this:
he offers his devotion to her. the only thing he has that’s worth anything, the only thing he can do. and when he does hes so afraid that he'll see in her eyes the understanding disappointment, the pity and "i suppose so" that he fears, but he finally raises his head and he cries because her eyes are shining with joy and love and hope. thats all she ever wanted from him. she just wants to be with him, voice or no, amenities or no, and hes never felt so loved
he weeps, and she weeps--from grief and relief and love--and they hold each other close
sheltering under each other
and they have never been more secure in their love
he walked the whole length of the railroad into hell for her, he survived in the pit for her, she scoured the underworld for him, she came for him and she's keeping him
and the return of all these workers startles everyone in central hadestown and a lot of the work gets stalled out
which, of course, draws hades’ attention.
tune in next time for more on this shit ✌️
(pt i) (pt ii) (pt iii) (you are here) (pt iv) (pt. v) (epilogue) (askblog)
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