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Icons: Anna Castillo.

Credits: @Giaaphics Favor de dar los créditos.

Twitter oficial: @Nogiaane

Stupid question, feel free to skip it. You know those video on YouTube „character X being something for number minute straight? If Audrey and other of your OC were canon what would be a names of the video dedicated to them?

omg please this is not a stupid question i actually love this question.  i am gonna do it for all the bravadoverse ocs though because i kind of feel like they would all have different ones

audrey

being awkward and confused for x minutes straight

being embarrassed by steve for x minutes straight 

struggling for x minutes straight

olivia perales 

being wholesome for x minutes straight

joy wen being irritated for x minutes straight / mikayla wen annoying joy wen for x minutes straight (it’s the same video).  but also: 

mikayla wen quoting conspiracy theories for x minutes straight

joy wen being stressed out for x minutes straight

both of them being nerds for x minutes straight

juliette fury

making jokes about bucky for x minutes straight 

quoting marx for x minutes straight

shading the avengers for x minutes straight

breaking the fourth wall for x minutes straight (i think that if. this were an actual show she would look into the camera and occasionally deliver her thoughts on theory and the surveillance state LOL)

matty rowland

(pietro maximoff annoying matty rowland for x minutes straight)

being the smartest avenger for x minutes straight 

vera modi

and wanda maximoff being soft for x minutes straight

talking about her protein shakes for x minutes straight

florence fernandez

doing crimes for x minutes straight

making fun of peter for x minutes straight

hating her life for x minutes straight

dasia haddad

being a fashion icon for x minutes straight

ok this is gonna sound weird but yk how antoni on queer eye will like always pick up food and immediately smell it even if he knows it’s . bad? that’s what dasia always does with foreign objects they’re picking up it’s always her first move.  so something like that 

annie esposito

kicking ass for x minutes straight 

i’m mostly using anna diop and she has red hair in most of the gifs but i think annie changes her hair constantly and especially loves different bright colored weaves so i think that some sort of compilation would appear eventually

amanita khatri

and loki fighting for x minutes straight

and her knives: a love story

insulting loki for x minutes straight 

winnie westhouse

accidentally falling through portals for x minutes straight 

being a nerd for x minutes straight

maya castillo

being an early 2000s mean girl for x minutes straight 

Below the cut, please find all the characters taking part in the costume contest and their costumes. There are several categories. The poll for the costume contest can be found here. Please base your votes off of the posts found under #sdhqtask4. 

Adabella Skeeter - Nurse (Times Square VJ Day Photo)

Adeline Mulciber - Bonnie Parker (Historical Figure)

Aiden Wolffe - Goose (Top Gun)

Alastair Watson - Steve Rogers / Captain America (MCU)

Alice Longbottom II - Wednesday Addams (The Addams Family)

Annika Parkinson - Little Red Riding Hood (Fairytale)

Archer Selwyn - Peter Parker / Spiderman (MCU)

Ariella Belefleur - Newt Scamander (Famous Wizard)

Bastian Zabini - Lucio (Overwatch)

Benjamin Ollivander - Mad Hatter (Alice in Wonderland)

Brett Holland - Rosie the Riveter (Cultural Icon)

Brigid Callaghan - Flo (Progressive)

Callista McGonagall - Daenerys Targaryen (Game of Thrones)

Casey Abrams - Indiana Jones (Indiana Jones)

Catriona Byrne - Fairy (Mythical Creature)

Celestina Shacklebolt - Calypso (Pirates of the Caribbean)

Charlotte Watson - Wonder Woman (DCU)

Darcy Mulciber - Little Red Riding Hood (Fairy Tale)

Declan Rowland - Robin Hood (Hero in Folklore)

Dominique Weasley - Mermaid (Mythical Creature)

Elena Flores - Maleficent (Sleeping Beauty)

Elias Hero - Green Arrow (DCU)

Elliot Jacobson - Cruella de Vil (101 Dalmatians)

Evan Parkinson - Maverick (Top Gun)

Frank Longbottom - Han Solo (Star Wars)

Gabriel Larkin - Sailor (VJ Day in Times Square)

Grace Turner - Dorothy Gale (Wizard of Oz)

Gwendolyn Hawkes - Lara Croft (Tomb Raider)

Harper Lee Clark - Tinkerbell (Peter Pan)

Isadora Castillo - Leia Organa (Star Wars)

Jace Greengrass - Jack in the Box 

James Ashcroft - Owen Grady (Jurassic World)

James Sirius Potter - Peter Parker / Spider-man (MCU)

Jaxon DuQuan - Black Panther (MCU)

Kristoff Flynn - Beetlejuice (Beetlejuice)

Lalita Patil - Lara Croft (Tomb Raider)

Laurel Ollivander - D.Va (Overwatch)

Leonis Selwyn - Danny Zuko (Grease)

Liam Kominek - Count Dracula (Dracula)

Lily Luna Potter - Kim Possible (Kim Possible)

Lorcan Scamander - Kristoff (Frozen)

Lucienne Wolffe - Pennywise (IT)

Lucy Weasley - Princess Anna (Frozen)

Lulu Abbott - Pizza (Food)

Lyra Malfoy - Cher Horowitz (Clueless)

Mackenzie Finnigan-Thomas - Sandy (Grease)

Malachai Arquette - Captain America (MCU)

Manon Flamel - Cruella de Vil (101 Dalmatians)

Matthias Vallois - James Bond (James Bond)

Matteo Alliata - Mad Hatter (Alice in Wonderland)

Molly Weasley II - Queen Elsa (Frozen)

Natalie Robertson - Ceiling Fan

Nate Hopkirk - Marty McFly (Back To The Future)

Octavia Coleman - Aphrodite (Greek Goddess)

Ophelia Pucey - Little Red Riding Hood (Fairytale)

Orion Yaxley - Bert (Mary Poppins)

Perseus Mulciber - Apollo (Greek God)

Phoebe Winters - Harley Quinn (DCU)

Reid Anderson - Pinocchio (Pinocchio)

Rosalie Fleur - Weeping Angel (Doctor Who)

Rosalind Vane - Poison Ivy (DCU)

Rose Weasley - Toothless (How To Train Your Dragon)

Rowan King - Daisy Buchanan (The Great Gatsby)

Sebastian Stan - Clark Kent / Superman (DCU)

Seraphina Macaulay - Mary Poppins (Mary Poppins)

Theodore Dubanowski - King Arthur (Hero in Folklore)

Theodore Oliver - Captain Hook / Pirate (Peter Pan)

Thomas Blackburn - Skeleton (Monster)

Tobias Atwell - Peter Pan (Peter Pan)

Toby Anderson - Poe Dameron (Star Wars)

Verity Nott - Selina Kyle / Catwoman (DCU)

Wesley Martin - Clyde Barrow (Historical Figure)

William Ashcroft - Green Arrow (DCU)

Wren Fawley - Wonder Woman (DCU)

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Joan Buck: The Price of Illusion

Written by Madeleine Leddy

In her memoir, The Price of Illusion, Joan Juliet Buck tells the story of her journey from an upbringing in her family’s gaudy palace of fame and luxury to the ultra chic offices of Paris Vogue, where she acted as editor-in-chief and remains the only American ever to have edited Vogue Paris. Upon reflection on her seven-year career there, Buck said, “I was addicted to Vogue! I had become a dealer in that illusion, so as to afford the life around me. Vogue is a potent drug that women get lost in. Vogue is more than a magazine. We are making the most potent substance there is: the dream.” Her clever and eloquent writing style in the memoir serves to create a compelling story that reflects on her search to differentiate between make-believe and truth, fame and authenticity, and illusion and reality.

As she recollects on her childhood, visits to her home from acclaimed actors and musicians were not uncommon. In the memoir, she writes about famous houseguests including Peter O’Toole and Lionel Bart. “A sudden effervescence sent the atoms into a faster spin, each atom found its golden mate, and glory rained down. The dark green living room of the little mews house became a blazing foundry of success. The place burst with superlatives.” Buck was clearly no stranger to fame. When first hired by Vogue, she was told she would meet icons in the fashion world such as Karl Lagerfeld and Yves Saint Laurent, but she had known them for many years already.

Despite her efforts to revolutionize Vogue Paris during her time as editor in chief, she was abruptly dismissed and required to spend time in a rehabilitation facility nursing a drug problem she never had. She agreed to it mostly because it was part of the severance package presented to her by her boss, Jonathan Newhouse. Additionally, she explains her sense of writer’s curiosity motivated her desire to experience life in a drug-rehab center, first-hand. Eleven years after the ordeal, while writing for American Vogue, Ms. Buck experienced yet another turn of events in her career. In an untimely manner, Buck was asked to write a piece on the first lady of Syria, Asma al-Assad. She titled her piece “A Rose in the Desert,” and described Asma as “glamorous, young, and very chic – the freshest and most magnetic of first ladies.” A few weeks later, the Assad regime began a violent repression of its civilians. Buck’s piece received extreme backlash from the Internet, Vogue refused to renew her contract, and her career, essentially, hit a brick wall.

Despite her aim to revolutionize Vogue Paris as editor-in-chief, her career at the magazine was cut short when Condé Nast CEO Jonathan Newhouse—her boss—ended her tenure and "sent [her] to rehab…for a drug problem she did not have," according to a recent interview with the New York Times.  Buck waited eleven years to attempt a second foray into the world of Vogue, this time back in the States.  But her career as a contributing writer at the American magazine was also short-lived: editor-in-chief Anna Wintour was quick to dismiss Buck after a flurry of controversy arose over her profile on Syrian first lady Asma al-Assad, entitled "A Rose in the Desert," which was published in unfortunate proximity to the beginning of the Assad regime's massive human rights violations only weeks later.

An outcast in the magazine world, Buck had to figure out who she was without Vogue. She had achieved everything she ever wanted on her professional path, only to have it suddenly taken away. She had to define herself outside of the world of make-believe she grew up and worked in. Written after these series of events, The Price of Illusion not only shares Joan’s stories of defeat, but also the loneliness and heartbreak she overcame while on her pursuit of self-rediscovery and soul-searching. When asked by Vanity Fair why she decided to write a memoir, she responded by saying, “I needed to assemble all these strange, wonderful, and horrible things that had happened in my life. And figure out what the map was of where I’d been.”

To accompany the memoir, Isabel Coixet Castillo, Spanish director and close friend of Buck’s, created a short but moving film featuring Joan herself. Castillo is known as one of the most prolific directors of Spain, having directed twelve feature-length films in addition to numerous documentaries, shorts, and commercials in her career. Her films contain recurring themes of “emotions, feelings, and existential conflict” coupled with her distinct visual aesthetic, which contrasts starkly with traditional Spanish cinema. Spanish director Álex de la Iglesi credits Castillo's advertising background with making her work so unique.  In an interview with the New York Times, he said, “Few people work as carefully as she does on the color and composition of every shot.” This combination of theme and style, in addition to the many roles she plays in creating her films (she directs, writes, produces, and acts), secures the filmmaker’s status as a “multifaceted auteur” and “one of the foremost representatives of the new generation of women filmmakers.”

Castillo’s film on Buck's life, which couples with The Price of Illusion, was shot on a lake in Les Cols, Northern Spain. Buck looks out over the water and verbally reflects on the arduous and emotional process that producing a memoir requires. “You can’t write from any place but the most private place,” she says. In the film, Buck thinks back to her early years. She describes her father, American film producer Jules Buck, as manic-depressive, and her mother, ex-model and ex-actress Joyce Gates, as a beautiful statue. “We lived in a pink marble palace, which made me think that I was a princess, even though the pink marble palace was rented by my grandparents, which meant it wasn’t even our home.” In this film, Buck is able to retrospectively unearth purpose and meaning in her memoir. “The thing that The Price of Illusion gave me was the knowledge that I have the right to tell my story… When you come from a background of illusion, of movies, of rented palaces and you go into fashion and magazine, which are more illusions, what is real? How do you identify reality? How do you make things real? How do you keep things real? How can you tell what’s real in your life? And that was my mission in doing The Price of Illusion.”

#337 September 18, 2018

Matt writes: The 2018 Toronto International Film Festival, which wrapped on September 16th, had so many enticing selections guaranteed to be major contenders this awards season, and RogerEbert.com was there to cover them all. Click here for the full table of contents featuring dispatches penned by Brian Tallerico, Vikram Murthi, Monica Castillo, Tomris Laffly and Chaz Ebert. Last Monday, Claire Denis became the fifth recipient of the annual Ebert Tribute Award at TIFF, and the event proved to be unforgettable (read Brian's coverage of it here).

Trailers

Private Life (2018). Written and directed by Tamara Jenkins. Starring Kathryn Hahn, Siobhan Fallon Hogan, Paul Giamatti. Synopsis: An author is undergoing multiple fertility therapies to get pregnant, putting her relationship with her husband on edge. Debuts on Netflix on October 5th, 2018.

Capharnaüm (2018). Directed by Nadine Labaki. Written by Jihad Hojeily, Michelle Keserwany, Nadine Labaki and Khaled Mouzanar. Starring Kawthar Al Haddad, Boluwatife Treasure Bankole, Nadine Labaki. Synopsis: A politically-charged fable, featuring mostly non-professional actors, about a child who launches a lawsuit against his parents. Opens in US theaters on December 14th, 2018.

What Are You Gonna Do When the World's On Fire? (2018). Directed by Roberto Minervini. Synopsis: The story of a community of black people in the American South during the summer 2017, when a string of brutal killings of black men sent shockwaves throughout the country. US release date is TBA.

Anna and the Apocalypse (2018). Directed by John McPhail. Written by Alan McDonald and Ryan McHenry. Starring Ella Hunt, Malcolm Cumming, Sarah Swire. Synopsis: A zombie apocalypse threatens the sleepy town of Little Haven - at Christmas - forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. Opens in US theaters on November 30th, 2018.

Why Are We Creative? (2018). Directed by Hermann Vaske. Synopsis: A documentary in which such creative minds as David Lynch, Stephen Hawking, Angelina Jolie and David Bowie attempt to ask the titular question. US release date is TBA.

At Eternity's Gate (2018). Directed by Julian Schnabel. Written by Jean-Claude Carrière and Julian Schnabel. Starring Willem Dafoe, Rupert Friend, Oscar Isaac. Synopsis: A look at Vincent van Gogh's time in Arles. Opens in US theaters on November 16th, 2018.

Quincy (2018). Directed by Alan Hicks and Rashida Jones. Synopsis: An intimate look into the life of icon Quincy Jones. A unique force in music and popular culture for 70 years, Jones has transcended racial and cultural boundaries; his story is inextricably woven into the fabric of America. Debuts on Netflix on September 21st, 2018.

Captive State (2019). Directed by Rupert Wyatt. Written by Erica Beeney and Rupert Wyatt. Starring Vera Farmiga, Machine Gun Kelly, Madeline Brewer. Synopsis: Set in a Chicago neighborhood nearly a decade after an occupation by an extra-terrestrial force, Captive State explores the lives on both sides of the conflict - the collaborators and dissidents. Opens in US theaters on March 29th, 2018.

The Beach Bum (2019), red band trailer. Written and directed by Harmony Korine. Starring Matthew McConaughey, Snoop Dogg, Isla Fisher. Synopsis: A rebellious stoner named Moondog lives life by his own rules. Opens in US theaters on March 22nd, 2019.

Teen Spirit (2018). Written and directed by Max Minghella. Starring Elle Fanning, Rebecca Hall, Millie Brady. Synopsis: Violet is a shy teenager living in the Isle of Wight who dreams of pop stardom as an escape from her small town and shattered family life. With the help of an unlikely mentor, Violet enters an international singing competition that will test her integrity, talent and ambition. US release date is TBA.

Kursk (2018). Directed by Thomas Vinterberg. Written by Robert Rodat. Starring Léa Seydoux, Colin Firth, Matthias Schoenaerts. Synopsis: The film follows the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them. US release date is TBA.

One Nation, One King (2018). Written and directed by Pierre Schoeller. Starring Gaspard Ulliel, Adèle Haenel, Olivier Gourmet. Synopsis: In 1789, a people is entered into revolution. Let us hear it. It has things to say to us. A people and its king crosses the destinies of men and women of the people, and historical figures. Their meeting place is the any young National Assembly. At the heart of the history, there is the fate of the King and the emergence of the Republic. US release date is TBA.

Viper Club (2018). Directed by Maryam Keshavarz. Written by Maryam Keshavarz and Jonathan Mastro. Starring Matt Bomer, Damian Young, Susan Sarandon. Synopsis: A war correspondent gets taken hostage while on assignment, prompting his mother, impatient with the government's lack of concern, to take matters into her own hands. Opens in US theaters on October 26th, 2018.

Instant Family (2018). Directed by Sean Anders. Written by Sean Anders, John Morris. Starring Rose Byrne, Mark Wahlberg, Isabela Moner. Synopsis: A couple find themselves in over their heads when they adopt three children. Opens in US theaters on November 16th, 2018.

The Wind (2018). Directed by Emma Tammi. Written by Teresa Sutherland. Starring Miles Anderson, Caitlin Gerard, Julia Goldani Telles. Synopsis: A plains-woman is driven mad by the harshness and isolation of the untamed land. US release date is TBA.

F--- You All, The Uwe Boll Story (2018). Directed by Sean Patrick Shaul. Synopsis: Behind the lens with the most hated man in Hollywood. US release date is TBA.

22 July (2018). Written and directed by Paul Greengrass (based on the book by Åsne Seierstad). Starring Anders Danielsen Lie, Thorbjørn Harr, Jonas Strand Gravli. Synopsis: In Norway on 22 July 2011, right-wing terrorist Anders Behring Breivik murdered 77 young people attending a Labour Party Youth Camp on Utøya Island outside of Oslo. A three-part story about the survivors of the attacks, the political leadership of Norway, and the lawyers involved. Debuts on Netflix on October 10th, 2018.

The Ballad of Buster Scruggs (2018). Written and directed by Joel Coen and Ethan Coen. Starring Tim Blake Nelson, Liam Neeson, Zoe Kazan. Synopsis: An anthology western following six different storylines centering on a man named Buster Scruggs. Opens in US theaters on November 16th, 2018.

Why "America to Me" is Must-See TV

Matt writes: "America to Me," the new series from Kartemquin Films directed by Steve James ("Hoop Dreams," "Life Itself") and currently airing every Sunday on STARZ is an extraordinary achievement on every level. Brian Tallerico awarded the 10-part epic four stars while Allison Shoemaker interviewed James about how he and the show's essential segment directors (Bing Liu, Rebecca Parrish, Kevin Shaw) went about examining racial disparities at Oak Park and River Forest High School. I also conducted an in-depth roundtable discussion with editors Leslie Simmer, David E. Simpson and Alanna Schmelter about their process for assembling such a mammoth documentary.

Effie T. Brown on Project Involve

Matt writes: Effie T. Brown, the acclaimed producer of "Real Women Have Curves" and "Dear White People," spoke with me about the 25th anniversary of Film Independent's vital Project Involve program, which will be celebrated at a benefit dinner on Saturday, September 22nd, in Los Angeles. Click here for our full conversation.

Free Movies

A Girl in Every Port (1928). Written and directed by Howard Hawks. Starring Victor McLaglen, Robert Armstrong, Louise Brooks. Synopsis: Two sailors with a rivalry over chasing women become friends. But when one decides to finally settle down, will this mysterious young women come between them?

Watch "A Girl in Every Port"

Hell's Angels (1930). Directed by Howard Hughes. Written by Joseph Moncure March. Starring Ben Lyon, James Hall, Jean Harlow. Synopsis: Brothers Monte and Ray leave Oxford to join the Royal Flying Corps. Ray loves Helen; Helen enjoys an affair with Monte; before they leave on their mission over Germany they find her in still another man's arms.

Watch "Hell's Angels"

Nothing Sacred (1937). Directed by William A. Wellman. Written by Ben Hecht. Starring Carole Lombard, Fredric March, Charles Winninger. Synopsis: An eccentric woman learns she is not dying of radium poisoning as earlier assumed, but when she meets a reporter looking for a story, she feigns sickness again for her own profit.

Watch "Nothing Sacred"

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Favourite films watched in 2020

In no particular order:

Katalin Varga (Peter Strickland, 2009) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Post Tenebras Lux (Carlos Reygadas, 2012) The Return (Возвращение, Andrey Zvyaginstev, 2003) The Grand Bizarre (Jodie Mack, 2018) Transnistra (Anna Eborn, 2019) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) The Petrified Forest (Archie Mayo, 1936) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967)

Complete list of all 323 films watched in 2020 under the cut!

January

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) Blade (Steven Norrington, 1998) Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Disctrict 9 (Neill Blomkamp, 2009) Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Sister (妹妹, Siqi Song, 2019) Nuts! (Penny Lane, 2016) The Judge (Erika Cohn, 2017) The Ghosts of Sugar Land (Bassam Tariq, 2019) Amazonia (Dominic Hicks, 2018) Dearborn Ash (Hena Ashraf, 2018) Pineal (Jenny Rinta-Kanto, 2019) Headcleaner (Nick Scott, 2019) Rattlesnake (Zak Hilditch, 2019) The Neon Demon (Nicolas Winding Refn, 2016) Skin (Audrey Rosenberg, 2018) The Banishment (Изгнание, Andrey Zvyagintsev, 2007) F is for Friendship (Shaya Mulcahy, 2016) Paradise Hills (Alice Waddington, 2019) Road House (Rowdy Herrington, 1989) Hustlers (Lorene Scafaria, 2019) I Believe in Unicorns (Leah Meyerhoff, 2014) Ghost Train (Lee Cronin, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011)

February

Sitting Next to Zoe (Ivana Lalović, 2013) Dark Places (Gilles Paquet-Brenner, 2015) Nocturnal Animals (Tom Ford, 2016) The Limey (Steven Soderbergh, 1999) Side Effects (Steven Soderbergh, 2013) Good Sam (Kate Melville, 2019) Anima (Paul Thomas Anderson, 2019) What Did Jack Do? (David Lynch, 2017) Fleur de tonnerre (Stéphanie Pillonca, 2016) Parasite (Bong Joon-ho, 2019) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) Devil (John Eric Dowdle, 2010) 37 Seconds (Hikari, 2019) The Falling (Carol Morley, 2014) Grave of the Fireflies (火垂るの墓, Hotaru no Haka, Isao Takahata, 1988) Elena (Елена, Andrey Zvyagintsev, 2011) The Lighthouse (Robert Eggers, 2019) Baskin (Can Evrenol, 2015) In Fabric (Peter Strickland, 2018) Leviathan (Левиафан, Andrey Zvyagintsev, 2014) Suffragette (Sarah Gavron, 2015)

March

The East (Zal Batmanglij, 2013) Solaris (Солярис, Andrei Tarkovsky, 1972) Mamma Mia! (Phyllida Lloyd, 2008) There Will Be Blood (Paul Thomas Anderson, 2007) Io (Jonathan Helpert, 2019) The Death and Life of Marsha P. Johnson (David France, 2017) A Bump Along the Way (Shelly Love, 2019) Color Out of Space (Richard Stanley, 2019) Divines (Houda Benyamina, 2016) Vanishing Waves (Kristina Buožytė, 2012) Mirror (Зеркало, Andrei Tarkovsky, 1975) Zama (Lucrecia Martel, 2017) Swallow (Carlo Mirabella-Davis, 2019) Joy (Sudabeh Mortezai, 2018) Good Time (Josh and Benny Safdie, 2017) Quarantine (John Eric Dowdle, 2008) The Reflecting Skin (Philip Ridley, 1990) Three Billboards Outside Ebbing, Missouri (Martin McDonagh, 2017) Leto (Лето,  Kirill Serebrennikov, 2018) The 39 Steps (Alfred Hitchcock, 1935)

April

Queen of Earth (Alex Ross Perry, 2015) Black Christmas (Sophia Takal, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020) Firecrackers (Jasmin Mozaffari, 2018) Les Misérables (Ladj Ly, 2019) The Evil Dead (Sam Raimi, 1981) The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Fallen Idol (Carol Reed, 1948) The Wailing (곡성, Gokseong, Na Hong-jin, 2016) Inherent Vice (Paul Thomas Anderson, 2014) Sorrowful Shadow (Guy Maddin, 2004) Mistery Lonely (Harmony Korine, 2007) The Grand Bizarre (Jodie Mack, 2018) Zombieland: Double Tap (Ruben Fleischer, 2019) Waves '98 (Ely Dagher, 2015) Uncut Gems (Josh and Benny Safdie, 2019) The Last Séance (Laura Kulik, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Room (Lenny Abrahamson, 2015) Queen & Slim (Melina Matsoukas, 2019) The Holy Mountain (La montaña sagrada, Alejandro Jodorowsky, 1973) The Chaser ( 추격자, Chugyeokja, Na Hong-jin, 2008) Made in Dagenham (Nigel Cole, 2010) The Color of Pomegranates (Նռան գույնը, Nřan guynə, Sergei Parajanov, 1969) Lost Girls (Liz Garbus, 2020) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) And Then There Were None (René Clair, 1945) Doctor Sleep (Mike Flanagan, 2019) Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Circus of Books (Rachel Mason, 2019) Catfish (Henry Joost and Ariel Schulman, 2010) Wildling (Fritz Böhm, 2018) Delphine (Chloé Robichaud, 2019) The Strange Love of Martha Ivers (Lewis Milestone, 1946) The Red Balloon (Le Ballon rouge, Albert Lamorisse, 1956) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) The Lodge (Veronika Franz & Severin Fiala, 2019) Invisible Man (Leigh Whannell, 2020) Sans Soleil (Chris Marker, 1983)

May

A Russian Youth (Мальчик русский, Alexander Zolotukhin, 2019) Sicario (Denis Villeneuve, 2015) Fedora (Billy Wilder, 1978) LoveTrue (Alma Har'el, 2016) The Platform (Galder Gaztelu-Urrutia, 2019) Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007) The Assistant (Kitty Green, 2019) The Half of It (Alice Wu, 2020) Tomboy (Céline Sciamma, 2011) The Last Man on Earth (Ubaldo Ragona and Sidney Salkow, 1964) Beanpole (Дылда, Kantemir Balagov, 2019) Mommy (Xavier Dolan, 2014) The Fall (Jonathan Glazer, 2020) Girlhood (Bande de filles, Céline Sciamma, 2014) Carnival of Souls (Herk Harvey, 1962) Marguerite & Julien (Valérie Donzelli, 2015) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, Céline Sciamma, 2019) This Magnificent Cake! (Ce Magnifique Gâteau!, Emma De Swaef & Marc James Roels, 2018) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) Eraserhhead (David Lynch, 1977) The Farewell (Lulu Wang, 2019) Emma. (Autumn de Wilde, 2020) Late Night (Nisha Ganatra, 2019) Charlie's Angels (Elizabeth Banks, 2019) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (Cathy Yan, 2020) The Ancestors Came (Cecile Emeke, 2017) Suicide by Sunlight (Nikyatu Jusu, 2019) Anthropocene: The Human Epoch (Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, 2018) A Perfect 14 (Giovanna Morales Vargas, 2018) Westwood: Punk, Icon, Activist (Lorna Tucker, 2018) Free Radicals (Len Lye, 1958) Aniara (Pella Kågerman and Hugo Lilja, 2018) Vivarium (Lorcan Finnegan, 2019) La Pointe-Courte (Agnès Varda, 1955) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) GUO4 (Peter Strickland, 2019) Atlantiques (Mati Diop, 2009) Sitara: Let Girls Dream (Sharmeen Obaid-Chinoy, 2019) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Živan Makes a Punk Festival (Živan pravi pank festival, Ognjen Glavonić, 2014) Plastic and Glass (Tessa Joosse, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) The Octopus (La Pieuvre, Jean Painlevé, 1928) Hyas and Stenorhynchus (Hyas et sténorinques, crustacés marins, Jean Painlevé, 1929) Sea Urchins (Les Oursins, Jean Painlevé, 1929) Bernard-L'Hermite (Bernard-l'Ermite, Jean Painlevé, 1930) The Sea Horse (L'Hippocampe ou "cheval marin", Jean Painlevé, 1934) Voyage to the Sky (Voyage dans le ciel, Jean Painlevé, 1937) Le Vampire (Jean Painlevé, 1945) Freshwater Assassins (Assassins d'eau douce, Jean Painlevé, 1947) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) Pigeons of the Square (Les Pigeons du square, Jean Painlevé, 1982) The Slumber Party Massacre (Amy Holden Jones, 1982) Jane B. par Agnès V. (Agnès Varda, 1988) The Cranes Are Flying (Летят журавли, Mikhail Kalatozov, 1957) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Microhabitat ( 소공녀, Jeon Go-woon, 2017) The Unforeseen (Laura Dunn, 2007)

June

Funny Games (Michael Haneke, 1997) Louise Bourgeois: The Spider, the Mistress and the Tangerine (Marion Cajori and Amei Wallach, 2008) Wodaabe: Herdsmen of the Sun (Werner Herzog, 1989) Bells from the Deep: Faith and Superstition in Russia (Glocken aus der Tiefe - Glaube und Aberglaube in Russland, Werner Herzog, 1993) We Are the Best! (Vi är bäst!, Lukas Moodysson, 2013) Olla (Ariane Labed, 2019) Return to Reason (Le Retour à la raison, Man Ray, 1923) Ghosts Before Breakfast (Vormittagsspuk, Hans Richter, 1928) Sissy Boy Slap Party (Guy Maddin, 2004) The Republic of Enchanters (La République des enchanteurs, Fanny Liatard and Jérémy Trouilh, 2016) Sullivan's Banks (Sullivans Banken, Heinz Emigholz, 2000) Black Panthers (Agnès Varda, 1970) Asparagus (Suzan Pitt, 1979) America (Valérie Massadian, 2013) The Fall (Tarsem Singh, 2006) The Watermelon Woman (Cheryl Dunye, 1996) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Curling (Denis Côté, 2010) Trouble Every Day (Claire Denis, 2001) The Return (Возвращение, Andrey Zvyaginstev, 2003) Maillart's Bridges (Maillarts Brücken, Heinz Emigholz, 2000) Two Years at Sea (Ben Rivers, 2011) The Creeping Garden (Tim Grabham and Jasper Sharp, 2014) Homo Sapiens (Nikolaus Geyrhalter, 2016) A Radiant Life (Une Vie radieuse, Meryll Hardt, 2013) Shirley (Josephine Decker, 2020) Disclosure (Sam Feder, 2020) Baghead (Mark Duplass and Jay Duplass, 2008) Lahemaa (Leslie Lagier, 2010) Closeness (Теснота, Kantemir Balagov, 2017) Touki Bouki (Djibril Diop Mambéty, 1973) Daughter (Dcera, Daria Kashcheeva, 2019) Human Nature (Sverre Fredriksen, 2019) 1 Dimension (一维, Lü Yue, 2013)

July

Post Tenebras Lux (Carlos Reygadas, 2012) Something to Remember (Något Att Minnas, Niki Lindroth Von Bahr, 2019) Gegenüber (Ewa Wikiel, 2019) The Claudia Kishi Club (Sue Ding, 2020) Villa Empain (Katharina Kastner, 2019) Fata Morgana (Werner Herzog, 1971) Some Like It Hot (Billy Wilder,1959) Breakwater (Quebramar, Cris Lyra, 2019) Y a-t-il une vierge encore vivante? (Bertrand Mandico, 2015) Virus Tropical (Santiago Caicedo, 2017) The Tribe (Племя, Miroslav Slaboshpitsky, 2014) Integration Report 1 (Madeline Anderson, 1960) Tribute to Malcolm X (Madeline Anderson, 1967)

August

The Stopover (Voir du pays, Delphine and Muriel Coulin, 2016) Our Time (Nuestro Tiempo, Carlos Reygadas, 2018) Never Rarely Sometimes Always (Eliza Hittman, 2020) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Continental, a Film Without Guns (Continental, un film sans fusil, Stéphane Lafleur, 2007) Spaceship Earth (Matt Wolf, 2020) The Go-Go's (Alison Ellwood, 2020) First Cow (Kelly Reichardt, 2019) Light of My Life (Casey Affleck, 2019) Wadjda (Haifaa al-Mansour, 2012) Spinster (Andrea Dorfman, 2020) Love and Anarchy (Film d'amore e d'anarchia, ovvero: stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..., Lina Wertmüller, 1973) Shapito Show (Шапито шоу, Sergey Loban, 2011) Charade (Stanley Donen, 1693) Cat People (Jacques Tourneur, 1942) Radioactive (Marjane Satrapi, 2019) Tabloid (Errol Morris, 2010) The Mourning Forest ( 殯の森, Mogari No Mori, Naomi Kawase, 2007) Lilya 4-ever (Lilja 4-ever, Lukas Moodysson, 2002)

September

The Nightingale (Jennifer Kent, 2018) Babyteeth (Shannon Murphy, 2019) Let the Corpses Tan (Laissez bronzer les cadavres, Hélène Cattet & Bruno Forzani, 2017) Wings of Desire (Der Himmel über Berlin, Wim Wenders, 1987) In My Room (Mati Diop, 2020) Katalin Varga (Peter Strickland, 2009) Les 3 Boutons (Agnès Varda, 2015) Somebody (Miranda July, 2014) Öndög (Wang Quan'an, 2019) Strasbourg 1518 (Jonathan Glazer, 2020) Mermaid (Русалка, Anna Melikyan, 2007) The Lighthouse (Маяк, Maria Saakyan, 2006) Phenomena (Dario Argento, 1985) That One Day (Crystal Moselle, 2016) Brigitte (Lynne Ramsay, 2019) The Wedding Singer's Daughter (Haifaa al-Mansour, 2018) Shako Mako (Hailey Gates, 2019) Carmen (Chloë Sevigny, 2017) The Summer of Sangailė (Sangailės Vasara, Alanté Kavaïté, 2015) Hello Apartment (Dakota Fanning, 2018) Seed (Naomi Kawase, 2016) Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019) Matthias & Maxime (Xavier Dolan, 2019) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000)

October

American Murder (Jenny Popplewell, 2020) Hereditary (Ari Aster, 2018) Ghostland (Pascal Laugier, 2018) Triangle (Christopher Smith, 2009) The Amityville Horror (Stuart Rosenberg, 1979) The Visit (M. Night Shyamalan, 2015) The House of the Devil (Ti West, 2009) Misery (Rob Reiner, 1990) The Exorcist (William Friedkin, 1973) Coherence (James Ward Byrkit, 2013) Metamorphosis (변신, Kim Hong-sun, 2019) Errementari (Paul Urkijo Alijo, 2017) I Am a Ghost (H.P. Mendoza,2012) The Changeling (Peter Medak, 1980) Witching and Bitching (Las Brujas de Zugarramurdi, Álex de la Iglesia, 2013) Thirst (박쥐, Park Chan-wook, 2009) V/H/S ( Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, 2012) The Autopsy of Jane Doe (André Øvredal, 2016) Overlord (Julius Avery, 2018) Häxan (Benjamin Christensen, 1922) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967) Amulet (Romola Garai, 2020) A Bucket of Blood (Roger Corman, 1959) The Wasp Woman (Roger Corman, 1959) Mother! (Darren Aronofsky, 2017) Suspiria (Dario Argento, 1977) The Open House (Matt Angel, Suzanne Coote, 2018)

November

The Damned Don't Cry (Vincent Sherman, 1950) Notorious (Alfred Hitchcock, 1946) While the City Sleeps (Fritz Lang, 1956) The Man Who Wasn't There (Joel Coen, 2001) The Naked City (Jules Dassin, 1948) The Petrified Forest (Archie Mayo, 1936) Croupier (Mike Hodges, 1998) In a Lonely Place (Nicholas Ray, 1950) Elevator to the Gallows (Ascenseur pour l'échafaud, Louis Malle, 1958) Key Largo (John Huston, 1948) Dial M for Murder (Alfred Hitchcock, 1954) The Long Farewell (Долгие проводы, Kira Muratova, 1971) The Killers (Robert Siodmak, 1946) Gun Crazy (Joseph H. Lewis, 1950) Alphaville (Jean-Luc Godard, 1965) Laura (Otto Preminger, 1944) The Third Man (Carol Reed, 1949) Dark City (Alex Proyas, 1998) Night and the City (Jules Dassin, 1950) Ace in the Hole (Billy Wilder, 1951)

December

Nimic (Yorgos Lanthimos, 2020) Elsa la rose (Agnès Varda, 1966) Le Bonheur (Agnès Varda, 1965) Little Girl (Petite Fille, Sébastien Lifshitz, 2020) Cold Meridian (Peter Strickland, 2020) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald ou (Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013) Zootopia (Byron Howard, Rich Moore, 2016) It's a Wonderful Life (Frank Capra, 1946) Paddington (Paul King, 2014) Miracle on 34th Street (George Seaton, 1947) High Life (Claire Denis, 2018) Paddington 2 (Paul King, 2017)

I saw 97 films directed by women since January! If you’re still trying to make your 52-a-year, here are some films that I enjoyed over the past six months, according to where to stream them from.

(As usual, please keep in mind that I am based in France and availability varies from country to country – but we do tend to have less stuff available, rather than more, so you should be able to watch most of these regardless of where you are.)

Woman-directed films worth watching on Netflix

Good Sam (Kate Melville, 2019) Fleur de tonnerre (Stéphanie Pillonca, 2016) 37 Seconds (Hikari, 2019) Suffragette (Sarah Gavron, 2015) Mamma Mia! (Phyllida Lloyd, 2008) Divines (Houda Benyamina, 2016) Joy (Sudabeh Mortezai, 2018) Lost Girls (Liz Garbus, 2020) Circus of Books (Rachel Mason, 2019) LoveTrue (Alma Har'el, 2016) Marguerite & Julien (Valérie Donzelli, 2015)

... on Outbuster

Microhabitat ( 소공녀, Jeon Go-woon, 2017)

... on Amazon Prime

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) The Judge (Erika Cohn, 2017) Nuts! (Penny Lane, 2016) I Believe in Unicorns (Leah Meyerhoff, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011)

… and on Mubi

(Some of these won’t be available anymore but if you have Mubi it’s worth checking, especially now that they have that handy “library” feature)

Feature films:

The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Grand Bizarre (Jodie Mack, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) La Pointe-Courte (Agnès Varda, 1955) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Jane B. par Agnès V. (Agnès Varda, 1988) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Trouble Every Day (Claire Denis, 2001)

Short films:

Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Delphine (Chloé Robichaud, 2019) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) Atlantiques (Mati Diop, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) Olla (Ariane Labed, 2019) Asparagus (Suzan Pitt, 1979) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Lahemaa (Leslie Lagier, 2010)

Woman-directed short films to watch for free on Vimeo...

Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Skin (Audrey Rosenberg, 2018) Suicide by Sunlight (Nikyatu Jusu, 2019)

... on Arte

Daughter (Dcera, Daria Kashcheeva, 2019)

... and on YouTube

Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020)

List of all 97 films under the cut!

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Nuts! (Penny Lane, 2016) The Judge (Erika Cohn, 2017) Dearborn Ash (Hena Ashraf, 2018) Pineal (Jenny Rinta-Kanto, 2019) Skin (Audrey Rosenberg, 2018) F is for Friendship (Shaya Mulcahy, 2016) Paradise Hills (Alice Waddington, 2019) Hustlers (Lorene Scafaria, 2019) I Believe in Unicorns (Leah Meyerhoff, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011) Sitting Next to Zoe (Ivana Lalović, 2013) Good Sam (Kate Melville, 2019) Fleur de tonnerre (Stéphanie Pillonca, 2016) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) 37 Seconds (Hikari, 2019) The Falling (Carol Morley, 2014) Suffragette (Sarah Gavron, 2015) Mamma Mia! (Phyllida Lloyd, 2008) A Bump Along the Way (Shelly Love, 2019) Divines (Houda Benyamina, 2016) Vanishing Waves (Kristina Buožytė, 2012) Zama (Lucrecia Martel, 2017) Joy (Sudabeh Mortezai, 2018) Black Christmas (Sophia Takal, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020) Firecrackers (Jasmin Mozaffari, 2018) The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Grand Bizarre (Jodie Mack, 2018) The Last Séance (Laura Kulik, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Queen & Slim (Melina Matsoukas, 2019) Lost Girls (Liz Garbus, 2020) Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Circus of Books (Rachel Mason, 2019) Delphine (Chloé Robichaud, 2019) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) The Lodge (Veronika Franz & Severin Fiala, 2019) LoveTrue (Alma Har'el, 2016) Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007) The Assistant (Kitty Green, 2019) The Half of It (Alice Wu, 2020) Tomboy (Céline Sciamma, 2011) Girlhood (Bande de filles, Céline Sciamma, 2014) Marguerite & Julien (Valérie Donzelli, 2015) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, Céline Sciamma, 2019) This Magnificent Cake! (Ce Magnifique Gâteau!, Emma De Swaef & Marc James Roels, 2018) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) The Farewell (Lulu Wang, 2019) Emma. (Autumn de Wilde, 2020) Late Night (Nisha Ganatra, 2019) Charlie's Angels (Elizabeth Banks, 2019) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (Cathy Yan, 2020) The Ancestors Came (Cecile Emeke, 2017) Suicide by Sunlight (Nikyatu Jusu, 2019) Anthropocene: The Human Epoch (Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, 2018) A Perfect 14 (Giovanna Morales Vargas, 2018) Westwood: Punk, Icon, Activist (Lorna Tucker, 2018) Aniara (Pella Kågerman and Hugo Lilja, 2018) La Pointe-Courte (Agnès Varda, 1955) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) Atlantiques (Mati Diop, 2009) Sitara: Let Girls Dream (Sharmeen Obaid-Chinoy, 2019) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Plastic and Glass (Tessa Joosse, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) The Slumber Party Massacre (Amy Holden Jones, 1982) Jane B. par Agnès V. (Agnès Varda, 1988) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Microhabitat ( 소공녀, Jeon Go-woon, 2017) The Unforeseen (Laura Dunn, 2007) Louise Bourgeois: The Spider, the Mistress and the Tangerine (Marion Cajori and Amei Wallach, 2008) Olla (Ariane Labed, 2019) The Republic of Enchanters (La République des enchanteurs, Fanny Liatard and Jérémy Trouilh, 2016) Black Panthers (Agnès Varda, 1970) Asparagus (Suzan Pitt, 1979) America (Valérie Massadian, 2013) The Watermelon Woman (Cheryl Dunye, 1996) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Trouble Every Day (Claire Denis, 2001) A Radiant Life (Une Vie radieuse, Meryll Hardt, 2013) Shirley (Josephine Decker, 2020) Lahemaa (Leslie Lagier, 2010) Daughter (Dcera, Daria Kashcheeva, 2019)